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Early to mid 20thC bracket style clock. The gong striking movement by Garrard in three-glass case with brass-mounted handle and finials, brass dial with roman numerals (33cm high)Condition ReportSurface scratches, scuffs and knocks to the wooden case. Some splits and areas of loss to the veneer on the sides. Split to door near top hinge, front two finials are detached but present. Accretions and polish residue. Hands move when wound but it appears the striking movement is not working. Unable to say whether in full working order. Some fading and discolouration. Some scratches, accretions and tarnishing to dial. General wear and tear.
Large circular wall clock, painted metal dial in moulded mahogany case (no pendulum) (82cm)Condition ReportNot currently working. Surface scratches, scuffs to the wood, accretions, areas of fading and discolouration. Glass front comes off and will need to be screwed back in place. Areas of loss and flaking to the paint on the dial. No woodworm detected. General wear and tear. Possibly late 19th/early 20th Century.
18th century mahogany longcase clock, the arched topped brass dial has subsidiary second hand and circular date aperture, signed John Woster London, the pagoda topped hood decorated with Chinese garden scene and flanked by brass-capped fluted columns (230cm)Condition ReportBack board all one piece, appears original.
18th century longcase clock by John Glazebrook, Mansfield, the oak case with broken arch door decorated with compass inlaid design, the 32cm square brass dial with calendar aperture signed in oval cartouche, the pagoda-topped hood with ball and spire finials flanked by plain turned columns (210cm)Condition ReportSurface scratches, scuffs and knocks to the wood. Accretion and areas of fading and discolouration. Evidence of old worm to the back panels and area of loss and damage to the bottom of back panel. Repair to the top of the back panel. Heavy loss to the leather and wood frieze decoration on top of hood. Area of loss to the top left corner of the dial surround. Minor tarnishing and wear to the dial. Loss to the gilt on the finials. General wear and tear.
19th century 8-day longcase clock, the oak case with moulded columns and applied shield to base, the hood with turned brass-topped columns and dentil frieze, the arch-topped painted dial featuring doves and floral spandrels with subsidiary seconds dial, calendar aperture and moonphase indicator (206cm)
19th century longcase clock, unmarked, the arched painted dial with sailing ships in the quarters and castle and bridge, the overpainted dial with Roman numerals and subsidiary second and date hands, the hood with broken arch and turned columns on mahogany inlaid oak case with similar columns, diamond-pattern inlaid serpentine shaped doorCondition ReportCase with surface scratches, scuffs and knocks. Splits to the base, old repairs to the hood, hood hinges very loose, recent putty around glass, possibly replaced. Dial has scratches, crazing and areas of loss to the paint. General wear and tear.
Early 20th century part clock garniture, the pink veined marble body with square dial, with Roman numerals and garniture of single pedestal form surmounted by elephant, on tapering column square base and a further mantel clock, the dial marked 'Bravingtons Ltd, London' (greyhound unattached) (3)

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460315 item(s)/page