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DICKENS, CHARLES. Master Humphrey's Clock. First Edition in Book form, 3 vols. in 6, 1840-41. Orig. green roan backed cloth (spine worn, 2 covers detached); Barnaby Rudge. Philadelphia, Lea and Blanchard, 1846. Orig. cloth, spine gilt (some wear to spine). 8vo., Illustraed. With 6 others (13).
AN EDWARDIAN MAHOGANY MANTEL CLOCK dial: 7 1/4inch silvered chapter ring, with subsidiary chime/silent, slow/fast and Westminster/8 bells, movement: three train, striking on a rack of bells and five gongs, case: architectural, flanked by gilt metal fluted pillars and applied with gilt metal foliage and urns, 26in. (66cm.) high overall.
AN OAK LONGCASE CLOCK dial: cream painted signed Webb, Frome, subsidiary seconds dial and calendar crescent, the arch painted and set with a semi-articulated figures of the temptation of Adam and Eve, case: hood flanked by reeded ormolu capped Corinthian pillars beneath a swan neck pediment, 88in. (223cm.) high.
A French clock garniture, in Art Nouveau style, the 8 day movement striking on a bell with an outside count wheel, to a circular opaque dial, the shaped case with gilt metal mounts and surmounted by a female figure titled Moissonneuse par Aug. Moreau, 24in (61cm) high, and a pair of five light candelabra, 21in (53.3cm) high. (3)
A George III oak cased longcase clock, the 8 day movement striking on a bell to an arched brass dial with subsidiary seconds dials and date aperture, the silvered chapter ring inscribed, Geo: Wynn Wokingham, the arch with a red lacquer sun boss, the moulded arch hood with eagle and ball finials, gilt corinthian capital columns, the arched waist door mahogany banded, the base on bracket feet, 7ft 5.5in (227.3cm) high.
A 19th century oak and mahogany banded longcase clock, the 8 day movement striking on a bell to a repainted arched dial with subsidiary seconds dial and calender aperture inscribed G. Davies, Dulgelly, the corner represting the continents, the moon phase with a shipping scene and a chapel, the hood with a swan neck pediment, to a shape top waist door flanked by fluted quarter pilasters, the base on ogee bracket feet, 7ft 4in (223.5cm) high.
A Victorian mahogany longcase clock, the 8 day movement to a painted arched dial with subsidiary seconds dial and date aperture, the name worn, the hood with a swan neck pediment with a fret edge glazed door and petal capped reeded pilasters, the conforming trunk with a moulded edge waist door, the base on a plinth moulding, 7ft 7in (231cm) high.
A mid 19th century oak and mahogany crossbanded longcase clock, the 30 hour movement striking on a bell to a painted arched dial with a calendar aperture painted foliage, the arch with a shepherdess, the hood with a swan neck pediment and fluted columns, the shaped waist door flanked by reeded quarter pilasters, the panelled base with a plinth moulding, 7ft 1in (85cm) high.
A Louis XIV tortoiseshell and gilt brass mounted mantel clock, the 8 day five pillar movement with a verge escapement, to an outside count wheel striking on a bell, the back plate inscribed 'Louis Baronneau A Paris,' the velvet covered dial with a silvered chapter ring, above a gilt brass cartouche inscribed Louis Baronneau A Paris, the case with a lift off top, corinthian capital side pilasters and glazed arched side panel, on a moulded base, 20.25in (51.4cm) high. restored
A George III ebonized bracket clock by Ellicot, the 8 day twin fusee movement striking on a bell, with a foliage, bird and basket of flowers engraved back plate, to an arched dial with a silvered chapter ring inscribed Ellicot London, the matt centre with a date aperture, rococo cast spandrels, the arch with a strike/silent dial, the caddy top with a brass handle, the circular and shaped glazed panel sides with a pull repeat to the right, on brass rectangular feet, 21in (53.3cm) high.
A late 17th century bracket clock, the twin fusee movement with a verge escapement and striking on a bell, repeating on three to a foliage engraved backplate inscribed Francis Raynsford at Charing Cross London, to a square brass dial with a silvered chapter ring inscribed Francis Raynsford at Charing Cross London, the matt centre with a date aperture, N/S lever above XII to cast churub spandrels, the ebony veneered and pearwood case with a caddy top fitted a brass handle, pierced mounts and later finials.
A Victorian tortoiseshell and ormolu mounted triple dial table clock, by Viner, the twin barrel movement striking on a gong, the back plate inscribed Viner, London, to circular enamel dials for GMT, Paris and New York time, the front plate with engraved foliate decoration, the case with a cupola surmount with flame finials and pierced anthemion and foliate panels, the arched hinged doors to canted corners with Ionic capital foliate corbels, the moulded base to scroll feet, 27.5in (70cm) high.
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428166 item(s)/page