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Lot 2535
Novelty easel mantel clock timepiece in the form of a mandolin, the 1.75" cream chapter ring enclosing a gilt foliate centre, the movement back plate inscribed Manufactured by The British United Clock Co Ltd, Birmingham, England, 11.5" high; also an Art Nouveau novelty mantel timepiece in the form of a longcase clock attended by a robed lady, with Lenzkirch movement no. one million, 187934, 10.25" high (2)
Lot 2543
Contemporary novelty clock, the movement contained within a globe on an upright stand with horizontal chapter ring, over a singing bird in a wirework cage, suspended on a chrome stand supported upon a grey circular marble base, 11" high; also The Boehm 'Mayflower Clock' made by K.J. Bradford, Clockmaker, Chelmsford, England, ser. no. 216 inscribed on the top plate over two horizontal chapter rings indicating the time and countries of the world, supported upon a wooden stand, 5.5" high (2)
Lot 2606
Good contemporary black lacquer and chinoiserie decorated tavern clock, the A-frame plated movement with deadbeat escapement and maintaining power, the 25.5" dial within an octagonal gilded surround, over a long door decorated with figures in a pagoda landscape, 62" high (pendulum, weight and top wall fixing bracket) **This clock is illustrated in Martin Gatto's book 'The Tavernicus Tavern Clock Archive' - page 69
Lot 2608
Smiths Astral ship's bulkhead wall clock, the 6" cream dial with slow/fast lever at twelve o'clock, within a brass casing (key); also a Henry Moser & Cie ship's bulkhead wall clock, the 6" silvered dial with subsidiary seconds dial, within a white metal case and an oak cased wall dial timepiece, the 6" light grey dial signed D. Marten, Bromley with slow/fast lever at twelve o'clock, within a stepped turned surround (key) (3)
Lot 2609
Art Nouveau style Black Forest two train wall clock, the wooden plated movement with Camerer, Kuss & Co retail label fixed to the back plate, the white metal shaped dial with Arabic numerals enclosing an abalone inlaid centre, within a shaped oak case, 11.25" high (pendulum and two weights); also a Smiths Enfield Bakelite cased small drop dial wall clock, 10" high (pendulum) (2)
Lot 2615
Vienna two train regulator wall clock, the 5" cream chapter ring enclosing a brass sunburst centre, within a pillared glazed case, 36" high (pendulum and key); also a Jerome & Co ogee two train wall clock, the 9" square cream dial over a rare beehive painted glazed tablet, 26" high (pendulum, two weights and two winding keys) (2)
Lot 2617
American bulkhead ship's clock, the 6" silvered dial inscribed U.S. Maritime Commission, no. 11850 with fast slow control beneath twelve o'clock, within an ebonised case; also an American two train wall clock Manufactured by the E.N. Welch Manufacturing Company and bearing the maker's trade label verso, the 5.25" cream dial with subsidiary seconds dial, within an octagonal wooden surround (2)
Lot 299
A late 19th-century Vincenti et Cie gilt metal and "Pompadour" pink porcelain three-piece clock garniture, the clock of urn mounted rococo form the porcelain panels painted with figures and the dial porcelain similarly painted and marked for the retailer J. Delaye of Grenoble. Accompanied by a pair of six sconce candelabra on suite. 32 cm wide x 16 cm deep x 60 cm overall height.No pendulum presentPorcelain panels seem free of cracks or chipsOne candelabra has the thread broken from the top central candle sconce No bell is present.Both the going and chiming train wind freely.
Lot 300
An early 20th-century three-piece gilt metal and marble clock garniture by A. Villon (Albert), the clock with a country maiden playing a lute and the case with martial trophies. The white porcelain dial with swags of painted flowers and inscribed for the retailer, Poussin, Cherbourg. Accompanied by a pair of slender two handle urns with cherub decoration All supported on cream and rouge marble bases with gilt scroll feet. 30 cm wide x 17 cm deep x 38 cm high. the clock.Both going and chiming train wind freely, the movement runs but this is no guarantee of reliability or accuracy.The clock chimes the hours and the half hours with a passing strike.The metal elements are gold-painted rather than true gilt.
Lot 303
An early 20th-century oak cased 8-day mantle clock of architectural form by Winterhalder & Hoffmierer the gilt brass baroque cast dial with applied silvered chapter ring and strike silent and incremental advance and retard dials. The movement "Ting-Tang" chiming on a pair of coil gongs, supported on a simple moulded base. 27.5 cm wide x 19.5 cm deep x 39.5 cm overall heightThe going and chiming trains both wind freely, however I can not make the clock run for any length of timeThe clock has no keyThe front door is unlocked but we do not have a keyThe case is in good order and free from splits and all carving is intactThe front door has a twist to it and unless locked in position sits slightly proud at the bottom.
Lot 304
A French gilt metal and champleve enamel mantel clock, 19th century, with turned finials and columns, with white onyx dial and base, on turned feet, the eight day movement chiming on a bell, struck 10590 CH les MT, 32cmA private Bedfordshire collector.The gilding partially rubbed throughout. A slight blemish to a very small area of enamel on the side panel see imagesThe clock does not have its key.The going train and chiming train both wind freely and when the pendulum is moved the clock runs and chimes, however, the chime is out of sync with the indicated hour. The winding and running is no guarantee of accuracy or reliability but does indicate that no major sections are missing from the movement.The clock chimes the hours and the half-hour as a passing single strike.The pendulum is presentThe dial is alabaster with applied gilt metal indices and the surface requires cleaning.
Lot 306
An early 20th century French 8-day oak cased mantle clock of architectural form with gilt metal neo-classical mounts. The porcelain dial marked out in stylized Arabic numerals. The movement chiming the hours on a coil gong. 27 cm wide x 21 cm deep x 47 cm overall heightThe case is in good decorative order and the porcelain dial is clean and bright with no cracksThe going and chiming train both wind freely and the clock runs for a while but soon stops, the movement chimes the hours and chimes the half-hour with a simple passing strike. The chiming is out of sync with the indicated hour.The lens and bezel are intact and close securely with a snap.
Lot 307
An early 20th-century German 8-day mantle clock with mahogany broken arch case with angel spandrels and silver chapter ring, probably by Winterhalder and Hoffmeir. On scroll acanthus feet. 30 cm wide x 23 cm deep x 44 cm high .The back door is locked and we do not have a keyThe front door has damage to the hinges causing the door to be loose.
Lot 308
A French onyx and brass four-glass mantel clock, the circular painted enamel dial bearing Arabic numerals, 35 cm high x 20 cm wide.The going and chiming trains wind freely and the movement runs but will stop after a little while.The clock chimes the hours and the half hours with a simple passing strike.All door glass panels are intact and I cant see any corner chipsThe porcelain dial has a very faint crack that runs from the mandrel to just below 12 noon and some slight fumble chips around the winding holes.The clock case has some inclusions and veins that look like cracks but I think they are mineral markings.
Lot 378
A rare brass mounted and ebony table clock, the movement by Henry Jones, London, circa 1685 and later The six latched and finned pillar bell striking movement with verge escapement regulated by a short bob pendulum and incomplete pull quarter-repeat mechanism, the foliate scroll and tulip engraved backplate signed ‘Henry Jones, in the Temple’ to centre, a 6.5 inch square brass dial with matted centre, silvered Roman numeral chapter ring with short fleur-de-lys half hour markers and Arabic five minutes within the narrow outer minute track, pierced steel hands and winged cherub mask brass spandrels. The ebony veneered caddy case with hinged floral handle and foliate cast and pierced oval mount, moulded and glazed front door applied with gilt foliate scroll escutcheons to jambs, the sides with conforming rectangular windows beneath lozenge-shaped sound frets, the rear with further rectangular glazed door set within the frame of the case, the base with shallow ogee moulded skirt over squab feet, 30.5cm (12ins) high, with a fine 17th century scroll pierced and engraved winding key, 34cm high, 23.5cm wide, 15.5cm deep Henry Jones (1634-1694) is an important maker. He was apprenticed to Edward East August 165, gaining his Freedom of the Clockmakers' Company in July 1663. It was not until 1772 that Jones set up on his own in the Inner Temple, London, having previously worked as a journeyman to Edward East. By 1775 he is recorded as 'in Inner Temple Lane' prior to being appointed as an Assistant of the Clockmakers' Company the following year, and was made a Warden in 1687 and served as Master of the Company in 1691. The engraving to the backplate of this Lot closely compares to the only known table clock by Peter Knibb. See Lee, Ronald A. ‘The Knibb Family, Clockmakers’, p. 129, pl. 139 - Stock Ref:11775-127
Lot 585
A rare Charles II brass lantern clock, Edward Webb, Chew Stoke, dated November 7th, circa 1680 , the posted countwheel bell-striking movement now with anchor escapement for regulation by short lenticular bob pendulum swinging outside the frame to the rear, the dial with central alarm disc within stylised symmetrical foliate engraved infill incorporating a winged female mask at twelve o'clock and with pierced black painted brass hand within applied narrow Roman numeral chapter ring with stylised fleur-de-lys hour markers and engraved with date 'nove -7' to the dial plate behind the 'V' numeral, the upper angles engraved with signature Edward Webb, the typical 'Chew Valley' frame with one-piece column turned corner posts beneath lion and unicorn armorial engraved and pierced frets, integral multi-knopped tall vase-and-cover turned finials and domed bell bearer cast with pierced leaf decoration between the limbs, with brass side doors and iron backplate between hanging hoop above spurs to rear, on tall disc-knopped ball feet, (mostly retrained using original pivot plates/bars, alarm lacking), 40cm (15.75ins) high Edward Webb is recorded in Moore, A. J. THE CLOCKMAKERS OF SOMERSET 1650-1900 as married to Anne with sons Walter (1667), James (1670), Richard (1674), George (1678) and William (?). He was probably the son of Charles Webb who owned a foundry in Chew Stoke. Both Edward and his wife Anne died in 1694. Nine lantern clocks by Edward Webb dated 1676, 1678, 1681, 1684, 1688, 1691, 1692, 1692 and 1693 are recorded with the 1684 and 1688 clocks fully described an illustrated in White, George English Lantern Clocks on pages 232 (Figures V/39 and 40), 233 (V/42 detailing date March 10 engraved beneath the chapter ring of the 1684 clock) and 237 (V/51 and 52). In addition to these Moore notes a further undated lantern clock signed Edward Webb of Chewstoke fecit , and a posted musical longcase clock movement and dial (also illustrated by White on page 233, Figure V/43). From these references it would appear that the present clock is currently an unrecorded example of Webbs work. The current lot utilises frame castings that were favoured by the Bristol and Chew Valley school of clockmakers with the earliest surviving being the Edward Webb 1676 example (private collection). All the other recorded lantern clocks by Webb (dates ranging from 1678-93) all share the same frame castings. These castings were also used by John London of Bristol, Thomas Veale of Chew Magna and latterly by Edward Bilbie of Chew Stoke (who is believed to have succeeded Edward Webb in around 1695). Bilbie appears to have persisted with the use of such castings long after Bristol makers had moved onto patterns more closely related to London work of the period, suggesting that such frames were probably cast locally (in the Chew Valley) - perhaps initially by Edward Webb at his foundry in Chew Stoke then by the Bilbie family after Webb's death in 1694. Another noteworthy detail is the distinctive dial engraving which is executed with scrolling foliage issuing from a central point at the base of the dial centre, continuing symmetrically around the alarm disc and terminating with a central winged female mask motif at the top. The design of this decoration is typical of Webb and appears to have its roots in the work of Thomas Brown of Bristol who was most active during the 1650's (see White, George English Lantern Clocks page 232) and can can be directly compared to a clock by John Clarke of Bristol which was sold in these rooms on 15th September 2015 (lot 185) for £9,500 hammer. Some later alterations as mentioned in the description. Brass case with some tarnishing.Please note this is only a brief overview report, for a full condition report please send a request via the-saleroom.com
Lot 447
A good French gilt bronze fountain automaton mantle clock, Chappe A Paris, circa 1820, depicting Poseidon sat atop a rock amongst waves with trident in hand, 8-day, silk-suspension pendulum movement, glass fountain automaton spring driven by independent wound movement, dial and movement signed, movement also numbered C3384,37cmHx27cmW, Condition: silk suspension snapped, pendulum missing, each side of base has gilding that is scuffed, no key
Lot 448
A good and large French ormolu mantle clock, movement stamped EB, 8-day movement striking on a bell, highly ornate openwork body decorated with winged classical figures, ram masks, floral sprays, enamel Roman numerals, gilt dial, on four splayed fern feet and two central hoof feet, movement signed E.B. and numbered 11007, 52cmHx25cmWx18cmD, Condition: minor wear to gilding in places, no key but ticks, Note: No in house packing is available for this lot
Lot 504a
WW1 Royal Naval Air Service (R.N.A.S) Propeller Hub Clock: Outstanding quality made, with curved eagle to top and dolphins to base. French period clock to centre working, stands 40 cms high. Propeller still has original stampings to back, this type of clock would have been in a RNAS officer’s mess.
Lot 505a
WW1 Royal Naval Air Service Propeller Hub Clock: Another outstanding quality made, with curved propeller to top( this is loose and needs to be pinned) and dolphins to base. French period clock to centre winds but does not want to go, stands 48 cms high. Propeller still has original holes to back, this type of clock would have been in a RNAS officer’s mess.
Lot 236
Twenty vintage steel shafted golf putters in a blue canvas bag together with clocks to include a late 19th century black slate cased mantle clock with Japy Freres movement, with key, a wooden cased wall clock with gilt Roman numeral dial, pendulum and key, and a mahogany dial clock with painted dial, brass pendulum, along with various clock weightsLocation: G
Lot 259
A vintage gents stainless steel Automatic Bulova Super Seville Day and Date wristwatch having a gold coloured dial with set white stone hour markers, date aperture at 3 o' clock and date to 12 o' clock, 25 jewel Automatic movement on a stainless steel bracelet, 36mm, together with a vintage gents Longines Automatic in a stainless steel case with baton hour markers, without strap, 35mmLocation: CAB
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460327 item(s)/page