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Click here to subscribeClock and Watch related volumes, to include Timekeepers by the British horological Institute, Britten's Watch and Clock Makers Handbook Dictionary and Guide, Vaudrey Mercer, John Arnold & Son, P.W. Cumhaill, Investing in Clocks and Watches, Cedric Jagger, The World's Great Clocks & Watches (5)
Five Clock and Watch related volumes, to include The Camerer Cuss Book of Antique Watches, Early Watch Case Makers of England 1631-1720, Britten's Old Clocks and Watches and Their Makers, H. Alan Lloyd, Some Outstanding Clocks Over Seven Hundred Years 1250-1950, Ernest L. Edwardes, Weight Driven Chamber Clocks (5)
A LOUIS XV THREE-PIECE PORCELAIN CHINOISERIE ORMOLU CLOCK AND CANDELABRA SET, CHURET, PARIS, LATE 19TH-EARLY 20TH CENTURY each with Foo dogs flanked by flowering roses, in peacock-blue glaze atop ormolu plinths with scroll feetcomprising:a) a clock, the white enamel clock face with Roman numerals and subsidiary seconds, the case stamped R A, JEWELS 6, numbered 1897, 0 adjustments; dimensions: 30 x 33 cm (11 3/4 x 13 in.) b-c) a pair of three-arm candelabra of conforming design; dimensions of each: 24 x 13 cm (9 1/2 x 5 1/8 in.)CONDITION In overall good age-appropriate condition. Overall surface dust. One of the Foo dogs of the candelabra has a crack on the right side of the nose and to the tail. Scattered chips on roses. The clock is loose and unstable. Inspection under UV show no apparent signs of restoration or repair. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A MEISSEN PORCELAIN CLOCK, RETAILED BY TIFFANY & CO. NEW YORK, MEISSEN, LATE 19TH CENTURY clock face set in porcelain featuring Aphrodite dressed in all white with gold tooled detailing cohesive to the gold tooled ground with arrows strapped to her back and her bow on her lap she rests next to the clock, a winged man's head rests below the clock face, centered below is a cartouche of a woodland courtship scene, below the scene is a gray and white shy dog, who sits next to cupid, all on curved feet, yellow, white and gold ground with floral bounty, the clock surrounded by a rose vine, the clock face marked,Tiffany & Co. New York;, underneath, marked with maker's mark in blue underglaze, number 28 in red underglaze, and incised 121 in paste all underbase; interior of clock stamped with 2; overall height: 39 cm (15 3/8 in.) CONDITION The clock appears in very original condition, minor surface dirt visible to the naked eye. Inspection under UV retouching to the verso's base. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A LOUIS XVI STYLE ORMOLU CLOCK, 19TH CENTURY an urn shaped body, with foliate scrolls shaped as handles, the cover features a bouquet of rosettes, the base of the urn formed from acanthus leaves centered with a garooned shaped pine final, two triton putti flank either side of the urn, each draped in acanthus leaves with a vine of rosettes connecting the two, the clock face with roman numerals and arabic numerals, and a twin-train movement, the hands of gilt metal formed as scrolls, all atop a rectangular base with foliate strapwork on four toupie feet, the interior mechanism stamped 203; overall height of clock: 43 cm (16 7/8 in.); dimensions of clock base: 35.56 x 15 cm (14 x 5 7/8 in.)PROVENANCE Christie's New York, 29 October, 2002, lot 134Acquired at the above by the current owner. CONDITION The clock appears in age-appropriate condition. Overall surface dust visible to the mantle clock. Minor patina visible to the gadrooned pine finial as well as the bodies of the putti's. Should be noted that the clock was not wound and does not appear in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A BELGIAN ORMOLU MANTEL CLOCK, P. HUBEAU, NAMUR, LATE 19TH-EARLY 20TH CENTURY of rectangular form, the clock is mounted on a white marble base with rounded foliate feet, with four columns shaped as ram's heads with floral panels on either side, above the clock face is a wreath with a pine finial, below the clock face is a fringed banner, in the interior glass is the pendulum shaped as a head with laurel leaves and a winged helmet, the clock is numbered in roman numerals with metal acanthus hands, the dial mechanism is enclosed by a gold backing, P. Hubeau, Namur, on clock face and numbered 1667 and 41 on interior of mechanism; overall height: 39 cm (15 3/8 in.); dimensions of base: 13 x 20 cm (5 1/8 x 7 7/8 in.) CONDITION The clock appears in age-appropriate condition. Overall surface dust visible to the naked eye. Minor chips to the marble base and clock face. Light surface scuffs and scratches visible to the glass. The pine finial is loose. Should be noted that the clock is not in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A LOUIS XVI-STYLE PORCELAIN MANTLE CLOCK, SEVRES, RETAILED BY TIFFANY & CO., CIRCA 1890formed as a lyre, the white enamel clock face with Arabic numerals with eight-day movement, the circumference with string of round-cut rhinestones which move with the pendulum system, centered with a sunburst with the face of Apollo, with suspending garlands, the body a cobalt blue, the dial signed Tiffany & Co. and France, the interior stamped France, numbered 2115, numbered 3684 under base; overall height: 36 cm (14 1/8 in.) CONDITION The clock appears in working age-appropriate condition. Overall surface dust visible to the naked eye. A rhinestone is missing near the bottom of the circle. Missing piece behind the sunburst of Apollo. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A LOUIS XVI STYLE BRONZE TIFFANY & CO. MANTLE CLOCK, LATE 19TH CENTURY formed as a lyre, the white enamel and floral painted clock face with arabic numerals with eight day movement hours with metal gilt hands, the clock face supported in the middle of the lyre, surrounding the clock face is a string of round-cut rhinestones, the rhinestones move with the pendulum system, a large gilt Apollo sunburst is centered above with a gilt garland, the body features a continuous garland, all atop a white stone base with acanthus leaves and tassel motif face of clock signed Tiffany & Co. New York and France, interior of clock behind sealed door stamped and numbered '673', stamped SF; overall height: 54 cm (21 1/4 in.) CONDITION The clock appears in age-appropriate condition. Overall surface dust visible to the naked eye. Scattered darkening spots visible to the bronze. Should be noted the clock was not wound. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH BRASS AND MARBLE FIGURAL CLOCK, EARLY 20TH CENTURY the brass formed as a cherub riding a chariot led by a lion, the wheel formed from the clock face, the clock face with roman numerals with metal hands and a gilt face, the base formed as a rectangle from marble with a gilt chariot scene featuring a goddess led by horses and a cherub, flanked on either side by a gilt urn, stamped on the interior AI in a oval cartouche and numbered 12954; overall height: 44.45 cm (17 1/2 in.); dimensions of base: 43 x 14 cm (16 7/8 x 5 1/2 in.) CONDITION The clock appears in age-appropriate condition. Overall surface dust and darkening visible to the clock, most notably to the brass figural group. Patina has occurred to the gilt scene in various places. Should be noted the clock does not appear in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH EMPIRE-STYLE GILT BRONZE MANTEL CLOCK, MODEL BY CHARLES PERCIER (1764-1838) AND PIERRE FONTAINE (1762-1853), SUSSE FRERES PARIS, 19TH CENTURY of rectangular form, with greek iconography, a large garland swag with rams heads, with charioteer and four dancing bacchantes each base corner with a seated griffins, all on a raised square plinth with canted corners, the enamel Susse Freres, Hors Concours Paris 1900, clock face with roman and arabic numerals, gilt metal hands, signed lower right corner, the interior of the clock,stamped with Susse Freres Paris; overall height: 49 cm (19 1/4); dimensions of base: 37 x 24 cm (14 5/8 x 9 1/2 in.) CONDITION The clock appears in age-appropriate condition. Overall surface dust visible to the naked eye. Visible discoloration to the gilt, base and top. Should be noted the clock was not wound. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A THREE-PIECE INDUSTRIAL STEAM DESK CLOCK AND CANDELABRA, GUILMET, PARIS, CIRCA 1900in industrial taste, comprising: a) a bronze and gilt brass steam hammer clock, the drop hammer-form case with polished brass and patinated silvered surfaces, the hammer forming part of the complex around pendulum, which rises and falls, appearing to strike the anvil as the clock runs, the rectangular silvered dial with applied Roman numerals and gilt spade hands, 8 day, time and strike, the French brass movement stamped, MEDAILLE D'OR CLT B TE SCGDG PARIS; overall height: 48 cm (18 7/8 in.), dimensions of base: 14 x 30 cm (5 1/2 x 11 3/4 in.); b) paired with two candelabras of conforming design, each two-armed, centered with a roller press, both set on stepped-back black slate bases; overall height of each: 25 cm (9 7/8 in); dimensions of base: 9 x 16 cm (3 1/2 x 6 1/4 in.) CONDITION The set is in age-appropriate condition. Overall tarnish and dust apparent to the naked eye. One of the candelabra arms loose. N.B. The back panel of the clock is missing. Would benefit form a polish. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH ORMOLU AND CHAMPLEVE ENAMELLED THREE-PIECE GARNITURE, 19TH CENTURY the set with a conforming foliate and floral motif with gold and blue accents, of urn shape the clock body supported by two putti's, handles formed from rossettes, the cover with a pine cone finial, the face with Roman numerals and twin-train movement, on a shaped base with toupie feet, flanked by two armed candelabras formed from branches with a single putto, inscribed E. Henry lower right of clock face; height of clock: 42 cm (16 1/2 in.); height of candelabras: 30 (11 3/4 in.)PROVENANCE Christie's, NY, 28 October, 2002, lot 133 Acquired at the above by the current owner CONDITION The set appears in age-appropriate condition. Scattered patina and rubbing resulting in losses. Overall surface dust and grim visible. The clock is not in working condition and does not wind with a key. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FABERGE-STYLE NEPHRITE, GILT SILVER AND GUILLOCHE ENAMEL DESK CLOCK, ST. PETERSBURG, 1898-1908square, the gilt silver dial featuring a deer atop a scrolling acanthus leaf, with Roman numerals, subsidiary seconds, blued steel spade hands, the circumference with diamonds, with scrolling acanthus leaf corner plaques, the flanking sides featuring gilt silver and diamond Imperial eagles with ruby cabochons, the silver terminal modelled as an elephant, its cape with a moonstone, with diamond eyes, standing on a lotus flower, its cape and support enameled in red over a hatched ground, all atop a stepped base with laurel motifs, each with diamonds and three ruby cabochons, four scrolling acanthus feet, door marked with 88 standard and workmaster's mark Y.A in Cyrillic, rim underneath marked with 88 standard, workmaster's mark Y.A, maker's mark FABERGE in Cyrillic, with conforming winding key formed as an Imperial eagle; overall dimensions: 13.5 (h) x 9 (w) x 9 (d) cm (5 1/4 x 3 1/2 x 3 1/2 in.) CONDITION The clock appears in good original condition. Tarnishing visible to the silver and gilt accents. The clock comes with a winding key. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
AN ORMOLU-MOUNTED WHITE MARBLE MANTLE CLOCK AND PAIR OF CANDLESTICK GARNITURES, CIRCA 1970the pair of candlestick garnitures of white marble. each on an octagonal base. the candlesticks are in gold with two holders linked by a chain with an acanthus leaf scroll. divided by a pole with a pine cone finial with four acanthus leaves. the ormolu-mounted marble clock of a young woman sitting in thought. dressed in a toga she rests with her head down and arms crossed on her lap. her hair is wrapped with a gold netting and laurel leaves. the sculpture is atop a rounded mount with a clock with a gold boarder. the clock face has gold roman numerals. marked with clock maker f. 10 Gautier Rue des Fes Montmarte 3; on verso the clock is stamped and numbered 4 8 300 and inscribed 505g; on panel of pedestal marked with maker’s mark devaulx. height of candlesticks: 39 cm (15 1/2 in.); mantle clock dimensions: 44.5 x 27 cm (17 1/2 x 10 1/2 in.)CONDITION The sculpture, mantle clock and candlesticks are in very good condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
AN ART DECO BRASS TIFFANY & CO. MANTLE CLOCKsquare, the face with Arabic numerals, spade style metal hands, with quartz movement, Tiffany and Co. centered on the white enamel face, the interior with a battery operated dial, stamped with serial number 10298; overall height: 15 cm (5 7/8 in.) CONDITION The clock appears in very good condition. Overall light surface scuffs and scratches to the brass body, as well as scattered dark spots and tarnishing. The battery will need to be replaced, but is in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
AN ART DECO DESK CLOCK, CONCORD WATCH CO. FOR MARSHALL FIELD & CO., 20TH CENTURY rectangular, with Arabic numerals, the hands with red accents, the perimeter studded with twelve rhinestones against a toned ground, the face marked Marshall Field & Co., 8 Days / Swiss, the verso stamped with maker's mark CONCORD W CO. SWISS, serial number 9174; overall dimensions: 8.7 x 18.8 cm (3 3/8 x 7 3/8 in.) CONDITION The desk clock appears in age-appropriate condition. Rubbing, patina and cracking visible to the silver body. Interior of the face has toned and darkening visible to the perimeter. A rhinestone is missing to the right edge. The clock is in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A Mikimoto International travel clock, comprising a gold tone round dial, with number markers, Mikimoto signature logo, with gold plated bezel, encased within a quartz type surround inset with a small pearl, diameter approx 55mm, stamped Mikimoto International to reverse, case back marked Y120, in original box Condition report: Good small chip to surround, minor wear and tear Provenance Baroness Boothroyd
A scarce mid 19th century circular Marine oak cased wall clock, the brass dial with Roman numeral chapter ring and marked "Walsh, Jones Co. London", the oak case diameter 17.8cm x depth 11cm. Walsh Jones & Co was a short-lived partnership in Melbourne in 1854-1855, between Henry S. Walsh (1806-1877), a Melbourne clock and watch maker and retailer, and Edwin Jones of Melbourne. The clock face gives the firm's address as London, but this was a common practice for Melbourne firms that were importing and retailing English made clocks.
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