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Lot 151
AN ELIZABETH II SILVER HANDLED KINGS PATTERN PIE SLICE, stainless steel blade, makers Harrison Brothers, Sheffield 1972, together with an Elizabeth II silver mounted easel bedside clock, embossed ribbons, swags and husking, quartz movement, makers Carr's of Sheffield 1994, height 9cm (2) (condition: both pieces in good condition)
Lot 261
AN EARLY 20TH CENTURY FRENCH BRASS AND CHAMPLEVE ENAMEL CARRIAGE CLOCK, cream enamel dial, s.d., with blue Arabic numerals within champleve panel, four glass panels, solid door to back, back of movement stamped 'MADE IN FRANCE' within an oval, height to top of swing handle 15cm, with key (condition: in working order at time of cataloguing, dial has cracks in the section between the numbers 3 and 6, the back door is not closing properly as is slightly mishapen)
Lot 263
A LATE 19TH CENTURY GILT BRASS AND PORCELAIN CASED CARRIAGE CLOCK, with alarm and push button repeat mechanism, striking on a gong, the movement unsigned and un-numbered, the porcelain dial with Roman numerals, four porcelain panels with turquoise ground, painted with courting couples, cherub and landscapes, two panels a.f, height with swing handle up approximately 17cm, with key and original leather case (condition: leather carry case in worn but complete and servicable order, the clock has a cracked panel to the top and to the left hand facing side lower edge, gilding worn in places, carry handle not staying up, repeat button slightly mishapen but does work, clock chimes/repeats and winds but does not tick)
Lot 272
A FRENCH ART DECO MARBLE MANTEL CLOCK, surmounted by a spelter dog on a grey and orange veined marble four column case, square dial with Arabic numerals, the movement stamped Japy Freres 10120B, striking on a bell, width 32.5cm x height 43cm (pendulum only) (condition: columns need screw fittings tightening, dog surmount has traces of gilding)
Lot 279
A LATE VICTORIAN BLACK SLATE AND MARBLE MANTEL CLOCK, the square top lacking surmount, circular dial with ornately cast side handles, applied Roman numerals, eight day movement striking on a bell, the rectangular plinth base with decorative bar above four lobed bun feet, height 39.5cm x width 37cm, no pendulum and key does not fit winding holes, together with an Art Deco black slate and marble mantel clock, the square dial with carved numerals flanked by two swan like birds, Smiths movement, a.f, width 47cm x height 22.5cm (2) (condition: both clocks incomplete, Victorian example lacks surmount and pendulum, some silvering loss to handles, feet loose, the Art Deco clock lacks hands, the left swan is detached, the movement is at fault)
Lot 281
A LATE 18TH CENTURY FRENCH BOULLE MARQUETRY BRACKET CLOCK, ormolu figural surmount of Hercules wearing a lion skin, the tortoiseshell and ormolu mounted balloon shaped case with shell and fruit above the door and eagle with outstretched wings above Classical devices to the foot of the door and between the front legs, the circular embossed gilt dial with enamel white and blue Roman numerals and an enamel plaque below the dial 'HELYE A PARIS', the backplate engraved the same, the eight day movement with count wheel strike on a bell, with key, case key and pendulum, height 69.5cm (condition: left side panel has two cracks in the glass, brass inlay missing to left and right sides, gap between back door and interior base, other losses to timber and splits, ormolu surmount is loose, movement winds, heard and seen chiming)
Lot 283
A LATE 19TH CENTURY GILT METAL MANTEL CLOCK OF ARCHITECTURAL FORM, urn shaped finial above a circular porcelain dial with gilt overlay and black Roman numerals, flanked by caryatids, the rectangular base cast with a border of acanthus leaves, the front engraved 'SOUTHPORT CYCLING CLUB SPORTS 1896', the eight day movement stamped SF, numbered 104, striking on a gong, with a gilt wood and velvet plinth with bun feet, the underside stamped 38720 and DS in an oval and with a glass dome on ebonised plinth, overall height including dome 49cm, height of clock only 35cm, with pendulum and key (condition: clock movement winds and strikes, back of dome painted black)
Lot 286
A LATE 19TH CENTURY GILT METAL AND PORCELAIN CASED CIRCULAR WALL HANGING CLOCK, the blue ground with raised gilding of flowers, foliage and insects, the glazed enamel chapter ring with Arabic numerals and centre open to display the movement, the pull off cover bears printed instruction label to the interior in French and English by Fot. Brevete S.G.D.G., the movement stamped 85402 FOT BTE with star, cartouche and anchor mark, the whole suspended on a gilt metal chain with wall fitting attached, height of clock only 37cm (condition: no key, no obvious damage, some wear to the gilt metal work in places)
Lot 493
A GEORGE III OAK AND MAHOGANY BANDED LONGCASE CLOCK, cushion moulded cornice above a plain frieze supported on plain columns, the 32cm (12 1/2'') brass dial with Roman and Arabic numerals, brass boys and crown spandrels, subsidiary seconds dial and date aperture, eight day movement, dial named Oliver Ardmagh, plain trunk door and plinth base on bracket feet, height 208cm, with pendulum, weights, door key and winding key (condition: not seen working, splits to front of plinth base)
Lot 509
A GEORGE III PALE OAK, MAHOGANY AND SATINWOOD EIGHT DAY LONGCASE CLOCK BY JAMES OATLEY OF TAMWORTH, broken swan neck pediment with stamped brass roundels with brass orb finial, the arched hood on fluted columns with brass caps flanking a painted dial, the arch with oval vignette of a gardener, strawberry and floral painted spandrels, the 32cm/12 1/2'' dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, named 'Jas Oatley Tamworth', reverse of the movement plate named WILSON, the trunk door flanked by quarter columns, on a plinth base with shaped bracket feet, height 237cm, with pendulum, two weights, trunk key and winding key (condition: the case is in good clean condition, the dial has two patches of paint loss where the movement is fastened, James Oatley was deported to Australia in 1814 arriving in Hobart in 1815, he was pardoned in 1821 and his later clocks bear the name of James Oatley, Sydney)
Lot 514
A LATE 17TH CENTURY STYLE EIGHT DAY OAK LONGCASE CLOCK, the hood with moulded pediment and blind fret, carved heart, square hood door enclosing brass 23.5cm/9 1/4'' dial, brass boys and crown spandrels, Roman numerals, dial named 'John Stokes', bell strike, plain trunk to a shortened plinth base, height 197cm x max width 47cm, with pendulum, two weights and winding key (condition: both the case and the movement have been restored/repaired and altered over time, hands replaced, not seen working)
Lot 520
AN EARLY 19TH CENTURY MAHOGANY AND SATINWOOD INLAID AND BANDED EIGHT DAY LONGCASE CLOCK, the arched hood with pierced oval decoration, the painted 33cm/13'' dial with arched scene titled Esther accusing Haman, the spandrels with figures emblematic of the four continents, titled Europe, Asia, America, Africa, with Roman numerals, subsidiary seconds and date dials (worn), the trunk door with canted corners, on a plinth base which has been cut down, height 215cm, with painted pendulum and two weights (condition: splits to moulding to the swan neck pediment, losses to trunk door, base reduced in height
Lot 524
DICKENS, CHARLES, The Old Curiosity Shop: A Tale: complete in one volume, The First 'Separate' edition as originally this title formed parts of 'Master Humphrey's Clock', this accounts for the page numbering irregularities (e.g p 2-38, A7-49, etc) original olive-green boards faded to a brownish hue
Lot 363
‡ John Bratby RA (1928-1992) Self portrait surrounded by bottles, busts and a clock Signed and dated 76+78, and further inscribed To Jack Merrill with every good wish John Bratby (to stretcher) Oil on canvas 91.2 x 61cm Provenance: Purchased from the artist by John Merrill; by descent to his son; Woolley and Wallis, Modern British & 20th Century Art, 7 June 2017, lot 259; Private Collection, UK Exhibited: National Portrait Gallery, London, John Bratby Portraits, March-May 1991, no. 24
Lot 39
A George III mahogany longcase clock, the dial inscribed Peter Pohlmann, London, the hood with brass finials and fret carved panels on stop fluted columns above an arched trunk door and brass stop fluted corners on a panelled base and bracket feet, the arched dial with dolphin and mask gilt metal spandrels, strike/silent dial in the arch, silvered chapter ring, subsidiary seconds dial and date aperture, the eight-day repeating mechanism striking on a bell, 12 inch dial, 255 cm high
Lot 65
An Art Deco engine-turned silver desk-clock with Waltham movement, swiveling on a platform stand, James Griffiths, Chester 1927, 9 x 11.5 cm wide movement running at time of inspection, overall good condition, however there is a dent to the stand, two ball feet bruised, both pillar supports slightly bent, no obvious signs of restoration, dial in good condition
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460315 item(s)/page