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460327 item(s)/page
Lot 1
Stereoscopic interest: a quantity of assorted Premier magic lantern plates, includes Hawkmoth, The Stately Homes of England, Cathedrals, slides of China, paintings and prints, especially Canterbury (quantity) plus a fox-fur stole, a Bulmers cider cold cast woodpecker, 1930's mantel clock, leather suitcase and cake stand.
Lot 1
A Glazed Display of Relics from the Waterloo Battlefield, including coins, musket balls, brass buttons, tang of a sword, brass regimental titles, together with a print and a diary inclusion describing a walk on the Battlefield 24th July 1815 at half past three o'the clock, the day after the battle..
Lot 1
A late 19th century French lacquered brass cased carriage clock, the loop handle above architectural pediment to simulated bamboo uprights and stepped base, the painted face decorated in the Japanese aesthetic taste with gold painted dial set with Roman numerals beneath a rat and floral spray vignette, with further vignettes below of birds and thatched dwelling, the side panels similarly decorated, with hour repeating movement, 17 cm x 11 cm x 9.75 cm (ILLUSTRATED)
Lot 1
A circa 1760 eight day clock movement, the square brass dial with pierced spandrels, the formerly silvered chapter ring with Roman and Arabic numerals inscribed "Jno Fry Malksham" (Melksham), enclosing a subsidiary seconds dial and date aperture, 30 cm square, together with two lead weights and pendulum
Lot 1
A George IV mahogany cased mantel clock, the eight day twin fusée movement with repeat action, with lotus leaf engraved back plate inscribed "Barrauds, Cornhill London", the circular white enamel dial with Roman numerals enclosing the inscription "868 Barrauds, Cornhill London", housed in a figured case, the shallow stepped sarcophagus top above the dial, with convex glass and brass bezel, the sides and back with plain glass panels, raised on shallow block feet, 38 cm high x 27.7 cm wide (ILLUSTRATED)
Lot 1
A circa 1830 drop dial wall clock, the eight day twin fusée movement with white enamel dial, the chapter ring with Roman numerals, housed in a rosewood veneered and mother of pearl medallion inlaid case, the upper section of octagonal form over the main body with central glass panel flanked by fret work carved wings, the base of tapering form with fall front compartment, 72 cm high x 44 cm wide
Lot 1
An early 19th century mahogany cased drop dial wall clock, the eight day twin fusée movement with 10" white enamel dial, the chapter ring with Roman numerals, enclosing inscrption "Parkinson & Frodsham Change Alley, London", the convex glass with brass bezel within a moulded mahogany frame over a main body with rosewood strung decoration, flanked by fretwork carved sides over a tapering base with fall front compartment, 52 cm high x 29.5 cm wide max. (ILLUSTRATED)
Lot 1
An 18th century long case clock, the eight day movement with arched enamelled dial, the sun and moon phase aperture over a chapter ring with Arabic and Roman numerals, enclosing a date aperture and subsidiary seconds dial inscribed "Geo. Washbourn ,Gloucester", within painted scrollwork spandrels, housed in a red lacquered and gold painted case, the hood with architectural top and glass panel above the arched door flanked by turned side pillars, the main body with arched door decorated with two figural panels depicting a dancing bear scene and minstrels with bagpipe and fiddle (both highlighted prints) on a rectangular base and plinth support, 223 cm high (for restoration, includes two weights, pendulum stem and bob) (ILLUSTRATED)
Lot 1
A late 17th century walnut and seaweed marquetry inlaid long case clock case, the domed hood with cavetto moulded cornice over an arched door with integral turned pilasters, the main body with rectangular door mounted with circular glass panel and brass bezel on a rectangular base and plinth support, 238 cm high (ILLUSTRATED)
Lot 1
A circa 1800 mahogany cased long case clock, the eight day movement with square enamel dial, the chapter ring with Roman and Arabic numerals enclosing a subsidiary seconds dial and date aperture, inscribed "Gerrans , Wortley" within fan painted spandrels, housed within a plain case, the broken arch pediment with lion mask motifs over a plain door (glass missing), flanked by turned side pilasters over a plain body, the rectangular door with moulded edge above a plain base and moulded plinth support, 202 cm high (with two weights and pendulum) (ILLUSTRATED)
Lot 1
A Louis XVI white marble and ormolu mantel clock the case surmounted by a seated classical female figure reading from a book, above a painted 4.5in diameter white dial inscribed Dubuios Fils A Paris, with Arabic numerals, the plinth with two gilt panels, set on five engine turned gilt feet, 15.5in (39.5cm) high, 16in (41cm) wide.
Lot 1
A late 19th century Sevres-style mantel clock the French cylinder movement striking on a bell by Howell James & Co the dial with Roman numerals and painted with a cherub the case of square form with arched mask and scrolling foliage pediments front and back each corner with square fluted column surmounted by a giltmetal urn a painted classical scene of figures in a landscape below the dial the sides gilt decorated with jewelling and the reverse painted with a flower spray on four foliate decorated giltmetal bun feet 27cm high
Lot 1
A fine Regency period maple four-glass table clock circa 1830 By Desbois London the movement with twin chain fusees the backplate signed 'Desbois Grays Inn Passage London' at the base the gilt-brass dial signed 'Desbois London' on the Roman chapter ring enclosed within case with fluted pagoda top bevel glazed sides and moulded base with scrolled apron on splayed bracket feet 22cm high
Lot 1
An 18th century French tortoiseshell-veneered and gilt brass mounted bracket clock the twin train movement with circular brass dial having Roman chapters enclosed within waisted case with glazed door set with elaborate leafy castings the whole with applied rococo leaf and C scroll mounts 65cm high
Lot 1
An early 19th century mahogany 8-day longcase clock By James Alves Coatbridge the twin train movement with anchor escarpment the arched painted dial with Roman chapters and subsiduary date and seconds dial painted to the spandrels with allegories of the seasons and to the arch with a scene from "The Cottars Saturday Night" the hood with swan neck pediment and turned columns 214cm high
Lot 1
A George III period mahogany 8-day longcase clock By Harrison Liverpool the twin train movement with anchor escapement the arched brass dial with Roman chapters enclosing subsidiary seconds dial and with moonphase to the arch further inscribed 'The man is yet unborn who duly weighs an hour' the hood with swan neck pediment and brass eagle finials above reeded columns the trunk with shaped door enclosing fluted quarter columns on a panelled base 241cm high
Lot 1
An early 19th century mahogany 8-day longcase clock By John Wilkie Cupar the twin train movement with anchor escapement the arched painted dial with Roman chapters and subsidiary date and seconds dial the arched hood with turned columns above a moulded trunk door on panel base with bracket feet 213cm high
Lot 1
A George III period mahogany 8-day longcase clock the twin train movement with anchor escapement the arched brass dial with Roman chapters and subsidiary seconds and date dials with moonphase to the arch the wood with elaborately carved swan neck pediment above cluster columns the trunk with ogee arched door on panelled base with ogee bracket feet 230cm high
Lot 1
An early 19th century mahogany 8-day longcase clock By Andrew Barrie Edinburgh the twin train movement with anchor escapement the circular steel dial with Roman chapters and subsidiary seconds and date dials the hood with architectural pediment above plain trunk and base on a plinth 207cm high
Lot 1
A George III period oak 8-day longcase clock By William Wright Dunbar the twin train movement with anchor escapement the arched painted dial with Roman chapters enclosing subsidiary seconds and date dials painted with a huntsman to the arch and shells to the spandrels the hood with swan neck pediment above arched trunk door 206cm high
Lot 1
An early 19th century mahogany 8-day longcase clock By F. Barr Edinburgh the twin train movement with anchor escapement the circular brass dial with Roman chapters and with subsidiary seconds and date dials the moulded hood above trunk with column supports above a panelled base and plinth 208cm high
Lot 1
A late 18th century mahogany and marquetry-inlaid 8-day longcase clock By James Bonner Aberdeen the twin train movement with anchor escapement the arched engraved brass dial with strike/silent dial to the arch above subsidiary seconds dial and date aperture the hood with fluted columns above trunk inlaid with an urn issuing foliage on corresponding inlaid base with turned feet 227cm high
Lot 1
A Victorian mahogany longcase clock the 14" arched brass dial with three centred winding holes date aperture and subsidiary second dial the chapter ring of Arabic and Roman numerals within pierced corner spandrels with subsidiary chime silent dial to the top left hand corner and subsidiary chime on eight bells and Westminster chimes subsidiary dial to the top right hand corner under a rolling moon the three weight driven movement striking on eight graduated bells (subsidiary seconds dial at fault) hood with swan neck pediment flanked by turned urn finials over spiral turned front corner hood pilasters flanking an arched glazed head door with half spiral turned split columns over a crossbanded short trunk door flanked by spiral turned front corner pilasters on a canted box base and skirting support 92" high (associated case and dial)
Lot 1
An oak longcase clock the 12" arched brass dial with silvered chapter ring of both Arabic and Roman numerals centred subsidiary seconds dial and date aperture under an arch with circular disk signed Robert Poll Harleston the eight-day movement striking on a single bell the arched hood with turned front corner pilasters flanking an arched glass hood door over a shaped long trunk door on a plain box base and plinth support 86" high
Lot 1
A late George III oak and mahogany eight-day longcase clock the 14" painted dial signed W.Wain Burslem with ring of Roman numerals centred subsidiary seconds dial and date aperture between florally painted corner spandrels and a painted arch depicting church and harvesting corn the hood with swan neck pediment over fluted front corner hood pilasters flanked an arched glazed hood door over a shaped short trunk door between quarter fluted front corner pilasters above a crossbanded box base with canted corners on a skirting plinth 89" high
Lot 1
A Regency oak mahogany and rosewood crossbanded 30-hour longcase clock the 13" convex arched painted dial signed Wain Alfreton with ring of Roman numerals floral painted spandrels under a painted arch depicting huntsman on the bank and dog leaping into water after game the hood with swan neck pediment arched glazed door flanked by fluted front corner hood pilasters the trunk with arched short door with ivory key escutcheon flanked by fluted front corner quarter pilasters on a box base 81.5" high
Lot 1
A George III oak 30-hour longcase clock the 11" square brass dial signed WIL RIDER WELCHPOOL with central date aperture ring of Arabic and Roman numerals engraved corner floral spandrels the four pillar movement striking on a single bell the hood with cavetto moulded cornice over a plain square glazed door flanked by turned front corner hood pilasters over a long plain trunk door with cut out top corners and brass key escutcheon on a box base and short shaped bracket feet 79.5" high
Lot 1
A George III mahogany Lancashire Chippendale style longcase clock attributed to Gillows of Lancaster circa 1765 the broken scroll swan neck pediment carved with foliate terminals above foliate and scroll carved inset panels flanked by paterae over an arched glazed door enclosing a 13" arch brass dial with Roman numerals date aperture and marked Jon Benson Whitehaven foliate engraved centre and date aperture the arch painted with a three masted merchantman approaching a pier detailed with a lighthouse and figures the dial applied with pierced foliate and scroll spandrels eight-day movement striking on a single bell between stop fluted Corinthian column pilasters over a dentil moulded frieze centred by a patera from which issues a carved grape vine extending to each side of the clock above a shell carved and crossbanded full length trunk door with concave top corner and ribbed moulding flanked by fluted quarter pilasters with carved Corinthian capitols and blind fret work carved bases over an acanthus carved bevelled moulding the crossbanded base panel with shell carved corners (one lacking) between canted blind fret work carved angles and raised on shaped ogee bracket feet painted and gilded pendulum 90" high.
Lot 1
A Victorian oak drop dial wall clock the 11" painted dial signed JAs Joyce Whitchurch with ring of Roman numerals and centred winding hole the single fusee movement and short pendulum in a case with circular face surround over short trunk with C scroll and leaf moulded side mouldings above a basket base with single cockbeaded hinged door 25.5" high. . Joyce James is listed as Clock and Watch Maker Whitchurch 1821-1883 son of Thomas and Charlotte Joyce
Lot 1
An oak crossbanded mahogany long-case clock case the hood with swan neck pediment rosewood crossbanding to the arch with turned front corner pilasters with gilt metal capitols flanking an arched glazed hood door revealing an associated eight-day movement with silvered chapter ring and pierced brass spandrels the four pillar movement striking on a single bell the trunk with short shaped rosewood crossbanded door with central conche shell inlay flanked by turned half pilasters on a crossbanded box base with canted front corners raised on ogee bracket feet 91" high
Lot 1
A brass lantern clock dated (16)82 of posted construction with one-piece cup-and-cover finials posts and tall ball feet the movement now with anchor escapement and countwheel strike on a bell mounted within the dome shaped bearer above the dial with mask and scroll engraved centre within an applied Roman numeral chapter ring with asterisk half hour markers the angles engraved Edward Webb in Chewstoke Fecit 82 with armorial frets replaced iron hand and side doors with pendulum and weights wheelwork extensively restored using contemporary components 39cm high overall Edward Webb is probably the most celebrated of all the 17th century Chew Valley clockmakers the origins of the distinctive and attractive design of this lantern clock can be found in the work of Thomas Browne of Bristol during the reign of Charles I with the design of the dial engraving in particular changing very little during the next two generations of clockmaking in the area. The frame and dial of this clock belong to a series of clocks of which eight other dated examples are known including an example in the Science Museum London dated 1688. See White George The English Lantern Clock p.232
Lot 1
A mahogany crossbanded oak eight-day longcase clock mid 18th century the four-pillar rack and bell striking movement with 11.75in square brass dial with star engraved subsidiary seconds dial and calendar aperture to the bumble bee Hoho bird and foliate engraved matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Fran’s Pile Honiton to lower edge the angles with bird and urn pattern spandrels the case with stepped moulded cornice and blind fret to frieze above integral hood pilasters and long trunk door on plinth base with bracket feet 206cm high excluding finials Francis Pile is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Honiton circa 1762
Lot 1
A figured mahogany eight-day longcase clock mid 19th century the four-pillar rack and bell striking movement with 12.5in white painted Roman numeral break-arch dial with subsidiary seconds dial arch calendar aperture and signed F. Eschle Aberdare to centre with castle ruin painted spandrels beneath scene with figure before a cottage to arch the Bristol type case with arched pediment and spiral twist turned columns flanking wavy edge door to hood above rectangular short door flanked by canted angles to trunk on plinth base with bracket feet 214cm high A Felix Eschle is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working from Aberdare 1868-87
Lot 1
An oak and mahogany crossbanded thirty-hour longcase clock circa 1740 the two-handed posted countwheel bell-striking movement with 12in square brass dial with calendar aperture to the Hoho bird and scroll engraved matted centre within an applied Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Thorne Tiverton to lower edge the angles with bird and urn pattern spandrels the case with moulded cornice and integral pilasters to hood above rectangular trunk door and plinth base with moulded skirt distressed throughout 203cm high Probably by Simon Thorne who is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Tiverton circa 1740
Lot 1
A George I burr walnut eight-day longcase clock early 18th century the four finned pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and square calendar aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers the angles with Indian mask and scroll pattern spandrels beneath convex boss signed Thomas Wentworth Sarum between dolphin cast mounts to arch with herringbone engraved borders now in a burr walnut case with moulded cornice and turned pilasters to hood above line inlaid break-arch door to trunk on conforming plinth base 226cm high Thomas Wentworth (II) is recorded in Snell Michael Clocks & Clockmakers of Salisbury as working up to 1740. He was Mayor of Salisbury in 1719
Lot 1
A figured mahogany eight-day longcase clock circa 1845 the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and indistinctly signed Counsell & Son Ross to centre with floral spray painted spandrels beneath painted banqueting scene to arch the case with swan neck pediment and turned pilasters to hood above shaped-top short trunk door flanked by fluted quarter columns on flame figured plinth base with bracket feet the interior of the case with pasted maker’s label 221cm high A John Webb Counsell is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Ross 1835-50
Lot 1
An inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre with picturesque cottage painted spandrels and ruined abbey to arch the Bristol type case with shaped arch pediment and spiral twist pilasters to hood above herringbone banded panel to throat and short trunk door flanked by canted angles with conforming panel beneath on plinth base with bracket feet 210cm high
Lot 1
An Adam and Eve automaton eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Arabic numeral dial with arched calendar aperture subsidiary seconds dial and signed Aquila Barker Bristol to centre with gilt conch shell painted spandrels and scene with Adam and Eve standing either side of the tree of forbidden fruit their arms moving with the motion of the pendulum to arch in a later swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and conforming plinth with bracket feet 221cm high overall Aquila Barker is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 48 Wine St Bristol 1781-1846
Lot 1
An inlaid figured mahogany eight-day longcase clock circa 1810 the four-pillar rack and bell striking movement with 13in silvered brass Roman numeral break-arch dial with subsidiary seconds and calendar dials to the Mars and Mercury figural engraved centre signed Bartley and Eggert Bristol with conforming spandrels emblematic of the four seasons beneath eagle and Tempus Fugit banner to arch the swan neck pedimented case with giltwood eagle surmount shell paterae inlay to frieze and reeded Corinthian pilasters flanking wavy edge door to hood the trunk with conforming pilasters flanking a parquetry banded rectangular door on conforming plinth base with bracket feet 227cm high. The partnership of Bartley and Eggert is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 2 Nicholas St Bristol 1810-1814
Lot 1
An inlaid mahogany eight-day longcase clock circa 1830 the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and signed H Jones 35 Bottom of Broad Street Bristol to centre with floral polychrome painted spandrels and scene with courting couple beside a river to arch the case with shaped arch pediment above wavy edge door flanked by double baluster pilasters to hood and ebony line inlaid short door flanked by canted angles to trunk on conforming plinth base with moulded skirt 207cm high excluding finials
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460327 item(s)/page