There are 428106 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA 19th Century Mahogany Bracket Clock, unsigned, the arched case below a pagoda canopy surmounted by a ball finial, pierced brass side frets, stop fluted columns, 8 inch white painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on two bells, movement with securing brackets, {61cm high} .
A Victorian Walnut Striking Mantel Clock, signed Clerke, 1 Royal Exchange, London, No 5020, third quarter 19th century, the walnut case with balcony pediment and finials to the corners, pierced side frets, the plinth with brass mounts and an applied brass plaque inscribed "Presented to the Revd T Surtees Raine a testimony of respect and regard from his friends at Mickleham March 1890", the 5 inch engraved silvered dial with Roman numerals and strike/silent, twin fusee movement with anchor escapement and strike on gong, movement and dial signed, {41cm high}.
A Walnut Vienna Wall Clock, circa 1890, the walnut case with carved finials and pediment, glazed break-arch door flanked by carved corninthian fluted colours, 8 1/2 inch two piece enamel dial with subsidiary seconds, single train movement stamped "Kienzle 226", with month going duration and deadbeat escapement, {188cm high} .
A Large Bronze, Marble and Ormolu Striking Mantel Clock, second quarter 19th century, the naturalistic case modelled with a figure of a lady with a dog at her side, the base with marble and ormolu decoration, silvered dial with applied Roman numerals, the twin barrel movement with applied Roman numerals, silvered dial with silk suspension and countwheel strike on bell, {73cm high} .
An Oak and Mahogany Eight Day Longcase Clock, signed Hudson Fox, Beverley, circa 1800, the case with pagoda top, hood with brass ball and spire finials, fluted pillars, the trunk door with central shell patera flanked by canted angles, 12 inch painted dial signed "Hudson Fox, Beverley", subsidiary seconds and date aperture, falseplate stamped "Osbourne", four pillar movement with anchor escapement striking on bell, {219cm high} (on later seat board) .
An Impressive Mahogany Eight Day Musical Longcase Clock, signed Jas Shaw, Halifax, circa 1820, the inlaid case with swan neck pediment and turned pillars, arched trunk door with flame veneer, upon a plinth with canted inlaid corners, 16 inch break-arch painted dial with large subsidiary seconds and Psalms selection dial 95, 50, 6, 8, 40, 78, the corners depicting the four continents, arch with rolling moon and lunar scale, the massive three train movement with anchor escapement playing the Psalms on eight bells with eight hammers and striking further the hour with two hammers on two bells, {282cm high}.
A George III Mahogany Longcase Clock, signed Jas Stewart, London, circa 1780, the break arch moulded pediment with stop fluted pillars, the break-arch moulded trunk with a flame veneer of rich colour, moulded plinth, the 12 inch brass arched dial with silvered chapter ring, centre field with subsidiary seconds, date aperture and a plaque signed "Jas Stewart, London", the arch with strike/silent, five pillar movement with rack striking on a bell, and anchor escapement, {201cm high} (shortened plinth).
An Oak Thirty Hour Longcase Clock, signed Yeoman, Gisbrough, circa 1760, the case with later pediment, break-arch trunk door, shortened plinth, 11 inch square brass dial with silvered chapter ring, matted centre field with date aperture and a silvered plaque signed "Yeoman, Gisbrough", four pillar movement with anchor escapement and countwheel strike on bell, {197cm high}.
A Mahogany Longcase Clock, signed Jonathn Meadows, Yarmouth, late 18th century, the break-arch pediment with reeded pillars, break-arch trunk door with later marquetry inlaid panel of an urn, moulded plinth with later marquetry panel, 12 inch brass arched dial with silvered chapter ring and centre field with subsidiary seconds, date aperture, the arch with a circular plaque signed "Jonathn Meadows, Yarmouth", four pillar movement with rack striking on later bell, anchor escapement, {214cm high} (central finial lacking).
A Mahogany Chiming Longcase Clock, signed Leonard Hall & Son, Grimsby, circa 1910, the case with swan neck pediment, brass capped fluted pillars, the trunk with a glazed door and a moulded panel plinth, 12 1/2 inch dial with Roman and Arabic numerals, pierced masked spandrels, chime/silent and Whittington/Westminster in the arch, the massive three train movement striking on eight tubular bells, {235cm high}.
A Mahogany Eight Day Longcase Clock, unsigned, the case with swan neck pediment and pierced work, arched inlaid trunk door flanked by turned columns, inlaid plinth upon bracket feet, 14 inch brass break-arch dial with silvered chapter ring, moon disc in the arch, subsidiaries for date and seconds, falseplate stamped "Wilson", four pillar movement with anchor escapement and rack strike on bell, {244cm high} (case, movement and dial associated).
An Oak Chiming Longcase Clock, early 20th century, the "Mouseman" case with flat top and carved floral decoration, carved mouse to the side, glazed rectangular trunk door and moulded plinth, 11 inch square brass dial with silvered chapter ring, matted centre with subsidiary seconds and a silvered plaque signed "Sinclair Handing, Cheltenham", three train movement with eight hammers striking on eight bells and a further bell for the hours, {194cm high} .
An Oak Eight Day Longcase Clock, signed Jn Bell, Hexham, circa 1810, the oak case with flat top and turned pillars, the trunk flanked by canted angles, 13 inch painted dial signed Jn Bell, Hexham, and depicting painted figures to the arch and corners, subsidiaries for date and seconds, falseplate stamped "Wilson", four pillar rack striking movement on bell with anchor escapement, shortened plinth, {205cm high}.
An Edwardian Mahogany Chiming Longcase Clock, unsigned, the case pediment with arched central finial, pierced side frets, the break-arch door flanked by carved canted corners, carved and moulded plinth upon bracket feet, 12 1/2 inch brass break-arch dial with silvered chapter ring, subsidiary seconds, the arch with chime/silent and Westminster/Whittingham chimes, the massive three train movement quarter chiming on eight bells and striking the hour on a gong, {268cm high}.
An Edwardian Mahogany Chiming Longcase Clock, unsigned, the case with swan neck pediment and central finial, pierced sound frets to the sides, fluted corninthian pillars, moulded glazed trunk door upon a carved and moulded plinth, 12 1/2 inch brass break-arch dial with silvered chapter ring, foliate engraved dial centre with subsidiary seconds, the arch with chime/silent and Whittington/Westminster chimes, the massive three train movement with nine hammers striking on nine tubular bells, anchor escapement, {234cm high}.
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment, gilt metal capped fluted Corinthian columns above a short trunk door, box base and bracket feet, the 30.5 cms painted dial with moonphase to the arch and fruit painted spandrels with a seconds subsidiary dial and calendar aperture, inscribed Benjamin Greening, Coleford, the 30 hour movement striking on a bell.
A Meissen Porcelain Figural Mantel Clock, circa 1880, as cupid holding a torch beside an altar surmounted by a pair of doves and encrusted with floral swags, 6.5cm circular enamel dial, twin barrel movement striking on a bell, decorated overall in soft colours and gilt, on a guilloche plinth base with bun feet, crossed swords in underglaze blue, {31cm}.
A 19th century carved oak longcase clock, the two-train eight-day movement with anchor escapement and rack-strike on a bell, the arched brass 12 1/4in dial with a painted arch depicting a cottage beneath the legend IMPROVE YOUR TIME, the brass chapter ring with Roman numerals and Arabic five-minute divisions, surrounding date and moon-phase aperture and inscribed Samuel Fletcher Dewsbury, the foliate carved case with an arched hood, 212cm high
An Edwardian mahogany chiming longcase clock, the eight-day two-train movement with anchor escapement and striking the hours and chiming the quarters on nine tubular gongs, the arched and silvered dial engraved with a foliate ground and with gilt-metal Arabic numerals, about a subsidiary seconds dial and inscribed with retailer's name Harrods Ltd, the arch with chime/silent and Westminster/Whittington/ St. Michael dials, 225cm high
A mahogany longcase clock in the George III style, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass dial with silvered chapter ring with Roman numerals and subsidiary seconds dial, inscribed with retailer's name W. Carter & Son SALISBURY, the arch with sunburst, the case with brass capped pilasters and the hood with three gilt-metal ball finials, 144cm high
A 19th century oak and mahogany banded longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals, Arabic sub-divisions, date aperture and subsidiary seconds dial, the arch painted and gilt with a shell motif, indistinctly inscribed Robt. Fletcher (?), the case with two brass capped fluted pilasters, the hood similarly ornamented and with broken pediment, 211cm high, (some wear to dial).
UpJohn, Exeter; a William IV/early Victorian mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the white painted circular dial with Roman numerals and subsidiary seconds dial, indistinctly inscribed UPJOHN EXETER, the plain case of figured mahogany and with canted corners, the arched hood applied with a carved wood frieze with central cabochon, 200cm high, (extensive flaking to dial).
A 19th century oak North Country longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass 13in dial with Roman numerals and Arabic five-minute divisions, date aperture, subsidiary seconds dial and inscribed William Pearson. Berwick on Tweed and engraved with scrolling foliage and surmounted with a basket of flowers, the plain case with a lancet door and blind fret canted corners, the hood with dentil frieze and flat pediment, 209cm high
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals and Arabic five-minute divisions, the centre with subsidiary seconds and date dials, painted with floral spandrels, the plain case with arched door, the hood with scroll pediment, 228cm high, (some wear to the dial)
A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals and Arabic five-minute divisions, date aperture, subsidiary seconds dial and inscribed In. Darke Barnstable, the arch with ship automaton, the plain case with fluted pilasters, the hood with broken pediment, 209cm high, (worn and over-painted dial, replacement automaton)
An oak longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the 11inch brass dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial, putto-head spandrels and inscribed Well. Clofs SQUARE, plain case and flat pediment hood, 205cm high
Briggs, Skipton; a 19th century oak and mahogany North Country clock, the thirty-hour movement with anchor escapement and striking on a bell, the painted and arched dial with Roman numerals and subsidiary seconds dial, the arch painted with two figures and a horse, the case with lancet door and short fluted pilasters, the hood with swan-neck pediment, 216cm high, (suspension broken)
A pine longcase clock, the eight-day two-train movement with rack strike on a bell, the arched and painted dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial, date aperture and inscribed C. Boney Padstow, the arch with an automaton representing Adam and Eve, the plain case with a rectangular door applied with a lozenge boss, the domed hood with two small flamiform finials, 207cm high, (suspension of pendulum broken).
Geo. Gemmel and Helen Hutton; a late Georgian/William IV mahogany and line-inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted gilt circular dial with Roman numerals, subsidiary seconds and date dials and inscribed GEO. GEMMEL and HELEN HUTTON, the case with figured mahogany, the hood with swan-neck pediment, 221cm high, (some wear to dial)
A Regency/William IV mahogany longcase clock, the eight-day two-train movement with rack-strike on a bell, the enamelled circular dial with Roman numerals, subsidiary seconds and date dials and indistinctly signed, the case with a pair of plain column supports, the domed hood with brass bezelled glass, 199cm high
A 19th century oak and mahogany inlaid longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial, date aperture and indistinctly inscribed ....HARRIS...., the arch painted with a cottage in a landscape, the case with a shaped door with rosette motif and flanked by a pair of fluted pilasters, the hood with broken pediment, 226cm high
J E Armson, Leebrooks; a 19th century mahogany North Country longcase clock, the eight-day two-train movement with rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials and inscribed J. E. ARMSON LEEBROOKS, the arch with moon-phase automaton, the figured case with lancet door and canted corners, the hood with broken pediment, 227cm high
Richard Gibbs, London; a George III black lacquer longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and inset plate inscribed Rich.d Gibbs LONDON, with finely cast mask-head spandrels, the arch with date dial with dolphin spandrels, the case japanned with Oriental figures and buildings, the hood with tall dome inset with a glass window, 227cm high.
A carved oak longcase clock; the thirty-hour movement with anchor escapement and striking on a bell, the brass 12 1/4inch square dial with silvered chapter ring, Roman numerals, Arabic five-minute divisions, date aperture and plate inscribed SAML LIDDELL OLDSWINFORD, the heavily carved case with a flat pediment hood, 195cm high
A late 19th century French silver-plate carriage clock, the eight-day two-train movement with detached lever escapement and striking the hours on a gong and with half-hour pass-strike, the enamelled dial with Roman numerals and retailer's name J. Edmonds, 16.5cm high with handle up; with a leather covered wooden carrying case (wear to the clock case)
John Gladstone, Biggar; a 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals and Arabic quarter-hour divisions, subsidiary seconds dial and date dial, painted with birds and flowers, the plain case of figured mahogany and with two fluted pilasters, the hood with swan-neck pediment, 210cm high, (some over painted sections to dial).
A 19th century mahogany Scottish longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials and painted with Scottish figures, the line-inlaid case with canted corners, the hood with flat pediment, 205cm high.
A 19th century oak and mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted and arched dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, indistinctly inscribed J. & S. Sunbery (?) Wolverhampton, the arch painted with a castle and with similar spandrels, the case with lancet door and brass-capped fluted columns, the hood with broken pediment and eagle and ball finial, 221cm high, (some wear to dial)
Thomas Crofts Junior, Newbury; a late George III oak longcase clock, the thirty-hour single-train movement with anchor escapement and striking on a bell, the 11 3/4in brass square dial with Roman numerals and Arabic five-minute divisions and engraved with foliate spandrels, inscribed Thos. Crofts. Junr. Newbury, with plain case and hood, the latter with flat pediment, 209cm high, (case partially stripped).
A late 19th century French Boulle and gilt-metal mounted table clock case, adapted with an English single-train fusee movement with anchor esapement, the brass dial with two blind winding holes and porcelain Roman numerals, the monumental case in the Louis XIV style, 82cm high (some areas of damage)
A late 19th century English-retailed French brass mantel clock, with a two-train movement striking on a bell and with half-hour pass-strike, the back-plate stamped E. ET E. EMANUEL THE HARD. PORTSEA, the enamelled dial with Roman numerals and Breguet hands, in a domed case, 31cm high (dial cracked); and with an ebonised wood stand and glass dome
Grohe, London, a late Victorian engraved brass Gorge cased carriage clock with alarm, the French eight-day three-train movement with detached lever escapement and striking on a bell with half hour pass-strike, the back-plate inscribed GROHE WIGMORE STREET LONDON, the foliate engraved rectangular dial-plate with an enamelled circular dial with blue Roman numerals and inscribed GROHE WIGMORE STREET LONDON, above a subsidiary alarm dial, the foliate engraved and glazed case with a shuttered door, 15cm high with handle extended (small section of alarm hand lacking).
A late 19th century French mahogany and gilt-metal mounted portico clock, in the Charles X style, the eight-day two-train movement with anchor escapement, striking on a bell and with a large bi-metallic bob pendulum with floral boss, the gilt-metal dial with Roman numerals and Breguet hands, the pediment supported by four Etruscan columns, 48cm high
A late 19th century French ebonised and faux marquetry gilt-metal mounted portico clock, in the Charles X style, the eight-day two-train movement with anchor escapement, striking on a bell and with a large bi-metallic bob pendulum, the enamelled dial with Roman numerals, the shaped pediment supported on four barley-twist columns, 48cm high; and a stand en suite, (dial cracked)
A late 19th century French ebonised portico clock, in the Charles X style, the eight-day two-train movement with anchor escapement, striking on a bell and with a large bi-metallic bob pendulum with floral boss, the gilt-metal dial with Roman numerals and Breguet hands, the pediment supported by four Etruscan columns, 49cm high, (dial worn)
A French gilt-metal four-glass mantel clock, the eight-day two-train movement with Brocot escapement, and striking on a coiled gong and with mercury compensated pendulum, the enamel dial with blue Roman numerals and red Arabic five-minute divisions, the rectangular case applied with scrolling foliage and on four pieds de biche, 31cm high
Henri Marc, Paris, a French brass-cased carriage clock with alarm, the eight-day three-train movement with lever escapement and striking the hours on a bell and with half-hour pass-strike and repeat button, the enamelled dial with Roman numerals and Breguet hands, above a subsidiary seconds dial, in a Corniche case, 18cm high with handle up; with leather-covered wooden carrying case
Loading...
