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Click here to subscribeA Dutch Marquetry Inlaid Oak Longcase Clock, the arched brass dial with silvered chapter ring, subsidiary seconds dial, the arch with disk inscribed "Alex Giroust, Coventry Street, London", the movement with anchor escapement, striking on a bell, in a case richly inlaid with flowers and birds, the door with central glazed lenticle, 220cm high.
A 30 Hour Oak Longcase Clock, Jas Bonn, Matlock, circa 1780, the 13-inch circular brass dial with Roman and Arabic numerals, date aperture, rectangular case, the plinth with moulded angles and on bracket feet, four pillar movement, anchor escapement with count wheel strike on a bell, 209cm high.
A 30 Hour Longcase Clock by John Shepley (Stockport), the brass 107.8-inch dial with matted centre and date aperture, the chapter ring with bold 1.2 hour markers, in an oak case with shaped headed door and turned quarter columns, the hood with blind fret panel and dentil moulding, circa 1750, 207cm.
A 30 Hour Longcase Clock, by Bradley, Ilkiston (sic), the 12 1/4" square silvered and brass dial with engraved boldly signed centre with date aperture, in an oak case with shaped moulded headed door and hood with turned columns and burr oak band below key pattern band and broken pediment, circa 1775, now 221cm
An Eight Day Longcase Clock by Archd. Strachan, Newcastle, the 13-inch dial with seconds, date and engraved scrolls, with lunar and tidal dial in the arch, in a mahogany case with rosewood crossbanding and boxwood lines, the shallow arched door with turned and fluted flanking columns, the hood with mounted fluted columns and scroll pediment, the base with beaded mouldings, angled corners and inlaid panel, upon bracket feet, 240cm.
A George III Mahogany Inlaid Eight Day Longcase Clock, signed John Craig, Carrigill, associated break-arch brass dial with silvered chapter ring, pierced cherub spandrels, steel hands, case with reeded columns, associated rectangular case, the "onion" arched trunk door flanked by inlaid sides, the four pillar movement with anchor escapement and rack strike on bell, 213cm high.
An Eight Day Long Case Clock by John Ogden, Sunderland, the 12-inch silvered and brass dial with matted centre, date and seconds, signed in the arch, in a walnut case of good colour with crossbanded break arch door, angled corners and base with similar angles and raised panel, the hood with plain columns, moulded cornice and bracket feet, circa 1745, 226cm including gallery perhaps of slightly later date.
A Fine Mahogany Regulator Longcase Clock, by William Dutton, London, the circular silvered dial signed "William Dutton London", two subsidiary dials indicating seconds and hours, outer minutes track with central corresponding minute hand, eccentric winding hole, blued steel handles, with triangulated plates linked by four turned pillars, maintaining power, jewelled deadbeat escapement, in a brass mounted and richly figured mahogany case, with stop-fluted chamfered stiles, reeded raised mouldings to the plinth, 224cm high over eagle and sphere finial, with winding key.
Robt. Hodgkin, London. A George III oak and mahogany longcase clock, the arched hood with swan neck pediment and reeded pillars with Corinthian capitals, the trunk with shaped top door flanked by quarter reeded pilasters, raised on a panelled plinth, the arched 13 inch dial with moon phase disc painted with figures in landscapes, above a silvered chapter ring and foliate engraved centre with seconds dial and date aperture, urn spandrels, the eight day four pillar movement with shaped ogee shoulders to the plates, 238cm (probably associated)
John Wright, Linton. An automaton oak longcase clock, the break arch hood above conforming trunk door raised on a rectangular plinth, the 12 inch arched silvered dial landscape-painted to the arch with two rocking figures on a sea-saw, above silvered chapter ring and well-engraved centre, seconds and calendar dials, gilt rococo spandrels, with four pillar bell-striking movement, (case probably associated) 200cm high
A mid 19th century Raingo Freres clock in earlier ebonised case, the eight day movement striking on a coiled rod, the mid 18th century case rectangular at the front and back and with rococo cartouche sides, the contemporary brass dial also with rococo mouldings, pierced inside the silvered chapter ring to take the movement, 39cm high
An Edwardian mahogany cased gong chiming mantle clock, the arched moulded cornice above a marquetry inlaid frieze and arch glazed door enclosing a silvered one piece arched dial with strike/silent and Roman numerals flanked with brass capped columns, standing on a moulded plinth base with flattened bun feet, 43cm high
An early 19th century Scottish mahogany longcase clock, the arched moulded top with 'C' scroll cresting, the silvered dial with black Roman numerals, Arabic five minute divisions, subsidiary seconds and date dials, inscribed 'Tempus Fugit' within scrolled spandrels, the curl veneer door enclosed by half round column pilasters with spire finials, on moulded panel base with flattened bun feet, 8 day movement striking on a bell, dial 52cm, 221cm overall.
A George III mahogany longcase clock, the fretwork pierced silk lined pagoda top with three ball finials, on ormolu capped stop fluted tapering columns, the arched brass dial with black Roman numerals and Arabic five minute divisions, with subsidiary seconds dial, inscribed 'Richard Reader Hull', feacit within cast spandrels, the arched door inlaid with a flower filled urn with shell cresting, enclosed by ormolu capped reeded quarter columns, the base inlaid with an urn in a satinwood banded panel, the whole outlined with satinwood stringing and with conch shell scroll and fan paterae detail, on shaped bracket feet, 8 day movement striking on a bell, dial 46cm, 248cm overall.
A George III fruitwood longcase clock, with full length door, the hood with shaped and moulded cornice and pillar supports, containing a 30 hour movement with 10in square brass dial engraved with flowers, single hand, the chapter ring with Roman numerals, shell pattern spandrels, inscribed Edw How, Holford, 74.5in high.
George Hill, Bo-ness; an early Victorian mahogany longcase clock, the two train movement with anchor escapement and rack-strike on a bell, the painted dial with domestic scenes and Roman numerals with subsidiary seconds and date dials; the case with convex lancet door between pilasters, the hood with broken pediment and three ball and eagle finials, 215cm high
John Sellars, Berwick; a 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds and date dials, the arch painted and gilt with a basket of flowers, inscribed Jno Sellars Berwick, the panelled case with plain pilasters, the hood with swan-neck pediment and ball and eagle finial, 220cm high (restored)
An Edwardian mahogany chiming longcase clock, the eight-day three-train movement with anchor escapement and striking the hours and quarters on five tubular gongs, the brass and silvered dial with Roman numerals and Arabic five minute divisions, and subsidiary seconds dial, the arch with chime/silent dial, the case with glazed door, the hood with swan-neck pediment, 228cm high
Eardley Norton, London no. 1929; a George III mahogany longcase clock, the eight-day two-train five pillar movement with anchor escapement and rack strike on a bell, the arched brass and silvered 12 inch dial with Roman numerals and Arabic five minute divisions, with subsidiary seconds dial and date aperture, the arch with 'strike/silent' dial and inscribed Eardley Norton London 1929, chinoiserie spandrels, the plain case with shaped door, the hood with a pair of brass-capped pillars, three brass-fret silk-lined sound panels, the shaped pediment surmounted with three brass ball and spike finials, 257cm high
Parkinson & Frodsham, London, an early Victorian stained oak cased bracket clock, the eight-day two-train fusee movement with rack-strike on a bell, the silvered circular dial with Roman numerals and inscribed PARKINSON & FRODSHAM. 4 CHANGE ALLEY. LONDON., the rectangular case with carved wood ornament, 50cm high (some small areas of damage to the case)
A German mahogany chiming table clock, the eight-day three-train movement with anchor escapement and strking the hours and chiming the quarters on coiled gongs, the arched brass dial with silvered chapter ring with Roman numerals and Arabic five minute divisions, foliate spandrels, the arch with 'slow/fast' dial and 'chime on eight gongs/chime on four gongs' dial, the arched case with a pair of fluted pilasters, 46cm high (some small areas of damage to the case)
A French walnut-veneered mantel clock in the style of a pendule d'officier, with a two-train movement striking on a coiled gong, the silvered convex dial with Arabic numerals and inscribed Dubois & Fils, with hinged cover with convex glass and gilt-metal rope-twist bezel, the case with four lions' paw feet, gilt-metal carrying handle, 27cm high
Bennett, London; an Edwardian black slate and green marble mantel clock, the eight-day two-train movement with Brocot escapement and striking on a bell, the enamelled dial with Roman numerals, inscribed EXAM. BY BENNETT 65. & 64. CHEAPSIDE LONDON, set in a cylindrical case supported by a pair of volutes, on a stepped rectangular base, 50cm wide (back glass cracked, base chipped)
F.l. Hausburg a Paris; a late 19th century French wall clock, the eight-day two train movement with deadbeat anchor escapement and outside count-wheel strike on a bell, the reverse painted glass circular dial with Roman numerals, set in a square brass line-inlaid ebonized case, 38cm x 38cm (some areas of repair to the case)
A late 19th/early 20th century brass lantern clock in the seventeenth century style, the eight-day two-train French carriage clock movement with adapted striking on the hours and half hour pass-strike, the dial with Roman numerals, the rectangular case surmounted with a bell and pierced fret gallery, 23cm high
Dent, 61 Strand London; an English retailed French carriage clock, the eight-day two-train movement with lever escapement and striking the hours on a colied gong, movement and platform stamped 718, half-hour pass-strike, the enamelled circular dial with Roman numerals and Breguet hands, inscribed DENT 61 STRAND.LONDON, reserved on a gilt engine-turned ground, brass Corniche case, 15.5cm high
A late 19th century French clock garniture, each onyx piece with gilt brass and champleve enamel mounts, decorated with flowers and stiff leaves, comprising: a clock, with round dial and drum shaped movement, with compensating pendulum, in four glass case, and a pair of ovoid vases, each with flared rim and square base, 33.5cm high overall (13 .25")
A French small tortoiseshell cased mantle clock, in late 17th century style, the caddy top with gilt metal finials, the round dial with blue and white enamelled numerals and signed Gosselin, Paris, eight day cylinder movement, striking on a coil, on gilt metal turned feet, 31.5cm high (12.5") (one finial and section of gilt metal frieze lacking)
An 18th century longcase clock, the brass and silvered arched dial with seconds dial and date indicator, with 'C' scroll spandrels, signed James Hylne, Montrose, eight day striking movement, the associated case with swan neck pediment and walnut trunk, with floral and marquetry panels and a bullseye
AN 18TH-CENTURY BRACKET CLOCK glazed in ebonised "basket-topped" case with brass carrying handle, the twin-fusee movement with verge escapment and bob-pendulum, the backplate finely engraved with foliate scrollwork with central rosette flanked by birds, the cover of the pendulum attachment with tulips; the square dial with matted centre, visible "mock pendulum" and calendar apertures, blued scroll pointers, silvered chapter ring with Roman hour numerals and Arabic minutes, baroque style spandrel having helmeted classical heads and scrollwork, with oval silvered nameplate engraved "Thos Tompion, London", in cursive script, 38.5cm, (15.25in) high including handle,
A FINE EARLY 20TH-CENTURY FLOOR-STANDING WALNUT-CASED WEIGHT DRIVEN VIENNA LONGCASE CLOCK having a well-carved surmount with turned finial, carved shell and two-tier balustrade, the arched glazed trunk door between fluted turned half-columns, on a two-panelled cupboard base with turned and tapering pillars, on a plinth base and bun feet, the white-enamelled dial with Roman numerals framing a subsidiary seconds dial, 237cm, (93.3in) high (sold with two weights plus pendulum)
A tortoiseshell and silver mounted 'boudoir' timepiece and an Asprey mantle clock, the timepiece with a round silvered dial with black Roman numerals and 8 day movement, mounted in a tortoiseshell surround with a silver frame, London 1927 by Richard Comyns, 10cm high (4 in), the mahogany ivory strung and floral veneered mantle clock with a round silvered part engine turned dial with black Roman numerals and French 8 day movement, 15cm high (6 in)
J BRIGHT, SAXMUNDHAM, A GEORGIAN OAK LONGCASE CLOCK, the break arch hood with turned pillars and brass capitals, above an arched top door and stepped base with plinth, the painted break arch dial with oval scenic painted decoration and conforming spandrels, the twin train movement with subsidiary seconds and date window, approximately 84.5ins high.
H.R.H. The Princess of Wales. Letter, on Kensington Palace stationery with crowned D monogram "November 15th 1990. Dear Sgt. Lewis. It is always so reassuring to know that we are all under your wing when abroad & that everything ticks like clockwork and that Japan was no exception! You even found time to take Sam out for a drink!... I hope your clock sorts itself out swiftly with the time change as I think the nine hours difference was a particularly hard one this time! Anyway, special thanks, Sgt., as always, for being so marvellous throughout.... Next stop India! With love from Diana" (3 pages on 2 leaves), with envelope addressed to "Sgt. R. Lewis"
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