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Click here to subscribeA French brass-cased alarm carriage clock, white enamel dial with Roman numeral hour markers, blued steel hands and subsidiary alarm dial, case height 10.5cm, working orderMovement – currently workingDial - clean Glass - cleanHands - goodCase - general wear to high points, bell attachment needs some attention
ARTS & CRAFTS BRASS WALL CLOCK,the embossed brass dial with raised central chapter ring with Arabic numerals, Kirkintilloch Coat of Arms above and Ca' Canny But Ca' Awa inscription, 41cm high, with two weights and pendulumWith weights and pendulum, though unable to test to ascertain working condition.
Uhren. Konvolut mit 5 Werken zur Uhrengeschichte. Unterschiedliche Verlage und verschiedene Formate. (64) * Vorhanden sind: Baillie, G. H. Watchmakers & Glockmakers of the World. London, N. A .G Press, 1974. 8°. Mit 15 Karten auf 7 Blatt. XXXIII, 1 Bl. 388 S. Orig. Leinenband. / Breguet, C. A. L. Breguet. Horologer. Clock and watch maker. Translated by W. A. H. Brown. London, Lee. Gr. 8°. Mit 2 Porträts u. Uhrendarstellungen auf 9 Bll. 30 S. Geheftet. / A Clockwork Globe. Invented by the Abbé Outhier, Priest. Eine Übersetzung aus …“déscription of the Globe“, Academie Royal des Sciences … Paris 1735 Vol. V. pp. 15 – 22. 4 Bll. mit einer Abbildung des Globus. / Jürgen Abeler. Ullstein Uhrenbuch. Kulturgeschichte der Zeitmessung. Berlin, Ullstein, 1975, 8°. Mit Abb. 324 S. Orig. Leinenband. / Maximilian Bobinger. Kunstuhrmacher in Alt – Augsburg. 2 Teile in 1 Band. Augsburg, Rösler, 1969. Mit Abb. auf 53 Tafeln. 128 S. Orig. Leinenband. Zustand: Alle Bände berieben und bestoßen, innengebräunt und fleckig mit Anmerkungen.
Schachuhr. Schachuhr mit zwei Zifferblättern in einem viereckigen mittelbraunen Kunststoffgehäuse. Produktion der Firma BHB aus den 1980er Jahren. Größe 15 x 3,7 x 8 cm. (22)* Zifferblätter mit arabischen Zahlen. Zustand: Die Uhr hat entsprechende Benutzungs- und Altersspuren. Die Funktionsfähigkeit und technische Funktionalität wurden nicht geprüft. / Chess clock. With two dials in a square medium brown wooden case. Production oft he company BHB from the 1980s. Size 15 x 3,7 x 8 cm. Dials with Arabic numerals. With signs of age and use. Functionality and technical functionality have not been tested.
Nikos Hadjikyriakos-Ghika (Greek, 1906-1994)Kammena Vourla III signé et daté 'Ghika 78' (en bas à droite); signé, daté 'GhikA 1978' et titré en grec (au revers)huile sur panneau 40 x 56.5cm (15 3/4 x 22 1/4in).signed and dated (lower right); signed, dated and titled in Greek (on the reverse) oil on hardboardFootnotes:ProvenanceSotheby's London, Greek Sale, 14 November 2007, lot 51 (as The Property of a Lady).Acquired from the above sale by the present owner.LittératureAthens, To Trito Mati Gallery, Ghika, March 1979.K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, Benaki Museum, Athens 2011, fig. 32, p. 245 (mentioned and illustrated).Imbued with the breath of the earth, this luxuriant and pulsating landscape speaks about the artist's lifelong fascination with the magic of painting and the miracle of Greek light. As noted by art historian K.C. Valkana, 'in such paintings as Landscape in Kamena Vourla III the wild, dynamic and mostly inimical nature of his earlier works is replaced by a verdant and blooming one conveying the joyful atmosphere of spring or summer, like his renowned Cretan gardens from 1950.'1 As Ghika himself once said: 'Venturing beyond geometric rules and harmonious designs you gain something else: more spontaneity and greater freedom.'2 Drawing from his personal impressions gathered while touring the countryside, the artist, often with the aid of a camera, captured nature as an inexhaustible source of natural wealth and beauty.3 1 K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, Benaki Museum, Athens 2011, p. 245.2 A. Grimani, 'Nikos Hadjikyriakos-Ghika, The Clock of Memories' [in Greek], interview by Ghika, Ena magazine, no.49, 5.10.1990, pp. 115-118.3 The photo archive of the Nikos Hadjikyriakos-Ghika Gallery includes a large number of snapshots from the artist's outings in Kamena Vourla.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
EDWARDIAN SILVER MOUNTED SMALL SIZED MANTLE CLOCK,maker Henry Williamson Ltd, Birmingham 1902, the case with swing handle, engraved to front 'A.A' and 'Xmas 1901', the clock with French movement, on four bun feet, overall 10.5cm highCondition good to fair. Works at time of testing. Minor dings to the top front, bottom back, and some to the feet. Appears to have been regularly cleaned. Indeed, there is silver polish residue behind glass. Additional images now available.
A SUPERB 19TH CENTURY FRENCH ORMOLU MANTLE CLOCK BY RAINGO, PARIS. The eight-day movement striking on a bell, with porcelain dial and separate numerals, in an ormolu case mounted with cupids holding an hourglass, the corners as female caryatid figures, the glazed door mounted with a horse drawn chariot on legs and harebell supports with four feet, the whole on a shaped platform base. 3ft 8ins high x 1ft 11ins wide.
Assorted Modern Costume Jewellery, including chunky Middle Eastern style hinged bangle, Wedgwood Jasperware and other dress rings, assorted bead necklaces and bracelets, earrings, gent's Rotary and other wristwatches, bedside clock, jewellery stand, wolf design signet style ring and similar pendant, etc :- One Tray
Early 18th Century 8-day brass dial longcase clock movement, William Williamson, London, the 12-inch square dial having a silvered chapter ring with half hour divisions and inner quarter hour track, signed 'Wm. Williamson, London', the matted centre with silvered subsidiary seconds ring and calendar crescent, within cherub and crown supporters to the spandrels, the knopped five-pillar movement striking on a large tubular gong, with early 19th Century oak and mahogany longcase clock case, 207cm high
Mid 18th Century oak-cased 8-day longcase clock, Thomas Mawkes, Chesterfield, the 10-inch square dial with Roman hour and Arabic minutes framing a matted centre with calendar crescent framed by chevron-engraved band and baroque urn spandrels, the knopped four-pillar movement rack-striking on a bell, case with flat hood and turned columns over long door and plain base, 204cm high
Early George III oak-cased 8-day brass dial longcase clock, James Gibb, Stockton, circa 1770, the 12-inch break-arched dial having a signed silvered chapter ring with Roman hours, Arabic minutes and Dutch minute band, framing a matted centre with subsidiary seconds ring and terrestrial calendar crescent, within baroque urn spandrels, the arch with rolling moon phase having lunar calendar band beneath pierced cresting with rocking figure of Cupid drawing his bow, the knopped and finned four-pillar movement rack-striking on a bell, the case with flat hood and sunken columns over long trunk door, 215cm high
George III mahogany-cased 8-day longcase clock. William Tooke of [King's] Lynn, (Norfolk), 12-inch silvered break-arched dial with Roman hours and Arabic minutes framing subsidiary calendar and seconds rings, signed between "Wm. C. Tooke, Lynn", beneath Strike / Silent ring, knopped four-pillar movement rack-striking on a bell, the case with wavy cresting and ball finials over stop-fluted gilt columns, figured arched long trunk door within chequer-strung surround, and conforming stepped base, 225cm high
Second quarter 19th Century mahogany-cased 8-day painted dial longcase clock - J. Wilson, Carlisle, the 14-inch break-arched Roman dial with subsidiary seconds and calendar rings within ruins to spandrels, riverside castle and figures in a punt to arch, knopped four-pillar movement rack-striking on a bell, in veneered case with swan-neck pediment, turned hood and trunk columns, short door and crossbanded base, 214cm high
Victorian Scottish mahogany-cased 8-day painted dial longcase clock, the 13-inch circular Roman dial signed 'Dan'l C. McKay Glasgow', with subsidiary seconds and calendar rings, knopped four-pillar 8-day movement with anchor escapement, striking on a coiled gong, in a drum-head 'keyhole' form case, the vertically-opening hood door hinged behind the cresting, the entire front of the trunk unusually hinged as a single section, with integral broadening glazed panel between leaf-capped canted corners, on flared base, 208cm high, sold with two brass weights, the pendulum with turned wooden rod and cylindrical brass bobThe dial does have some crazing to the finish, flakes/losses and there are areas that have yellowed, etc. The case is structurally sound, though the finish is a little tired and some people may wish to have the case re-polished. Some small cracks and openings of joints, and the usual wear to corners and edges. We do not guarantee the movement or accuracy of timepieces, and we have not tested this clock. The movement is a bit dusty and would probably benefit from a service/clean. The chiming hammer does not appear to line up with chime. Please see our website for a series of images of this lot.
Early 18th Century and later French boulle bracket clock and bracket, in the manner of Balthazar of Paris, the 19th Century 27cm cellular Roman dial with blue numerals, cast flowerhead divisions and engraved minute track, to a 19th Century two-train movement stamped Ch. Vcnne', the earlier case with cast female figure and eagle finial to the reeded domed surmount, the waisted balloon-form case with cast cresting and door surround flanking two relief-cast figures over two lizards or salamanders, enclosing typical 'chequerboard' floor and cut brasswork to rear door, raised on four substantial cast foliate scroll supports with paw feet, 98cm high, with sunburst pendulum, sold with an 18th Century boulle bracket applied with cast female masks, 50cm x 26cm x 36cm high, both for restoration, (2)
Regency inlaid mahogany twin fusee bracket clock, with 8-inch convex Roman dial, the unmarked wire-driven movement striking on a bell, the arched case with acorn finial over reeded stepped pediment (and with spare brass-inlaid pediment), convex-glazed brass bezel, and ebony and boxwood line inlay, the sides with lion mask and ring handles over brass fish-scale frets on reeded frieze and ball feet, 54cm high, together with an associated 19th Century mahogany bracket, internally measuring 38cm wide x 23cm deep, overall 41cm x 24.5cm x 37cm high, (2)
Regency inlaid mahogany twin fusee lancet bracket clock, John Walker, London, the signed 8-inch convex Roman dial with centre seconds sweep, the chain-driven movement with shouldered plates and swag-engraved border, ting-tang striking on two bells, signed 'Walker & Son LONDON' within an oval cartouche, the lancet-arched case with convex-glazed brass bezel over ebony line inlay, the sides with lion mask and ring handles over brass traceried frets on reeded stepped base and ball feet, 48cm high
19th Century brass twin-fusee lantern style clock, the 6.25-inch Roman dial with inner quarter hour track, framing a Lothbury-style centre engraved with tulip, other flowers and foliage, faux alarm dial with winding squares, chain fusee movement stamped CV 106, the case with typical strapped bell surmount and pierced dolphin cresting over three pinned doors on ball feet, 38cm high
19th Century French red tortoiseshell and ebonised portico clock, Samuel Marti & Cie, with 3.75-inch white Roman dial, the two-train movement outside countwheel-striking on a bell, with Exposition stamp and number 1437, the case with red tortoiseshell-fronted pediment and frieze over vine-wrapped spiral columns, 52cm high, sold with adjustable cast flowerhead pendulum, together with winder
Mid 19th Century French Sevres-style porcelain mounted mantel clock, the main panel 14cm x 11.5cm, with cellular Roman chapter ring framing landscape-painted centre, over a panel of Watteauesque lovers within jewelled borders, the two-train movement with Japy Freres exposition stamp, the canted architectural case with urn surmount, jewel-bordered roof and side panels, and further frieze panel to front, 36.5cm high
Mid 19th Century gilt bronze 'Shakespeare' mantel clock, the 3.25-inch white-enamelled Roman dial with trefoil hands, anonymous two-train movement striking on a bell, the finely-cast case with oval porcelain bust portrait of William Shakespeare, over seated muses of Literature holding a tablet and scroll, variously inscribed 'Othello', 'Hamelet', 'Le Cid', 'Tartufe', etc. [sic], flanking sword, flambeau, actor's mask and book, raised on foliate scroll base and three toupie feet, 39cm wide x 29.5cm high
Late 19th Century French brass table and porcelain table clock, in the form of a Chinese table screen, with dragon cresting over floral ceramic panel (cracked) framing a 3.5-inch Arabic dial, the timepiece movement with vertically-mounted lever platform escapement, stamped E.G. L. within an oval (for E. Gay and Lamaille), the elaborate frame raised on pierced uprights and stretcher applied with two figures, between pierced oval pendants, 44.5cm high
Impressive Black Forest carved linden wood table clock, circa 1900, with cellular Roman dial, Japy Freres two-train movement outside countwheel-striking on a bell, the impressive two-section case carved with an eagle swooping upon a heron or similar wading bird, a rabbit beneath, over two further birds amidst foliage, 90cm high
Late 19th Century French brass cased repeater carriage clock, with white Roman dial, two-train movement with silvered lever platform escapement, striking on a coiled blued steel gong, stamped 27250, in gorge case with push repeat, 13cm high (ex. handle), with winderThere are signs of oxidization and tarnish all over. The handle has heavy wear and there is residue around the top. There looks to be a slight bend in the minute hand at the pointed end. Yes there is a key .It would also benefit from a clean.
RAF 'Officer's Mess' oak-cased mantel clock by the English Clock & Watchmaking Co., the 5.25-inch silvered Roman dial with winged RAF insignia, the single chain fusee timepiece movement stamped ‘E. C. & W.’ , in architectural pedimented case on plinth base, '1927' mark to the base, 35cm high overall
Junghans - World War II German Kreigsmarine aluminium cased 8 day ships clock, having an 85mm black dial with luminous subsidiary seconds dial, outer minutes track and luminous filled hour and minutes hands, Arabic numerals and marked with eagle, Swastika and 'M' beneath the 12, hinged to a Bakelite case back with hinged clasp (now with modern aluminium desk mount, 11.5cm high)
Royal Ceremonies. A sammelband of pamphlets & orders of service etc. relating to royal ceremonies and ceremonials, 1685-1986, 24 works bound in one volume, modern dark green half calf, titled in gilt 'Ceremonies and Ceremonials' to spine, marbled sides, folio, including:1. The Form of the Proceeding to the Funeral of Her late Majesty Queen Mary II. of blessed memory, from the Royal Palace of Whitehall to the Collegiate Church at Westminster, the 5th day of this instant March, 1694[/]5. To begin at twelve a clock..., In the Savoy [London]: Printed by Edw. Jones, 1694[/]5 [i.e. 1695], 4p., caption title, imprint from colophon with final date numeral cropped, light wear where previously folded,2. The form of the Proceeding to the Coronation of their Majesties, King James the Second and Queen Mary, The 23 of this instant April, 1685, In the Savoy [London]: Printed by Thomas Necomb, 1685, single-sheet printed in double-column, some wear where previously folded and few repairs to verso3. Orders to be observed on Wednesday the 11th of October, being the day appointed for their Majesties Coronation, London: Printed by John Baskett, 1727, 4p., light spotting and dust-soiling4. The Ceremonies to be observed at the Royal Coronation of His Most Excellent Majesty King George the Fourth on Thursday the Nineteenth Day of July, 1821, 29p., light spotting5. The Deputy Earl Marshal's Order concerning the Robes, Coronets, &c. which are to be worn by the Peers at the Coronation of His Most Sacred Majesty King George the Fourth, London: Printed by S. & R. Bentley, [1821], [4]p.6. Ceremonial for the Interment of His late Most Sacred Majesty King William the Fourth... in the Royal Chapel of St. George at Windsor, on Saturday the 8th of July 1837, 10p.7. The Order of Proceeding in the Public Funeral of the late Field-Marshall Arthur Duke of Wellington, K.G. to be solemnized in St. Paul's Cathedral, on Thursday, the XVIII day of November, 1852, 12p., original printed wrappers8. Ceremonial Funeral of Admiral of the Fleet the Earl Mountbatten of Burma in Westminster Abbey on Wednesday, 5th September, 1979 at 11.30am, 16p., original printed wrappers9. Queen Elizabeth the Queen Mother's 80th Birthday Ceremonial for the Thanksgiving Service at St. Paul's Cathedral at 11.30am, Tuesday, 15th July, 1980, 20p., seating plan, original printed wrappers, and others similarQTY: (1)
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