Handley & Moore, London for Barwise, a mahogany bracket clock having an eight-day duration, five pillar double-fusee movement striking the hours on a bell with pull repeat and a strike/silent lever to the rear, with border engraving to the backplate, the frontplate stamped with the movement maker’s name and serial number ‘Handley & Moore, 1123’, the seven-inch round convex painted dial having black Roman numerals, blued steel moon hands and signed ‘Barwise, London’, the arch-top case with ebonised inlaid decoration to the front panel and further satinwood and boxwood crossbanding, the sides with brass fish-scale fretwork, with a brass carrying handle to the top, height: 37cm (handle down) * Handley and Moore of Clerkenwell Close, London were fine and well-known makers of clocks working from 1798 until the death of Handley in 1824 after which John Moore continued alone. The partnership mainly made pieces for others, as in this example, with distinctive features such as the strike/silent lever and style of border engraving to the backplate, a feature also used by Thwaites & Reed, another supplier of high quality movements. Both Handley and Moore were apprentices to John Thwaites in the late 18th century.
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A Victorian Jacobean style chiming bracket clock having an eight-day duration, triple-fusee movement chiming on 8 bells or four gongs and striking the hours on a gong, the seven-inch arched brass dial having a raised silvered chapter ring with raised brass Arabic numerals and engraved decoration between, with three raised, silvered subsidiary dials within the arch for ‘chime/silent’, ‘slow/fast’ regulation and ‘Eight Bells/Westminster Chimes’, with a matted dial centre, the oak case profusely carved with Jacobean style decoration with male and female figureheads to the front either side of the dial and lions head motifs above, with a sun head motif carved to the front of the caddy top and carved wood side frets, complete with a matching wall bracket, height: 68cm (not inc. bracket)
Alexander Brown, Liverpool, a Victorian chiming bracket clock having an eight-day duration, triple-fusee movement chiming on nine bells and striking the hours on a gong, the seven-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, with two subsidiary dials within the arch for ‘chime/silent’ and ‘Eight Bells/Cambridge Chimes’, the dial centre engraved with the maker’s name ‘Alexr Brown, Liverpool’, the Gothic style oak case having clustered pillars to the corners, a band of ogee Gothic decoration to the base, carved decoration above the door, carved wood side frets and surmounted by three carved finials set within the top cresting, complete with a matching wall bracket, height: 73cm (not inc. bracket) * Alexander Brown is recorded as working in Liverpool circa 1825.
William Born, Askrigg (Yorkshire), a mahogany moonphase longcase clock having an eight-day duration movement striking the hours on a bell, the painted fourteen-inch break-arch dial having black Roman hour numerals, subsidiary seconds and date dials, decorative brass hands, painted ‘shell’ corner spandrels and signed to the centre ‘Wm. Born, Askrigg, 1837’, with a moonphase disc within the arch, the mahogany case having a raised panel to the base, shaped moulding to the trunk door, barley-twist columns to the both the trunk and hood and with a swan-neck pediment, height: 240cm.
James Delance, Downton, a lacquered longcase clock having an eight-day duration, five pillar movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, outer Arabic five minute markings, fleur-de-lys half-hour markings and signed ‘Jas. Delance, Downton’, the matted centre having ringed winding holes, an engraved surround to the date aperture, and a subsidiary seconds dial, with decorative blued steel hands and cast brass ‘female-head’ spandrels, the black lacquered case having raised chinoiserie decoration, three-quarter columns to the caddy-top hood, and a glass lenticle to the trunk door, height: 220cm. * James Delaunce (sometimes Delance) is recorded as working in Downton, Wiltshire from circa 1720 having previously worked in Frome from the late seventeenth century and previous to that in London where he was free of the Clockmakers company in 1678.
George Page, Naveby and George Usher, Lincoln, an oak and mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the eleven-and-a-half inch painted break-arch dial having black Roman hour numerals, subsidiary seconds and date apertures, with painted cottages to the four corners and a further rural scene painted within the arch depicting a farmer with his dog, signed to the centre with the maker’s name ‘Geo. Page, Navenby’, with decorative brass hands, the oak case having mahogany crossbanding to the base, a shaped top to the trunk door, scroll-topped canted corners with ebonised inlaid stringing, the hood with further string to the door, fluted pillars with cast brass capitals, a swan-neck pediment with brass paterae and three ball-and-spire finials, the inside of the case bearing a label stating ‘George Usher, Cabinet and Case maker, Lincoln, No...’ the serial number being indistinct but possibly ‘15’, height: 215cm. * George Page is recorded as working in Navenby, Lincolnshire from before 1854 and was a member of a long line of well-known clockmakers working in the area over a number of generations. * George Usher was a cabinetmaker working in Lincoln during the mid-Victorian period and was a member of the cabinet making and watchmaking family of that name which included James Ward Usher, the jeweller, watchmaker, collector and entrepreneur who left a bequest to found the famous Usher gallery in Lincoln.
John Wood, Exon a walnut longcase clock having an eight-day duration, five pillar movement striking the hours on a bell, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and fleur-de-lys half-hour markings, with engraved wheatear border decoration, the matted centre engraved with doves in flight and a basket of fruit surrounding the date aperture, with a subsidiary seconds dial, blued steel hands and cast brass ‘female-head’ spandrels and engraved with the makers name ‘John Wood, Exon’, the later associated walnut veneered case having crossbanding to the trunk door, with gilt-wood capitals to the quartered hood pillars, and with three associated brass finials to the flat top, standing on bracket feet, height: 200cm (not inc. finials) * John Wood is recorded as working in Exon (Exeter) in the early 18th century and is known to have had his son James babtised in 1727 in the Bow Meeting House.
Zenith, 8 Day, a square gilt alarm clock, ref.7666, circa 1930, with an engine turned case, stepped bezel, silvered dial, black Arabic numerals, and blued steel spade hands, the dial signed Zenith 8 Days Carrington, the eight day square movement with jewel lever platform escapement, monometallic balance and flat balance spring, 7.5cm high
A German cockpit chronograph clock, circa 1940, BORDUHR Gerat-No 127-553 A Werk - no. 846701, Anforderz F123885 Herst Nas, the black dial with rotating bezel calibrated to 60 seconds, radiumed skeleton hands and numerals, and subsidiary hour dial, and centre seconds fly back, standard chronograph movement, the case back with bayonet fitting, 5.5cm diameter
A late 18th/early 19th century figured mahogany long case clock, the domed hood having plain moulded and serpentine cornice and having flanking fluted columns with brass base terminals and the eight day striking movement with cream enamelled dial with decorative gilt heightened floral detail, Roman numerals and separate seconds and date dials
An early 20th century Continental mantle clock in burr walnut and chevron veneered case with elaborate gilt metal rococo style scrolled and pierced mounts, the 8 day German movement striking on a gong and having white enamel dial with blue Roman numerals and black arabic numerals (31cms high)
An early 20th century green onyx and brass mounted mantle clock of architectural form with domed cupola, classical frieze and flanking fluted columns on rectangular plinth base, the 8 day movement striking on a gong and having brass presentation plaque dated 1907 (as viewed, approx 32cms high)
A brass Cathedral skeleton clock rising from a stepped base with 2 recumbent lions on plinth and central compass, the minimal tower shaped frame with decorative finials and the single fusee movement having a ring pierced steel dial with painted Roman numerals. The whole mounted on a stepped oblong white marble plinth with squat bun feet and protected by a glass dome cover which is as viewed (clock stands 38cms)
A 17th Century style Continental silver windmill cup, probably late 19th Century, the bell shaped bowl engraved with bands of cherubs and scrolling foliage, the upper band moulded with three lions masks, the stem formed as three scrollwork brackets supporting the windmill with simulated plank sides and clock dial, above a miller ascending a ladder and scroll spout, hallmarked to rim, height approx 19cm (lacking sails).
A late 19th Century gilt brass and champlevé enamel clock garniture, the clock with eight day movement striking on a gong, the dial with polychrome enamel centre surrounded by Arabic numerals, the backplate stamped with `Japy Freres` mark, the case with urn surmount above panels and bands of polychrome enamelled flowers and foliate motifs, on bracket feet, flanked by a pair of matching two handled urn ornaments, height of clock approx 34cm, together with pendulum.
A late Victorian slate cased mantel clock with eight day movement striking on a bell, the circular gilt dial and black chapter ring with Roman numerals and inscribed `Clerke, I. Royal Exchange, London, the rectangular case incised and gilded with leaf sprays, on a rectangular base, together with pendulum.
A 20th Century mahogany cased mantel clock with eight day fusee movement, the circular dial inscribed `Thos Richards, London`, the rectangular case with gilt metal pinecone finial above applied mouldings, flanked by a pair of glazed panels, on a plinth base and gilt brass bracket feet, height approx 31cm, together with pendulum and key (alterations and restoration).
A 20th Century Elliott walnut cased bracket clock with eight day `Westminster` and `Whittington` chiming movement, the brass break arch dial and silvered chapter ring with Roman numerals and inscribed `The Alexander Clark Co Ltd`, cornered by mask spandrels, the case with brass carrying handle, on a rectangular base and bracket feet, height approx 37cm.
An early 19th Century mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and inscribed `Woolerton Yarmouth`, the arched hood with glazed door flanked by Corinthian columns, the trunk with arched door flanked by cut corners on a plain base, height approx 203cm (faults), together with pendulum and weights.
An early Victorian mahogany bracket clock with twin fusee movement striking on a bell, the painted arch dial with strike/silent indicator above Roman numerals and inscribed `Barrauds & Lund, Cornhill, London, 1352`, the backplate similarly engraved, the case with stepped surmount above a glazed door flanked by embossed brass foliate and loose ring handles and pierced fret panels, on a plinth base and turned feet, together with pendulum, height approx 35cm (minor faults and restoration).
A late 19th Century Vienna style walnut cased wall clock with eight day movement, striking on a gong, the circular brass dial and white chapter ring with Roman numerals, the case with turned finials, above a glazed door flanked by turned pilasters, and a shaped apron with pendulum and key, together with an oak mantel timepiece.
A late 19th Century French boullework mantel clock with eight day movement striking on a bell, the embossed gilt dial inset with enamel shield shaped hour plaques with blue Roman numerals, the balloon shaped case with foliate scroll decoration, on scroll feet, height approx 31cm, with pendulum and key.
A George III oak and mahogany crossbanded longcase clock with eight day movement striking on a bell, the brass broken arch dial with Arabic and Roman numerals framing subsidiary seconds and date dial, the arch inscribed `Jas Ross Glasgow`, the hood with swan neck pediment above a glazed door flanked by fluted columns, the trunk door flanked by fluted quarter columns, on a panelled base and bracket feet, height approx 235cm, together with a pendulum and two weights (some faults).
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial and chapter ring with Roman and Arabic numerals, subsidiary seconds, date aperture and inscribed `Jacob Taverner, London`, beneath a chime/silent dial cornered by engraved and pierced brass spandrels, the break arch hood with plain surmount above a glazed door flanked by reeded columns, with break arch trunk door and plain base, height approx 210cm (faults), with two weights, pendulum and winder.
A George III mahogany longcase clock, with eight day striking movement, the brass break arch dial with strike/silent dial above Roman numerals subsidiary seconds, date dial and inscribed `Atwood, Lewes`, the break arch hood above a glazed door flanked by reeded columns, the break arch trunk door above a plain base, with two weights and pendulum, height approx 201cm (lacking bell and some faults).
A George III oak and mahogany crossbanded longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a matt centre with subsidiary seconds and date aperture, the arch with silvered boss inscribed `Thomas Servard, Newport`, the hood with swan neck pediment above a glazed door flanked by a pair of turned pilasters, the trunk with rectangular door on a plain base and plinth, height approx 212cm, together with pendulum and two weights.
A Victorian oak longcase clock, with eight day movement striking on a bell, the brass broken arch dial with rolling moon to arch above a silvered chapter ring with Arabic and Roman numerals framing engraved foliage and subsidiary seconds, all cornered by gilt spandrels, the moulded swan neck pediment above a glazed door flanked by barley twist pillars, the trunk door carved with lunettes, scrolls and acanthus leaves flanked by fluted quarter columns, the base carved with a diamond motif and raised on bracket feet, height approx 223cm, together with pendulum, two weights and winder.
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460327 item(s)/page