AN UNUSUAL VICTORIAN GILT-BRASS TURQUOISE AND PASTE SET STRUT TIMEPIECE IN THE FORM OF A TWIN-HANDLED URNRetailed by Howell, James & Co, London, No 5571, circa 1870Inset with a silvered engraved dial, the Swiss cylinder bar movement with plain three-armed balance, signed by the retailer to the strut11cm high, together with a later custom-made case by N. Bloom & Son, Albermarle Street, LondonIn good condition, some small scratches and marks overall. The movement ticks when wound. The diameter of the clock at the back is 8cm
We found 460307 price guide item(s) matching your search
There are 460307 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
460307 item(s)/page
A VICTORIAN BRASS OVAL-SHAPED STRUT TIMEPIECEAttributed to Thomas Cole, London, No 646, circa 1855, Retailed by C. F. HancockWith engraved oval silvered dial, monogrammed SA, finely-cut blued steel hands, the movement with large barrel and a separate platform for the balance and escapement, the base with thermometer scale and hinged foot, in associated M. F. Dent leather case18cm highSee John. B. Hawkins, Thomas Cole & Victorian Clockmaking, Sydney 1975, p. 177, item 4, for a very similar shaped timepiece with an engraved case by Cole.The clock is in unrestored condition. The gilding is worn. The movement ticks but is sluggish, so will require a service. Two of the squared screws holding the bezel are missing. Some wear to chapters on the dial. A scratch mark between the II & III. The hinged cover to adjust the balance is loose. The mercury thermometer with a silvered scale, thjere are no numerals on the scale.
A MONTH-GOING SEAWEED MARQUETRY WALNUT LONGCASE CLOCKThe movement by Jonathan Lowndes, London, early 18th century and laterThe stepped domed hood with pierced sound frets above three-quarter columns, glazed hinged door and glazed sides, above panel door and stepped base, the sides with chequer inlay; the 12in square brass dial, cherub and crown spandrels, signed silvered chapter ring, seconds subsidiary, calendar aperture and harboured winding holes, the twin train movement with six ringed and finned pillars, anchor escapement and inside countwheel strike on a bell, case and movement possibly associated 236cm highJonathan Lowndes, recorded by Loomes as working 'At the dial in Pall Mall', 1680 to 1710.With two gilt-painted cast-iron weights, a modern winding key, brass bob pendulum.The movement: the dial and movement are in good original condition. It will require a service as the plates are dirty and the oil sinks show old oil now darkening. Seatboard is a replacement. It is 32mm thick in oak.The case: this has been subject to restoration in the past. The backboard is 95% complete. Overall it has been repolished and little of the original patina remains. Some reveneering. Cheeks reduced slightly. Incorrect use of a polish to the internal carcass. Door hinges replaced. Long lateral carcass crack to panel door on right-hand edge. Cleat shrinkage damage at top and bottom with each area having replaced veneer panel which is decorated to match the marquetry. Unusually the original oval cut-out for the glass has been removed and an oak panel of matching grain has been inset, whilst the front side has an oval marquetry inlay which is a very close match to the rest of the door. It was well done and appears very old work. Marquetry base plinth has a lateral crack. Plinth moulding is not original nor are bun feet. Overall losses and repairs to veneers and marquetry.
A WALNUT, SEAWEED MARQUETRY STRIKING LONGCASE CLOCKThe dial inscribed Robert Sly, King Street, Westminster, early 18th century and laterThe hood with later swan-neck pediment above a square glazed panel door, flanked by fluted columns and Corinthian capitals, above a panelled door inlaid with three outlined marquetry panels, on a stepped base with marquetry on moulded base; the 12in square brass dial, with crown and twin cherub spandrels, silvered chapter ring, enclosing a matted centre with seconds subsidiary, the twin train movement with four knopped and finned pillars, with anchor escapement and strike on a bell (movement and case associated, case substantially restored and with altered elements, the chapter ring associated)238 cm high overallProvenanceChristie’s, London, 6 December 2006, lot 75.Robert Sly is recorded as apprenticed in 1707 and as a member of the Clockmakers' Company in 1720. He was working in King Street, Westminster. 1 pendulum. 2 winding keys. 1 case key. The clock has been subject to ‘restoration’ in the past. This would benefit possibly from some consolidation: however, it’s very much subject to personal preference.Taking the clock from the top:The swan-neck decoration to the hood is later, as is the rectangular marquetry panel between the glazed door and pediment. The walnut fillets to the dial edge are probably replaced if one considers the movement associated. A piece of veneer from the lower right side of the hood is loose, also other veneer losses to the left side. The pillars and capitals to the door are not period. The cheeks do not seem reduced. There is a badly filled carcass crack to the marquetry above the panel door, also some associated damage to the left and right side panels. The marquetry door has a filled repair to the top and the bottom which is due to the door cleats drying. The hinges are replaced and should be iron. Both sides are likely to have been reveneered. The backboard runs complete to around 12in from the floor with another old board filling most of the remainder, with the grain running horizontally. The back of the backboard has had a wash put on it. From the rear, the construction and mouldings look period. The plinth side veneers look old. The 5/8in. slip at the base is later. The movement is rack striking with four turned pillars. It appears in good order. There are two filled holes and a vacant hole visible to the back of the dial which evidences the chapter ring being changed. The present chapter ring does not cover the dial maker’s score line. The spandrels have been changed and previous drilled holes for these are filled and re-drilled. It appears to be be clean and well cared for: however, we would suggest a service. The seatboard is oak but not the original. An interesting Camerer Cuss label fixed to it is dated 1964.
A GEORGE II WALNUT LONGCASE CLOCKThe movement signed Robert Sadler, LondonThe arched hood with a deeply-moulded edge above fret panel, arched glazed door flanked to each side by a three-quarter column, the sides with a rectangular glass panel and quarter-column, the trunk enclosing an arched door, crossbanded and herringbone outlined, on a base with stepped moulding and twin plinths; the 12in. arched brass dial with convex signature roundel, above foliate mask spandrels, silvered chapter ring with chevron half-hour markers, enclosing a matted centre with seconds subsidiary and calendar aperture, the twin train movement with five ringed and knopped pillars, anchor escapement and strike on a bell (replacements and restorations, movement probably associated)242 cm high overallThe case has been subject to extensive restorations and partial reveneering. The base and hood with evidence of reconstruction. The minute hand to the dial is a replacement. The movement will require a service. with a brass bob pendulum.
A GEORGE I WALNUT STRIKING LONGCASE CLOCKThe movement by Daniel Quare, London, the case early 18th century and laterThe hood with caddy top and brass finials, above a fret panel and moulded pediment, with glazed square door, flanked by brass-capped three-quarter columns, the sides each with a glazed panel and quarter-cut column, above the trunk with rectangular panel door, on stepped plinth base; the 11 ½ in. square brass dial with crown and cherub spandrels, silvered chapter ring, enclosing the matted centre with seconds subsidiary, harboured winding and calendar apertures, the movement with five knopped, ringed and finned pillars, anchor escapement and internal countwheel strike on a bell, the case with restoration and replacement, case and movement possibly associated246cm highPROVENANCE: Bonhams, London, 9 July 2014, lot 55.Daniel Quare (d. 1724), one of England's greatest clockmakers from the 'golden era' of English Clockmaking. George I offered him the post of the King's watchmaker; however his Quaker faith made him unable to swear an oath of alligence. Nevertheless the King told him that he could visit at any time, so his nickname 'Quare of the back stairs' was coined as the Yeoman of the Guard were instructed that he could only use the back stairs.His commercial success can be measured in part from the guest list of his daughter, Anne's wedding, which included envoys from many of the Royal houses of Europe.The case has been subject to restoration. It is repolished. The upper part of the hood may have some reconstruction which is well done. The frets are replaced. The door hinges have modern screws. The hinges are likely replacements, of the correct type. Old screw holes for each butt on the inner edge of trunk. The plinth has been rebuilt. The backboard has a replacement part at this point. Possibly moulding around the trunk door is replaced. The movement is dirty and will require a full service.There are two brass bound weights and the pendulum.
A REGENCY MAHOGANY, OUTLINED AND MARQUETRY INLAID DOMESTIC REGULATORBy Robert Roskell, Liverpool, No 772, circa 1820The hood with a break arch above circular glazed door, marquetry lower spandrels, flanked by canted angles and with cut brass side grille panels, the trunk inset with a rectangular glazed panel door, stamped to the bottom inner edge FROM WILLIAMSON & SONS GUILDFORD, the base with a panelled well-figured plinth, canted angles and plinth foot, the 14in circular silvered dial, signed Robt Roskell, Liverpool, No 772, with seconds subsidiary below the XII, the substantial twin train movement with four turned pillars, rack strike on the hour on four bells, deadbeat escapement with beat adjustment to the crutch and, unusually, with flat steel chains for the weight suspension lines221cm highPROVENANCE: The Waterhouse Collection Please see the scanned image of a watercolour (not included), dated 1872, from the Waterhouse family archive, depicting this clock in Alfred Waterhouse's home at Fox Hill, Reading. By repute, this came from his family who originated in Everton, Liverpool, possibly purchased by the architect's father, also Alfred Waterhouse (1798-1873) or grandfather Nicholas Waterhouse of Everton (1764-1837). Please see the following story for further details: Autumn at Bellmans | The Waterhouse Family CollectionIn unrestored condition. With a winding crank key and two brass cased weights of differing style and sizes. Lacking its original pendulum, however there is a wood rod fluted and gilt decorated pendulum rod and brass bob supplied but perhaps not original? Two pierced brass weight pulleys. The movement is unrestored and will require a service. The case is in original condition. There are three pieces of moulding to the right side loose, and here in a box, however two pieces are each missing some section. There is a lateral crack to the left side of the plinth. The trunk door lock is a modern replacement. The lower right veneer panel of the base is loose and has a small chip. Marks and knocks as expected with age.
A WILLIAM AND MARY WALNUT AND MARQUETRY LONGCASE CLOCKBy John Greenhill, Maidstone, circa 1695The hood with a moulded cornice above a fret with glazed panel below, flanked to each side by turned handed columns, with a quarter-column to the back, the trunk inset with a panel door with three bordered marquetry panels cut with abundant flowers, scrolls and birds, centred with a glazed aperture, the inside of the door with an engraved silver presentation panel dated 1961, the base with conforming panel, on bun feet; the 11in square brass dial with cherub head and foliate spandrels, silvered chapter ring, signed John Greennhill, Maidston Fecit (sic), enclosing a matted centre with rose engraved centre, seconds subsidiary, harboured winding holes and calendar aperture above the six, the twin train movement with five knopped and finned pillars, anchor escapement and internal countwheel strike on a bell203cm highJohn Greenhill III, recorded 1655-1712. Pearson states Greenhill was a man of some substance in Maidstone for, in addition to being in business as a gunsmith and clockmaker, he was a member of the Corporation and had substantial land holdings.COMPARATIVE LITERATURE:Michael Pearson, Kent Clocks & Clockmakers, Ashbourne 1997, p.71.Two brass cased weights and its pendulum. The clock was running before consignment and has been carefully maintained. It is in very good condition.The case has been the subject of some sympathetic restoration, mainly to the base. The sides of the base may be reveneered and each has a slight vertical crack, due to carcass movement. Some of the banding to the marquetry base panel seems replaced. There is an old repaired crack laterally across the base marquetry. This is fairly usual and indicates originality. There is a small amount of ‘repainting’ on this area. The trunk door hinges appear original. The lock is a brass replacement. The seatboard cheeks have not been reduced. There are nail holes (square handmade nails) to the inner side of each cheek and the surface of the oak board here is not so oxidised. The seatboard is possibly replaced. The fret panel to the hood is a replacement. The backboard is 90% complete.In summary a charming clock which presents very well.
A CHARLES II WALNUT, OYSTER VENEERED AND MARQUETRY LONGCASE CLOCK WITH 10” DIAL AND BOLT-AND-SHUTTER MAINTAINING POWERThe movement signed Daniel Quare, London, the case associated, circa 1680The hood with a moulded cornice above a glazed door, flanked by handed columns, above the trunk inset with a panel door, oyster veneered and with two small foliate spandrels and two larger foliate marquetry panels, the sides with oyster veneered panels, the base with a marquetry panel of a vase and flowers, on bun feet; the 10in square brass dial, signed on the dial plate Daniel Quare, London, with cherub mask and foliate spandrels, silvered chapter ring enclosing a finely matted centre, engraved with a rose, blued steel hands, narrow seconds subsidary and calendar aperture, the twin train movement with five knopped and finned pillars, bolt and shutter maintaining power, latched to the front plate, anchor escapement and external countwheel strike on a bell, case and movement associated193cm highPROVENANCE: Bonhams, London, 11 July 2018, lot 65.A marquetry clock, with virtually identical dial and movement by Quare, was sold at Bonhams, London, 13 December 2017, lot 12.Daniel Quare (d. 1724), one of England's greatest clockmakers from the 'golden era' of English Clockmaking. George I offered him the post of the King's watchmaker. However: his Quaker faith made him unable to swear an oath of alligence. Nevertheless the King told him that he could visit at any time, so his nickname 'Quare of the back stairs' was coined as the Yeoman of the Guard were instructed that he could only use the back stairs.His commercial success can be measured in part from the guest list of his daughter, Anne's wedding, which included envoys from many of the Royal houses of Europe.With two brass bound weights and its pendulum. The clock is in good condition and was running prior to consignment.The dial has two pairs of filled holes on the top edge of the dial plate (perhaps once holding an arched panel as a later addition?). The movement is clean and the steel work is clean and bright. The bolt & shutter mechanism is likely a replacement, well done.The case has been restored. The base appears to have been reconstructed, utilising the marquetry panel and re-laying it. The sides and front border are reveneered. The backboard is 90% complete and runs 173cm in length. The cheeks have been reduced by approx 10mm. There is no indication it originally had a rising hood. There is no sound fret to the hood.The clock presents very well and with the 10in dial and the proportions of the case it has a charming presence.
A GEORGE III BRASS LANTERN CLOCKBy Thomas Dadswell, Burwash, circa 1790Surmounted by a strapped bell and five finials, pierced dolphin frets, above tapering slender columns, a brass door to each side, the 5 3/4in dial with silvered chapter ring, enclosing the signature to the centre above foliate scroll, pierced blued steel single hand, with weight driven movement with anchor escapement, boxwood pulley, countwheel strike on a bell 35cm highPROVENANCE: Bonhams, 11 July 2018, lot 55.Thomas Dadswell, a member of the Sussex clockmaking families of Muddle, Dadswell and Hoadley. See also lot 1257.There is no pendulum or weight for this clock. It appears to be in good condition but dusty, so may require a service. The silvering to the chapter ring is worn. The clock appears to have been extensively cleaned at some point and has a deep straw-coloured lacquer to it.
A BRASS STRIKING LANTERN CLOCKSurmounted by a turned finial and bell with pierced brass four-piece strap, pierced brass frets, 6 in. brass chapter ring with foliate engraved centre, the posted frame with anchor escapement and countwheel strike on a bell, together with an asscociated bracket37cm highOne bracket; One weight; One pendulum. Pallet bridge a replacement. Possibly converted from verge to anchor. Anchor arbour broken and repaired with brass collar. Top of centre and also back plate drilled to take pallet arbour. Evidence of modern enlargement. Two vacant screw holes with location pin holes visible on top plate. Considerable wear to pinion on fly. Some wear to other pinions. Apertures for chains in base plate with uneven wear. Doors likely replacements.
A GEORGE III 10” SQUARE BRASS DIAL 30 HOUR STRIKING LONGCASE CLOCK MOVEMENTBy John Dadswell, BurwashThe dial with cast pierced spandrels, brass chapter ring and engraved centre with signature, posted frame movement with anchor escapement and countwheel strike on a bellSee also lot 1254 for a lantern clock by Dadswell.In good original condition. The movement and dial are dirty and will require a service if to be used. Note - there is no pendulum or weights.
A SMALL EARLY VICTORIAN PALE ROSEWOOD MANTEL TIMEPIECEBy Birch, Fenchurch Street, LondonThe case with a swept top above glazed front door and glazed sides, the 3 /34in silvered dial, signed with blued steel ‘Breguet moon’ hands, gut fusée movement with anchor escapement and locking pendulum nut26cm highPossibly William Birch, Fenchurch Street, 1844-75. Then later Birch & Gaydon. This charming clock is in excellent working condition. The case is of a very pleasing ‘light’ colour. It has its pendulum.
A WILLIAM IV MAHOGANY AND BRASS-MOUNTED STRIKING BRACKET CLOCKCirca 1830The lancet-shaped case with gadrooned pediment and a finial, above 8 1/4in circular white painted convex dial with pierced blued steel hands, flanked by a cluster column to each side and with a brass tracery panel, on a stepped plinth with quarter-cut bobbin-turned moulding, on brass ball feet; the rectangular-shaped plates with engraved edge and twin train wire gut fusée movement with anchor escapement, striking on a bell with trip repeat, pendulum locking bracket59cm highIn good condition. The clock appears to have been recently cleaned and restored.
A LATE GEORGE III BRASS-MOUNTED MAHOGANY AND LINE-INLAID STRIKING BRACKET CLOCKBy Henry Ellis, Exeter, circa 1815The break-arch case with a brass carrying handle and single pad top, above convex glazed signed white-painted 8 1/2in dial with blued steel spade hands, a brass grille side panel to each side, on plinth base and bracket feet, the signed twin train wire gut fusée movement with strike on bell and trip repeat, anchor escapement and locking pendulum block 45 cm high (handle up)The clock is in very good original condition. The case is of a very good attractive colour. Original paint to dial with some marks as expected. The movement appears to have been cleaned recently. With its pendulum.It measures 17 inches high with the handle down, 11 1/2 inches wide, 7 inches deep
A GEORGE III BRASS-MOUNTED EBONISED STRIKING VERGE TABLE CLOCKBy Samuel Jones, Bath, circa 1765The bell-top case with brass carrying handle above glazed door with grille panels, the sides each with a rectangular glazed panel, on stepped foot and block feet; the 7in arched brass dial with strike / silent in the arch, silvered chapter ring, enclosing a matted centre with false pendulum aperture, signature escutcheon and calendar aperture above the VI, the twin train movement with wire gut fusées, verge escapement, striking the hours on a bell, with trip repeat, and engraved backplate 49cm high (handle up)The clock is in good original condition. The verge is original. The movement was working prior to consignment. The oil sinks are a little dirty so a service might be advisable. Case in good order.
A GILT-METAL-MOUNTED MAHOGANY QUARTER CHIMING AND STRIKING BRACKET CLOCKThe dial and movement signed James Leicester, Drury Lane, part late 18th century and laterThe bell-top case with knopped carrying handle above four urn finials and moulded pediment, with glazed panel door and inset pierced brass frets, the sides each with two glazed panels, on stepped base and brass bracket feet, the 7 ¼ in. arched brass dial with engraved outer edge, chime/silent subsidiary to the arch, above signature line, with silvered chapter ring and chime lever to the III, blued steel hands, the three train chain fusée movement with rectangular foliate engraved plates, later re-trained and fitted with a third train, chiming the quarters on eight bells and striking the hours on a larger bell, adaptions50cm highThe movement appears originally to have been a twin train with pull quarter repeat but extensively rebuilt by the Victorians. The plates appear original to Leicester’s work and have been totally re-trained and a third train added. The original fusée pivot holes, with engraved rose, are filled, together with many other original holes. The dial plate appears original and here again has been adapted; the original dial feet have been removed, but their original holes remain and correspond to filled holes on the front plate. The chime/silent ring is an obvious Victorian replacement, as is the matted centre and silvered chapter ring.
A GEORGE III MAHOGANY AND LINE-INLAID QUARTER CHIMING AND STRIKING BRACKET CLOCKBy James Powell, Worcester, circa 1810The break-arched case surmounted by a square-stepped top and three brass finials, above convex glass and 8in circular white-painted dial with pierced blued steel hands, the lower front inlaid with boxwood stringing and quatrefoils, between fluted quarter-columns, the sides each with a lion mask ring handle above grille panel, on stepped plinth and brass ball feet; the three train wire gut fusée movement, signed, chiming the quarters on a carillon of eight bells, and the hour on a single larger bell, the back plate with engraved edge and pendulum locking block59cm highWith its pendulum. The clock case has been repolished at some point. The dial paint is original but has some slight losses at four thirty, six to seven and nine o’clock. Some lifting veneer around the bezel lock. The sound frets on the top are replaced. A small veneer chip to the bottom front left corner. The movement has been cleaned in the past but appears in need of a service. The top pediment is loose and requires re-gluing. The seatboard is not screwed to the movement and these screws are missing. It also requires a support below it to take the weight of the movement which otherwise is supported by the two side screws through the case, with the weight resting on the dial in its opening. Provenance: Shakenhurst Hall, Cleobury Mortimer. For further information please refer to the Bellmans website article: https://www.bellmans.co.uk/story/bellmans-2
A LATE GEORGE III BRASS-MOUNTED MAHOGANY QUARTER CHIMING AND STRIKING BRACKET CLOCKBy Robert Roskell, Liverpool, circa 1815Ivory Declaration THZ42QA4The break-arch case with a single pad top, above glazed panel door, flanked to each side by a stop-fluted quarter-column, above a chevron moulded panel, the sides each with a lion mask ring handle and brass grille panel, on stepped plinth and hairy claw feet, the 8in arched white-painted dial, with strike / silent above the chapters, signed, with finely pierced blued steel hands, the substantial three train gut wire fusée movement signed ROBERT ROSKELL LIVERPOOL, with engraved backplate, locking pendulum block with knurled finger nut, anchor escapement, chiming the quarters on a carillon of eight bells and striking the hour on a larger single bell, with trip repeat53cm highProvenance: The Waterhouse Collection Please see the following story for further details: Autumn at Bellmans | The Waterhouse Family CollectionThis clock (along with the longcase domestic regulator, also by Roskell in this sale) will have come from his family who originated in Liverpool (Everton). His father, also Alfred Waterhouse - 1798-1873, his grandfather Nicholas Waterhouse of Everton 1764-1837. The clock is in good original condition. It has its pendulum and a steel key. The case is in very good condition and is of a fine colour. The dial has lost some paint over the chapters and minute ring and in the arch on the strike / silent. The movement looks to have been well cared for. It functions: however the chime is a bit sluggish. The oil sinks are dirty so it would be advisable to have it serviced.
A GEORGE I EBONISED SMALL STRIKING TABLE CLOCKBy Daniel Delander, London, circa 1720With an inverted bell-top case, surmounted by a knopped brass handle, above a door with arched glazed panel, the 5in arched brass dial, finely detailed, with calendar subsidiary above finely cast spandrels, enclosing a silvered chapter ring, enclosing a matted centre with false pendulum aperture, oval signature escutcheon and blued steel pierced hands, the twin train gut fusée movement with verge escapement, with engraved and signed backplate, (formerly with pull quarter repeat) striking the hours on a bell 35cm high (handle up)Daniel Delander was apprenticed to Thomas Thompion in 1692. Delander is recorded as working firstly in Essex Street, then Devereux Court, from where in 1714 he moved to a house between the two gates of Inner Temple. He died in 1733. A fine maker.The clock is in good condition. The case ebonising has been refreshed in the past. The quarter repeating work is now lost. The movement is running. The verge escapement is a reinstatement. The base has a cut out for the previous longer pendulum when likely footed with an anchor escapement.
A FINE GEORGE III BRASS-MOUNTED TRIPLE-PAD TOP EBONISED THREE-TRAIN QUARTER CHIMING AND STRIKING VERGE BRACKET CLOCK WITH PULL-REPEAT AND BRACKETBy James Tregent, London, circa 1790The break-arch case with triple-pad top, above arched glazed panel door, flanked by a reeded angel upright to each side, the sides each with a brass carrying handle above shaped silk-backed grille panels, on stepped plinth and brass ogee feet, the 8in arched brass dial with foliate cast spandrels, and a pair of enamel subsidiaries to the arch for CHIME /NOT CHIME and calibrated pendulum regulation, the circular enamel dial with five-minute outer ring and Roman chapters, signed TREGENT LONDON, with pierced brass hands, the three train gut fusée movement with foliate engraved backplate signed Jams Tregent London, verge escapement, chiming the quarters on a carillon of eight bells and with pull trip-repeat, together with a brass-mounted ebonised wall bracket of recent manufacture (2)41cm high the clock, the bracket 21cm highJames Tregent is recorded as a member of the Clockmakers Company 1781-1808. He was watchmaker to the Prince of Wales. In excellent overall condition. The clock has been well maintained and recently cleaned. It is working and the chime functions. Please note the bracket is modern.
A GEORGE III BRASS-MOUNTED EBONISED STRIKING TABLE CLOCKBy Justin Vulliamy, London, circa 1770The bell-top case with a brass carrying handle, above a glazed panel door and glazed sides, on stepped base and brass bracket feet, the 6in arched brass dial signed on an escutcheon in the arch between two subsidiaries for Strike /Silent and calibrated pendulum regulation, with signed silvered chapter ring enclosing a matted centre with false pendulum aperture and calendar aperture, the twin train wire gut fusée movement, foliate engraved backplate and pendulum locking block36cm high (handle up)Francois-Justin Vulliamy (1712-1797), the son of a pastor at Gingins, in the Pays de Vaud region in Switzerland, emigrated to England in 1730. Invited into partnership with his future father-in-law Benjamin Gray (d. 1764) around 1743, who the year prior had been appointed Watchmaker in Ordinary to George II, it was then extended to the Partnership. The Pall Mall based business flourished, with output of the highest quality. Following Gray's death the Royal Warrant passed to Vulliamy and continued to be held by the firm throughout the 19th century.This clock appears not to be numbered. Justin Vulliamy began numbering around 1780, although the surviving record books begins with clock No. 296 in 1797. So this piece would have been made after Gray's death, when Justin Vulliamy signed in his own name and before he began his numbering in the 1780s.The clock is in original condition. The dial is stained. The case with marks and knocks consistent with age. The back door hinges replaced. Chips and repairs to fillet edge around dial. The movement runs and ticks. Original movement and case. Some restoration to the case. Clock is 36cm high
A LATE VICTORIAN SILVER CASED CARRIAGE CLOCKFitted with a French keyless wind movement, the rectangular case with a foldover handle and raised on bun feet, London 1898, height 8.5cmCondition ReportMovement not currently working and is overwound, movement not quite stable within the silver case, two steel screws at the bottom of the case holding the movement in place, uneven wear to the bun feet, back door hinge good, handle hinge good, monogram engraved to the top of the case, when viewed through the front, the dial is out of alignment, this would be rectified once the movement is in place, slight dent to top of case, otherwise silver case exterior in good condition, all four corners are in good condition. There is a part hallmark to the foldover handle
A SILVER CIGARETTE CASE AND SEVEN FURTHER ITEMS (8)The cigarette case Birmingham 1921, also a silver fronted clock, a faceted glass scent bottle, a faceted glass small jar, a model of a rose, detailed 800, a Bvlgari spoon and fork, both detailed Sterling 925 and an Asprey small circular dish, combined weight of weighable silver, excluding the flower and three further items 299 gms
SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN MURDOCH, EDINBURGH 18TH CENTURY the swan neck pediment carved with flower heads and a central urn finial, above an engraved arched brass dial signed to the arch over Roman numerals and subsidiary seconds dial and date aperture, flanked by fluted columns with brass mounts above a shaped trunk door flanked by fluted quarter columns, on a plinth base with ogee bracket feet; the eight day movement striking a bellDimensions:53cm wide, 226cm high, 28cm deepNote: Note: The Edinburgh clockmaker John Murdoch was active from 1752-1775, having been apprenticed to Andrew Dickie. His son, also John, worked as his father's apprentice from 1767.
GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK, JAMES YOUNG, DUNDEE LATE 18TH CENTURY the hood with a swan neck pediment with brass roundels enclosing an arched brass dial with a silvered chapter ring and engraved centre with two winding holes and a subsidiary seconds and calendar dials, the arch with a signed boss and pierced spandrels, above a banded trunk door with urn marquetry flanked by quarter columns, on a moulded plinth base raised on bracket feet; the eight-day, twin chain movement striking a bellDimensions:211cm high, 46cm wide, 24cm deep
REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK, DAVID RAY, BURY ST EDMUNDS EARLY 19TH CENTURY a 8-inch cream enamel Roman numeral dial signed ‘D. Ray, Bury St. Edmunds’ with two winding holes, and moon hands, in an arch top case with moulded cornice over a brass inlaid front, the sides with lion's mask ring handles and grille panels, on a gadrooned base raised on brass ball feet, the twin-train movement striking on a bellDimensions:29cm wide, 42cm high, 16cm deep
Y SCOTTISH REGENCY ROSEWOOD BRACKET CLOCK, ROBERT BRYSON, EDINBURGH EARLY 19TH CENTURY the signed 8-inch circular silvered dial with Roman numerals and two winding holes, the plain rectangulr case with a pediment top and plinth base, the twin-train movement striking the full hour on a bellDimensions:43cm high, 32cm wideNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
GEORGIAN STYLE MAHOGANY BRACKET CLOCK, CHARLES FRODSHAM, LONDON EARLY 20TH CENTURY the silvered circular dial signed ‘Chas. Frodsham, 27 South Molton St, London’ with Roman numerals and single winding hole, the bell top case with brass handle and bracket feet, the single-barrel timepiece movement with Swiss platform escapementDimensions:29cm high, 18.5cm wide, 13.5cm deepProvenance:Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family
Y ROSEWOOD MANTEL CLOCK, CHARLES FRODSHAM, LONDON 19TH CENTURY the silvered dial with black Roman numerals and engraved scrolls to the spandrels, signed 'Chas. Frodsham, 27 South Molton St. London' and numbered '2514', the rectangular rosewood four window case with an ogee moulded base with bracket feet, the brass four pillar single chain fusée timepiece movement with the Frodsham platform escapementDimensions:18cm wide, 24.5cm high, 14.5cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
LATE GEORGE III SCOTTISH ADAM AND EVE AUTOMATA MAHOGANY LONGCASE CLOCK, WILLIAM BISSETT, DUNDEE EARLY 19TH CENTURY the moulded swan neck pediment with brass mounts above an arched painted Roman numeral dial, with subsidiary seconds dial and date aperture, the arch painted with Adam and Eve in the Garden, flanked by fluted columns, above a trunk with a crossbanded shaped door flanked by quarter-columns, on plinth base; the eight-day twin chain movement striking a bellDimensions:220cm high, 53cm wide, 25cm deepProvenance:Provenance: Careston Castle, Brechin, Angus
EDWARDIAN OAK AND BRASS LETTER BOX AND CLOCK EARLY 20TH CENTURY the arched top set with a clock with a cream enamel dial with Arabic numerals and gilt mask, with a single-train timepiece movement, above a brass flap marked LETTERS and door fitted with a glazed window with a collection time card, on a plinth baseDimensions:40cm high, 26cm wide, 20cm deep
VICTORIAN EBONISED AND GILT METAL MOUNTED BRACKET CLOCK LATE 19TH CENTURY the arched gilt dial with silvered chapter ring with Roman numerals and Arabic five minute markers, surrounded by pierced gilt spandrels and arch mount, in a bell-top case surmounted by an urn finial and flame corner finials, above an arched door with gilt caryatid corner mounts and pierced gilt arched side panels, on a moulded base raised on bracket feet, the twin-train movement numbered 4581 striking the full and half hours on a gong, the pendulum with matching numbersDimensions:27cm wide, 47cm high
FRENCH BLACK SLATE MANTEL CLOCK, RETAILED BY JAMES MUIRHEAD, PARIS MID 19TH CENTURY the white enamel Roman numeral dial with visible escapement and secondary seconds dial, signed JAMES MUIRHEAD/ PARIS, in a black slate cylinder case above a glazed plinth revealing a compensating pendulum, on a moulded base, the eight-day movement stamped 133 with bell strike, signed again on the backplate James Muirhead a Paris Dimensions:27cm wide, 47.5cm high, 14cm deepProvenance:Provenance: Careston Castle, Brechin, Angus
Y FRENCH GILT BRONZE AND RED TORTOISESHELL BOULLE MARQUETRY BRACKET CLOCK, JAPY FRÈRESS 19TH CENTURY gilt brass dial with white enamel Roman numeral inserts, the break-arch and spire case surmounted by a gilt putto finial, raised on foliate cast feet, the twin-train movement striking the full and half hours on a bell, stamped Japy Freres and numbered '41182 609', the sunburst pendulum with matching numbersDimensions:24cm wide, 50cm highNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
FRENCH SMALL WHITE MARBLE AND GILT BRONZE MANTEL CLOCK LATE 19TH CENTURY the balloon shaped case with a white enamelled dial with Arabic numerals surmounted by a figure of Cupid and supported on clouds and a pair of putti, on a lozenge base raised on toupie feet, the twin-train movement stamped Vincenti & Cie, striking on a bellDimensions:18cm wide, 32cm high
FRENCH PORCELAIN AND GILT METAL MANTEL CLOCK 19TH CENTURY the cylinder case with a porcelain Roman numeral dial with retailer ALFRED PEGLER, SOUTHAMPTON, surmounted by a porcelain urn and flanked by lions' mask handles, above a painted porcelain panel of a courting couple, inscribed on the reverse, the twin-train movement stamped Richard & Cie and striking a bell; on a shaped giltwood plinth with glass domeDimensions:35cm high
FRENCH OVAL FOUR-GLASS BRASS AND CHAMPLEVÉ ENAMEL MANTEL CLOCK, JAPY FRÈRES, PARIS LATE 19TH CENTURY the circular cream enamel dial with Roman numbers and painted with garlands, in a case with bevelled glass panels and a mercury-filled compensating pendulum, the twin-chain movement stamped '22987 4-11' striking a gongDimensions:21cm wide, 29.5cm high, 18cm deep
FRENCH GREEN ONYX AND CHAMPLEVÉ ENAMEL MANTEL CLOCK LATE 19TH CENTURY the cylinder movement with a painted cream dial with blue Roman numerals and floral swags, the moulded green onyx top over a four glass case with enamelled corner columns amd toupie feet, the twin-train movement stamped Vincenti & Cie and numbered 1141, striking the full and half hours on a gongDimensions:19cm wide, 34cm high
FRENCH GREEN ONYX AND PORCELAIN THREE PIECE CLOCK GARNITURE LATE 19TH CENTURY the cylinder movement with a gilt dial with Arabic numerals and central rosette mask, in a four-glass case with a waisted pediment and porcelain columns with scenes of lovers in a garden, on a stepped plinth base with palmette border, the twin-train movement striking a gong and stamped J Marti & Cie and numbered 1723, with mercury pendulum; together with a pair of urns en suiteDimensions:the clock 30cm long, 36.5cm high
GERMAN/ AUSTRIAN WALNUT, BRASS AND PEWTER CUCKOO CLOCK 19TH CENTURY the round white enamel dial with Roman numerals, the break-arch top case with an aperture containing a cuckoo mechanism and inlaid with brass and pewter foliate scrolls, on a moulded plinth base, the twin train wooden framed movement sounding with twin bellowsDimensions:34cm wide, 48cm high, 21.5cm deep
A Welsh 18th century 8-day longcase clock by Thomas Davies of Carmarthen. The silvered dial with Roman and Arabic numerals. Seconds subsidiary and calendar aperture. The arch engraved with cottages. In a fine mahogany case, together with a key two weights and a pendulum. Davies, Thomas, King Street, Carmarthen, Wales; carver and cabinet maker. (b.1777-d.1845). It is possible the clock was made for him.
An Edwardian mahogany mantel clock, arched case, the central panel inlaid with an acanthus capped two handled urn, outlined with boxwood and ebony stringing, the central dial flanked by a pair of brass columns, ivorine chapter ring with Arabic numerals, twin winding holes, stepped base with four brass bun feet, striking on a bell, 31cm wide, 23.5cm high, c.1910

-
460307 item(s)/page