An 18th century mahogany cased bracket clock, with twin fusee movement, the dial having a gilt silvered chapter ring signed `Chris Pinchbeck, London` encircling a matted centre with pierced gilt brass spandrels to the corners and a strike/silent dial in the arch, the caddy top case with gilt brass handle above an arched glazed door, with pierced fretwork sound holes backed in red silk, the brass movement back plate ornately etched with heraldic crest, standing 42 cm high (minus handle), on squat moulded square feet, 26.5 cm wide x 17 cm deep. Illustrated.
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A French rosewood inlaid mantel clock, 19th century, the 3" silvered engine turned dial detailed with Roman numerals within a gilt brass bezel, the rosewood rectangular shaped case with inlaid scroll work decoration to top, front and sides and the brass two train movement stamped `H.Marc, Paris`, striking on a single bell, with gilt brass shaped carry handle, 20 cm high.
A French brass cased table clock, 19th century, with inset porcelain plaques, the dial centrally painted with winged cherubic figures against a gilt jeweled cobalt blue ground, the side panels painted with landscape scenes within a white jeweled border, raised on toupe feet, open aperture to top with missing surmount, 27 cm high.
A quantity of collectables, including; a burr walnut snuff box, early 19th century, of curved rectangular form, a Mauchlin ware needle case, a Swiss made Art Deco miniature travelling clock in a folding silver case (a.f.), a pair of gold rimmed spectacles, an aide memoir and a pottery pipe of ball and claw form.
Oak longcased clock banded in mahogany , painted square face with floral spandrels, Roman hours, subsidiary seconds, date aperture, signed J Topham, Nantwich , two-weight movement on a false plate, in a swan neck hood with fluted columns, on a short-door trunk and set-out plinth (no feet), height 211cm. (Two weights, key, pendulum).
Victorian mahogany longcase clock , broken arch painted dial with rolling moon, figural spandrels personifying the Continents, Roman hours, subsidiary seconds and date rings, signed Summersgill, Preston , two-weight movement on a false plate, in a swan neck hood with twist columns on broad tunk and set-out plinth (no feet) Height 225cm (two weights, pendulum).
A VICTORIAN MAHOGANY CASED CIRCULAR WALL CLOCK having a single fusée mechanism, white painted 11 1/2" dial with Roman numerals and signed Kleyser & Co. 69 High Street, Boro. London (see illustration). (Note: The Kleyser family worked as clock makers at various addresses in London from about 1790 onwards)
A FRENCH ORMOLU AND PORCELAIN MOUNTED GARNITURE DU CHEMINÉE, the clock of classical architectural form with cupola, the movement striking on a bell with painted Coats of Arms decoration together with a pair of four branch candelabra similarly decorated on velvet and gilt stands, clock 13" high, candlesticks 12" high (see illustration).
A French Victorian Corniche cased carriage clock, the eight day duration movement having a later platform lever escapement and striking the hours and half hours on a gong with push button repeat, the white enamel dial having black Roman numerals and blued steel spade hands, contained in a brass Corniche case, height: 14.5cm (handle down)
A French Victorian Repeating Carriage Clock, the eight-day duration movement having a platform lever escapement and striking the hours and half hours on a gong with push button repeat, the white enamel dial having black Roman numerals and blued steel spade hands, with a brass Corniche style case, height: 15cm (handle down)
A Decorative Edwardian French carriage Clock, the eight-day duration movement having a platform lever escapement and striking the hours and half hours on a gong with push button repeat, the silvered dial having starburst engine-turned decoration to the centre, black Arabic numerals and blued steel hands, the brass case having arched glass front and sides, fluted columns and applied decorative mouldings to the front, height: 12.5cm (handle down).
Richard et Cie A Decorative French late-Victorian carriage Clock, the eight-day duration movement having a platform lever escapement and striking the hours and half hours on a gong with push button repeat, the backplate stamped with the maker’s name ‘R & Co’, the silvered chapter ring having black stylised Arabic numerals, a filigree centre, matt-gilt mask and blued steel spade hands, the brass case having turned pillars to the four corners and with fine bands of filigree work to all sides and set on the pillars and handle, height: 18cm (handle down). * Richard et Cie were founded in Paris in 1848 as Lemaitre & Bergmann opening a branch in London in 1857 which became Richard & Co ten years later. Clocks with the just the initials, as this is, and not the ‘snake’ trademark donates clocks retailed by the firm but not made by them.
Charles Frodsham A contemporary French carriage clock, the eight-day duration movement striking the hours on a bell, the white enamel dial having an engraved gilt mask, black Roman numerals and signed ‘Charles Frodsham, London’, contained in an Anglaise style case with fluted columns, height: 17cm. * The Charles Frodsham clock company was a continuation of the original 18th century Frodsham business now mainly as a retailer of clocks.
A French Champleve Enamel Carriage Clock, the eight day duration timepiece movement having a replaced platform lever escapement, the white enamel dial having a frosted gilt mask, blued steel hands and signed by the retailer ‘Payne & Son, Tunbridge Wells’, the serpentine brass case with champleve enamel bands to the top and bottom friezes, height: 8.5cm. Complete with leather carrying box.
Henry Marc, Paris A French gilt-metal mantel clock, the eight-day duration movement striking the hours and half hours on a bell with an outside countwheel and silk suspension, the backplate stamped with the maker’s name & serial number ‘ Hy Marc, Paris, 22271’, the repousse dial having individual porcelain plaques for the blue Roman hour numerals and with blued steel ‘clover’ hands, the gilt-metal case of classical form with rococo & floral decoration, standing on a matching base, height: 34cm.
A late-Victorian English skeleton clock, the eight-day duration, single fusee movement with passing strike on a bell, the scalloped-edged painted dial having black Roman numerals and blued steel spade hands, with tapered, shaped plates, standing on a round marble plinth and further wooden base under a glass dome, height: 42cm (including base & dome).
W. Grace, London, a William IV mahogany bracket clock, the eight-day duration, double fusee movement striking the hours and half hours on a bell with pull repeat, with the eight-inch round painted dial having black Roman numerals and blued steel spade hands, the mahogany case having canted corners with applied carved mouldings to the front and to the front of the scroll sides, with a curved top, height: 44cms. * William Grace is recorded as working in London from before 1855 until 1869.
Ellicott, Royal Exchange A mahogany bracket clock, the double fusee, eight-day duration movement striking the hours on a bell with the eight-inch round, convex dial having black Roman numerals, blued steel hands and signed by the maker ‘Ellicott, Royal Exchange’, with a cast brass bezel, the mahogany dome topped case having decorative boxwood inlay to the front, height: 41cm. * The Ellicott family were well known clockmakers working at the Royal Exchange, having started with the ingenious maker John Ellicott who died in 1733. A succession of family members, including John jnr, one of the countries most eminent makers, continued the business with, at the date this clock was made, Edward jnr. who became a Freeman of the Clockmakers Company in 1795 before becoming Master, and died in 1835.
Brookhouse, Sheffield. A 19th century drop-dial wall clock having a single fusee, eight-day duration movement, the fourteen inch round painted dial having black Roman numerals and signed ‘Brookhouse, Sheffield’, the octagonal coromandel case inlaid with mother-of-pearl decoration and having a visible pendulum bob aperture to the front, height: 87cm. * John Brookhouse, watch and clockmaker, became insolvent on the 24th November 1840 with the business continued by his wife Sarah at 52, Forgate, Sheffield.
F. Lickert, Salisbury A Regency rosewood wall clock, the eight day duration, fusee movement having an anchor escapment, with the twelve-inch round convex dial having black Roman numerals and signed with the maker’s name ‘F. Lickert, Winchester St, Salisbury’, with heart-shaped blued steel hands and a cast brass bezel, the octagonal case having brass inlaid decoration to the front panels, diameter: 44cm. * F Lickert is recorded working in Winchester Street Salisbury in Robinson’s Directory of 1839.
An Edwardian brass dialled wall clock, the double fusee, eight-day duration movement striking the hours on a gong, with the eight-inch square brass dial engraved with black Roman numerals, floral & rococo dial centre and matching spandrels, with blued steel spade hands, contained in a walnut case with the barley-twist columns having cast brass capitals and havingf wooden frets to the side doors, height: 50cm.
William Gill, Maidstone A mid 18th century lacquer longcase clock, the five pillar, eight-day duration movement striking the hours on a bell with internal rack striking, the twelve-inch arched brass dial engraved with wheatear border decoration, with the raised, silvered chapter ring engraved with black Roman numerals, Arabic outer five-minute numerals and ‘fleur-de-lys’ half-hour markings, the matted dial centre having engraved floral and bird decoration, ringed winding holes and having a subsidiary seconds dial and date aperture, with ‘female-head’ cast brass corner spandrels and blued steel hands, the silvered boss to the arch engraved with the maker’s name ‘Wm Gill, Maidstone’, the case of ‘tortoiseshell’ lacquer decorated with raised gilt chinoiserie work, with an arched trunk door, the arched hood with three-quartered columns to the front and two giltwood ball and spire finials, height: 200cm. * William Gill is recorded as working in Maidstone, Kent in the early 18th century having been apprenticed in 1704 and given his freedom in 1710. He is one of Maidstone’s most celebrated & competent clockmakers’ with a number of fine longcase clocks known by him. He supplied the clocks for a number of public buildings including both Rainham and St Nicholas of Leeds churches.
A mahogany moonphase longcase clock, the eight day duration movement striking the hours on a bell with the fourteen-inch painted arched dial having black Roman numerals, gilt floral corner spandrels and moon phase disc to arch, with decorative brass hands and subsidiary seconds dial and date aperture, the falseplate to the dial embossed with the dial makers’ name ‘Finnemore & Sons’ of Birmingham, the case profusely inlaid in various woods and having a short door, canted corners to the trunk, fluted hood pillars with brass capitals and a swan neck pediment, height: 250cm. * Finnemore & Son were well known Birmingham dialmakers’ with William Finnemore originally being part of the Walker & Finnemore partnership, continuing on his own account from 1812 and becoming ‘& Son’ from 1828 until 1836.
Wesley, Denham An oak longcase clock, the eight day duration movement striking on a bell with the twelve-inch painted arched dial having black Arabic numerals, floral corner spandrels, the decoration to the arch depicting swans on a lake, with brass hands, a subsidiary seconds dial and signed ‘Wesley Denham’, the false plate stamped with the dialmakers’ name ‘Francis, Birmingham’, the case having a curved trunk door, plain base, with the hood having fluted columns with brass capitals and three ball-and-spire finials to the moulded pediment, height: 225cm. * The dialmaker William Francis is recorded as working firstly in Thorp Street, then Old Inkleys and finally 11 Smallbrook Street, Birmingham from 1810 until 1831 and was a prolific maker.
An Oak Longcase Clock, the eight day duration movement striking the hours on a bell with the twelve-inch painted arched dial having black Roman numerals, subsidiary seconds dial, date aperture and blued steel hands, having a painting depicting Carew Castle within the arch and various rural scenes to the four corners, the falseplate to the dial stamped with the dialmaker’s name ‘Wilson, B/Ham’, the oak case having a plain base, arched door to the trunk, with three gilt-wood finials and turned three-quarter columns to the pagoda topped hood, height: 238cm. * James Wilson, working pre-1777 to 1809, was one of the pioneers of the Birmingham dial making industry having dissolved his partnership with the other well-known maker George Osborne in 1777. He was considered as one of it’s finest exponents as well as one of the most prolific. * Carew Castle, Pembrokeshire, was originally a Norman fortification developing into a fine Elizabethan country house and was the site of the last great tournament staged in Britain in 1507.
John Bennett, Plymouth A late Georgian longcase clock, the eight-day duration movement striking the hours on a bell with the twelve-inch arched brass dial having a subsidiary seconds dial, date aperture and engraved with black Roman hour numerals, floral corner decoration, with an engraved depiction of Father Time within the arch and maker’s name ‘J. Bennett, Plymouth’ to the centre, the stained case having an arched trunk door, fluted, canted corners to the trunk, turned pillars to the hood and surmounted by three wooden ball finials, height: 214cm. * John Bennett is recorded as working in Plymouth in the mid-to-late 18th century.

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