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Lot 1919
18th Century ebonised rosewood and ormolu mounted bracket clock, the silvered brass chapter ring, signed James Defontayne, London, with calendar aperture and alarm disk to the arch, the five pillar movement with floral engraved back plate, quarter striking on three bells and adapted from verge to pin wheel escapement, the stepped case surmounted by a two tier basket top CONDITION REPORT Overall in good clean condition, cracking to veneers but only from age, clock is working but we cannot guarentee this
Lot 1923
19th Century circular ebonised wall clock, the painted enamel dial inscribed ' Ketterer Ware ', with a single train movement CONDITION REPORT The clock does not have a fusee movement. The clock currently works but we never give guarantees it will remain so. Overall condition to case and movement is ok, but it has no pendulum. One peg is missing.
Lot 1928
19th Century French ormolu mantel timepiece, the enamel dial with Arabic and Roman numerals, signed Pochon, the single train movement with silk suspension mounted on a white marble base (some damages) CONDITION REPORT Dial is badly damaged, clock is very loose on supports. Some work is needed around silk suspension of clock.14ins high x 8ins wide x 4ins deep
Lot 1942
William IV mahogany drop-dial wall clock, the painted dial with Roman numerals within a carved surround, signed Alfred Peglar, Southampton, the figured case housing a single train fusee movement CONDITION REPORT Dial has been re-painted. Crack to the veneer case on the front, otherwise generally clean condition on case and movement. It is currently ticking.
Lot 1947
George III oak longcase clock, the square hood with a shaped pediment and flanking pilasters above a rectangular panelled door, the brass dial with silvered centre and chapter ring, Roman numerals and floral spandrels with a single hand, the dial signed Philip Avenell, Farnham, the single train thirty hour movement striking on a bell
Lot 1948
George III mahogany longcase clock, the broken arch hood with flanking pilasters above an arched moulded panelled door and conforming plinth base, the brass dial with silvered centre and silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed John Austin, Shoreditch, the two train four pillar movement with anchor escapement striking on a bell CONDITION REPORT The brasswork is original. No signs of woodworm but the clock has been restored at some point in the past. Plinth has possibly lost some of its height, old veneer repairs and bowed side panels to the base (see photos)
Lot 1949
19th Century black lacquered papier mache and mother of pearl inlaid drop-dial wall clock, the shaped case enclosing a painted dial with Roman numerals, signed Jonathan Moore and Sons, Clerkenwell, London, with a single train fusee movement CONDITION REPORT Has a pendulum but no winding key present
Lot 1956
Regency mahogany and cut brass inlaid circular drop-dial wall clock, the 8in convex dial with Roman numerals, signed J. Potter, Bishopsgate, St. Without, London, with a single train fusee movement CONDITION REPORT Has been cleaned and restored. Side door is loose and original pins are missing. Dial has been re-painted.
Lot 1957
George III mahogany circular dial clock, the brass dial with Roman numerals signed Barnard, London, the single train fusee movement with bob pendulum CONDITION REPORT Dial is 12ins diameter. Unfortunately it is a marriage with many old repairs and alterations. Dial has a lot of unused extra holes. (See photos).
Lot 1967
Antique brass lantern clock, the floral engraved dial with brass chapter ring and Roman numerals, unsigned, the single train movement with anchor escapement striking on a bell, 5.75ins square x 15.5ins high CONDITION REPORT Nothing appears to be missing. We do have the weight and pendulum. No keys are needed. It is not a short bob pendulum
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460295 item(s)/page