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Click here to subscribeA 19th century mahogany longcase clock,the arched hood with rope twist columns above a short trunk door and Corinthian rope twist columns, box base and bracket fee, the dial with transfer decoration of Adam and Eve being banished from the Garden of Eden, and floral spandrels, with a seconds subsidiary dial and calendar dial, 250 cms high, dial 36 cms wide.
An 18th century mahogany longcase clock, the arched hood with globe finials and fluted Ionic columns above a long arched trunk door and box base on bracket feet, the arched brass dial with silvered chapter ring, seconds subsidiary dial, hours strike/silent dial, quarters strike silent dial, the three train movement striking on bells, inscribed John Monkhouse, London, 270 cms high, dial 32 cms diameter.
An oak cased longcase clock, the 30 hour movement striking on a bell to a 12in square brass dial with a silvered chapter ring inscribed William May M & W Woodbridge, to cast brass spandrels the hood with a shaped surmount fitted ball, spire and eagle finials, the applied moulded edge waist door to a base with a shaped apron, 6ft 6. 5in (199.4cm) high. restored
A 19th century oak and mahogany banded longcase clock, the thirty hour movement striking on a bell, to a 12in square painted dial inscribed 'T.C. Skaratt, Kington', the hood with a swan neck pediment and brass urn surmount, with a glazed door and fluted columns, to a moulded edge waist door, on a moulded top base (raised), 6ft 8in (203. 3cm).
A mahogany veneered longcase clock, the 8 day movement striking on a bell to a brass arched dial inscribed David Sutherland, Keith, with date aperture and subsidiary strike/silent dial, the hood with a moulded broken pediment, to a part gallery? inlaid frieze to brass capped columns, the trunk with an arched waist door to a base on bracket feet, 7ft 2.5in (219.8cm) high.
Late 19th Century brass cased Grande Sonnerie Carriage Clock, with quarter repeating movement, striking on two gongs and with alarm mechanism, the painted porcelain face decorated with an Egyptian scene and signed with a monogram L.S., painted dial, inscribed Le Roy & fils..., London", the sides painted with studies of interior scenes with Middle Eastern girls and signed L. Simmonet, the inscribed back plate numbered 3213, 20cms, (8"), (including handle).
19th Century French Mantel Clock, the enamel dial inscribed "Le Roy a Paris" and with Roman numerals, thirty-day movement, chiming on a bell and contained within a rosewood and satinwood inlaid case, the top with cast brass carrying handle and glazed panel, front and sides decorated with vases and leafy scrolls, on plain feet.
19th Century Carriage Clock, with enamelled dial, with Roman numerals, sweep second hand and subsidiary alarm dial, with unusual movement, chiming on a bell, the striking mechanism outside the back plate, contained within an engraved brass and glazed case of traditional form with brass swing handle.
French Mantel Clock with gilt dial with porcelain Roman numerals, the number six inscribed, "W.H. Tooke, Paris", the movement striking on a bell, inscribed, "W.H. Tooke, Paris", numbered 4517 and "a Plthe" and numbered 1079 and contained within a boulle type red tortoiseshell and brass inlaid case with ormolu mounts, with putto finial, decorated all-over with scrolls and flowers and on scrolled feet, 42cms, (16.5").
19th Century French Mantel Clock with painted porcelain dial, with Roman numerals and decorated with roses and other flowers, the movement chiming on a bell and inscribed, "Penchon fils Aine, Paris", stamped and numbered 503272, contained within a gilt metal case, with floral and shield finial, inset painted porcelain panel, decorated with putto, flanked by porcelain tapered pilasters and shaped vases, on melon fluted feet, 44cms, (17.5").
Victorian Bracket Clock, the arched silvered dial inscribed, "Joseph Merrick, Windsor", with Roman numerals and with secondary regulator dial, the triple fusee movement striking on eleven bells and with a plain back plate inscribed, "J. Merrick, Windsor", contained within a Gothic rosewood case, the arched hood with applied carved florets, the glazed door flanked by cluster column pilasters with carved terminals and on a plain base, 64cms, (25").
Longcase Clock with square brass dial, with applied plaque inscribed, "Robert Crook", silvered chapter rings, pierced and cast spandrels, thirty-hour movement, striking on a bell and contained within an oak case with a moulded cornice, turned column pilasters, ogee door, with moulded edge and on a plain base, 206cms, (6'9").
Three-piece Garniture, comprising clock with cast brass circular dial inscribed, "Le Roy, Paris" and with Roman numerals and decorated with flowers and leaves, the back plate of fusee movement, engraved and inscribed, "Wm. Drake, London", numbered 1802, contained within an alabaster case of classic Greek design, with dentil cornice above carved flowers, four turned column pilasters and square base, carved with ribands and a pair of similar candlesticks with circular bases, 29cms, (11.5") and 10cms, (4") respectively.
Mid 19th Century Cartel Clock, with circular dial, with Arabic and Roman numerals, movement numbered 2171864 and with impressed stamp, inscribed, "Vincenti" and dated 1855, contained within an ornate brass case with acanthus scrolled terminal, above cast roses and other flowers, the apron similarly cast. 67cms, (26").
Longcase Clock with painted dial, inscribed, "Jno Birtles, Harborough" and with crescent date aperture, the spandrels painted with conch shells with gilt highlights, thirty-hour movement, contained within an oak case, with shaped cornice, with applied cast brass roundels, the hood with pillar supports, the shaped door with central sunburst inlay and on a plain base, 198cms, (6'6").
19th Century Longcase Clock, with painted arched dial, inscribed, "John Ede, Camelford" and with seconds dial and date aperture, the spandrels painted with churches and stannaries and the arch decorated with sail barges on a river, eight-day movement and contained within a mahogany case, with swan neck pediment, the hood with turned columns above a moulded frieze, shaped door with crossbanding and on a plain base with bracket feet, 234cms, (7'8").
19th Century Longcase Clock, with painted arched dial, with Arabic numerals and secondary seconds dial and date aperture, inscribed "..., Burslem", with rolling moon phase in the arch, eight-day movement and contained within an oak case, with swan neck pediment, fluted pilasters, ogee crossbanded door, flanked by quarter column fluted pilaster and on bracket feet, 220cms, (7'2.5").
Dickens, Charles. Nicholas Nickleby, half-title, portrait and 39 plates, final plate with short tear, 1839; another copy, portrait and 39 plates, lacks half-title and list of plates, first section loose, 1839; Dombey and Son, half-title, additional etched title (tear repaired), frontispiece and 38 plates, 1848; Little Dorrit, additional etched title, frontispiece and 38 plates, 1857; Master Humphrey's Clock, 3 volumes, frontispieces, illustrations, 1840-41, all first editions in book form, plates rather foxed, all contemporary half calf or half morocco, slightly rubbed, two with joints cracked, 8vo (7).
J W Ambler, Church Green, Keighley, 30 hour oak and mahogany longcase clock, hood with broken swan neck pediment and three turned finials over plain turned columns and a silvered brass 13ins dial, with silvered chapter ring with Roman numerals and outer seconds subsidiary date dial and with rolling moon phase and engraved with pheasants on rococo style branches, cast brass spandrels, the movement striking on a bell, over a trunk with quarter pilasters and recessed panel box base, height 87ins
William Porthouse of Penrith 30 hour oak longcase clock, later carved and ebonised case, with brass 10.25ins square dial with signed chapter ring with Roman numerals, matted centre with a single hand and inscribed 'John and Mary Moorehouse 1746' and with date aperture, cherubian and coronet spandrels, the movement striking on a bell, height 77ins
Evan Williams, Trecastle, an oak 30 hour longcase clock, early 19th Century, swan neck pediment over two turned columns flanking a painted arched dial, signed to the centre, with Roman numerals and date aperture, with a castle to the arch and architectural spandrels, the movement striking on a bell (no pendulum or weight), the trunk with mahogany banded and inlaid door within quarter pilasters over an inlaid box base, height 85ins
A mahogany Scottish longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the enamelled round dial with Roman numerals, Arabic quarter hour divisions, subsidiary date dial and seconds dial, indistinctly inscribed .......AYR, the plain case with flame mahogany door, the hood with swan-neck pediment, 215cm high
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