A George III mahogany longcase clock, circa 1790, the blind fretwork carved pediment above an arched ogive cornice and glazed door flanked by fluted Corinthian capped and brass pilasters enclosing a 14" brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial and central calendar hand, the centre foliate engraved, foliate pierced spandrels, rolling moon phase in the arch painted with a moon and landscape and Tempus Fugit and inscribed Robert Lawson Leigh, eight day movement striking on a bell above a cushion moulding and blind fret carved frieze and shaped top, full length trunk door between fluted brass capped quarter pilasters, further moulding and raised base panel between canted angles and raised on shaped bracket feet, 87" high.
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A George III oak and mahogany crossbanded longcase clock, 18th century, the caddy top above a painted foliate frieze and square hood flanked by fluted brass capped pilasters enclosing a 10" brass dial with foliate engraved centre, Roman numerals and mask spandrels and marked Bennett, Cheadle, 30 hour movement striking on a bell above a shaped top, crossbanded trunk door, flanked by fluted quarter pilasters over an ogive moulding and raised baseboard and on ogee bracket feet, the dial possibly associated, 79" high
A George III crossbanded oak longcase clock, late 18th century, with shaped pediment and blind fret carved frieze above a square door flanked by fluted brass capped pilasters enclosing a 13" white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, foliate painted corners, eight day movement striking on a bell above a shaped top, trunk door flanked by fluted quarter pilasters over an ogive moulding raised baseboard on a shaped plinth and bracket feet, 88.5" high
A mahogany and boxwood strung longcase clock, early 19th century, with broken scroll pediment and gilt brass terminals above an arched glazed door flanked by reeded brass capped pilasters enclosing a 14" white painted enamel dial marked John Minshull, Birmingham, with Arabic numerals and date aperture, rolling moon phase in the arch, the corners painted with young girls representing the seasons, the moon humps painted with classical maidens, eight day movement striking on a bell above a double pointed arch top boxwood strung trunk door flanked by reeded brass capped quarter pilasters over an ogive moulding and base panel centred by a boxwood and harewood conche shell motif between canted angles and raised on shaped bracket feet, 91" high
An oak and mahogany crossbanded and boxwood strung longcase clock, mid 18th century, the broken scroll pediment terminating in gilt brass roundels and centred by a ball and spire finial above a square glazed door flanked by fluted brass capped pilasters enclosing a 12" square brass dial with Roman numerals, subsidiary seconds dial and date aperture and inscribed George Hewitt, Marlbro, foliate engraved, eight day movement striking on a bell, above an ogive moulding and frieze applied with gilt brass cornucopiae, three-quarter length shaped top crossbanded trunk door, centred by a gilt brass applied foliate motif in a lozenge surround, over a further ogive moulding and baseboard raised on a shaped apron and bracket feet, 85" high.
A George III oak and mahogany crossbanded and chequer strung longcase clock, early 19th century, the arched hood surmounted by eagle and ball finials over an arched glazed door flanked by fluted brass capped pilasters enclosing a 14" engraved brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial and date aperture and marked A Rowley, Shrewsbury, cherub mask spandrels, the arch with central boss inscribed 'Tempus Fugit' between dolphin spandrels, eight day movement striking on a bell over a plain frieze and ogee arched top, crossbanded three quarter length trunk door flanked by fluted brass capped quarter pilasters over an ogive moulding and raised crossbanded base board with fan inlaid top corners between canted angles and raised on a plinth and bracket feet, dial varnished, 89" high
A silver cased travelling bedside clock, import marked for Glasgow 1917, the silvered dial printed with Roman numerals, subsidiary seconds, the bezel decorated in purple bassetaille enamel, the plain circular case with topwinder having an easel back, 5cm, contained in a Harrods fitted carry case also with easel back.
By Charles Frodsham, London, a modern silver cased repeating carriage clock, No. 8 of a limited edition intended to be 100 (but apparently about 30 only were sold) made to celebrate the Queen's Silver Jubilee in 1977, the rectangular silver pillared case, maker's mark TC, London 1978, with floral leaf engraved front and white dial having bell-striking 11 jewel movement, 17cm high, with green box .
A silver backed dressing table set by WG Sothers & Co Ltd, Birmingham 1928, comprising: a handmirror with yellow bassetaille enamel decoration together with the matching pair of hairbrushes and pair of clothes brushes, also a small similar oval hairbrush by the Alexander Clark Manufacturing Co, Birmingham 1926; a cased set of two scent and salts bottles with a circular box by Walker & Hall, Birmingham 1926, and a silver bedside travelling clock by Joseph Gloster Ltd, Birmingham 1925, (10).
A Scottish George III mahogany longcase clock, the break arch hood with gilt finial above 32cm circular enamel dial marked indistinctly 'P.XXXX Edinburgh', with seconds and calendar subsidiary dials, the boxwood strung trunk with arched door flanked by quarter reeded columns, on a rectangular base and bracket feet, 220cm high.
J De Roncourt, an Art Deco spelter and green variegated marble clock garniture, the eight day pendulum movement countwheel striking on a bell, the back plate stamped 'JS' and retailed by 'Corbasson of Elbeuf', the round arch case surmounted by a spearman wearing a loin cloth and beating off an eagle's attack, 69cm high, the square vase side pieces 18cm high (3).
A 19th Century oak pine and later painted longcase clock, the arched painted dial inscribed 'M. McGibbion, Dumfries' with subsidiary second dial, date aperture, the arch painted to depict a farmhouse scene, the spandrels depicting strawberries and roses, the hood with a swan-neck pediment and turned columns, the trunk with quarter fluted columns and bracket feet, 85in. (216cm) high.
A MID 18TH CENTURY FIGURED WALNUT LONGCASE CLOCK, with three train, hour striking and rod chiming movement, the brass dial with painted mechanical moon phases within the arch with mask and foliate scroll spandrels, the chapter ring with roman hour and arabic minute numerals, the matt centre having a second dial with calendar aperture on aperture and inscribed "Thomas Bristol", the domed rectangular hood with open fret work and fret angle pillars, the sides with open fret panels, the trunk with long arched cross banded door, the base similarly banded, on a moulded plinth, the pine sides simulating walnut. Dial Width 12". Width 13.5". Height 96". Alterations and additions.
A LATE 18TH CENTURY WELSH OAK LONG CASE CLOCK, with eight day movement, the arched brass dial with gilt metal spandrels and roman numerals, inscribed "R Williams Swansea" applied to an enamel dial, the hood with swan neck pediment and fluted angle pillars, the trunk with long shaped door flanked by fluted quadrant pilasters, the plain base on bracket feet. Dial Width 12". Width 14". Height 82".
A 19TH CENTURY MAHOGANY LONG CASE CLOCK, with two train movement, the circular silvered dial with roman numerals and second dial, inscribed "H H Curtis Neath", the hood with arched pediment and canted angles, the glass circular, the trunk with long rectangular glazed door flanked by canted angles, the plain base on a shaped plinth. Dial Diameter 13". Width 14.75". Height 82".
AN EARLY 19TH CENTURY OAK BIRDSEYE MAPLE & ROSEWOOD LONG CASE CLOCK, with two train movement, the arched enamelled dial painted with gilded floral motifs within arch and spandrels, with roman numerals, second dial and calendar aperture, the hood with swan neck pediment and bobbin turned angle pillars, the trunk with gothic arched cross banded door flanked by similarly turned pillars to the hood, the cross banded base on turned feet. Dial Width 16". Width 17". Height 92".
A MID 20TH CENTURY OAK LONG CASE CLOCK, the weight driven three train German movement quarter chiming, the square brass dial with silvered chapter ring and roman numerals, the square hood with spirally turned angle pillars, the trunk with bevel glazed rectangular door, the panelled base on a projecting plinth on round feet. Dial Width 10.5". Width 12.5". Height 72".
AN OVERALL CARVED OAK LONG CASE CLOCK, with thirty hour movement, the square brass dial with roman numerals, the square hood with turned angle pillars, the trunk having a long ogee arched door, carved with floral lunettes and guilloche, the base with inset panel relief carved with a winged figure, on a shaped plinth. Dial Width 10.5". Width 13". Height 79".
A GREEN & GOLD LACQUER LONG CASE CLOCK, with thirty hour movement, the circular painted dial with copper and iron studs forming the chapter with colour transfer painted strips between, the centre copper studded with star and flower head motifs and colour transfer printed nasturtium flowers, the George III case having a square hood with swan neck pediment and circular glass, the trunk having a shaped door with Japanese figures, birds, butterflies etc., the angles with fluted quadrant pillars, the base with projecting panel with similar motifs to door, on a shaped plinth. Dial Diameter 16". Width 17". Height 98".
AN EARLY 20TH CENTURY ALABASTER & GILT METAL CLOCK GARNITURE, the clock with half hour striking movement, the dial with arabic numerals, contained in a drum case surmounted by an urn and supported on four pillars, with sunburst pendulum, on a rectangular base, on brass feet. Height 17", the Side Matching Pieces in the form of urns, Height 12".
A FRENCH MID 19TH CENTURY PORCELAIN MOUNTED ORMOLU GOTHIC MANTEL CLOCK, with half hour striking movement by Jopy Freres Paris, the dial with roman chapters, the centre painted with a pair of portraits, the upper case on a column, the oval base set with porcelain plaques painted with medieval figures and surmounted by an axe, mace, and pair of shields. Height 12". Width 8"
A Fine Georgian Long Case Clock by John McNab, Perth, the Mahogany Case with Ebony and Boxwood Banding and Ivory Escutcheon, the Scroll Pediment with Turned Brass Finilas, the Top with Turned and Inlaid Pilasters, the Silvered Dial with Roman Numerals, Brass Hands and Fine Brass Carved Decoration with Eastern Heads and Serpent Motifs, the Pendulum Painted with Scene of Continental Church in a landscape with Figure, 8 Day Movement.
A 1920s French black lacquer cased mantel clock, the 3.75ins silvered dial with Roman numerals to the eight day two train movement striking on a gong, contained in rectangular black lacquer case with moulded top and brass loop handle, the whole decorated in gilt with chinoiseries, on shaped block feet, 11.5ins high
A late George III mahogany and brass inlaid bracket clock, the plain painted arched dial with Roman numerals and strike/silent dial to arch to the eight day two train movement with shaped brass plates striking and repeating on one bell, contained in arched and moulded case with square moulded cresting, brass mounted cant corners, fretted grilles to sides, with brass ring handles with embossed back plates, on reeded bun feet, 21ins high, complete with original brackets similarly inlaid, 14.75ins wide x 10ins high. Note: Interior case bears repairer's label for Camerer, Cuss & Co dated 8.3.37.
A mid-19th Century mahogany mantel clock by Clement Gowland, Bishop Wearmouth, Sunderland, the 8ins silvered dial to the eight day two train movement striking and repeating on one gong, contained in figured mahogany case, the shaped pediment with carved berry finial and carved leaf and C-scroll ornament, conforming apron with scrolled feet and shell ornament to centre, 19.75ins high.
A Victorian rosewood and brass inlaid dial wall clock by H. Read of London, the 12ins painted metal dial with Roman numerals to the eight day chain and fusee movement with heavy brass plates with shaped tops, contained in octagonal fronted drop case, the border inlaid with panels of brass scroll work, glazed panel to the drop case with carved thistle brackets to sides, 22ins high.
A late 19th Century American ebonised mantel clock of "17th Century" design, the 5.75ins silvered chapter ring with Roman numerals to the eight day spring driven two train movement striking and chiming on five gongs, contained in ebonised rectangular case with shaped pediment and five gilt metal urn finials, the cant corners to the front with caryatid mounts, on leaf scroll feet, 18.5ins high
A 19th Century oak and mahogany longcase clock by W. Matthews of Penrith, the 13ins arched painted dial with Arabic numerals and scene of country park to arch, subsidiary date aperture to the thirty hour striking movement, contained in case with shaped and moulded pediment, slender turned pillars to hood, shaped trunk door crossbanded in mahogany, with quarter columns, 90ins high
An 18th Century oak longcase clock by Henry Baker of Malling, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the thirty hour brass framed movement with outside locking plate striking on a bell, contained in plain case with moulded cornice and plain pillars to hood, with later ball and eagle finials, plain trunk door, on bracket feet, 84ins high.
A late 18th Century mahogany longcase clock by John Lacy of Portsmouth, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in case with deep moulded and arched cornice, plain turned pillars to hood, shaped trunk door and double plinth base, 85ins high (in need of restoration - hood in pieces and plinth base water damaged)
A George III mahogany longcase clock by James Warren of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch painted with two exotic birds and differing flowers to spandrels to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, with arched and moulded cornice, and turned and fluted pillars to hood, the trunk with dentil cornice, the arched trunk door with moulded edge and fluted cant corners, on bracket feet, 83ins high (door twisted and somewhat damaged, and cresting to hood altered).
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428106 item(s)/page