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![A 19TH CENTURY MAHOGANY AND INLAY, 8 DAY LONGCASE CLOCK WITH SQUARE DIAL [J.C.CARTER WARRINTON]](https://cdn.globalauctionplatform.com/c664bd0a-2041-4cae-a10d-acfe00cf3318/7d29ee45-ff92-45f5-ae3f-ad0700c05ba4/468x382.jpg)
Lot 1202
A continental (possibly German) arched mahogany cased mantle clock, with three train movement and striking on a gong, retailed by Jays, with inlaid marquetry decoration, the round silvered dial with black Roman numbers and hands and marked '142 Jays 144 Oxford Street, London', on bun feet, early 1900's, 43.6cm high (max)
Lot 1491
Matthew Norman, a modern carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a bell with a push button to the top allowing a repeat of the last hour at will, the backplate stamped with the various Matthew Norman markings and serial number 1751, the white enamel dial with black Roman numerals, blued steel moon hands, a subsidiary alarm setting dial and stamped Matthew Norman, the gilded-brass corniche case with matching handle, height 18cm up, 15cm down
Lot 1492
Charles Frodsham London, a contemporary 20th century carriage clock: the eight-day duration, timepiece movement having a platform lever escapement with the white enamel dial having black Roman numerals and signed Charles Frodsham, London, with an engraved filigree gilded mask and blued steel spade hands, the anglaise case with fluted pillars and matching handle, height 14.5cm handle up, 12.5cm handle down.
Lot 1493
A French quarter-striking carriage clock: the eight-day duration movement having a silvered platform lever escapement and striking the hours and each quarter of an hour on two gongs with a push-button repeat sounding the last hour and quarter, the white enamel dial having black Roman numerals and blued steel cruciform hands, the brass Anglaise case with fluted columns and moulding and with a matching scroll handle, height 19cm handle up, 15cm handle down.* NOTE - this lot also includes a leather travelling case together with a key.* Notes The quarter-chiming work is not operating correctly and requires attention.
Lot 1494
A French Victorian carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a gong with a push button to the top allowing a repeat of the last hour at will, with alarm, the backplate stamped with the serial number 4217 and hand setting arrow in a form used by Couaillet Frères, carriage clock makers of Saint Nicolas d'Aliermont, the white enamel dial having black Roman numerals, blued steel moon hands, a subsidiary alarm dial and signed Examd. by Webster, Queen Victoria St. London, the gilded brass corniche case variant with canted corners and a fluted handle, complete with leather case, height 17cm handle up, 14cm handle down.
Lot 1495
An Edwardian French brass carriage clock: the eight-day duration timepiece movement having a later platform lever escapement, with alarm on a bell, the white enamel dial having black Roman numerals, blued steel spade hands and a subsidiary alarm dial, the pillared case having a three-bail handle, contained in a leather travelling case, height 11.5cm handle down, 13.5cm handle up.
Lot 1496
Hour Lavigne, Paris, a modern skeletonised mantel clock: the eight-day duration straight-line movement having a platform lever escapement and engraved shaped plates with blued steel moon hands, the round chapter ring engraved with black Roman numerals with the plinth engraved Hour Lavigne à Paris depuis 1848, contained under a square dome with brass corner mounts and marble base, height 17cm.
Lot 1497
Japy Freres, Paris, an ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate stamped with the trademark, Japy Freres, Grande Medaille d'Honneur, Exposition 1855, the white enamel dial having black Roman numerals and blued steel hands, the ormolu case with c-scroll decoration, height 29cm.
Lot 1501
De Lisle à Paris, a large boulle bracket clock with matching bracket: the eight-day duration movement having vase shaped pillars, a silk-suspension and striking the hours and half-hours on a bell situated within the pediment top with an outside countwheel, the backplate engraved in large flowing script De Lisle à Paris, the cast-brass decorative dial with individual enamel plaques having black Roman numerals and blued steel hands, the waisted boulle case of brown tortoiseshell with engraved brass inlay repeated to the inside door and floor, with ormolu female-head and floral mounts to the corners, nymphs at play to the front and surmounted by child with dove, the front having a glazed panel through which the sunburst pendulum bob is visible, with a matching wall bracket, height 64cm, bracket 23cm.*Notes Jean De Lisle is recorded as working in Paris in the mid-18th century, firstly at Rue du Marché-Neuf where he published 'Méthode sur la construction d'un gnomon pour réguler une pendule de soleil.'*Notes Reference Tardy Dictionairre des Horlogers Francais Paris.
Lot 1502
A French gilt-metal and porcelain mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the maker's trademark for Japy Freres et Cie, the round blue porcelain dial having black Roman numerals and blued steel hands, the shaped gilt-metal case having inset decorative painted blue porcelain panels depicting a French courting couple and a rural scene set below the dial and base, with blue porcelain pillars to the sides and surmounted by a matching urn, on a shaped giltwood base, height 47cm inc. base.
Lot 1503
A French boulle mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate numbered 23180, the cast brass dial having individual white enamel plaques with blue Roman numerals and blued steel cruciform hands, the waisted boulle case of brown tortoieshell inlaid with engraved brass to the front and sides, having a glazed front aperture to view the sunburst pendulum bob and surmounted by a cast-brass finial, on c-scroll cast-brass feet, height 31cm.
Lot 1504
A French bronze and ormolu Pendule au Sauvage mantel clock: in the style of Jean-Simon Deverberie, having an eight-day duration timepiece movement with a silk suspension, the round engine-turned gilded dial having a white enamel chapter ring with black Roman numerals and blued steel moon hands, the ormolu case having a bronze figure of a huntress holding a bow and arrow with a quiver of arrows to her back, wearing a gilded skirt and with inset glass eyes, standing beside a water flagon and dead game bird lying on a bale and with a gilded palm tree to the side, the oval base with an applied bronze floral mount to the front, height 25cm.*Notes This style of clock first came to fruition in the late-18th century and was very much influenced by the writings of authors including Jean-Jacques Rousseau and Bernardin de Saint-Pierre and manufacture coincided with the abolition of the slave trade in France with the Convention Decrete in 1793. Various forms of this clock were produced at this time, often using the same figure, but with different themes. One example swaps the palm tree for an anchor and has the figure leaning on a bale, whereas another is known showing the figure pouring a sack of coffee into a barrel which takes the place of the bale with the more elaborate models having further bronze figural mounts with more elaborate settings.* Notes Reference Pierre Kjellberg 'Encyclopedie de la Pendule Francais' Pub. Les Editions l'Amateur Paris 1997, pages 342-359.
Lot 1506
William Cribb, Southampton Row, London; a Regency mahogany bracket clock: the eight-day duration five-pillar double-fusee movement striking the hours on a bell, the eight-inch round convex dial having black Roman numerals, blued-steel moon hands and signed Wm. Cribb, Southampton Row, London, the mahogany case having inset brass-bound panels to the front, canted corners with brass inlaid decoration, fishscale frets to the sides with decorative brass cornucopia handles above, the architectural pediment surmounted by a cast-brass acorn finial, all standing on brass ball feet, with a later matching bracket, height 48cm.*Biography William Cribb was a well-known chronometer maker first recorded as working in Coventry as a pupil to the influential watchmaker Thomas Hewitt before moving to 17 & 30, Southampton Row, Russell Square, London from 1816 until 1822, then 58, Theobalds Road and finally 146 Southampton Row until his death in 1876 having been a maker to the Admiralty.
Lot 1508
A Victorian bronze Gothic bracket clock: the eight-day duration, double-fusee movement having shaped-plates and striking the hours on a bell, the round convex silvered dial having black Roman numeral and blued-steel moon hands, the bronze case of Gothic form with a castellated top, side columns, Gothic mounts surmounted by a matching finial, and all standing on cast bronze bracket feet, height 40cm.
Lot 1509
Goldsmiths & Silversmiths' Company lancet shaped mantel clock: the eight-day duration, double-fusee movement striking the hours on a gong and having a six-inch round silvered dial signed Goldsmiths & Silversmiths' Company, 117 Regent Street, London, with blued-steel fleur-de-lys hands, the mahogany lancet-shaped case having Sheraton-style shell inlay to the front with further boxwood stringing and standing on a stepped base with brass ball feet, height 37cm.
Lot 1510
John Moore & Sons, Clerkenwell, London, a mahogany library clock: the eight-day duration, single-fusee timepiece movement having an anchor escapement with the backplate engraved John Moore & Sons, Clerkenwell, London, 10806, the five-inch round silvered dial engraved with black Roman numerals and repeat of the maker's signature, with blued-steel moon hands, the mahogany library case standing on a stepped base, height 31cm.* Biography John Moore & Sons of 38 Clerkenwell Close, London was the continuation of the partnership between George Handley & John Moore both of whom had been apprenticed to John Thwaites and followed Handley's death in 1824. John Moore's son continued to run the business until 1894. Well-known as turret clock makers, they also made fine fusee movements for many of the top makers in a similar style of those by Thwaites & Reed.*Notes Reference C.G. McKay 'John Moore & Sons of Clerkenwell, Turret Clock Makers' 2002
Lot 1511
Francis Sinderby, a Regency mahogany pad-top bracket clock: the eight-day duration double-fusee movement striking the hours on a bell with the shaped backplate having both border and central engraving, the pendulum with fine-regulation and engraved to the bob, the round convex eight-inch painted dial having black Roman numerals and signed Frans. Sinderby, London with blued steel serpentine spade hands, the mahogany case having a full opening front door with brass fishscale frets below the dial and a cast-brass bezel, with brass frets to the sides, brass inset to the canted corners and a brass carrying handle to the brass-bound pad-top surmounting the break arch top, height 40cm.*Biography Francis Sinderby is recorded as working in London at the Bull & Mouth in circa 1811, quite possibly being the maker of the same name who moved to Sussex in 1823. He was succeded by his son Francis Hayward Sinderby, apprenticed 1793, who continued at the London address until at least 1840 having been made a member of the Clockmakers' Company in 1820 and is the probable maker of this clock, being succeeded by his widow prior to 1844.
Lot 1513
George Danson, London a chiming moonphase bracket clock: the eight-day duration, triple-fusee movement having an anchor escapement and chiming the quarters on eight bells and the hour on a further bell with a fully engraved backplate of c-scroll decoration, the eight-inch break-arch dial having a moonphase aperture to the arch, a raised silvered chapter ring engraved with black Roman numerals, cast brass c-scroll spandrels to the four corners with the matted centre having a date aperture and applied plaque engraved with the maker's name Geo. Danson, London, the ebonised bell-top case with applied cast-brass mounts to the canted corners, fishscale side frets and handles, with the belltop surmounted by four brass corner finials and a centre finial mounted to a fluted block, all standing on brass bracket feet, height 57cm inc. finial.
Lot 1514
Geo. Margetts, London a mahogany longcase clock: the eight-day duration five-pillar movement striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and inner date aspect, the matted centre having a subsidiary seconds dial and inset silvered plaque engraved with the maker's name Geo. Margetts, London, with cast-brass c-scroll corner spandrels and decorative blued-steel hands, the arch having a strike/silent dial allowing the strike to be switched off at will, the mahogany case having a hood with brass quarter stops and cast-brass capitals, the crested top with three brass ball-and-spire finials to the fluted blocks, the base with a raised panel and standing on bracket feet, height 234cm.*Biography George Margetts, born 1748, is considered one of the leading makers of complex and astronomical clock movements and chronometers. He originally worked in Old Woodstock, Oxon before moving to London and working in Cheapside and then Hatton Garden becoming a freeman of the Clockmaker's Company in 1779 and raised to the livery in 1799. Margetts died in 1808. Examples of his work are displayed in a number of collections and museums including the British Museum and the Science Museum.* Notes With sales receipt dated May 1985 and Valuation for Insurance dated August 1995.
Lot 1515
John Murch, Honiton a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, the silvered centre with a subsidiary seconds dial, date aperture and engraved with c-scroll decoration, with cast-brass female-head spandrels to the four corners and decorative blued-steel hands, the oak and mahogany case with crossbanding to the trunk door, tapered columns to the hood, whales tooth cresting, three giltwood ball-and-spire finials, the base with mahogany crossbanding and standing on bracket feet, height 230cm inc. finial.*Biography John Murch was a member of the prominent Honiton clockmaking family and is recorded as working from circa 1754 when he was apprenticed to another well known local maker, Francis Pile, at a premium of £15. He was to later witness Pile's will, dated 22nd of June 1763. His son, also John, became a clockmaker and in 1805 placed an advertisement for an assistant in 'the clock and watch line, or watch line only.' * Notes John Jnr. is also recorded as a silversmith in 1798 and by 1823 he was in partnership with his son William, grandson to John Snr, with premises in the High St. This partnership ended on John's death in 1830 whereupon William continued alone.
Lot 1516
William McCulloch, Belfast an unusual moonphase mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, flame half-hour markings, and engraved either side of VI o'clock with the maker's name, Wm. McCullock, Belfast, the arch having an unusual style disc engraved with the phases of the moon depicted by a steel hand, the mahogany case with boxwood stringing to the base, trunk door and hood, the fluted hood pillars with cast brass capitals and surmounted by whales tooth cresting, standing on bracket feet, height 222cm. inc. cresting.* Biography William McCulloch, sometimes spelt McCullough, is recorded working in Belfast from at least 1743 when it is known he subscribed to a book written by John Campbell entitled 'Lives of the Admirals and other eminent British Seamen'.* Notes Reference David A. Bell The Watch and Clockmakers of Northern Ireland Pub. The Author 2020.
Lot 1517
Jno. Bishopp, Maidstone, an early 18th century oak longcase clock: the thirty-hour duration movement with finned pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond quarter-hour markings and signed either side of VI o'clock Jno. Bishopp, Maidstone fecit, the matted dial centre having a ringed date aperture and unusually for a thirty-hour movement a subsidiary seconds dial, with ringed decoration to the inner aspect, cast-brass cherub-head spandrels to the four corners and decorative blued-steel hands, the flat-top oak case having three-quarter columns to the hood, height 193cm.*Biography John Bishop(p), born circa 1650, was a member of a well-regarded family of early Kent clockmakers and is recorded as working until his death in 1710. His son, also John, was born in 1680 and known to still be working in 1733 with Martha Bishop apprenticed to him in 1720. Three longcase clocks signed for Bishop are known where the high-quality of the workmanship is noted being very much in the tradition of the best London craftsmen of the time.* Notes Reference Michael Pearson 'Kent Clocks & Clockmakers' Pub. Mayfield Books 1997, where a near identical dial dated to circa 1705 is illustrated page 105.
Lot 955
Rolex. A gentleman's stainless steel automatic Rolex GMT Master II 16710 'Pepsi' wristwatch: the black dial with luminous dot hour markers, baton quarters and magnified date aperture at 3 'o clock, 31 jewel, calibre 3185, the movement numbered '3 0846170' the inside case back numbered '2180' and on Rolex Oyster bracelet numbered '78790A' together with fitted green Rolex case and outer box, original guarantee dated '14/09/06', Rolex service guarantee dated '17 Sept 15', Rolex booklets and with winder machine. In good condition. *Notes The Rolex GMT Master II 16710 was released in 1989 and generally used 3185 calibers, later models used 3186 calibers. The GMT movements use automatic winding and have been slightly modified to add the GMT function.* Notes Production dates for this particular model are 1989-2007.
Lot 450
Approximately 50 albums including Barry McGuire, Roger McGuinn, McGough and McGear, Country Joe McDonald, The Artie Schroeck Implosion, The Shadows, Spindrift, Southwest FOB, Verdelle Smith, Dusty Springfield, The Super Stocks, The Sunrays, Sundowners, The Sugar Shoppe, Bobby Vee, Strawbs,, Strawberry Alarm Clock, The Tokens, The Tingling Mothers Circus, The Third Rail, The T-Bones, The Tea Company, James Taylor, The Troll, The Troggs, The Trashmen, Grant Tracey and The Sunsets etc
Lot 19
A black slate mantel clock and a wall clock (2) Condition Report: The mantel clock is in good general condition consummate with its age. The wall clock in a condition consummate with its age though one of the decorative finial has been broken it is present with the lot. . We cannot guarantee the functionality of any mechanical or electrical items we sell.
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460315 item(s)/page