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Lot 609
A DRESDEN PORCELAIN-MOUNTED ORMOLU CLOCK, EARLY 20TH CENTURY the clock supported by a pair of columns, the base modelled as a staircase, with Roman numerals surrounding the enamel clock face, with inegrated winding key, mounted with a porcelain figure and figural groups with commedia dell'arte characters, as well as soft-paste flowers surrounding the clock, spurious blue overglaze Meissen factory mark to the verso of the dancing woman; overall height: 41 cm (16 1/8 in.), weight: 10.15 kg
Lot 607
A CARTIER CITRINE, ONYX, CHRYSOPRASE, SILVER AND DIAMOND 'MYSTERY CLOCK', CASE NO. 201207, CIRCA 1970Swith manual movement, facetted octagonal citrine dial, enclosed rose-cut diamond hands and exterior rose-cut trimdiamond-set hands, bezel-set diamond hour markers, the dial within a chrysoprase border, with mother-of-pearl support banded with diamonds, the octagonal plinth of onyx, chrysoprase and sterling silver, marked on base with 925 standard, other standards, maker's mark Cartier Paris and case no. 201207, with winding keys, housed in a fitted red leather Cartier case; overall height: 25 cm (9 7/8 in.)RELATED LITERATUREHans Nadelhoffer, Cartier: Jewelers Extraordinary (New York: Harry N. Abrams, Inc., 1984), p. 258A. Kenneth Snowman, The Master Jewelers (New York: Harry N. Abrams, Inc., 1990), p. 198LOT NOTESThe "Mystery" clock, so called because of the illusion of floating hands, was conceived by Louis Cartier and the house's clockmaker Maurice Coüet, with the first models produced in 1912. The clocks remain among Cartier's most sophisticated luxury productions. Similar mystery clocks of octagonal design are reminiscent of the screen-style models especially popular in the 1920s and 1930s.
Lot 598
A NAPOLEON III ORMOLU-MOUNTED MARBLE MANTEL CLOCK, RAINGO FRERES, PARIS, CIRCA 1870 modelled as a pair of maidens holding out grapevines to a pair of flanking putti suspending them onto baluster-form vases, with scrolling acanthus leaf decoration throughout, the white enamel dial with Roman numeral hours and minutes, signed Raingo Frere / Paris, supported by six feet and a pair of resting lions, with winding key; overall dimensions: 66.5 (h) x 78.5 (w) x 22 (d) cm (26 1/8 x 30 7/8 x 8 5/8 in.)
Lot 600
A FRENCH DESK CLOCK WITH MOTHER-OF-PEARL, ORMOLU AND GLASS FRAME AFTER LEV SCHULTZ (RUSSIAN-FRENCH 1897-1970), EARLY 20TH CENTURY after a design by LEV SCHULTZ (RUSSIAN-FRENCH 1897-1970), the frame tripartite, the central panel an oblong square, with Roman numerals surrounding the mother-of-pearl face, depicting a hawk, a hare, and a wolf within a landscape, the flanking panels depicting a falconer under a tree and a lady under a banner, the watch 15 jewels, signed lower right on right panel, marked with numerals 133337 /15 on verso, 5344 / 587 underneath with inegrated winding key; dimensions when open: 25.5 (h) x 42 (w) x 8 (d) cm (10 x 16 1/2 x 3 1/8 in.), weight: 6.85 kg
Lot 352
A RUSSIAN PORCELAIN TABLE CLOCK CASE IN THE SHAPE OF A GEORGIAN WOMAN AFTER NATALYA DANKO (RUSSIAN 1892-1942), LENINGRAD PORCELAIN FACTORY, 1937 after a design by NATALYA DANKO (RUSSIAN 1892-1942), depicting a Georgian woman with braided hair clad in traditional periwinckle dress and headscarf, holding a basket of grapes and leaning against a clock face encircled in grape vines; red underglaze factory mark on the interior, black underglaze stamps under base; overall height: 26 cm (10 1/4 in.) LITERATUREIgor Pelinskiy and Marina Safonova, Sovetskiy farfor 1917-1991 [Soviet Porcelain 1917-1991] ([Moscow]: Lyubimaya kniga, 2012), p. 122 (illustrated).For a closely related 1939 version, see Vladimir Levshenkov, Tvorchestvo sester N.Ya i E.Ya. Danko [Works of Sisters N. Ya and E.Ya. Danko] (Saint-Petersburg: Sankt-Peterburg Orkestr, 2012), p. 361 (illustrated)
Lot 237
F. Deckel Munchen Compur folding camera fitted with Rada roll-film cassette, Wester Apollo 35mm camera, camera bag and quantity of photographic accessories, together with Victorian black slate architectural cased mantel clock (lacking pendulum) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 21
Ex-retail - Collection of silver-plate by L R Watson: Tankard, double portrait folding photo frame, pierced coaster, Pheasant mounted pin dish, folding quartz clock with photo frame, trumpet vase, Celtic design hip flask and octagonal vase, with original boxes (8) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 111
Large collection of Disney related ceramic figures and groups including Disney Princesses, The Seven Dwarves musical figures (lacking one), Timon and Pumbaa bookends, Looney Tunes mantle clock and others in three boxes Condition Report Click here for further images, condition, auction times & delivery costs
Lot 125
Pair 18th/ 19th century steel candle snuffers, pair 19th century sugar cutters, circular bronze dish inset with French coins, copper funnel, Victorian EPNS sugar bowl, stoneware jelly mould, silver pill box stamped 925, Queen Elizabeth II Coronation tins, bill hook, Europa travel alarm clock etc Condition Report Click here for further images, condition, auction times & delivery costs
Lot 120
Robert Blandford silvered brass carriage clock, three piece silver-plated tea set, pair embossed candlesticks, early 20th century Indian brass jar and cover decorated with elephants, hallmarked silver teaspoon, canteen of silver-plated cutlery and miscellanea in one box Condition Report Click here for further images, condition, auction times & delivery costs
Lot 1122
Art Deco Bulle electric clock, octagonal silvered Arabic dial with stepped surround, movement stamped France 319899, on turned wooden base under glass dome, H28cm and a Time Machine Rolling Ball clock with ball bearings, (2) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 1106
Victorian inlaid walnut drop dial wall clock, later Roman dial inscribed Andrew King Hull, twin train movement striking the hours on a bell, H71cm, and a small Victorian Vienna type wall clock, H57cm (2) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 1121
Victorian black slate and red marble mantel clock, Hry. Marc signed drumhead movement with visible escapement striking the half hours on a bell, H26cm, an Edwardian mahogany mantel clock with twin train striking movement, H27cm (2) Condition Report Damage to both dials, and to mahogany case.Click here for further images, condition, auction times & delivery costs
Lot 182
An Ormolu and Bronze Striking Mantel Clock, signed Alph Giroux, A Paris, circa 1880, case depicting a central urn with flowers and flanked with bronze cherubs reclining, base with white marble panels and floral scroll mounts, 3-3/4-inch enamel dial with Arabic and Roman numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped Vincenti and numbered 409, 38cm by 42cm see illustration 11.02.20 Ormolu surfaces are faded, minor chips to the front white marble panels, left hand side marble panel with a small piece missing, dial with some chips, movement needs cleaning, strike working, with pendulum.
Lot 180
A Fine Brass Engraved Strike and Repeat Grande Sonnerie Alarm Carriage Clock with Calendar Displays, signed Henri Jacot, Paris, circa 1880, the elaborately engraved gorge case with carrying handle and repeat button, enamel dial with Roman numerals and signed, three subsidiary dials below 6 for day of the week (in French), date and alarm, swag and scroll elaborately engraved dial mask, underside of the case with sonnerie selection lever for grande sonnerie/silent/petite sonnerie, stamped H.Jacot Paris, twin barrel movement with a large platform lever escapement, split bimetallic balance, blued overcoil hairspring, sonnerie striking on two bells, movement backplate numbered 262, 17.5cm high over handle see illustration 31.10.19 Brass surfaces are discoloured, bevelled glass panels with scratches, top repeat button is not pushing down and is not working, back door knob is missing, main enamel dial with the signature and place name rubbed but still visible, date subsidiary dial with one small scratch, movement with two later bells, original platform, sonnerie strike work is functioning, movement needs cleaning, movement in going order.
Lot 186
A Large and Impressive Ormolu and White Marble Striking Mantel/Centrepiece Clock, late 19th century, the highly elaborate case with a central large urn surmounted by flowers and flanked by ringed lion head masks and two winged cherubs holding a swag of flowers, scroll shaped feet, enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate signed by the retailer Hemon A Paris, 97cm high see illustration 07.02.20 Ormolu surfaces are slightly discoloured and rubbed in parts, marble surfaces with scratches in parts and small chips, later dial, with pendulum.
Lot 198
~ A Mahogany Musical Eight Day Longcase Clock, signed Hinderwell, Norton, early 19th century, flat top pediment, Corinthian capped columns, arched trunk crossbanded door, 13-inch painted arch dial, dial centre with seconds and signed, musical theme painted corners, arch with four tune selection Easter Hymn/Brits Strike Home/Georges Minuet/Tweed Side, large triple weight driven movement with an anchor escapement, playing musical selected tune at one, four, seven and 10 o'clock on a nest of twelve bells and a larger bell for the hours, later seatboard, 221cm high see illustration 31.01.20 Case with small chips, scratches and scuff marks in places, hood door with small signs of later repair, some veneer is lifting in parts, bottom skirting is later, dial has been re-painted in parts, movement looks clean, later seatboard, with three weights and a pendulum.
Lot 190
~ A George III Mahogany Striking Table Clock, signed Fenwick, SoShields, Circa 1780, inverted bell top with carrying handle and acorn finials, fish scale side sound frets, bracket feet, 8-inch arch brass dial signed, date dial, arch with strike/silent selection, twin fusee movement with an anchor escapement and rack striking on a bell, 57cm high over handle see illustrations 30.01.20 Pediment with one piece of moulding missing, some mouldings are lifting and the joints are separating in parts, case is rubbed and discoloured in parts, dial is faded and needs re-silvering, movement needs cleaning, one movement pillar is missing which has left a vacant hole to the lower side of the backplate and front plate, escapement has been converted from a verge to and anchor escapement, movement in going order.
Lot 178
A Brass Engraved Striking Carriage Clock, signed Bolviller A Paris, circa 1840, the elaborately engraved scroll decorated case with a carrying handle, back door with winding hole shutter lever, bun shaped feet, enamel dial with Roman numerals, large seconds dial at 12 and signed Bolviller A Paris below 6, twin barrel movement with an engraved platform lever escapement, outside countwheel striking on a bell, movement backplate stamped with maker's mark Bolviller A Paris, 18cm high over handle see illustration 29.01.20 Case with small scratches, one of the feet are later made, right hand glass panel with one chip, dial with hairline cracks which are only visible under an eyeglass, strike is functioning correctly, movement in going order.
Lot 177
A Brass Striking Carriage Clock, signed Duval Rue D Orleans 8 A Paris, circa 1840, carrying handle, back door panel with winding hole shutter lever, one piece silvered dial with Roman numerals and signed, twin barrel movement with a platform lever escapement and striking on a bell, movement backplate signed to the side, 19cm high over handle see illustration 30.01.20 Case with surface scratches, surfaces are rubbed and discoloured in parts, dial is clean, movement is complete, strike is functioning, movement in going order.
Lot 202
A Fine and Rare William and Mary Walnut Marquetry Longcase Clock with Bolt and Shutter Maintaining Power, signed Daniel Quare, London, circa 1690, Barley twist columns, rising hood, throat mouldings beneath hood, side viewing windows, trunk door with D-ended floral marquetry inlaid panels, 10-inch square brass dial with a silvered chapter ring signed, finely matted dial centre with scroll engraved date aperture, seconds dial, finely pierced blued steel hands, winged cherub spandrels, six pillar latched movement with an anchor escapement and inside countwheel striking on a bell, bolt and shutter maintaining power with pull cord, later seatboard, 214cm high see illustrations Purchased by the current vendor from John Carlton Smith Antique Clock Dealer at 17 Ryder Street, St James, London. Daniel Quare (1647-1724). He was admitted as a Brother of the Clockmakers' Company in 1671 and served as Master in 1708. He was one of the most celebrated clockmakers of the late seventeenth and eighteenth centuries. Examples of his work can be seen in major collections and museums around the world. 30.01.20 The case has good patina and good colour, hood with later pierced frets to the borders, hood with small chips to the throat moulding, veneers with cracks in parts, trunk door with small chips, marquetry panels with small crazing crack marks, both sides of the plinth with veneer lifting and some inlaid stringing is missing, silvered dial chapter ring, is slightly discoloured in parts, movement is clean and in going order, bottom left hand side movement pillar is bent and one small crack fracture, back cock screws are later, later seatboard, with pendulum and two brass cased weights.
Lot 187
A Thirty Hour Single Handed Striking Lantern Form Clock with Unusual Spike Feet, signed William Monk, circa 1720, four posted movement with an anchor escapement and outside countwheel striking on a bell, spike feet, 10-3/4-inch square brass dial with a silvered chapter ring signed Wm Monk Fecit, finely scroll and floral engraved dial centre, ringed date aperture, single hand, 35cm high see illustration William Monk (1689-1753) was born and baptised in the village church of Berwick St. John in 1689. He worked at Berwick St John and was an apprentice to James Delaunce of Frome. William worked in Berwick all his life and made the clock for the town in 1740. Other examples of this distinctive feature of spike feet can be seen on James Delaunce's work. It is though that the spiky feet introduction must have been by James Delaunce and this must have been invented to make the clock slide-proof during winding. The spikes would secure into the seatboard for a safe grip and this would have the same affect as spikes on a lantern clock when located into the wall. See (Darken & Hooper) English 30 Hour Clocks, pgs 148, 149 and 414. 11.02.20 Chapter ring is slightly discoloured, movement is complete, movement is slightly dusty, in going order, with pendulum and weight.
Lot 179
A Mignonette Brass Striking and Repeating Carriage Clock, signed Henri Jacot, circa 1880, gorge style case with carrying handle and repeat button, enamel dial with Roman numerals, twin barrel movement with a silvered platform lever escapement and striking on a gong, movement backplate stamped with maker's mark HJ for (Henri Jacot) and numbered 5418, 13cm high over handle see illustration 29.01.20 Brass surfaces with small scratches and minor dents in parts, back door glass with one chip to the top right hand corner, dial is clean, movement is clean, strike and repeat functions are working, in going order.
Lot 196
~ An Unusual Mahogany Striking Wall Clock with Lunar Dial Display, Gothic style case with a canopy pediment, trunk with recessed panels, waisted base, 12-inch dial bearing a later inscription to the centre Thos Hall Rumsey, scroll and bird engraved decoration, lunar sphere display in the arch, large six pillar movement with a deadbeat escapement and outside countwheel striking on a bell, 19th century case, later dial and movement, 182cm high see illustration 04.02.20 Case with small cracks to the veneers, veneers have been replaced in parts, some mouldings are missing, dial is discoloured, arch with some chips to the painted surface and to the lunar display, movement front plate with two vacant holes to the top right and left hand corners. With two weights, pendulum is missing.
Lot 201
~ A Rare and Unusual Walnut Eight Day Longcase Clock with Newcomens Type Industrial Steam Beam Engine Automata Dial Display, signed Thompson, Whitehaven, circa 1740, broken arch pediment, hood with Ionic fluted canted columns, crossbanded trunk door, matching plinth with canted corners, 12-3/4-inch arch brass dial with chapter ring signed, dial centre with scroll and bird engraved decoration, seconds and date aperture, dial with engraved borders, dial arch with a beam engine automata, four pillar movement with an anchor escapement and rack striking on a bell, 237cm high see illustrations This unusual automatum shows an early example of Newcomens type steam beam engine. Newcomen invented in 1712 the world's first atmospheric steam engine. The engine was designed to pump water using a vacuum created by condensed steam. In the Industrial Revolution in Britain this became an important method of draining water from deep mines. 29.01.20 Case needs restoring, some veneers are missing and some mouldings are missing, veneers are lifting in parts, veneers with some cracks and chips in parts, hood appears to have mouldings missing around the lower edge which shows a gap when the hood is fully pushed on, front of the plinth is cracked, later feet, dial is dirty and needs cleaning, movement needs cleaning, with pendulum and two weights, pendulum bob has broken off the pendulum rod.
Lot 189
~ A George II Ebony Veneered Pull Quarter Repeating Table Clock, signed Joseph Grey, Durham, circa 1750, inverted bell top with carrying handle, side viewing windows, pull quarter repeat cord, 8-inch arch brass dial with a silvered chapter ring, arch with two dials for strike/silent and rise/fall selections, signed on a central silvered plaque, twin fusee movement with an anchor escapement, pull quarter repeat on a nest of six bells and striking the hours on a larger bell, movement backplate with scroll engraving and signed in a cartouche, 56cm high over handle see illustrations 30.01.20 Pediment with joints separating in parts, case with chips and dents to edges, surfaces are discoloured in parts, veneers with some cracks, left hand side glass is cracked, dial slightly discoloured in parts, movement escapement has been converted from a verge to an anchor escapement, movement needs cleaning, pull repeat not working, movement going train is working.
Lot 181
A French Bronze Ormolu Striking Mantel Clock, early 19th century, case surmounted by a lady in robes seated on a rocky plinth holding her hand out to a sheep, base with scroll and floral mounts, 4-inch enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, converted to spring suspension, 39cm high see illustration 29.01.20 Ormolu surfaces are discoloured, two securing screws are missing to both sides next to the bezel surround, dial with small chips around the left winding hole and minor scratches in parts, movement plates are dirty and need cleaning, later converted from silk to spring suspension, strike is working, movement in going order, with a pendulum.
Lot 197
~ An Oak Eight Day Longcase Clock, signed William Barnard, Newark, circa 1740, caddied pediment, side viewing windows, arch moulded trunk door with a glass lenticle, 12-1/4-inch square brass dial with chapter ring signed, dial centre with seconds and date aperture, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 220cm high see illustration William Barnard (1707-1784) was one of the best-known Newark clockmakers. He was apprenticed to Nottingham clockmaker Daniel Tantum in 1724. 29.01.20 Case with scratches, small cracks and small chips in parts, front of the plinth with a small crack to the top left hand corner, dial with small staining marks, movement needs cleaning.
Lot 183
~ An Early 18th Century Thirty Hour Striking Wall Clock, signed John Sanderson, four posted movement with an anchor escapement and countwheel striking on a top mounted bell, 11-inch square brass dial with Roman and Arabic chapter ring signed, dial centre with a religious engraved verse Remember ber man that Dye thou mut And After that to Judgement Just, date aperture, engraved scroll and floral corners, 33cm high see illustration John Sanderson, a Quaker, was born at Tiffenthwaite near Wigton in Cumbria in 1671. He started his apprenticeship to John Ogden of Bowbridge in Yorkshire. In 1691 he moved back to Tiffenthwaite and started to make his first clocks, which have several distinctive features, such as religious dial verses. 06.02.20 Dial is dirty and needs cleaning, movement needs cleaning, later seatboard, no pendulum and no weight.
Lot 195
~ An Unusual Mahogany Centre Seconds Striking Drop Dial Wall Clock with Moonphase Display, signed Jos Finney, Liverpool, late 18th century, nicely figured case with top hinged door, trunk door with barber pole inlaid stringing, inset fluted pilasters, 15-inch silvered dial signed, inner date ring and a central moonphase/sailing galleon apertures, centre seconds hand, large five pillar movement with rack striking on a bell, 132cm high see illustration 06.02.20 Case is faded in parts, case with dents and scratches in parts, front door with some veneers missing and chips next to the lock plate, top left hand side of the trunk with a later piece of spliced wood added, underside of the base is missing, dial is dirty and needs cleaning, movement needs cleaning, with pendulum and two weights.
Lot 191
An Imposing Gilt Metal Striking Mantel Clock Garniture, retailed by John Walker, 230 Regent Street, London, circa 1890, the elaborate case surmounted by dolphins, side lion head masks with acanthus leaf decoration, scroll feet, 4-3/4-inch cast dial with Roman numeral cartouches, central plaque signed by retailer, twin barrel movement striking on a gong, 68cm high, matching ewer garniture, 60cm high see illustration 06.02.20 Clock case and garniture surfaces are bright and in good condition, dial with minor scratches to the 12 o'clock cartouche numeral, movement needs cleaning, in going order, with pendulum.
Lot 185
An Ormolu and Champleve Enamel Striking Mantel Clock, signed Lemaistre A Paris, circa 1880, surmounted by an urn shaped finial, figural canted corners with acanthus leaf borders, multi-coloured champleve enamel panels, base with lion head masks and paw feet, 4-inch champleve enamel dial with Roman numerals and signed, twin barrel movement striking on a bell, movement backplate with maker's mark Japy freres and numbered 311, champleve enamel pendulum bob numbered 311, 47cm high see illustration 30.01.20 Ormolu surfaces with minor discolouring in parts, champleve enamel surfaces with minor scratches, glass panels are clean, dial with minor scratches, movement in going order, with original pendulum numbered 311.
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