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Don Balke (North Carolina, B. 1933) "Broad-billed Hummingbird Taking Nectar" Signed lower right. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 29c Broad-billed Hummingbird stamp issued June 15, 1992. Deep inside Arizona's Santa Rita Mountains, a tiny bird zips back and forth in a swinging motion that emulates the pendulum of a clock. The display is enchanting, but it is the sound of the little bird's wings that captures the attention, a sound befitting the Wild West location, not unlike the wild screaming of a ricochetting bullet. A male Broad-billed Hummingbird is at it again, attempting to entice a female as his mate. Found along sycamore-lined canyons in west Texas and southeastern Arizona, the Broad-billed Hummingbird is best known for the noisy aerial display and a bright red bill which is present on both male and female. The male is an iridescent gem, with emerald plumage on its belly and back, and a throat patch which is as deep azure as the Southwestern twilight. The brilliant sunlight of the desert brings these colors out in vivid display; in the shade, the male Broad-billed Hummingbird appears almost black. The female, while less colorful, is nonetheless a beauty too, with subtle hues of green, gray and white. Unfortunately, catching a glimpse of these minute jewels is a rarity, for the Broad-billed Hummingbird visits the deserts during the scorching-hot summers when most humans are absent. By the time winter has arrived -- along with the usual flock of vacationers -- these little birds have migrated into Mexico. Image Size: 19.5 x 17.5 in. Overall Size: 21 x 19.25 in. Unframed. (B13731)
A Late 19th Century French Carriage Clock, No. 16948, retailed by Dent, 28 Cockspur Street, London, the 1.875ins diameter white enamel dial with Roman numerals, within plain gilt slip, to the eight day two train movement with alarum striking and repeating on a gong, contained in gilt brass and bevelled glass case, the fluted columns with Corinthian capitals to corners, 5.5ins high, with original brass key and red leather covered travelling case for same Note: With old receipt invoiced at £17.0.0 - Cleaned by Dent, 24th November 1933, £1.12.6
An Edward VII Silver Mounted and Tortoiseshell Mantel Time Piece, the 2.5ins diameter white enamel dial with Roman numerals, to the French two train carriage clock movement No. 297, with balance escapement and striking on a gong, contained in tortoiseshell lancet pattern case with silver framing and piquet work decoration in gold coloured metal and mother-of-pearl with urn of flowers, ribbon and floral ornament, on stepped base, 9.25ins high, the case hallmarked London 1908
A Late 19th Century French "Four Glass" Mantel Clock, by S. Marti of Paris, No. 18 44, the 3.5ins diameter white enamel chapter ring with Roman numerals, with visible escapement to centre, to the eight day two train movement with mercury compensated pendulum striking on a bell, contained in lacquered gilt brass rectangular case inset with bevelled glass panels, 10ins high
A 20th Century Brass Cased Lantern Style Clock, by Luxor, the 5ins diameter narrow silvered chapter ring with Roman numerals, to the eight day two train movement striking on a bell, contained in lantern style case with turned pillars and finials and fretted and engraved frets, on turned feet, 12ins high, and a modern "York Minster Cathedral" skeleton clock, with finely fretted front and rear panels supporting single train movement striking on one bell, 9ins high, mounted on wooden plinth and with glass dome, 11.5ins high overall
A Brass Cased Lantern Style Mantel Clock of "17th Century" Design, the 3.75ins diameter brass chapter ring with Roman numerals and engraved "Farmer London", to the eight day two train movement striking on a bell, contained in case with pierced crestings, turned finials and pillars to sides, on turned feet, 9.75ins high
A Late 19th Century French Bronzed Spelter Cased Mantel Clock, the 4ins diameter white enamel dial with Arabic numerals and swag decoration and inscribed "Laurdier Armentieres", to the eight day two train movement No. 709, striking on a bell, contained in bronzed spelter cylindrical case on column supports, supported by a water nymph reclining by a pool, on white veined marble base of shaped outline and turned feet, 19ins high
A 19th Century French Gilt Metal and Porcelain Mounted Mantel Clock, by Henri Marc of Paris, No. 53251, the 3.25ins diameter porcelain dial with Roman numeral cartouches on a turquoise and gilt ground, the centre enamelled in colours with a bird and floral ornament, to the eight day two train movement striking on a bell, contained in gilt metal and porcelain mounted vase with two-handled urn surmount and with bold acanthus leaf and floral swag ornament, the shaped base inset with porcelain panels, on bun feet, 14.25ins high, and a pair of brass and porcelain mounted candlesticks with bulbous knopped centres and circular bases, 7ins high
A Modern Chinese Made Lacquered Brass Skeletonised Spring Driven Pillar Clock in the manner of William Smith of Musselburgh, the 5ins diameter silvered chapter ring with Arabic numerals, signed Wu Smith, Musselburgh, Maker & Inventor, with skeletonised single train movement, the spring driven power contained within six plain pillars to central column, on square base, 18.75ins high, mounted on circular grey marble base, and dome for same, 23.5ins high overall
A Late 19th Century French Gilt Brass and Porcelain Mounted Mantel Clock, the 3.25ins diameter porcelain dial with black Roman numeral cartouches on a turquoise and gilt ground, to the eight day two train movement No. 642, striking on a bell, contained in gilt brass case surmounted by torch and quiver inset with floral decorated porcelain panels within turquoise and gilt borders, on breakfront base with six turned feet, 16.75ins high, and a pair of similar gilt metal and porcelain two-handled urn shaped ornaments, 12.5ins high
A 19th Century French Gilt Brass and Bronzed Mantel Clock, by F. L. Hausburg of Paris, No. 5404 44, the 3.25ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in gilt brass and bronzed metal case surmounted by a kneeling figure of the infant St. John with a lamb at his side on a rocky outcrop, the base with bold leaf and floral mounts and on leaf pattern feet, 14ins high, and a pair of gilt brass two-branch candelabra in the Neo Classical manner with reeded swept and leaf capped supports, on square inswept platform bases with turned feet, 6.75ins high
An Early 19th Century Cast Brass Gothic Pattern Cased Mantel Clock, the 5ins diameter silvered dial with Roman numerals, to the eight day two train fusee movement striking on a bell, contained in ornate cast brass case of Gothic design with crenelated top and Gothic pattern side panels, on scroll feet, 16ins high
A Late 19th /Early 20th Century Continental Gilt Brass and Bronzed Spelter "Mystery" Clock, the timepiece with 1.75ins diameter white enamel dial with Arabic numerals, the movement with grid iron pendulum supported by the trunk of the bronzed spelter elephant, on stained wood oval base, 11.25ins high
A Late 19th Century French Gilt Brass and Green Veined Marble Oval Base Mantel Clock, the 2.75ins diameter white enamel dial with Roman and Arabic numerals and signed "Lepine of Paris", to the eight day two train movement by Vincenti & Cie, No. 8155 55, contained in gilt brass cylindrical case supported by dancing figure of a classical maiden, the oval green veined marble base decorated with trophies, fruiting vines and wine ewer, on gilt brass turned feet, 15.25ins high
A Late 19th Century French Ormolu and Porcelain Mounted Figural Mantel Clock, signed Robelin of Paris, the 3.5ins diameter porcelain dial decorated in colours with putti and birds in a landscape, the chapter ring with gilt Roman numerals within circular cartouches, to the eight day two train movement striking on a bell, contained in ormolu and porcelain mounted case surmounted by two figures of a putti holding a scythe and a bacchante holding a cup on a rustic outcrop, the base inset with three porcelain panels decorated with putti and with bold leaf scroll front supports, 14.5ins high, and with later wooden plinth for same Provenance: Christie's London - Auction 13th December 2006 - Lot 34
A Late 19th Century French Three-Piece Clock Garniture, by Samuel Marti, No. 1455 6, the 3.75ins diameter white enamel dial with Roman numerals, to the eight day two train movement with mercury compensated pendulum striking on a gong, contained in gilt brass and grey veined marble "Four Glass" case surmounted by two-handled urn, on elongated octagonal base, 18.5ins high, and a pair of matching two-handled urn shaped ornaments, 13.5ins high
A Late 19th Century French Gilt Metal and Porcelain Mounted Three-Piece Clock Garniture, by L. Marti, No. 1358 64, the 3.25ins diameter porcelain dial with Roman numerals, to the eight day two train movement striking on a gong, contained in gilt metal case surmounted by two-handled urn, the porcelain body decorated with a head an 18th Century woman, the ornate case supported by two seated putti, the central porcelain panel decorated in colours and enamels with two lovers in a garden, on shaped and moulded base, 21.5ins, with pair of conforming two-handled urns, 16.5ins high
A 19th Century French Gilt Metal and Green Veined Marble Three-Piece Clock Garniture, the clock with 3.75ins diameter white enamel dial with Arabic numerals, to the later battery powered movement, contained in gilt spelter and bronzed spelter case surmounted by a globe and flanked by a seated scholar entitled "Etude", on rectangular green veined marble base, 12.5ins high, and a pair of similar urn pattern candlesticks, each with three swept supports with ram's head terminals and paw feet, on circular bases with turned feet, 9.5ins high
A Mid 19th Century French Gilt Brass and Siena Marble Three-Piece Clock Garniture of "Empire" Design, by Japy Freres, No. 1842, the 3.25ins diameter cream enamel dial with Roman numerals and cloud motifs to centre, the outer dial with cast gilt brass signs of the Zodiac, to the eight day two train movement striking on a bell and with sunburst pattern pendulum, contained in gilt brass drum pattern case supported by four leaf capped columns and surmounted by two-handled classical urn, on rectangular plinth base, 18.5ins high, and a pair of five-light candelabra with leaf capped branches and flambeau finials, on square stepped bases, 20.75ins high
A Late 19th/Early 20th Century French Gilt Brass and Champleve Enamel Three-Piece Clock Garniture of "Louis XV" Design, retailed by Maple & Co. of Paris, No. 2491, the clock with embossed gilt brass dial with raised Arabic numeral cartouches, to the eight day two train movement striking on a bell, contained in balloon pattern case surmounted figure of a Cupid and with bold leaf and shell pattern mounts, the champleve enamel ground decorated in Royal blue, pale blue and cream, with trailing leaf and floral ornament, the shaped base with paw feet, 11ins high, and pair of conforming two-light candelabra, each supported by standing figure of Cupid and each on four turned feet, 7.25ins high
A Late 19th Century French Ebonised and Red Tortoiseshell Boulle Cased Mantel Clock, by Laine of Paris, No. possibly 1005, the 3.75ins diameter white enamel dial with blue Roman numerals, to the eight day two train movement striking on a gong, contained in balloon pattern case, on turned feet, 12ins high
A Late 19th Century French Rouge and Grey Veined Marble Cased Mantel Clock, by L. Marti & Cie, No. 260, the 3.75ins diameter enamel chapter ring with visible escapement, to the eight day two train movement striking on a bell, contained in rouge and grey marble drum pattern case with scroll supports and rectangular base, 11.25ins high
An Early 20th Century French Walnut and Gilt Brass Mounted Mantel Clock of "Louis XV" Design, the 3.25ins diameter gilt brass dial with raised enamel numeral cartouches, to the eight day two train movement No. 63697, with sunburst pattern pendulum, contained in walnut balloon pattern case with gilt brass mounts and pineapple finial, 12.5ins high
A 19th Century French Mantel Clock, by S. Marti & Cie, No. 7134, the 5ins diameter white chapter ring with Roman numerals and visible escapement, to the eight day two train movement with mercury compensated pendulum and striking on a bell, contained in black slate and green veined marble cylindrical case, on scroll supports and rectangular base with wooden plinth, 14.75ins high
A Late 19th Century French Oak and Brass Mounted Mantel Clock, by G. V., No. 1761 48, the 3.5ins diameter white enamel chapter ring with Arabic numerals, to the eight day two train movement striking on a gong, contained in oak rectangular case with ornate brass mouldings and surmounted by cast brass figure of Cupid, fretted side mounts and plaques, on block feet, 17ins high
A Late 19th Century German Oak Cased Mantel Clock, by Winterhalder & Hofmeier, the brass dial with 5.5ins diameter narrow silvered chapter ring with Roman and Arabic numerals, matted dial centre and regulation dial to arch, to the eight day two train movement striking on two gongs, contained in oak case with angled roof pediment with three turned finials and flanked by turned and fluted pillars, on moulded base, 26ins high
A 19th Century French Red Tortoiseshell, Boulle and Gilt Brass Mounted Mantel Clock of "Louis XV" Design, the 5.5ins diameter cast gilt brass dial with raised Roman numeral cartouches, to the eight day two train movement striking on a gong, contained in balloon pattern case, the whole decorated in red tortoiseshell and inlaid with Boulle and surmounted by gilt brass two-handled urn of Rococo form, cast shaped gilt brass framed and glazed door, on scroll feet, 19.25ins high, and a pair of similar red tortoiseshell Boulle and gilt metal square baluster candlesticks with gilt metal Rococo pattern bases, 14.25ins high
A William IV Mahogany and Brass Inlaid Mantel Clock, by Simson of Southampton, the 8ins diameter domed painted metal dial with Roman numerals, to the eight day two train movement striking on a bell, contained in brass mounted rectangular case with later turned finial to the rectangular raised top, the panelled case with brass mouldings and with lion's mask and ring handles to sides above fretted gilt brass side panels, on brass ball feet, 19ins high Note: Stephen Simson recorded working Southampton 1830-1839
An Early 19th Century Rosewood Cased Mantel Clock, by Hare of London, the 4ins diameter white enamel dial with Roman and Arabic numerals, within silvered slip engraved with leaf scroll ornament, to the eight day two train chain and fusee movement striking on a bell, the rear plate with engraved key border and Strike/Silent indicator, contained in rosewood case of Gothic pattern with angled top and twin pyramid pattern finials above triple cluster columns, the shaped base with turned and reeded bun feet, 14.5ins high Note: Alexander Hare recorded working London before 1776. Member of the Clockmakers Company 1781-1824.
A Late 19th Century German Ebonised and Gilt Brass Mounted Bracket Clock, by Winterhalder & Hofmeier, the arched brass dial with narrow silvered chapter ring with Roman and Arabic numerals, Strike/Chime and regulation dial to arch within ornate gilt brass winged Cupids head spandrels and leaf scroll ornament, to the eight day two train fusee movement striking on two gongs, contained in ebonised case of "18th Century English" design, swept-in top with five gilt brass two-handled finials and with mask caryatids and floral ornament to the cant corners, on gilt brass scroll and paw pattern feet, 29ins high, and ebonised bracket with gilt brass mounts for same, 19ins wide x 13ins deep x 12ins high
A Late Victorian Walnut and Gilt Brass Mounted Mantel Clock, by Clerke, 1 Royal Exchange, London, No. 5020, the silvered rectangular dial with 5ins diameter dial centre with Roman numerals, to the eight day two train chain and fusee movement with heavy brass plates striking on a gong, contained in figured walnut and gilt brass mounted rectangular case, the top with gilt brass gallery and floral urn finials, the front with twin leaf capped pillars and leaf mouldings and on leaf scroll feet, 16.5ins high, and bearing later presentation plaque "Presented to the Revd. T. Surtees Raine etc. March 1890" Note: Frederick William Clerke recorded working London 1863-1881
A William IV Oak Cased Bracket Clock of Large Proportions, by S. J. Bartlett of Maidstone, the 8.25ins diameter brass dial (formerly silvered) with Roman numerals and Chime/Silent dial to arch, to the substantial brass framed three train chain and fusee movement quarter striking and chiming on a gong and eight bells, contained in oak Gothic pattern case with ornate turned and leaf carved finials and leaf capped columns to sides, moulded base on bun feet, 30ins high, and matching oak bracket for same with shaped and fretted supports, 18ins wide x 10ins deep x 12ins high Note: Samuel J. Bartlett recorded as a watchmaker working in Maidstone 1821-1855.
A 20th Century Stained as Mahogany Cased Dial Wall Clock, retailed by Camerer Cuss & Co, 56 New Oxford Street, London, the 10ins diameter painted metal dial with Roman numerals, to the single train movement by Winterhalder & Hofmeier, within turned stained wood bezel, (dial repainted and back box later replacement)
An Early Victorian Rosewood Cased Dial Wall Clock, by J. Page of London, the 12ins diameter painted dial with Roman numerals, to the eight day single train fusee movement with heavy brass plates and plain turned pillars, the rosewood case with turned bezel inlaid in mother-of-pearl, 16.5ins high Note: Possibly James Page recorded working London 1869, or John George Page recorded working London 1881.
A Mid 19th Century German Rosewood Cased Drop Dial Wall Clock, the 8.5ins diameter painted wood dial with Roman numerals, to the two train movement striking on a gong, contained in rosewood octagonal fronted case inlaid with brass ornament and with shaped drop, 17.75ins high, and an early 20th Century mantel timepiece retailed by Walker & Hall Ltd, the 3.5ins diameter white enamel dial with Arabic numerals, to the single train movement with balance escapement, contained in blue lacquer arched top case, the front decorated in gilt with chinoiseries, on bun feet, 5.75ins high
An Early Victorian Rosewood Cased Drop Dial Wall Clock, by Manning of Malvern, the 12ins diameter painted metal dial with Roman numerals, to the eight day single train fusee movement with heavy brass plates and plain turned pillars, contained in rosewood case with turned bezel, the case with replaced moulded wings, with shaped glazed panel with brass moulding and curved base, 24ins high
An 18th Century Wall Clock, by Isaac Hurst of Bury, the 10ins square brass dial with single hand, silvered chapter ring with Roman numerals, dial centre engraved with leaf scroll ornament, to the thirty hour movement, in brass and steel posted frame and outside locking plate striking on a bell, 13ins high, mounted on later pine bracket
A 19th Century Oak and Mahogany Longcase Clock, by John Hallam of Nottingham, the 12ins square painted dial with Roman and Arabic numerals, subsidiary seconds dial and floral sprays to spandrels, to the thirty hour weight driven movement striking on a bell, contained in oak and mahogany case with moulded scroll pediment and reeded columns to hood, shaped trunk door, on plinth base with bracket feet, 80ins high
An Early 19th Century Mahogany Longcase Clock, by a Spalding maker (name rubbed), the 12ins arched brass dial with Roman numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted in colours and gilt with shells, to the eight day two train movement striking on a bell, contained in mahogany case with moulded scroll pediments and turned and spiral reeded columns to hood and case, with arched figured veneered door and conforming raised panel to plinth, 82ins high
A 19th Century Carved Oak Cased Longcase Clock, by William Gaite of Sheptonmallet, the 18th Century movement with 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and with matted dial centre with turned winding holes, to the eight day two train movement striking on a bell, contained in Victorian oak case boldly carved with leaf scroll and lozenge shaped leaf paterae with shaped and carved cresting and turned carved pillars, the trunk door finely carved with a crest of a shield and rampant lion, on carved plinth base, 89ins high
An Early George III Mahogany Longcase Clock, by John Shelton of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and Strike/Silent dial to arch, to the altered movement now with three trains striking and chiming on eight bells and a gong, contained in figured mahogany case with shaped cresting above moulded cornice and with cant corners to hood, the shaped trunk door veneered in figured mahogany with ebonised borders and cant corners, the base with applied astragal mouldings, on bracket feet, 93ins high, (lacking weights) Note: John Shelton recorded as apprenticed 1711. Member of the Clockmakers Company 1720. Liverymen of the Clockmakers Company 1766.
A Late 17th Century Ebonised Pine Longcase Clock, the 10ins square brass dial with silvered chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture and with matted dial centre, to the eight day two train movement striking on a bell, contained in plain ebonised case with moulded cornice and turned pilasters to hood, the trunk door with circular glass lenticle, on plinth base, 75.5ins high
A Late 18th Century Mahogany Longcase Clock of Small Proportions, the 10ins painted metal dial with shaped top, Roman numerals and with subsidiary seconds dial and calendar dial, to the eight day two train five pillar movement striking on a bell, contained in mahogany case with arched and moulded cornice and fluted and brass stopped cant corners to hood, figured trunk door and base with raised panel, on bracket feet, 75ins high

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460315 item(s)/page