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Kenneth Maclennan, London. A late 18thC mahogany and flame mahogany longcase clock, the shaped hood with a blind fret flanked by orb finials, above partially gilt highlighted columns and an arched long flame mahogany trunk door, above a further flame mahogany panel, on bracket feet, the 29cm W arched dial with raised spandrels, signed, 26cm Dia. silvered Roman numeric and Arabic chapter ring, subsidiary minute hand, date aperture and strike/silent feature, 8-day movement, 223cm H.
A 19thC oak and mahogany longcase clock, the swan neck pedimented hood surmounted by an urn and eagle finial, flanked by two further urn finials, above half carved columns and a shaped long trunk door, with crossbanding and shell patera, above an oval panel, on compressed bracket feet, the painted 34cm W arch dial signed Geo Williams Montgomery, with Roman numeric dial, subsidiary second hand and date aperture, 8-day movement, 234cm H.
J L Kemp Broadway. An 18thC oak longcase clock, with carved square hood, with fluted columns above a long trunk door, carved with a repeat geometric floral pattern, on a block base, the 25cm square dial signed, with raised spandrels with silvered Roman numeric and Arabic chapter ring and date aperture, fronting an 8-day movement, case later, 201cm H.
Sam Bycroft, Alford. A 19thC oak longcase clock, the swan neck pedimented hood surmounted by three orb finials, above a long arched trunk door, on a block base, the 29cm W painted arched dial signed with Roman numeric and Arabic chapter ring, subsidiary second hand and date aperture, 8-day movement, 202cm H.
John Higdon Wells. A 18thC oak Masonic longcase clock, the swan neck pedimented hood raised above a long arch trunk door, on a plain block base, with cylindrical brass headed columns, the 29cm W arched dial, signed and set with compass and set square with silvered Roman numeric and Arabic chapter ring, stencilled centre, date aperture and subsidiary second hand, with raised spandrels, 8-day movement, 215cm H.
Thomas Hughes London (active 1742-1785). An 18thC bracket clock, in ebonised caddy case with swing handle, with four part glass sections, on bracket feet, the arched dial with raised spandrels and 16cm Dia. silvered chapter ring, with Roman numeric and Arabic numerals, signed Thos Hughes, London, with date aperture, strike silent feature subsidiary second dial, and repeat feature with pull cord, double fusee movement, striking on main gong and six small bells, with an etched back plate, 45cm H.
A marble, brass and gilt metal clock garniture, comprising clock, with bird and garland finial, raised above a 9cm Dia. face with enamel Arabic dial, on cylindrical pillars terminating in a shaped base on squat feet, and two urn garniture, in neo-classical style, the 8-day movement striking on a bell the hour and half hours, with pendulum and key, 44cm H.
A 20thC oak cased granddaughter clock, the arched dial raised above a glazed door, on bracket feet, with an arched 17cm Dia dial with silvered Roman numeric and Arabic chapter ring, titled Tempus Fugit, with raised scroll spandrels, three weight chiming movement, striking on the quarter, with strike and silent feature, 152cm H.
A 19thC French mantel clock, with elaborate marble gilt metal case, surmounted by quill and garland, above a four sided glass section, on scroll feet, holding a 11cm Dia. dial, signed HII MARC Paris, Roman numeric dial, pendulum swung movement striking on a bell on the hour and half hour, no. 4173, 49cm H.
A late 19thC Gustav Becker walnut cased Vienna wall clock, of rectangular form, with urn and sun patera finial, quarter columns and gadrooned under section, with a three part glazed case housing a 19cm Dia. Roman numeric dial marked GB, with subsidiary Arabic second hand, 8-day movement with twin weights, 112cm H.
A George III oak longcase clock with automaton by George Hewett of Marlborough, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched twelve inch dial with a silvered chapter ring and centre, with Roman and Arabic numerals, the centre with subsidiary seconds dial and date aperture and engraved with a church, figures, trees and buildings, signed 'George Hewett MARLBORO', the arch with a 'TEMPUS FUGIT' automaton figure with a painted landscape, with a gilt dolphin and shell Rococo spandrels, the arched hood with brass ball and eagle finials, on bracket feet, 227cm high. Provenance: The estate of the late Professor Rodney Fitch CBE. Items removed from Court House, Aldbourne, Wiltshire, the interior designed by Robert Kime.
An early 19th century mahogany watch stand, inlaid with stringing and brass mounts, the triple arched top above baluster ring turned supports, later mounted with a 1920's car clock by Watford, inscribed 'NORTH & SONS LTD. WATFORD & LONDON', 20.9cm high. 20cm wide. Provenance: 'A Lifetime of Collecting'-The property of a gentleman.
A George III mahogany repeating bracket clock by John Taylor of London, the eight day brass movement with a verge escapement and striking on a bell, with a pull-repeat, the backplate engraved with Rococo scrolls and leaves, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals and with an inner date ring, with a matted centre and a recessed panel, inscribed 'John Taylor London', with Rococo spandrels and a conforming strike / silent dial, the bell top case with a brass handle and cone finials, the sides with pierced gilt brass panels decorated with terms, cherubs and foliage, 47cm high.
A brass lantern clock, the eight day brass twin fusee movement with an anchor escapement and striking on a bell, with a circular dial with Roman numerals and an engraved centre, signed 'Smorthwaite Colchester', the case with urn finials and pierced fret panels, the front engraved with dolphins, on ball feet, early 18th century and later, 37.2cm high.
A late 19th century French pink marble and ormolu clock garniture in Louis XVI style, the lyre shape clock with an eight day brass movement striking on a bell, the backplate stamped 'MADE IN FRANCE 31911', with a painted enamel dial with Roman and Arabic numerals and swags of flowers, the case with a Sun God mask surmount, above a paste jewel ring pendulum, together with a pair of naturalistic four-light candelabra with satyr masks, 46.7cm high (max). (3)
A Regency mahogany chiming bracket clock, the eight day brass three train movement with an anchor escapement and a two inch cylinder striking on eight bells, the re-painted dial with Roman numerals and signed 'J. Sharp Fish Street Hill London', the arched case inlaid with brass with a cone finial, fish scale panel sides and brass carrying handles, on ball feet, 58.9cm high
A late 19th century French white marble and ormolu clock garniture in Louis XVI style, the lyre shape clock with an eight day brass movement striking on a bell, the backplate stamped 'FRANCE 43423', with a painted enamel dial with Arabic numerals, the case with a Sun God mask surmount, above a paste jewel ring pendulum, together with a pair of naturalistic three-light candelabra with satyr masks, 36cm high (max). (3)
A modern French brass repeating carriage clock by L'Epée, with a platform lever escapement striking on a gong, the backplate stamped 'Made in France', the white enamel dial with Roman and Arabic numerals, with a subsidiary alarm dial, signed 'L'Epée, Fondée en 1839 Saint Suzanne France', in a corniche case with Corinthian capital columns, 16.5cm high. (2)
A late 19th century French boulle marquetry mantel clock in Louis XIV style, the eight day brass movement striking on a bell, the backplate stamped 'A1' and '9348 48', the circular brass dial with Roman enamel numerals, the arched ebonised case with a cherub finial and cut-brass panels, 39.5cm high.
λ A late 19th century French boulle marquetry mantel clock in Louis XV style, the eight day brass drum movement striking on a gong, stamped '47704 A & N PARIS' and with a pastille stamped 'A. D. MOUGIN', the enamel dial with Roman and Arabic numerals, the Rococo tortoiseshell and brass marquetry case with a dragon finial, 31cm high.

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460295 item(s)/page