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A George III oak longcase clock, by John Whitehurst II of Derby, the 13 inch diam brass dial signed Whitehurst Derby, with arched date aperture and engraved arrow hand, ringed winding holes, roman chapters and pierced hands, having eight day (formerly 30 hour) movement in crossbanded case with swan neck pediment, inlaid paterae, 'keystone' and fluted pillars, the trunk enclosed by a shaped door flanked by fluted pilasters, on panelled base, 213cm h
A William IV mahogany longcase clock, the 13 inch painted dial with twin subsidiary dials signed clare manchester, with floral spandrels and lunar work to the arch, having eight day movement in figured case with swan neck pediment and spiral columns, the trunk enclosed by an arched and panelled door in matched veneers, flanked by pilasters, 224cm h
A George III oak longcase clock, the 12 inch brass dial signed in a cartouche Nathal:Kirk Kibworth, with subsidiary seconds dial, date aperture and foliate engraving, having mask spandrels, lunar work to the arch and eight day movement, the case with a high swan neck pediment and turned pillars, the trunk enclosed by a break-arch crossbanded door, on ogee feet, 226cm h
An oak longcase clock, the 12 inch brass dial signed on the chapter ring Thos Blundell dublin and with matted centre, ringed winding holes and subsidiary seconds dial, having mask spandrels and eight day movement, the case with swan neck pediment and turned pilasters, the trunk enclosed by a break-arch door, 232cm h
A George III mahogany longcase clock, the 12-inch painted dial signed Tho B... Bath, with arched date aperture, subsidiary seconds dial, roman chapters and gilt spandrels, a medallion of a shepherdess to the arch, having eight day movement in figured and line inlaid case with 'pagoda' top and fluted pillars, the door inlaid with an oval between hollow fluted pilasters, 210cm h
A George III mahogany longcase clock, the 12 inch painted dial signed Kimber Uxbridge, with date aperture, subsidiary seconds dial, brass winding holes and rose spandrels, a basket of flowers to the arch, having eight day movement in break-arch case with brass stop- fluted columns, the trunk enclosed by a curl veneered door, on conforming base and bracket feet, 232cm h
A George III oak longcase clock, the 13 inch brass dial with engraved centre, subsidiary seconds dial and mask spandrels, a medallion engraved with an eagle and Tempus Fugit to the arch, having eight day movement, the case with swan neck pediment and fluted pillars, the trunk enclosed by a shaped door between pilasters, on panelled base and bracket feet, 230cm h
A George III mahogany longcase clock, the finely engraved 11.5 ins brass dial signed Thomas Field bath, with date aperture, subsidiary seconds dial and festoons, the seated figure of Pomona to the arch, having eight day movement in figured case with swept cavetto pediment and fluted pillars, the trunk enclosed by a break-arch door, 224cm h
An oak longcase clock, the 11.5 inch painted dial with date arc and subsidiary seconds dial, painted to the centre with rustics and livestock and having gilt spandrels, signed to the arch jarvis chapman barton, eight day movement, the case with swept cavetto pediment and turned pillars, the trunk enclosed by a break-arch door, 206cm h
A George IV mahogany longcase clock, the 13 inch painted dial with raised centre signed Cooke & Co Nottingham, with date arc and subsidiary seconds dial, pierced hands and roman chapters, the spandrels with young women emblematic of the Seasons and with lunar work to the arch, having eight day movement in crossbanded case with swan neck pediment and turned pillars, the trunk enclosed by a figured door, on panelled base and bracket feet, 228cm h
An early Victorian oak longcase clock, the 12 ins brass dial signed on a silvered tablet to the matted centre John Carr swaffham, with subsidiary seconds dial and silvered chapter ring, pierced spandrels and eight day movement, the case with swan neck pediment and fluted pillars, the trunk enclosed by an arched door, 196cm h
A mahogany longcase clock, the brightly painted dial signed C Roberts Leeds, with subsidiary dials and the figures of the Evangelists to the spandrels, the Sacrifice of Isaac to the arch, having eight day movement in figured and inlaid case with swan neck pediment, shaped door and bracket feet, 240cm h, second quarter 19th c. *The sale of lot 920A is subject to VAT on the hammer price.
A FINE LATE 19TH/EARLY 20TH-CENTURY OAK BAROMETER having a scroll topped arched surmount with carved 'wings' above a clock, the silvered dial with Roman numerals (the quarters red), the movement stamped "V.A.P./BREVETE/S.G.D.G.", above a carved eagle surmounting a Centigrade and Fahrenheit thermometer, the scales both alternately red and black on a silvered backplate, between rosettes and carved half anthemion, all on an architectural "broken" pediment with silvered aneroid barometer within brass bezel, 112cm, (44in) high
A VICTORIAN BRASS MANTEL CLOCK, the circular single-train timepiece movement having a silvered chapter-ring with Roman numerals, with pendulum, on a four-column stand with dentate cornice, on square moulded base and four bun feet, on circular turned mahogany stand under a glass dome, the clock 27cm, (10.75in) high, 37.5cm, (14.75in) overall
Lot Barwise, Cockermouth, (1726-1799). A GEORGE II/III BRASS LONG-CASE CLOCK DIAL (ONLY), having a brass chapter ring with Roman hours and Arabic minutes framing a matted centre with rectangular maker's plaque inscribed "Barwise/COCKERMOUTH" above a date aperture between foliate chasing, the spandrels cast with foliate scrollwork, 30cm, (11.8in) square, sold with two brass plates, four pillars, a bell and a crude pendulum bob

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460327 item(s)/page