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Lot 1058
9ct gold cased ladies Tissot manual wind wristwatch (15mm diameter) & running in original box with booklet, silver cased military lever Sirdar officers type military watch (32mm case) - a/f t/w 5 x vintage manual wind wristwatches - all in a blue leather box - WE CANNOT GUARANTEE THE TIMEKEEPING OR RUNNING OF THIS OR ANY WATCH / CLOCK ONCE IT HAS LEFT THE PREMISES
Lot 1018
Zenith 9ct gold cased gents manual wind wristwatch on original leather strap with buckle - 34mm case - running Ebel military marked stainless steel gents manual wind wristwatch (32mm case) marked A.T.P.48122 (& crows foot) - obvious deterioration to hands and dial and running BUT WE CANNOT GUARANTEE THE TIMEKEEPING OR RUNNING OF THIS OR ANY WATCH / CLOCK ONCE IT HAS LEFT THE PREMISES
Lot 1031
Waltham Art Deco pocket watch in a gold plated Elgin octagonal case with engraved detail to reverse - 40mm across (small hairline through No 7 otherwise in good condition) & running BUT WE CANNOT GUARANTEE THE TIMEKEEPING OR RUNNING OF THIS OR ANY WATCH / CLOCK ONCE IT HAS LEFT THE PREMISES ~ SOLD ON BEHALF OF THE NEW BREAST CANCER UNIT APPEAL YEOVIL HOSPITAL
Lot 297
The London Rock N' Roll Show original film flyers. Seven in total, advertising the one-night-only 1973 Rainbow Theatre showing of the film of the iconic 1972 concert, directed by Peter Clifton.'The London Rock and Roll Show was a historic music event that took place at Wembley in 1972. Organized by legendary music promoter Harvey Goldsmith, the show featured an all-star lineup of some of the biggest acts in rock and roll at the time.The event took place on August 5, 1972 and attracted a crowd of over 100,000 people. The star-studded lineup included Chuck Berry, Little Richard, Bo Diddley, Jerry Lee Lewis, and Bill Haley and the Comets.The show was a major success, with all the performers delivering electrifying sets that had the crowd dancing and singing along. Each act took turns on stage, with Chuck Berry opening the show with his hit song "Johnny B. Goode". Little Richard followed with hits like "Good Golly Miss Molly" and "Tutti Frutti", and Bo Diddley kept the energy high with his unique blend of blues and rock and roll.Jerry Lee Lewis, known as the "Killer", wowed the crowd with his piano playing and charisma, belting out hits like "Great Balls of Fire" and "Whole Lotta Shakin' Goin' On". Bill Haley and the Comets closed out the show with their rock and roll classics like "Rock Around the Clock" and "Shake, Rattle and Roll".The London Rock and Roll Show remains a landmark event in music history, considered by many to be one of the greatest rock and roll shows of all time. For those who were lucky enough to attend, it was a night they would never forget. The show helped to further cement the legacy of the legendary rock and roll performers who took the stage that night, and it remains a testament to the power of music to bring people together and transcend the boundaries of time and place.'
Lot 118
A Grindley Cream petal pattern part dinner service, printed with flower tendrils, printed marks, c.1930; a Winalex Ware tea and dinner service, printed with flowers, printed marks; Japanese eggshell coffee service; A S Hancock & Sons blue and white Harvest pattern water jug, printed marks; a Copeland Spodes Italian pattern plate; a Portugal Vista Alegre cache pot; other blue and white; a Maltese compressed ovoid vase; a clear glass candelabrum; a cuckoo clock; A resin figure, Venus de Milo, 47cm high; The Virgin Mary, 33.5cm high; another, smaller, 14.5cm high; decorative plates; glassware; etc
Lot 195
A Nineteenth-century gilt metal mantel clock, the case in the Baroque style with peacock head scrolling surmount, above scroll and vase design panels on acanthus leaf feet, enclosing a cream enamelled chapter ring with Roman numerals, the French twin train movement numbered 21434 and striking on a bell, 47 cm high
Lot 189
Charlie Turner, 'The Manhattan' contemporary oak 8-day longcase clock, in a cylindrical slatted case with light fitting below, the silvered chapter ring with blued metal hands and exposed Franz Hermle 791-880H movement striking on a bell, 187 cm highNot running at time of inspection, the clock has not been tested, overall appears to be in good condition.
Lot 48
Große Directoire-PortaluhrHöhe: 76 cm.Breite: 45 cm.Tiefe: 13 cm,Zifferblatt bezeichnet „Ridel A. Paris“ (Laurent Ridel, Meister zweite Hälfte 18. Jahrhundert).Paris, um 1795.FUNKTIONEN: Aufzugslöchlein über der 4 und der 8, 14-Tage-Laufwerk mit Ankergang und Federaufhängung. GEHÄUSE: In weißem Marmor gestaltet mit vergoldeten Bronzeappliken und Wedgwood-Medaillons l’antique auf kobaltblauem Fond. Großes Sonnenpendel.ZIFFERBLATT: Weiß emailliert mit schwarzen arabischen Stunden und eisenrotem Datumsring.Nicht auf Funktionsfähigkeit getestet.Provenienz:Schwedisches Königshaus.Anmerkung:Laurent Ridel wurde 1800 in der Rue aux Ours in Paris registriert. Er lieferte vor 1789 eine Kartelluhr an die Tanten von Ludwig XVI, Mesdames Victoire und Adélaïde, im Schloss Bellevue. Für seine Zifferblätter arbeitete er mit dem Emaillierer Coteau zusammen und bezog hochwertige Gehäuse von Deverberie, Mathelin und Lemoyne.Literatur:Vgl. Pierre Kjellberg, Encyclopédie de la pendule française du Moyen-Âge au XXe siècle, Paris 1997. (1370343) (13)Large Directoire portal clockHeight: 76 cm.Width: 45 cm.Depth: 13 cm.Dial inscribed “Ridel A. Paris” (Laurent Ridel, master second half of the 18th century).Paris, ca. 1795.Provenance: Swedish royal family.
Lot 1047
Flame Clockwork - Eurorack clock and tempo generator. Primarily designed to generate clock/trigger/gate signals for clocking units with tap and clock inputs, to fire envelopes or to control sequencers and sample & holds. The clock can also be shuffled and shifted before/after the master clock! From a working modular rig, functions generally tested but not guaranteed as 100% working. Additionally it can send MIDI clock and a fixed MIDI note per channel. Some controls transmit MIDI control data and thereʼs also a simple MIDI/CV interface.
Lot 351
A Viennese triptych boudoir clock gilt-metal and enamel triptych boudoir clock, early 20th century, the three panels painted with figures in a mountainous landscape within scrolling rococo frame, the white enamel dial with Roman numerals, the movement engraved Compensated Balance and numbered N169670, with key, 16.2cm high, 18cm widePlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 347
A modern spherical weight clock, the silvered dial with Roman numerals, the gilt-brass case with sloping rail feeding chrome balls into a paddle wheel, supported by four knopped pillars, with platform escapement, on a mahogany plinth bearing a presentation plaque, on brass feet, under a glass case, 35.8cm high total, 25.4cm wide, 19.8cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Also known as a 'Falling Ball Clock', it has no mainspring, key or winder. It works solely on gravity with the balls slowly moving down the large 'paddle wheel' providing the force for the clock. The speed of the movement is controlled through an 11 jewelled platform escapement to enable accurate timekeeping. The balls fall from the paddle wheel on to the base approximately one every four hours.
Lot 358
A Victorian rosewood bracket clock, mid-19th century, with shaped top above applied honeysuckle carving, the sides with ring handles above Gothic style brass sound frets, on plinth base, the silvered dial with Roman numerals and outer minute track, dial signed W. T. Middleton 133 Leadenhall Street, LONDON, the five-pillar eight day movement chiming a gong, with pendulum, 44cm high, 31cm wide, 15cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: William T. Middleton is recorded as working between 1844-57 - Brian Loomes, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 537pp.Condition Report: With later oak door to reverse.
Lot 352
A Viennese silver and enamelled lapis lazuli clock, Herman Böhm, Austrian, c.1880, the case with arched cornice surmounted by a seated winged figure of Father Time holding his scythe, cornered by seated putti finials holding aloft leafy garlands and seated above polychrome enamelled corner pilasters, on plinth base with silver mount embossed with birds, grotesque masks and scrolling foliage above angled lapis lazuli panels on naturalistically textured paw feet, stamped throughout with maker's HB and Vienna 800 mark, the circular enamelled dial with Roman numerals, enclosed in enamelled bezel, 16cm high, 11.2cm wide, 8.7cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 362
An Irish inlaid walnut longcase clock, by Thomas Sanderson, Dublin, second quarter 18th century, the case with foliate marquetry and chevron parquetry, having two gilt wood finials above a scrolling foliate fretwork frieze and ebonised columns with gilt painted Corinthian capitals, the trunk with corresponding inlaid decoration and break arched door with oval lenticle with giltwood surround, on plinth base and bracket feet with shaped apron, the square brass dial enclosing twin cherub and crown spandrels and a silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds and calendar aperture, the chapter ring signed Thomas Sanderson DUBLIN, the four-pillar eight day rack striking movement with anchor escapement, approx. 238cm high total Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: T. Sanderson was recorded as working in Dublin c.1730 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 684pp.
Lot 350
A French brass repeating carriage clock, late 19th century, the Anglaise Riche case with swing carrying handle above thick top glass and moulded inverted breakfront cornice, with three-quarter columns with Corinthian capitals on plinth base and bracket feet, the enamel dial with Roman numerals and blued steel spade hands, the twin train movement striking a gong, the backplate stamped G&B / MADE IN PARIS and numbered 20496, with key, 20cm high (handled extended), 10.4cm wide, 9.2cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 357
A William IV mahogany bracket clock, second quarter 19th century, the case with carved foliate, scrolling and fan decoration above glass aperture to front on plinth base with brass ball feet, having twin cornucopia and ring handles, the painted dial with Roman numerals and outer minute track, the two train fusee movement striking on a bell, signed to backplate Leplastriers LONDON, with key, winder and associated pendulum, 41cm high, 25.3cm wide, 17cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: The Leplastrier (Le Plastrier) family of clockmakers were active in the City, East London and Kent during the first half of the nineteenth century.
Lot 349
A French gilt and patinated bronze mounted black slate three-piece clock garniture, late 19th century, the central clock in the form of a fluted column base surmounted by a bronze figure, after Alfred Louis Habert, 1824-1893, depicting a lady seated on a stool and holding a flower, signed HABERT, the white enamel dial signed VILAIN DUBOIS BOURGES, with Roman numerals and outer minute track, the eight day movement striking on a bell, numbered 12723, flanked by brass urns with twin female mask handles, the covers surmounted by Classical standing female figures, on corresponding column bases, clock - 46.5cm high, garniture - 33.5cm high Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Alfred Louis Habert was a student of Pradier, who 'exhibited only three times at the Salon, between 1850 and 1886, notably showing two statuettes in bronze. L'Amour meditant (1861) and La Discipline (1886). Also known by the sculptor is another statuette in bronze, Cupidon.. sold in London in 1977. Finally, La Vierge aux raisons is noted for having been cast by Susse in three sizes' - Kjellberg, Pierre, Bronze of the 19th Century, Schiffer Publishing Co., 1994, 375pp
Lot 365
A George III mahogany longcase clock, William Nicholls, London, late 18th century, the break arched moulded cornice with three brass ball and spike finials above brass capped and stop fluted columns, the trunk with corresponding quarter columns flanking a moulded door, on plinth base, the brass break arch dial with strike / silent dial in the arch, the silvered chapter ring enclosing subsidiary seconds, alarm dial, plate signed Wm Nicholls London, and calendar aperture, with cast scroll and foliate gilt spandrels, the four-pillar eight day rack striking movement with anchor escapement, subsidiary alarm movement to one side with crown wheel escapement, with weights and pendulum, approx. 240cm high Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 348
A French gilt and patinated bronze mantel clock, second half 19th century, in the form of an elephant supporting the clock with a figure riding above holding a parasol, on an elaborate rococo base with shells and C-scrolls, the gilt dial with enamel plaques with Roman numerals, with eight day movement, the backplate with pastille for Japy Freres and stamped E.P. LÉPOSÉ and numbered 5889, with pendulum, missing bell, 55cm high, 42cm wide, 21.5cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Japy Freres & Co., are recorded as working in Paris c.1860 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 418pp.
Lot 353
A gilt-bronze mantel clock, mid-19th century, the case finely chased with scrolling foliage, phoenixes and dragon heads, with swing handle flanked by acorn finials to corners above foliate columns on corresponding base and pad feet, with bevelled glass and scrolling foliate dial surround enclosing the silvered chapter ring with Roman numerals, the engine turned dial centre with subsidiary seconds dial, the scrolling foliate chased reverse door engraved to interior VINER / 235 Regent Street / LONDON / 1844, the pocket watch movement with chronometer escapement, compensated balance wheel, and adapted external single chain fusee, the pocket watch movement signed Barraud Cornhill London and numbered 367, with associated winder, 16cm high (handle not extended)Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Viner & Co. are recorded as a working in London, Regent Street, from 1827-50, - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 799pp.Barraud are recorded as working in London, Cornhill, from 1799-c.1860, and being maker of chronometers to the Royal Navy, - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, 43pp.
Lot 355
A George III gilt-bronze mounted musical bracket clock, by George Prior made for the Turkish Market, London, last quarter 18th century, the architectural case painted with polychrome floral swags and sprays on a green ground, surmounted with a cut-glass sphere above a facetted dome flanked by flambeau urn finials and cut-glass spheres to corners, above two conforming gilt-bronze capped faceted columns, the sides with fabric lined pierced scrolling foliate panels and swing handles, the reverse with arched glazed door, on a moulded plinth base with scrolling foliate feet, the white enamel dial with Turkish numerals, signed GEORGE PRIOR LONDON, with two subsidiary dials above, one inscribed CHIME / SILENT, the other with list of tunes SABAC HAFFIF / MINUETT / SAMAHE / SONG, within shaped floral decorated surround within gilt borders, enclosed within floral cast bezel, the three train fusee movement striking on a bell and playing four tunes on ten bells, the backplate signed Geo Prior London, with pendulum and case key, 67cm high, 40cm wide, 23.5cm deepProvenance: The Property of a LadyPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: George Prior, 1735-1814, was well known for exporting clocks to the Turkish market in the late 18th century. After the establishment of trade with the Ottoman Empire, British diplomats in the late 17th century began presenting clocks as gifts to Ottoman officials, leading to a break in the dominance of the French and Swiss in the market for timepieces. This eventually resulted in a high demand for British clocks and lucrative export businesses such as that of George Prior. Such was his success in this area that the word coined by the Turkish to describe a British-made timepiece, 'Pyrol', is a derivative of his surname. He is listed as being active in 1765-1812 at 31 Prescot Street, Goodman's Fields, London, when he was succeeded by his son Edward - Looms, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 630pp.
Lot 356
A Regency mahogany bracket clock, first quarter 19th century, the break-arch case with brass swing handle to brass fillet moulded single pad top panel over moulded cornice, the hinged front panel with convex glass and cast brass bezel, with brass fish scale lower quadrant frets to front and corresponding arched frets to sides, on a moulded plinth base with brass ogee bracket feet, the painted circular dial with Roman numerals and outer minute track, signed NATHAN WEYMOUTH, the five-pillar two train fusee movement striking a bell, 40.5cm high (handle not extended), 32.3cm wide, 20cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 364
A George III oak longcase clock, last quarter 18th century, the broken swan neck pediment with three brass eagle and ball finials above gilt painted foliate frieze and brass capped fluted columns, the trunk with quarter columns flanking a shaped door with mahogany crossbanding, on a plinth base with bracket feet, the square brass dial enclosing scrolling foliate spandrels and silvered chapter ring with Roman and Arabic numerals, the foliate engraved dial centre signed FEARNLEY WIGAN and having moonphase and subsidiary calendar dial, the four-pillar eight day rack striking movement with anchor escapement, subsidiary alarm movement to one side with crown wheel escapement, with weights and pendulum, 224cm high Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Peter Fearnley, b.1749, is recorded as working in Standishgate, Wigan (Lancs), mar. 1776 - d.1826, also at Charnock Richard (Lancs) in 1797 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G. Press, 2022, p.261.
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460295 item(s)/page