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Preisdatenbank abonnierenA late George III silver tea caddy by Peter and William Bateman, London 1807, of circular form, the half lobed body tapering to a pedestal base with gadrooned edge, the hinged cover with a falconer figure finial above Greek key engraving and gadrooned borders, 16.5cm diameter x 17cm high, 22oz
Late 18th Century Hochst tea caddy having puce painted foliate decoration, 11cm high together with a Sevres soup bowl decorated foliate sprays within a gilt highlighted blue line border, base with interlaced L's and capital L, 24cm diameter Condition: The top corner of the canister showing an area of restoration, no doubt the result of a chip to the corner, where the neck joins the arched top of the canister there is a firing crack running around approximately half of the circumference, - **General condition consistent with age
Victorian figured walnut bombe front sarcophagus shaped tea caddy, the hinged cover opening to reveal a fitted interior with two conforming removable boxes flanking a central aperture with a cut glass mixing bowl, standing on bun feet, 34cm wide Condition: Three of the feet are currently off and two of the sockets that these feet would dowel into are chipped around the edges, some other minor chipping to veneers - **General condition consistent with age
George III Prattware tea caddy, decorated in relief with "Macaroni" figures, circa 1790 and bearing label beneath "Prestonpans". Height 6 ins (see illustration). CONDITION REPORT: The lid has had professional restoration. This is evident at the narrow point of the neck and around the edge of the piece. The restoration is good. The base itself is in very good order with no repairs and no restoration. There are some minor scuffs to the top edge of the caddy but other than this no significant issues.
A George V silver tea caddy, oval and with spoon to underside of lid, Birmingham 1931,178 grams. Width 3.25 ins (see illustration). CONDITION REPORT: The caddy is in generally extremely good condition. There are two very small dents to the left hand side of the body which would easily rectify. The hallmarks to the front of the piece are rubbed but legible. The interior hallmark is clear. The spoon is in good order with legible hallmarks. There are no engravings.
A George III satinwood tea caddy, with crossbanding and three interior lift out lidded caddies. Width 8 ins (see illustration). CONDITION REPORT: The caddy is in generally very good condition. It does not require any repairs or restoration and could be used or resold in its current condition without the need for any work.
A George III mahogany tea caddy, with brass carrying handle and lock escutcheon and with three interior compartments. Width 10.5 ins. CONDITION REPORT: The caddy is in generally good condition and does not require and restoration. There is evidence of some very old repairs to the crossbanding particularly on the front left and right hand corners of the caddy. There is also old crossbanding repairs above the rear hinges. These are perfectly acceptable. The interior is in generally good condition. There are no interior caddies. The lock appears to be later but does work and we do have the key. There is no evidence that the caddy has ever had feet.
Good mahogany bracket clock case with aperture for an 8" arched dial, surmounted by a stepped caddy top and brass carrying handle, 21.5" high; together with an ebonised bracket clock case in need of restoration, with aperture for a 7" arched dial, surmounted by a stepped caddy top and brass carrying handle, 21" high and a French two train boulle mantel clock in need of restoration, 12.5" high (3)
Good English mahogany triple fusee bracket clock, the substantial movement playing on a nest of eight bells and striking on a gong, the 8" brass arched dial signed J.L. Bath, Bath to the arch flanked by slow/fast and Whittingham/Westminster subsidiary dials, over the principal silvered chapter ring enclosing a matted centre, within a stepped case surmounted by a caddy top and five brass turned finials, 25" high (pendulum)
Good English fruitwood double fusee verge bracket clock, with intricately engraved floral back plate, the 7" silvered arched dial signed Jullion, Brentford to the arch over the chapter ring enclosing a calendar aperture, within a stepped glazed case surmounted by a caddy top and ormolu carrying handle, 21" high (pendulum)
Contemporary English walnut double fusee verge bracket clock, the movement back plate signed E. Dent & Co. Ltd. London, striking on a bell over the movement, the 7" square brass dial with silvered chapter ring also signed Dent, London enclosing a matted centre within a stepped case surmounted by a caddy top and brass carrying handle, 14" high (pendulum)
Burr walnut two train bracket clock, the Junghans movement striking on a gong, the 6.5" silvered arched dial signed John Smith, London to the engraved centre, with moon phase and date aperture to the arch, within a stepped case with applied gilt metal mounts surmounted by four acorn finials, swept caddy top and brass carrying handle, 18.75" high (pendulum)
French boulle two train mantel clock, the Vincenti movement with outside countwheel striking on a bell in the hood, the 8.25" gilded metal chapter ring being held aloft by a Classical figure over a plate signed Cheritier a Paris, within a canted pillared case surmounted by a detachable caddy top with flaming brass finials, 25.5" high (pendulum and key)
Giant ebonised triple fusee boardroom clock in need of restoration, the substantial movement signed J.C. Jennens, London to the engraved back plate and striking on a large gong and disc bell (alterations), the 12" gilt arched dial signed J.C. Jennens, London to the silvered chapter ring above applied figure of Old Father Time seated above a silvered plaque inscribed Tempus Fugit, within a rounded arched stepped case with applied gilt metal mounts and surmounted by a caddy top and pineapple finial, 37.5" high *This lot is also sold with another triple fusee movement playing on eight bells which could be utilised to make up the missing parts in the movement fitted
Impressive walnut triple fusee boardroom clock, the substantial movement playing on a nest of eight bells, four gongs and striking on a large gong, the 7.5" brass arched dial with a 7" silvered chapter ring enclosing a matted centre below subsidiary chime/silent, slow/fast and chime on eight bells/Westminster dials, within a brass inlaid rounded arched Corinthian columned stepped case surmounted by four pineapple finials and a stepped caddy top, 28" high (pendulum)
Mahogany triple fusee bracket clock, the substantial movement playing on a nest of eight bells and striking on a large gong, the 8" silvered arched dial signed Hanhart & Co, Allahabad below subsidiary chime/silent, slow/fast and chime on eight bells/Cambridge chimes dials, within a stepped case surmounted by a caddy top, 21.5" high (pendulum)
17th century style walnut double fusee verge bracket clock, made by Claude B. Reeve circa 1970, the movement with pull repeat, the 6.75" square dial with silvered chapter ring enclosing a plain centre with false bob pendulum and calendar apertures, within a stepped case surmounted by a caddy top and brass carrying handle, 16" high (pendulum and winding key) (at fault)
Good oak and mahogany crossbanded eight day longcase clock with five pillar movement, the 12" square brass dial signed Jonathan Lowndes in Pallmall on the silver chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long mahogany crossbanded wavy door flanked by quarter fluted pilasters and the hood surmounted by a stepped moulded caddy top, 84" high (pendulum and two weights) (later case)
Oak thirty hour longcase clock, the 11" square brass dial signed Henry Payton, Bromsgrove to the engraved centre above a calendar aperture, the case with long moulded wavy arched door, the hood surmounted by a stepped caddy top above a dentil cornice and over a blind carved panel (pendulum)
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