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Lot 222
A William IV mahogany crossbanded longcase clock, 33cm arched painted dial inscribed Brownsword, Nottingham, date aperture, rolling moon, eight day, movement striking on a bell, case with swan neck pediment, rectangular door to waist, flanked by canted angles, plinth base, 224cm high, c. 1835
Lot 241
A 19th century oak longcase clock, by Robert Law, Castle Douglas, the arched and painted Arabic dial with central subsidiary date and seconds dials, above a painted scene, Scottish Landscape with figure, flanked by a pair of reeded columns and surmounted by a swan neck pediment, below is an arched trunk door flanked by conforming engaged columns, on a moulded box base and bracket feet, 214cm high.
Lot 344
A Victorian oak and mahogany crossbanded longcase clock, the arched painted dial with lunar phase, Roman numerals, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment, triple arched door, turned pilasters, bracket feet, inlaid with birds, scrolls, flowers and foliage, in coloured woods and abalone, 236cm high, c.1860
Lot 463
A French gilt metal and enamelled clock garniture, in Louis XVI style, the 8.5cm circular dial with Roman numerals in white reserves on a blue celeste ground, the base with oval panels decorated in 'pate-sur-pate' with musical trophies and portraits, twin winding holes, striking on a bell, the movement by Japy Freres, the case with domed top, conforming three light candelabras, with standard bearer finials, the clock 35cm high, the candelabras 39cm high,c.1860
Lot 641
A 19th century French bronze, brass and gilt metal repeating carriage clock, gilt cream dial, Arabic numerals, acanthus cast handle, the case inset with bronze allegorical throughout, ornate column corners, striking unmarked movement, the case engraved beneath presented to James Hemingway on the first anniversary of his birth by Frederick Collins, 4th August 1894, 20cm high, 10.7cm wide, 9.2cm deep, leather travelling case
Lot 14
Phillipe H Mourey (P.H. Mourey) three piece clock garniture set French, 19th Century, gilt metal clock, the porcelain face, decorated with enamel painted Roman numerals, marked Japy Freres and Co, impressed numbers 11240 200 to the reverse of the movement, the case excluding the base and dome is 41cm high, including the base and dome it measures 53cm high overall, the candlesticks of a similar design with powder blue and floral decorated porcelain panels and decorated with cherubs, 30.5cm high overall (3) Overall wear, marks and scratches as expected. We have not had the clock running since it has been with us, but the vendor recalls it does work. Some areas possibly repainted and has been maintained. We do not think the base/dome is original to the clock. Urn on top of the clock is bent/mis-shapen and leaning. Minor chips to the rim of the dome. Chips to the porcelain on the candlesticks. As this is not currently working we would recommend having it serviced.
Lot 15
Mahogany cased bracket clock and later bracketVictorian, the painted dial with Roman numerals, with repeater pull cord to the right hand side, the movement unmarked to the reverse, the clock case measures 30cm wide x 45cm high x 17cm deep, the dial measures 20cm across, the bracket measures 54cm high overall x 43cm wide overall x 24cm deep (2) The bracket is later than the clock. The case has old repairs, damage and losses. Some splits also. The dial is worn and scratched. The seconds hand appears to have snapped off. The pendulum has snapped but is present. We do not have the key to this clock. The clock has been in long term storage by the vendor and is not currently working properly. The bell does strike when the cord is pulled, the clock does tick for a short time when wound, but the speed is irregular. We would advise having this clock serviced.
Lot 355
A 19th century clock picture depicting a rural landscape with view towards a building with clock tower, and distant windmill , it's sails (depleted) operated by a pulley, the clock tower with white enamelled Roman dial (haircracked). The verge escapement with pierced and engraved mask and birds to the balance clock, beside silver slow/fast adjusting dial numbered 1 to 6 and inscription 'Tho. Dikar / London', the carved pivoting arm with small pulley wheel terminal, connected by thread to a larger pulley wheel behind the windmill, 29.5cm x 42cm a/f
Lot 417
A late 19th century, reformed Gothic style, bracket clock, the top in the form of a balustraded fish-scale tiled roof, above a cornice, the frieze below with carved flower heads, over a 5.75" dial, flanked on each side by a split mace and strapwork, the base with applied bosses and nail headings, raised on squashed bun feet, with a matching bracket, with an 8-day movement, striking on two gongs, the back-plate stamped 'D.R. Patent' and 'W & II IN SCH', with pendulum and winder, clock alone 44cm high (4)Ok, apart from minor chips and dents and scratches. Brackett with small slither missing above plate (that attaches it to the wall). This plate now detached.Movement not operational in vendor's home.
Lot 485
A reproduction Benjamin Franklin wall clock by Thwaites & Reed, the 5.5" lacquered brass arched dial with silvered chapter of four-hour configuration with a single hand, a subsidiary seconds dial in the arch, the four-pillar weight driven movement with anchor escapement, set on a mahogany bracket, number 921 from a limited edition of 1000, with certificate, booklet and instructions, 40cm high.Benjamin Franklin's (1706-1790) design of 1757 for a wall timepiece was never realised or manufactured in his lifetime. But from his detailed notes about configuration as well as manufacturing methods and techniques, the maker of the present lot, Thwaites & Reed of London, had everything needed to produce a working example, exactly as it would have been made in the 18th century. The accompanying literature indicates the date of manufacture as 1976 and the edition number 921 of 1000.Good overall with only minor/negligible signs of age and use. Movement runs. With both weights and pendulum.
Lot 489
A late 19th century, Louis XV style, Buhl style mantel clock, with brass mounts, including a Cupid finial above a 3.25" circular enamelled dial, with Roman numerals and signed 'Vieyres & Repingon', within a beaded bezel, over a pendulum viewing panel, raised on knurled feet, with an 8-day drum movement, striking on a bell, the back-plate stamped 'Vieyres & Repingon a Paris', '2600', '5', some minor damage, 40cm high, with pendulum and detached mount (3)Not operational in client's home. Generally ok, but 2cm vertical hairline crack from the right winding hole downwards, both sides of clock with many hairline cracks and some discoloration. Top right side return mount detached and edges of rear door chipped.
Lot 490
A Jaeger-Le-Coultre Atmos clock, the 4.5" dial with Roman numerals, stamped 'ATMOS, Jaeger-Le-Coultre, thirteen (13) jewels', the removable glass cover 'ATMOS Jaeger-Le-Coultre', minor damage and wear, with pamphlet and guarantee, 23cm highSeemingly ok, other than a small chip on the bottom right corner of the front glass cover and minor cscratches and dents consistent with age, including one small dent on the top of the front top metal rail. Not operational.
Lot 493
An early-mid 19th century ormolu French mantel clock, by 'Raingo, Paris', the 2.75" enamelled dial with Roman numerals, within a beaded bezel, surmounted by a fully attired sultan sitting on a chaise longue and with a staff in his left hand, the case of cast foliate form, raised on scroll feet, the 8-day movement with outside countweel strike and silk suspension, the back-plate stamped 'Raingo Freres Paris' in a circular stamp and 'Viner A Paris', '1296', damaged dial, with pendulum, 27cm high (2)Dial with multiple hairline cracks.Clock not operational in vendor's home.
Lot 494
A late 19th century walnut veneered mantel clock, with a domed top carved with foliage, above a 5.5” arched dial with pierced foliate spandrels and a 'slow/fast' subsidiary dial in the arch, silvered chapter ring, retailer’s name on silvered plaque ‘Mandah Rhodes & Sons, Bradford’, with an 8-day movement , striking on two gongs, the back plate stamped ‘Lenzkirch’, with winder and pendulum, some damage/losses, 40cm high (3)Some scratches and dents, particularly the back. Not operating in the client's home. Lacking escutcheon. Evidence of corner finials now missing.
Lot 495
A late 19th/early 20th century lantern style clock by John Huntley of Barnsley, the strapped bell over turned finials, foliate scroll frets, turned columns and ball feet, the 5.5in silvered Roman chapter ring with double wheat-ear half-hour markers and two hands, the spring-driven movement with oval nameplate inscribed Jno Huntley, Barnsley, 32cm high.
Lot 496
A late 19th century French gilt spelter and alabaster mantel clock, in the form of a classical figure holding an urn and a caduceus, flanking a 3” enamelled dial, the shaped base raised on bun feet, the 8-day French twin drum movement, some damage, 40cm wideNot operational in client’s home and chipped dial around winding holes.
Lot 498
A French brass carriage timepiece, circa 1915, with a 2.75" enamelled dial, with original case and key, engraved with presentation inscription 'Presented to Mrs Bromley, by her many friends at Annscroft, March 17, 1915.' some damage, 11.5cm high (handle down) and a French travel alarm clock, 'Jaz', with a 1.75" dial and a clockwork movement, 6.5cm high, cased, wear on both (5)Carriage timepiece - dial chipped on both upper corners. Brass tarnished. Not operational. Case - very scuffed, lacking handle and some leather, notably bottom edges and base. Glass front broken and missing big section.Jaz - very worn finish and later paint present on back and top and sides. Appears to be working. Case - scuffed and worn and interior lining very worn/frayed.
Lot 499
A George III oak longcase clock by Humphreys of Hartlepool, the hood with cavetto cornice above turned free standing columns flanking the door, the trunk with arched door, the plain base box raised on bracket feet, the 11" painted dial, signed and with vermicular spandrels, Roman numerals and Arabic minute markers, subsidiary dial for seconds and for date, signed, the eight-day movement with anchor escapement and four knopped pillars, striking on a bell, with two weights, pendulum and winder, 49cm wide x 26cm deep x 196cm high.Movement/dial likely a marriage with case. Cheeks adapted to support seat board. Back of main case possibly replaced. Case showing typical signs of age throughout but structurally sound with good colour and figuring. No evidence of worm. Movement winds, runs and strikes. A few small areas of re-touching to the dial.
Lot 500
A 19th century inlaid oak painted dial longcase clock, faintly signed George Ellis, Oakengates, the swan neck pediment above an arched door flanked by fluted full columns, the trunk inlaid with a classical patera above a shaped cross-banded door with shell patera, flanked by fluted corner pilasters, the plain canted base box raised on bracket feet, the 14.25in dial with fruit spandrels, Roman numerals, subsidiary seconds at 12, the arch painted with a rustic maid with rake in a landscape, the eight day movement with four knopped pillars striking on a bell, with two weights, pendulum and winder, 57cm wide x 27cm deep x 226cm high.Not running but movement appears intact and reasonably clean. Missing hood finials. Some veneer lifting in places to hood. Old split to base box front timber. Scuffing and chipping to feet. Dial fair with some faint cracklure becoming more pronounced in places. Some wear to numerals and minutes track. Evidence of soldering/repair to hour hand.
Lot 501
An 18th century oak 30hr brass dial longcase clock by Thomas Dicker of Silchester, the hood with ogee cornice above a plain frieze and turned 3/4 columns, the trunk with plain door on a plain base box with later plinth base, the 10in brass dial with moulded corner spandrels, silvered Roman chapter ring and a single hand, the centre signed Tho.s Dicker SEN.r, Silchester, the 30hr birdcage movement striking on a bell, with pendulum and weight, 47cm wide x 26cm deep x 189cm high.
Lot 502
A George III oak brass dial 30-hour longcase clock by Samuel Harley of Salop, the hood with scroll pediment and brass finials above a blind fretwork frieze and fluted full columns, the cross-banded trunk with conforming door over a cross-banded base box raised on bracket feet, the 11in dial with moulded corner spandrels, silvered chapter ring with black Roman numerals and Arabic minutes track, the silvered centre inscribed Sam.l Harley to a scroll cartouche and with a calendar aperture, the 30-hour movement with four knopped pillars, striking on a bell, 51cm wide x 25cm deep x 215cm high, with single weight and pendulum.
Lot 504
A George III oak brass-dial longcase clock by William Draper of Waldon, the arch-top hood with three-quarter pilasters to the door, the trunk with moulded and arched door, above a plain base box, the arched brass dial signed to an oval cartouche, above the chapter ring with black Roman numerals and Arabic minute track, subsidiary seconds dial under 12 o'clock and calendar aperture above 6 o'clock, the five-pillar eight-day movement striking on a bell, 49cm wide x 24cm deep x 202cm high.
Lot 27
Parcel ebonised and mahogany bracket or table clock,18th Century, the break arch brass dial with silvered Roman chapter ring, Arabic five minutes and lozenge half hour markers signed to the lower edge 'Asselin, London', the finely matted centre with false pendulum and date apertures, foliate scroll spandrels and strike/silent ring to the arch. The triple train fusee movement with verge escapement, chiming on six bells and striking on a further bell with acanthus scroll engraved back plate and pull repeat. The parcel ebonised mahogany case with inverted bell top, brass handle, break arch door with later brass frets, glazed side windows, upon brass ball feet, 44.5cm high with handle lowered x 26cm wide x 25.5cm deepOld repairs and alterations including the door escutcheon and brass frets. The case was probably originally ebonised. There is a plugged hole in the case side which may have been another pull repeat for the chime or hours. Wear and marks commensurate with the age and use.
Lot 91
French eight-day brass carriage clock with keythe white enamel dial with black Roman numerals, stamps to the reverse of the movement, 17cm high including the handleOverall some wear and marks to the case as expected. Discolouration in places. This clock is untested, we would recommend having it serviced.
Lot 236
A partial Middlesborough Pottery, Yorkshire dinner service circa 1840transfer-printed in the 'Wild Rose' pattern, depicting Nuneham Courtenay, Oxfordshire, the seat of the Earl Harcourt, set in grounds laid out by Capability Brown around 1780, comprising five plates, 23cm diameter, four plates, 26cm diameter and three meat platters, 48cm wide, some pieces with impressed crown, others unmarked(12)26cm diameter plates - Shallow rim chip to one plate's foot rim, another plate with two thin abrasions to the foot rim. A third plate with hairline at 4 o'clock, approximately 5cm long.23cm diameter plates - One plate with crazing to the glaze and a shallow underside rim outer rim chip, with some further fritting to the edges. Another plate with a faint X shape hairline visible to the centre of the base.Several plates with light signs of use, in the form of surface scratches.Platters - All three with some staining and crazing, together with some slight fritting and glaze loss around the edges. One platter chipped and cracked at 7 o clock.
Lot 272
A mixed group of ceramics and glass comprising a Royal Doulton character toby jug of Winston Churchill; a small Waterford Crystal timepiece carriage clock, in original box, two H.J Wood Indian Tree vases, a Schierholz/Plaue figural group of a lady and gentleman with a bird's nest, 16.5cm high; a further Continental figure, indistinctly marked, 22cm high; a Chelsea pottery bowl, 14cm diameter; a Mappin and Webb Prince's silver-plate basting spoon, Chinese blue and white export charger and a further blue and white Willow pattern charger (qty)
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460315 item(s)/page