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An early twentieth century brass cased carriage clock, with a chased dial framed by a plain chapter ring featuring Roman Numerals, a manual wind eight day movement stamped 'Peter Orr, London, 507', and raised on bun feet, H-11cm. Surface tarnishing and several small nicks to the casing.The movement is fully wound and is not ticking - in need of attention.
Two mid to late twentieth century clocks, housing eight day movements, to include, a Carmichael of Hull mantel clock, stamped 'Made in England by Davall', in the style of Art Deco, H.11cm-, and a brass cased carriage clock with a porcelain chapter ring featuring Arabic Numerals, H-10.5cm. (2)
A 1960s Bergdorf Goodman quartz mantel/desk alarm clock, of round form, enamelled dial with Roman numerals stamped Made In Italy, together with a modern Rennie Mackintosh pewter mantel clock, quartz movement, 11cm tall, and a mid 20th century Elliott mahogany cased mantel clock, having 8 day manual wind movement, 14cm tall. (3)
A mid 20th century brass bulkhead clock, having silvered dial with Roman numerals, bearing 'Chelsea Ship's Bell' the eight day movement striking on bell, mounted on a wood marquetry stand, dial 9.5cm, together with a brass mounted clock, barometer, thermometer on a mahogany plaque, 42x21cm. (2) The bulkhead clock sets and when wound up it is ticking for a few minutes and then stops – in need of attention.Also please note the clock hands have been damaged (bent) at some point in the past (see picture)
An Elliot mahogany cased mantel clock, with a silvered chapter dial featuring Roman Numerals, brass cherub spandrels to the corners of the face, an eight day movement and stamped with the manufacturers name 'Garrard and Co', the base is stamped '2983 3 82' indicating a manufacturing date of March 1982, raised on bun feet, housed in the original box, H-23cm.
A large mid 20th century brass carriage clock, having English 8 day movement, 14cm tall, together with a smaller example and a blue glass cased mantel clock, having manual wind movement. (3) Blue ClockAfter closer inspection the case is glass and not perspex as first believed, the glass base is broken and held together with tape (see picture) No other damage.The movement is fully wound and ticks for a few seconds and then stops - in need of attention. It has a key.
A mid-nineteenth century French three piece variegated marble garniture, comprising of a mantel clock, surmounted by a female figure with a large basket of fruit, entitled 'Endangeuse' by L & F Moreau (1832-1927), with a painted enamel dial featuring Arabic Numerals and stamped 'E Bernard. Mayenne', and a Fritz Marti eight day movement, stamped '473', striking on bell, H-68cm, together with two lidded urns, H-45cm.Makers: The 'L' stands for Louis Auguste (1855-1919), known for bronzes. The 'F' stands for Hippolyte Francois (1832-1927), a painter and sculptor.Condition: It is not ticking at the time of cataloguing. There is a significant crack to the glass protecting the dial.
A gilt brass strut clock, in the style of Thomas Cole, late 19th/early 20th century, the rectangular floral engraved silvered dial with blued steel fleur-de-lys hands, numbered 505, rectangular scrolling floral engraved case, surmounted by an undulating pierced crest and suspension loop, the plain back with easel strut and winding hatch door for a Swiss eight day movement, lacking the turnbuckle foot, 13 x 10 x 2.5cm.Cole started numbering all of his clocks at 500 in about 1846/47 and ended at about 1900 in 1864. See "Carriage Clocks" by Charles Allix, pages 238/241 and "Thomas Cole & Victorian Clock-Making," by J. B. Hawkins, for more information.

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