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Click here to subscribeA 19TH CENTURY SITZENDORF PORCELAIN CLOCK formed with two opposing cherubs holding a flower encrusted and cherub-topped egg, on an oval base, blue underglaze mark to base, the white enamelled dial with Roman hours, the striking movement marked 'Japy Freres'. 48.5cm(h) CONDITION: One supporting cherub with wing lacking (but present) some losses to encrusted flowers, old depletions to base, chips and cracks around dial left winding hole.
A 19TH CENTURY OAK AND MAHOGANY THIRTY-HOUR LONG CASE CLOCK by Thomas Yeates (I), Penrith (1791-1865), with flat-topped hood, square glazed door and turned columns, the trunk with shaped and crossbanded door, the crossbanded base with bracket feet, the painted dial with Roman hours framing the maker's name and bird decoration, all within foliate spandrels, the movement striking on a bell, sold with weight and pendulum. 207cm(h) CONDITION: Some paint cracking to dial, case appears restored with some minor repairs and losses to moulding.
AN EARLY 19TH CENTURY OAK AND MAHOGANY THIRTY-HOUR LONG CASE CLOCK by John Hutchinson of Appleby (1820-34), having a broken swan-neck pediment, arched glazed hood door, turned columns, arched and crossbanded trunk door between quarter columns, raised on a crossbanded base with bracket feet, the arch of the dial painted with foliate decoration, the chapter ring with Roman hours and Arabic minutes, maker's name and crescent form date aperture, all within foliate spandrels, the movement striking on a bell, sold with weight and pendulum. 219cm(h) CONDITION: Marks and scratches, wear to dial, hour pointer loose, splits to base, minor losses to crossbanding.
A FRENCH MANTEL CALENDER CLOCK, J. SILVANI, PARIS, MID 19TH CENTURY the silvered dial with Roman numerals above the pair of subsidiary day/date dials, eight day bell striking movement, the domed rosewood case and rectangular base inlaid with brass trailing flowers, foliage and an urn, dial and movement signed J. SILVANI / A PARIS, with key 29cm high with brass handle raised
A VICTORIAN SILVER BOUDOIR CLOCK, WILLIAM COMYNS & SONS, LONDON, 1892 covered in rocaille scrolls, foliage and birds on a matted ground, rear door with initialled cartouche and retailer's inscription to interior J.C. Vickery / 183 Regent St W, white dial with Roman numerals, French timepiece movement stamped PARIS / E.G.L. 7cm high excluding swing handle
A FRENCH CARRIAGE CLOCK, HENRI JACOT, PARIS, CIRCA 1900 gong striking movement, white dial with Roman numerals, corniche type case with matt finish, backplate stamped with Jacot trademark and MADE IN / PARIS, serial number to base- and backplates 17505, with associated key 16.5cm high with handle raised
A FRENCH GILT BRASS CARRIAGE CLOCK, LATE 19TH CENTURY gong striking hour repeating movement, circular white enamel dial set behind a plain frosted mask with Roman numerals between gilt stars, Anglaise case with fluted corners and rippled rim mouldings, backplate numbered 10963, with key, original leather carrying case with handle detached 18.5cm high with handle raised
A DUTCH FLORAL MARQUETRY AND WALNUT EIGHT-DAY LONGCASE CLOCK, 18th Century, the 12 inch square brass dial, signed "Daniel Bloos, Amsterdam", with subsidiary dials and silvered chapter with Roman numerals hours and outer Arabic minutes, four-pillar movement, the pagoda topped case with urn finial, the trunk with cast brass framed lenticle in Rococo style, profusely inlaid with vases of flowers. 232cm
A POLLARDED OAK EIGHT-DAY LONGCASE CLOCK, the 12 inch brass break-arch dial, signed "David Lestourgeon, London", with silvered chapter with Roman numerals and Arabic outer minutes, subsidiary seconds and date aperture, five-pillar rack and bell striking movement, the case with moulded arched hood and crossbanded and half-veneered trunk door, the base with quarter columns. 212.5cm
A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 11¾ inch brass break-arch dial with strike/silent and silvered chapter with Roman numerals and outer Arabic minutes, signed "Thomas Hunter Junior, London", date aperture and subsidiary seconds, five-pillar movement striking the hours and half hours, the case with moulded break-arch trunk door. 214cm
AN ARABESQUE MARQUETRY AND WALNUT EIGHT-DAY LONGCASE CLOCK, the 12 inch square brass dial with silvered chapter with Roman numerals and outer Arabic minutes, subsidiary seconds and date aperture, signed "Peter Garon", five finned pillar outside countwheel bell-striking movement, the case with foliate fret to the moulded entablature above scroll inlaid hood door with integral columns, the trunk with decorated throat moulding above rectangular lenticle centred trunk door profusely inlaid with scrolling foliage and strapwork within a conforming surround, the plinth with ogee top moulding and conforming marquetry panel within laurel border, on moulded skirt base. 216cm
A Meissen porcelain mantel clock case, circa 1745, painted cartouches of figures including musicians within gardens and surmounted by a nude female figure elegantly draped with a robe and holding a flower, 40.5cm high, the stand lacking/see illustration Condition Report: The clock case would have had a base (see this link for an example with case - (). Figural finial has slight restoration to nose, the flower in her hand has some chipping to petals. One leaf scroll lacking to left side. Back door cover missing. Faint hair crack to reverse of one leg. Slight chip and firing cracks to bottom edge. Enamel dial a little loose, slight chips to enamel around winding aperture. One hand missing.
A longcase clock, the arched brass dial signed Ben Brandreth, Middlewich, with silvered chapter ring and subsidiary date and seconds dials and with phase of moon and date aperture, in an oak case with chequer stringing, 205cm high/see illustration Condition Report: Case inlaid at a later date, some veneer missing, lock to door replaced, backboard patched, spandrels renewed. Calendar and moon phases operable. Not in working order. Return moulding loose. Doubtful if the clock, face and case have always belonged together, possible marriage. Trunk and base irregular.
A fine blue enamel and ormolu dressing table clock, Le Roy et Fils, 13 and 15 Palais Royal, Paris, Aiguilles No 11516, with millot lever platform escapement, the case with ring handle to a case decorated with cranes in grass, the circular dial with Oriental numerals, 8.5cm high/see illustration
A 19th Century circular eight-day wall clock, Barwise, London, the case with grille doors to each side and with brass bezel to the glazed door, the white enamel dial with Roman numerals, signed Barwise London, fitted a twin fusee movement striking on a bell, the case 41cm diameter/see illustration
A late 18th Century elm cased thirty-hour longcase clock by Thomas Sharp, Stratford, the case with square hood and 8½" brass dial with decorated spandrels, 189cm high/see illustration Condition Report: The dial has for obsolete holes on the reverse it is therefore probably associated, the seat board with crude restorations and the dial aperture crudely cut but original. The movement needs attention as the winding gear teeth are worn and the weight habitually pulls the chain through the winding wheels other than acceptable scratches, small splits and old worm holes, the clock case is in acceptable condition.
A 19th Century tortoiseshell and brass boulle type eight-day mantel clock, the case with gilt metal urn finial and mask head and scroll mounts, the circular glazed door with brass bezel, the dial with segmented blue enamel Roman numerals, the movement striking on a gong, with bracket, 60cm high/see illustration Condition Report: 40.5cm high Half hour striking Intermittent working order
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