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A 19th Century Black Japanned and Gilt Decorated Longcase Clock by William Smith of Crowland, the 12ins arched painted dial with Arabic numerals and with date aperture, the centre painted with General Abercromby and decorated with leaf scrolls to spandrels, shell and floral sprays to arch, to the eight day two train movement striking on a bell contained in case, decorated in gilt chinoiseries and leaf shell and trellis ornament with moulded corners and split turned columns to hood, arched trunk door on plinth base, 81ins high
A Staffordshire Pottery Clock Group and Twelve Other Staffordshire Pottery Figures, 19th Century, the clock group modelled with a poodle and two spaniels on oval base 10ins high, a pottery castle modelled with two turrets and clock face to centre on oval base 11ins high, and eleven other Staffordshire pottery figures various
W.R. Cullen, London Street. Norwich. - 8-day French carriage clock c1900, in a corniche case with carrying handle and four bevelled glass panels, white enamel dial with Roman numerals, minute markers and spade hands, with a lever platform escapement and rack striking movement striking the hours and half hours on a coiled gong.
French - late-19th century 8-day carriage clock in a corniche case with matching handle, enamel dial with roman numerals, minute track and steel spade hands, subsidiary alarm setting disc in Arabic's, rack striking movement striking the hours, half hours and alarm on a coiled gong, with a jewelled lever platform escapement. With key.
English - 19th century 8-day Fusee wall clock in a mahogany case, with a plain veneered dial surround, carved ear pieces and pendulum viewing glass with a curved base and pendulum regulation door, 12" painted dial with Roman numerals, minute markers and steel spade hands, flat glass and brass dial bezel. With pendulum.Dimensions: Height: 77cm Length/Width: 43cm Depth/Diameter: 23cm
German - H.A.C. mahogany cased 14-day striking mantle clock, in an architectural case with a gable pediment, square brass dial and silvered chapter ring flanked by two turned pillars with capitals, wide stepped plinth raised on bun feet. With pendulum and key..Dimensions: Height: 34cm Length/Width: 26cm Depth/Diameter: 17cmCondition Report:Gong and stand removed.
Continental - early 19th century porcelain mantle clock with a French eight-day movement, rectangular case with raised gilt rococo decoration and carrying handle, hand painted panel to the front portraying a picturesque lakeside scene and two figures in 18th century dress, contrasting light green background with raised gold decoration to the sides and a depiction of flying birds within a scrollwork cartouche, white enamel dial with a cast brass bezel, Roman numerals, minute track and steel trefoil hands, dial inscribed Henry Marc, count wheel striking movement with a silk suspension, striking the hours and half hours on a bell. Dimensions: Height: 24cm Length/Width: 15cm Depth/Diameter: 10cm
German - late 19th century mahogany and ebonised 8-day wall clock, with a shaped pediment, applied carvings and finials, fully glazed door with visible gridiron pendulum flanked by turned half columns , curved base with finials below, two part enamel dial with Roman numerals and pierced steel hands, count wheel striking movement sounding the hours and half hours on a coiled gong. With key. Dimensions: Height: 97cm Length/Width: 35cm Depth/Diameter: 18cm
A 19TH CENTURY FRENCH BRASS MANTLE CLOCK BY VINCENZI ET CIE retailed by W Magrett, Paris, the cream dial with Roman and Arabic numerals to the eight day movement striking on a gong, contained in case of architectural design, with paste embellished finial and bezel, 30cm high, with giltwood plinth
A VICTORIAN OAK AND MAHOGANY CROSS-BANDED LONGCASE CLOCK with eight day, two train, five pillar movement, the enamel face with subsidiary second dial, date aperture and roman numerals, decorated with a pastoral scene to the arch, the case with a swan neck pediment to the hood, and canted fluted corners to the trunk, 214cm high x 53.5cm wide
A GEORGE III MAHOGANY LONGCASE CLOCK BY JOHN MYERS, LONDON late 18th century, with an eight day, two-train five pillar movement, the brass face with silvered dial, roman numerals, subsidiary second and date dials, and a strike or silent dial, the flame mahogany case with an architectural hood, with gilt metal orbs to the shaped and moulded cresting, 231.5cm high x 49cm wide
Chew Valley interest: late 17th Century and later brass lantern clock, Thomas Veale 1689, 6-inch Roman dial with half-hour divisions and inner quarter hour track framing a centre engraved with tulips, signed with engraved initials and date TV 89 to brass front plate (concealed by chapter ring), the chain-drive movement count wheel-striking on a strapped bell surmount over lion and unicorn supporters and urn finials, 40cm highFor a similar clock initialled and dated TV 92, see White, George, English Lantern Clocks, pp. 230-231 where stated "The earliest mention of domestic clockmaking in the district is to be found in the Chew Magna Church Records. 'The intention of Thomas Veale of Chew Magna in ye County of Somerset Watchmaker'... three delightful clocks of the familiar Bristol form are engraved with initials 'T. V.'.The clock was restored in 1993 by T. M. Kinally as detailed in accompanying repair receipt.
For restoration: French Louis XIV / XV transitional boulle bracket clock, the 9-inch cellular Roman dial with blue numerals and outer numbered Arabic minute track, over enamel cartouche inscribed 'BAR. BALTAZAR A PARIS' the later two-train movement striking on a coiled gong, the case with cast seated maiden finial, conforming relief to base of glazed front door, enclosing typical 'chequerboard' interior, the casework at fault, 71cm high (ex. finial)
John Norcot, London – Fine walnut and seaweed marquetry eight-day brass dial longcase clock, 11-inch brass dial with signed silvered Roman chapter ring with half hour divisions, inner quarter hour track, matted centre with subsidiary seconds ring over ringed winding arbors and silvered terrestrial calendar square with engraved surround, all within winged cherub mask spandrels, the knopped five-pillar movement striking on a bell, the case with caddy top, pierced frieze and barley twist hood column over crossgrain-moulded long trunk door with lenticle over conforming base, 215cm high
Early 20th Century brass cased repeater carriage clock, with Roman chapter ring over Arabic alarum dial, the two-train movement, stamped 'Paris', with replaced lever platform escapement, striking on a blued steel coiled gong, in multi-piece case with push repeat to roof, 12cm high (ex. handle), with winder
A rare Swiss polychrome painted tinplate figural `clock pedlar` timepiece, unsigned, mid to late 19th century. The miniature spring-driven movement with long pendulum and circular white enamel Roman numeral dial set into a case modelled as a wall clock with foliate spandrels and cottage scene painted break-arch dial supported on the chest of a figure in broad-brimmed hat, dark coat, red waistcoat and breeches, and carrying a bundle of pendulums in his left hand, with further dummy clock movement on his back (the sliding front concealing the winder), standing upon a wooden base, 37cm highBy repute - given to Thomas Henry Dallow, Chief Superintendent of Herefordshire Police, the great, great grandfather of the current owner, in the 19th Century, as a retirement gift (ex inf. vendor).
William Scafe, (1674-1765) - Early Georgian ebonised twin fusee chiming bracket clock with pull repeat, the 7-inch break-arched brass dial; having a silvered chapter ring with Roman hours, Arabic minutes and minute track, framing a matted centre with mock pendulum aperture and calendar square, the arch with signed silvered strip framing seconds ring within scrollwork, the knopped five-pillar movement with verge and crownwheel escapement, chiming on a carillon of six bells and striking on a seventh, the backplate finely engraved with foliate scrollwork, the case with ogee caddy top having lacquered brass carry handle, over pine cone finials to the moulded roof, wooden tarcery to side frets, on swept bracket feet, 44.5cm high (ex. handle)William Scafe [also Scaife] was born in Bushley near Denton, Yorkshire in 1687, he initially served with his father as a blacksmith, then upon moving to London he worked 'At the Sign of the Clock' in King Street, near Guildhall. He was Free of the Clockmakers' Company from 1721, and in 1749 was made Master.He is best known for the distinctive layouts on his clock dials, commonly placing the seconds dial in the arch by means of an elongated contrate pinion arbor to the escapement.Britten quotes the Hon. B Fairfax as writing in 1727 of 'one William Scafe...now the most celebrated workman, perhaps in London and Europe'.

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460327 item(s)/page