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EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas William Hay, Shrewsbury, the 13" painted Roman dial with subsidiary seconds dial and date aperture, enclosed within floral spandrels and powered by an eight day movement, striking on a bell, stamped Finnemore, housed in a case with swan neck pediment, later ball finial and free standing square, fluted fore-columns, over a crossbanded trunk door, flanked by reeded fore-corners and raised on a tall conforming base with bracket feet, 86" (218.4cm) high, dial from date aperture missing
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high
PROBABLY EIGHTEENTH CENTURY WHITE PAINTED CONTINENTAL LONGCASE CLOCK, signed Gil Minde, the 11 1/2" copper dial with silvered chapter ring, pierced gilt metal spandrels and inscribed circular plaque to the arch, powered by an eight day movement striking on a bell, housed in an arch top case with ball finials and long panelled trunk door with arch top raised on a panelled base with plinth, 89" (226cm) high
LATE EIGHTEENTH CENTURY MAHOGANY LONGCASE CLOCK, signed Lassel Park, the 13" brass dial with silvered chapter ring, subsidiary seconds dial and date aperture to the diaper matted centre, enclosed by emblematic figural spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, free standing fluted fore columns, long flame cut trunk door with shaped top and fluted quarter columns and raised on a panelled base with ogee bracket feet, 89" (226cm) high
TWENTIETH CENTURY FRENCH ROCOCO POTTERY AND GILT METAL MOUNTED THREE PIECE CLOCK GARNITURE, the 3 1/2" enamelled Roman dial powered by a drum shaped Lenzkirch, German eight day movement, striking on a bell, housed in a moulded waisted case, glazed in blue and off white with gilt highlights and outlined with rocaille scroll work, with flaming lamp finial and scroll feet, 18" (45.8cm) high, and THE MATCHING PAIR OF TWO HANDLED SIDE VASES, 11 1/4" (28.6cm) high (3)
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall
A LATE GEORGIAN LANCASHIRE MAHOGANY LONGCASE CLOCK, the broad trunk with reeded forecorners flanking a shaped top oval moulded door, the hood with detached columns and swan neck pediment, the base with canted corners, feet absent, housing an eight day striking movement with painted arched dial inscribed Thomas Barton, Parbold, with rolling moon and lunar calendar, subsidiary calendar and seconds dials and floral painted spandrels, 88 1/2" (223.5cm) high
A Victorian mahogany longcase clock, the hood with broken swan neck pediment and central carved swag above an arched door with half cut and full twist wooden pillars, 14 ins arched top dial with painted Roman numerals, subsidiary seconds dial and date aperture, maker Hugh Roberts, Llangefni, floral painted spandrels with a young boy on a horse decoration to the arch, eight day bell striking movement (requiring attention), the wide trunk with short arched door and flanking carved twist pillars on a stepped trunk base with raised panel, 230 x 66 cms
A 19th Century oak longcase clock, the hood with broken swan neck pediment and carved square pillars flanking a single glazed door with 14 ins square dial behind, decorated spandrels and Roman numerals with subsidiary seconds dial and date aperture, maker E Griffiths, Abergele, with eight day movement, striking on a bell, twin weight pendulum driven (included), the trunk with concave pillar fronts and single shaped top door on a stepped trunk base with applied square panel and bracket foot with shaped frieze, 215 x 54 cms
A group of timepieces, to include an 8-day dashboard clock with black dial and white Roman numerals, a 1940s pin pallet dashboard watch, a Junghans stop clock with inner minute register, a Smiths stop clock, and one other, together with a brass mounted barometer, and a framed photograph of a D7000 bi-plane (7)
Royal Albert "Moonlight Rose" part dinner and tea service, to include a plate clock, six dinner plates, six side plates, six cups, six saucers, six bowls, teapot, stand, cake plate, two larger side plates, two egg cups, oval dish, milk jug, sugar bowl, six napkin rings and six place mats, (48).
Thomas Stewart, Auchterarder: a Georgian oak longcase clock, the arched painted roman dial decorated with rose designs, subsidiary seconds and date dials, two train movement with anchor escapement, the case with swan neck pediment, shaped waist door, panel base on plinth (with single weight and pendulum), 84in. high to top of brass finial.
John Sanderson, Wigton: a pine thirty hour longcase clock, the brass roman dial centred by inscription "Remember Man That Die thou Must And after that too Judgement Just", with date aperture to centre, single train movement with anchor escapement, plain pine case with rectangular waist door, panel base on plinth, 74in. (188cms) high. NB John Sanderson was orphaned as a child and was brought up by his father's brother. He then went on to father a child by the wife of this uncle who had brought him up. When the child was baptised, he had to face the shame of this being announced in church before every member of his family and the rest of the parish. His early mistake caused him to turn to religion and for a while he turned to Quakerism. The inscription on this clock appears to have been his favourite verse. Almost all of his output was in thirty hour square dial clocks with anchor escapements and some with lantern movements.
Payne & Co: a late 19th Century French faux tortoiseshell effect and gilt bronze mantel clock, the 4 1/2in. enamelled arabic dial with foliate design, two train movement, the backplate stamped 'Ad Mougin, Ch. Vcne Paris 47592', striking on a gong, the case with caddy top, urn finials, foliate motifs, on plinth base with bayleaf band, fluted feet (with pendulum), 12in. high.
Robert Blockley (Succr, to Lund & Blockley, Duke Street, St. James', London): a late Victorian carved oak quarter chiming bracket clock, the gilt dial with silvered roman chapter ring, subsidiary chime/silent and slow/fast dials, triple fusee movement striking on five gongs, in architectural case with side columns, simulated stonework and roof tiles, 14 1/2in. high; with matching wall bracket, 13in. high. See illustration
Charles Ross, Broughty Ferry: a mid 19th Century mahogany longcase clock, with gilt enriched roman dial with subsidiary seconds and date dials, two train movement with anchor escapement, the case with leaf design pediment, the glazed door flanked by turned quadrants and foliate design, panelled waist door flanked by carved quadrants, panel base on bracket feet, 80in. high.
Read, Knutsford: a mid 18th Century oak and mahogany banded longcase clock, the 12in. brass dial with silvered roman chapter ring, subsidiary seconds dial, date aperture, mask and foliate spandrels, two train movement with anchor escapement, the case with caddy top, cavetto cornice, shaped waist door, panel base on bracket feet, 78 1/2in. (199.5cms). See illustration
A Victorian mahogany longcase clock, with painted roman dial and unidentified Carlisle maker, subsidiary seconds and date dials, interior scene to arch, two train movement with anchor escapement, the case with swan neck pediment, banded waist door flanked by fluted columns, panel base on bun feet, 90in. high.
Willm. Thomson, Newcastle: an oak longcase clock, the brass roman dial with calendar dial to outside of centre, rocking ship mechanism to arch, ornate spandrels, two train movement with anchor escapement, pull repeat lever, the case with dentil cornice, arched waist door, fluted canted sides, panel base with small bracket feet, 79in. high.

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460307 item(s)/page