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Le Roy & Fils, Palais Royal Paris, a 19th century porcelain and ormolu mounted mantel clock, in the Louis XV style, the case with central urn flanked by 2 putti holding garlands, the enamelled dial with pierced gilt hands and countwheel striking drum movement marked for Le Roy and Fils and numbered 619, all upon a shaped and moulded base 59cm wide, 40cm high with accompanying giltwood stand (some wear to enamel decoration)
A French brass repeating carriage clock, late 19th century, the rectangular enamel dial with Roman numerals and Arabic minutes, the gong striking movement numbered 22982 to the back plate, platform lever escapement, 14cm high with handle folded, in a worn travelling case with similarly numbered key; together with another plain French carriage timepiece, with Arabic numerals, 12cm (2)
A French 19th century clock garniture, the alabaster and gilt metal mounted case with urn finial and two musical figures to the sides, the floral painted enamel dial (cracked to one side) faintly marked Benson, with H&F Paris bell striking drum movement 43cm high, 30cm wide; with an accompanying pair of five-light putto stem candelabra
A stained wood longcase clock, the early 18th century 12 inch dial signed Ricd Taylor London, with seconds dial and date aperture, boys and crown spandrels, chevron border, ringed winding holes, with four pillar (formerly with a fifth pillar) 8 day movement, the plain later case associated, 214cm high
An Edwardian oak chiming bracket clock, the inverted bell top case with arched brass dial having silvered chapter ring and subsidiary dials for slow/fast adjustment and chime on 8 bells/chime on 4 gongs, with German W&H brass movement, 30cm wide, 43cm high (lacking top finial, in need of some attention)
A 20th century French gilt brass and enamelled carriage timepiece, the shaped case with silvered chapter ring and gilt scroll centre, the movement with frosted platform lever escapement, 13cm high with handle folded #200-300 (illustrated page 109) 783. A decorative Victorian brass mantel clock, electroplate mounted with various literary motifs and topped with a bust of Shakespeare, the foliate scroll relief dial with silvered hands and bell striking drum movement, all raised on disc feet, 52.5cm high, 31.5cm wide
A French early 19th century ormolu mounted mantle clock, the case with resting figure with basket and tree behind upon a green patinated ground the engine turned silvered dial with floral cast bezel and bell striking silk suspension movement marked Vecten, Paris and numbered 20 to the back plate, all upon a shaped and moulded rectangular gilt base with scroll feet 33cm wide, 45cm high
J Truscott, Aberystwyth, an early Victorian mahogany bracket clock, the serpentine top above enamelled 8 inch dial having bell striking twin refusŽe movement with shaped plates and adjustable pendulum, the front of the case applied with foliate motives, the sides with glazed panels and pull repeat cord, upon a rectangular base, 33cm wide, 46cm high
A VICTORIAN TABLE CLOCK by Winterholder & Hofmeier, the eight day grand sonnerie chiming movement with arched brass 9 1/2 dial having silvered chapter ring and inscribed Dyson & Son, Leeds, three subsidiary dials for chime/silent, fast/slow and strike on 4/8 gongs, in carved oak case with domed top, on fluted pilasters, fret sound panels and moulded base, 21 high
A LONGCASE CLOCK by John Spencer, Colne, the thirty hour movement with anchor escapment and outside count wheel, 12 square brass dial chased with foliage, and with calendar dial chased with buildings, in oak case, the arched pediment with turned finials, verre eglomise frieze on turned columns, arched door flanked by fluted quarter columns, panel base and bracket feet, the whole later profusely carved with flowers, dragon and geometric motifs, 91 3/4 high
A FRENCH MANTEL CLOCK by Japy Freres, the eight day striking movement in oblong gilded brass case inset with navy blue chinoiserie porcelain panels painted with landscapes, figure scene and birds on flowering branches, domed lid with pierced and turned finial, canted corners, moulded base with scrolled apron and bracket feet, 19th century, 15 3/4 high
A LONGCASE CLOCK, the eight day movement with anchor escapement, arched 12 brass dial inscribed Tempus Fugit, secondary dial, in oak case, the scrolled pediment with turned brass finials on fluted columns, arched door flanked by quarter columns, panel base and bracket feet, 19th century, 87 1/4 high
A LONGCASE CLOCK by T Benbow, Northwood, the eight day movement with anchor escapement arched 12 1/2 dial painted with flowers and moonphase, secondary dial and calendar aperture, in mahogany case , the scrolled pediment with arched surmount and brass finials on fluted columns, frieze inlaid with hearts, arched door with shell marquetry patera, flanked by fluted quarter columns, panel base with shell patera and fluted corners, on bracket feet, 88 1/2 high
A LONGCASE CLOCK by Peter Morris, Leigh, the eight day movement with anchor escapement and 12 brass dial chased with foliage, seconds dial and calendar aperture, in oak case with moulded cornice on turned pilasters, panelled door, the base with raised panel having incurved corners, on bracket feet, 80 3/4 high
A LONGCASE CLOCK by Michael Wild, Wakefield, the thirty hour movement with anchor escapement and outside count wheel, arched brass 12 dial chased with urn and foliate scrolls, calendar dial, in oak case, the scrolled pediment with gilded flame finials on fluted columns, arched door flanked by quarter columns, panel base on plinth, 87 high
A LONGCASE CLOCK, the thirty hour movement with anchor escapement and outside count wheel, 12 square dial painted with flowers and with moonphase and secondary dial, in oak case with mahogany columns and quarter columns, scrolled pediment, arched door, panel base and bracket feet, 89 1/4 wide
A LONGCASE CLOCK by A Cranstone, Scarborough, the thirty hour movement with anchor escapement and count wheel striking on a bell, 12 arched dial painted with flower and bird on fruiting branch, calendar aperture, in oak and mahogany banded case with scrolled pediment on turned columns, canted trunk with arched door, panel base, 84 high
A LONGCASE CLOCK by John Barraclough of Haworth, the eight day movement with anchor escapement and 14 1/2 arched dial painted with a figure scene and four allegorical maidens representing the seasons, secondary dial, in mahogany case, the scrolled pediment on baluster turned columns, arched door flanked by quarter columns, panelled base, shaped apron and splayed bracket feet, 93 1/2 high
French mantel clock, circa 1870, white enamel dial signed F.L. Hausburg a Paris, with roman numerals, two train movement signed on the back plate striking the half, Brocot suspension and external count wheel, in a black marble case in the form of a classical column surmounted by a bronze study of a classical woman with a dove. Overall height 46cm. (Key and pendulum).
Fruitwood bracket clock, the bell topped case with carrying handle, broken arch door and gilt brass fretted sides, silvered face with strike silent, roman numerals and named "Thomas Doughty London ", two train fusee movement striking on a bell, engraved backplate and bob pendulum. Height 42cm.
Mahogany longcased clock by William Winstanley, Wigan, broken arch brass face with painted rolling moon, silvered chapter ring with date numerals (no indicating hand), subsidiary seconds dial, engraved floral field, in a flat topped swan neck hood with fluted columns on a blind fret frieze, quarter column trunk and canted, set-out base on ogee bracket feet. Height 249 cm. (Pendulum, 2 weights, 2 winding and 2 door keys)
Mahogany longcased clock, square brass and brass chapter ring named S. Clare Hatton, roman numerals, engraved field with subsidiary seconds dial and date aperture, two train movement, in flat topped hood with eglomise panel and fluted columns on quarter column trunk and canted base. (Pendulum without suspension, two weights)
Oak and mahogany longcased clock, square brass face with brass chapter ring named James Wilson Belfast, subsidiary seconds (no hand), date aperture, two train movement in a swan neck hood with fluted columns on a quarter column trunk and canted base. Height 208cm (no key, no pendulum, one weight)
Mahogany long cased clock inlaid with brass, the broken arch face painted with a grand house and shell & flower spandrels, convex dial with arabic numerals, subsidiary seconds dial and date aperture, two train movement in swan neck hood with square section spirally reeded columns, on column with arched door and spiral pilasters. Height 225cm (Key, pendulum and two weights).
An early 20th Century plated mantel clock with eight day movement, inscribed 'Buren' to back plate, the circular silvered dial with black Roman numerals and inscribed 'Hamilton 432 Strand', the arched case with acanthus leaf moulded decoration on scroll feet, together with a five piece pink enamelled dressing table set.
An English porcelain Moore Bros style timepiece garniture, late 19th/early 20th Century, modelled as a pair of cherubs holding a harp or a tambourine flanking a circular clock case encrusted with cactus flowers raised on a shaped gilt edged base, flanked by a pair of twin branch matching candelabra, unmarked, height of candelabra approx 20.5cm (minor faults).
AN 19TH CENTURY EBONISED LONG CASE CLOCK with circular enamelled dial, subsidiary second-hand and signed Robert Roskell, Liverpool and numbered 1139, the eight day movement striking on a bell (see illustration). Robert Roskell is recorded as a Liverpool watch maker and collector of copious chronological specimens.

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460315 item(s)/page