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Los 371
An enamel tea caddy,18th century, painted with polychrome pastoral scenes and Italianate landscapes, within rococo-style gilding on a pink ground, 8.5cm wide 5cm deep 10cm high, together with three enamel salts two examples with cartouches of floral sprays on a pink ground, the other with pastoral scenes on a white ground with rococo-style gilding,7.5cm diameter 3cm high (4)Condition ReportThe tea caddy with some cracks and damage to one panel, losses of paintwork around the edge, the three salts with losses of paintwork, scratches, scuffs, and the feet bent and cracking to the enamel surface.
Los 295
Oriental (likely Chinese) wooden decorative Tea Caddy with foliate and figural decoration to surround (faded decoration to top), reverse is less faded with golden figures, trees and floral design. Internal reveals a segmented metal interior with two lids, engraved flowers & bird design to each, caddy stands on four feet carved as dragons heads. Condition with age. Height 12.5cm, length 30cm, width 16cm.
Los 29
A VICTORIAN SILVER TEA CADDY by Thomas Bradbury, London 1901, of plain oval panelled shape, 8cm high x 9cm wide x 6cm deep, engraved 'W.S.A.C. Gymkhana 1907', a George V silver cigarette case by Samuel Levy, Birmingham 1933, of Art Deco design with engine turned body, 8.5cm x 6.5cm, together with a Victorian silver sealing wax tray by Stores & Ireland, Chester 1896, 11.5cm wide, 11 tr. ozs combined (3)
Los 159
A GEORGE III SILVER FIDDLE PATTERN CADDY SPOON possibly by Sarah and John Blake, London 1819, an Edward VII silver bon bon dish by Henry Matthews, Birmingham 1909, with cast rim, a selection of small silver items, a silver handled shoe horn and an Elizabeth II silver mounted mahogany bottle coaster, weighable silver 4 tr. ozs combined (14)
Los 312
Hot Wheels Redline By Mattel 6418 Sugar Caddy, spectraflame yellow, no’8’ racing numbers, window tinted blue, black interior, decal sheet, plastic collector’s button, in mint original condition, on a very good to excellent unpunched The Spoilers card, original factory sealed bubble is excellent, with no cracks.
Los 177
Corgi Junior Shop Display Wire Spinning Stand, ‘Corgi Juniors Look out for Whizzwheels models’ in good original used condition. H. 86cms W. 32cms square, complete with Thirty two Carded Corgi Junior Models with collectors cards, including: 2.Citroen Safari, 3. VW Police car,4. Zetor 5511 Tractor, 5. Willys Jeep yellow, 5. Willys Jeep red, 5. Willys Jeep orange, 6.De Tomaso Mangusta, 7. Duple Vista 25 Coach, 2 x 9.Cadillac Eldorado, 12. Ogle Reliant Scimitar (in 6.De Tomaso Mangusta packet factory error) 13.Guy Warrior Sand Truck, 16. Land-Rover Pick up, 19.Speedboat on Trailer,20. Volkswagen 1300, 21. BVRT 1300 Mini Cooper S,25.S&D Refuse Van, 26.ERF Fire Engine Water Tender,29 ERF Simon Snorkel Fire Engine, 30.Studebaker Ambulance, 32. Lotus Europa, 34. BM Volvo 400 Tractor,35. Ford camper, 37. NSU Ro 80 metallic blue, 37. NSU Ro 80 bronze,38. Beaufort Single horse box, 39.Jaguar XJ6 silver, 39.Jaguar XJ6 bronze, 42.Euclid Dumper, 44. Raygo Rascal Road roller, 57. Caddy Hot rod, 65. Bertone Carabo, all in mint carded original condition.
Los 164
A LATE VICTORIAN/EDWARDIAN MAHOGANY FUSEE DIAL WALL TIMEPIECE UNSIGNED, CIRCA 1900The rectangular four columnar pillar single chain fusee movement with anchor escapement regulated by lenticular bob pendulum, the spotted backplate stamped with serial number 7843 to lower margin, the 12 inch cream painted Roman numeral dial with steel spade hands set behind hinged bevel-glazed caddy-moulded cast brass bezel incorporating canted insert to interior, with caddy-turned dial surround secured with pegs to the rear box case incorporating door to right hand side over pendulum access flap to the curved underside.38cm (15ins) diameter, 15cm (6ins) deep.
Los 236
† A VERY FINE GEORGE I BURR WALNUT EIGHT-DAY LONGCASE CLOCKGEORGE GRAHAM, LONDON, NO. 662 CIRCA 1725The five latched knopped pillar two train bell striking movement with thick plates measuring 7.625 inches high by 6 inches wide stamped 662 to the lower edge at the rear, the going train with bolt-and-shutter maintaining power, deadbeat escapement with inverted Y-shaped pallets, and regulated by the original brass-rod seconds pendulum with calibrated rating nut reading against a brass nib-piece to the lenticular bob, the rack strike train with finely worked steelwork and extensive use of cocks for the pivots incorporating distinctive sculpted feet screwed to the frontplate, the 12 inch square brass dial with narrow subsidiary seconds ring, shuttered winding holes, calendar aperture incorporating pin adjustment and oval plate signed Geo: Graham, London to the finely matted centre, within applied silvered Roman numeral chapter ring with diamond lozenge half hour markers and Arabic five minutes beyond the minute track, with scroll-pierced blued steel hands and double-screwed fine gilt Indian mask and scroll cast spandrels to angles with foliate strapwork engraved infill to the margins between, the right-hand edge with slotted lever for the bolt-and-shutter maintaining power and the lower edge engraved with repeat signature Geo: Graham, London, the movement and dial with original seatboard and secured via a brass T-bracket applied to the inside of the backboard behind the movement, the case with moulded upstand to the domed caddy surmount set on shallow mounded box upstand with cavetto moulded upper edge, over ogee moulded cornice, foliate scroll fretwork frieze and hinged front with glazed dial aperture flanked by three-quarter columns with crisply cast gilt brass capitals and bases to the front angles, the sides with fine scroll-pierced frets and conforming quarter columns set against bargeboards at the rear continuing up past the frieze to meet the underside of the lintel, the trunk with concave throat moulding over 40 inch rectangular door fronted with fine book-matched figured veneers within a slender herringbone border and complex cavetto cross-grain edge mouldings, the interior of the door with remnants of the original paper equation table beneath ivorine service label for CAMERER CUSS and various inventory numbers, the left hand top edge of the door punch stamped 662, the sides veneered with twin herringbone bordered panels within crossbanded surrounds, the plinth base with cavetto top moulding over herringbone bordered book matched veneered front and conforming single panel veneered sides, on cavetto moulded skirt.224cm (88.25ins) high, 49.5cm (19.5ins) wide, 26cm (10.25ins) deep. Provenance:The property of a central London financial institution; acquired prior to 1925 to form part of a collection housed in a purpose-built prestigious Georgian style office building.George Graham was born in around 1673 in Kirklinton, Cumberland, but by 1688 he had moved to London and entered into an apprenticeship with Henry Aske. Graham gained his freedom of the Clockmakers' Company in 1695 and went to work for Thomas Tompion, whose niece, Elizabeth, he married at St. Mary le Bow in September 1704. After the Tompion's failed partnership with Edard Banger Graham was trusted to become his successor with the two makers entering into a formal a partnership in 1711. On Tompion's death in 1713 George Graham inherited the business 'on the corner of Water Lane in Fleet Street' and continued there until 1720 when he relocated to 'the Dial and One Crown' further up Fleet Street, nearer Fleet Bridge.George Graham maintained the same exacting standards as his former master and also continued the serial numbering system established in around 1680/81. In 1722 he served as Master of the Clockmakers' Company and went on to establish himself as one of the most important clockmakers of his generation. Amongst his achievements was the further development of the deadbeat escapement, invention of the mercury compensated pendulum and the cylinder watch escapement. As well as clocks and watches George Graham was also a highly accomplished maker of scientific instruments with perhaps his most famous creation being the planetarium made for Charles Boyle, Earl of Orrery. He also produced the great mural quadrant for Edmund Halley at Greenwich observatory, also a fine transit instrument and the zenith sector used by James Bradley in his discoveries. Through his observations in testing his very highly regarded compasses Graham also discovered the diurnal variation in the terrestrial magnetic field in 1722/23.George Graham also became an ardent supporter of John Harrison in the development of his marine chronometers to the extent that he forwarded an interest free private loan of £200 to Harrison to facilitate the building of H1. George Graham died in 1751 and was buried next to his former master in Westminster Abbey, leaving the business in the hands of a former apprentices, Samuel Barclay and Thomas Colley. George Graham's legacy is perhaps best reflected by the subsequent work of another former apprentice, Thomas Mudge, who went on to continue in the development of the marine chronometer after Harrison, and to invent the lever watch escapement. The present clock is a fully-developed 'textbook' example of George Graham's highly refined design of longcase clock produced from just prior to 1720 until around the time of his death in 1751. Very much following in his former master's footsteps the fully latched movement incorporates bolt-and-shutter maintaining power, very finely finished delicate steelwork and extensive use of cocks for the under-dial motion and strike work. The escapement is of 'Graham' deadbeat type however this design of escapement was first used by Tompion for two regulators for Greenwich observatory in 1776. The original pendulum is a nice, relatively rare survivor and allows precise adjustment via the calibrated rating nut reading against a nib-piece applied to the large lenticular bob. The dial is beautifully finished with engraving between spandrels executed by Tompion's engraver 'G515' (see Dzik, Sunny ENGRAVING ON ENGLISH TABLE CLOCKS, Art on a Canvas of Brass 1660-1800 page 224). The case is beautifully proportioned with sophisticated mouldings and very well chosen tight-grained veneers laid to exhibit their fine figuring to best effect. The extensive use of fine scroll-pierced frets is a Tompion/Graham trait and details such as herringbone bordered crossbanded panels to each side of the plinth demonstrate an attention to detail beyond any other maker of the period. Amongst George Graham's surviving walnut longcase clocks, number 661 (the preceding serial number to that of the present clock) was offered at Bonham's, London, sale of Fine Clocks 9th December 2008, (lot 141 - with no caddy superstructure present) for £80-120,000; and was more recently sold (with a restored caddy) by Ben Wright, Tetbury for an undisclosed sum. Number 681 is known as 'The Cay Graham' as it still retains its original record of sale to Robert Cay (1649-1754) in 1728...TO READ MORE, PLEASE CLICK HERE
Los 225
A CHARLES II STYLE FIGURED WALNUT TABLE CLOCK OF JOSEPH KNIBB 'PHASE III' DESIGNUNSIGNED, LATE 20th CENTURYThe five distinctive baluster turned pillar movement with verge escapement regulated by short faceted-bob pendulum incorporating knife-edge suspension to the single-footed backcock, the strike train with crossed-out external countwheel for sounding the hours on a bell mounted above the plates, the 6.5 inch brass dial with matted centre within applied silvered Roman numeral chapter ring with typical Knibb pattern fleur-de-lys half hour markers and Arabic five minutes within the outer minute track, with scroll-pierced blued steel hands and applied winged cherub mask cast spandrels to angles, the figured and burr-walnut veneered and cross-grain moulded case with distinctive foliate-bud tied hinged brass carrying handle to the domed caddy surmount, above ogee moulded cornice and foliate scroll pierced lozenge sound fret to the upper rail of the glazed front door, the sides with rectangular side windows and the rear with rectangular door set within the frame of the case, on conforming ogee moulded shallow skirt base.31cm (12.25ins) high with handle down, 23.5cm (9.25ins) wide, 15cm (6ins) deep. The present lot is a well-executed homage to Joseph Knibb replicating a circa 1685 'phase III' clock as classified by Ronald Lee in The Knibb Family * Clockmakers on page 70. A visually very similar clock by Knibb (albeit with double six hour striking) is illustrated by Lee on page 87 (Plate 83).
Los 112
A FRENCH LARGE GILT BRASS FOUR-GLASS MANTEL CLOCKSAMUEL MARTI ET CIE, PARIS, CIRCA 1880The circular two train bell striking movement with visible Brocot escapement incorporating agate pallets and regulated by twin glass-jar mercury compensated half-seconds pendulum, the backplate stamped with S. Marti, et Cie, MEDAILLE DE BRONZE ROUNDEL to centre, the upper left with serial number 4754 and the lower margin stamped 24, the 6 inch circular white enamel two-piece dial with visible escapement to the recessed centre within Roman numeral chapter ring, with blued steel moon hands within ogee moulded bezel, the bevel-glazed case with canted over cavetto top mouldings above pin-hinged front and rear doors set between caddy-moulded brass corner uprights and conforming bevelled glass side panels, on cavetto moulded skirt base with rounded angles incorporating bracket feet.46cm (18ins) high, 25.5cm (10ins) wide, 17cm (6.75ins) deep.
Los 224
A WILLIAM III EBONISED THIRTY-HOUR LONGCASE CLOCK WITH VERGE ESCAPEMENT AND TEN-INCH DIALJOHN CLARKE, LONDON, CIRCA 1695The single-handed posted countwheel bell striking movement with verge escapement regulated by short bob pendulum swinging to the rear of the frame and square section corner posts riveted to the bottom plate and screwed to the top plate, the 10 inch square brass dial with matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and signed Jn'o Clarke, London to lower edge, the ebonised case with giltwood ball finials to the raised ogee-shaped caddy superstructure over architectural ogee cornice, foliate scroll pierced sound fret and hinged front with glazed dial aperture flanked by three-quarter Solomonic twist columns to angles, the sides with rectangular windows and conforming quarter-columns set against bargeboards to the rear, the trunk with convex throat moulding over 42 inch rectangular door with half-round edge mouldings, on plinth base with stepped ogee top mouldings and moulded skirt.216cm (85ins) high including finials, 43cm (17ins) wide, 26cm (10.25ins) deep. Three clockmakers with the name John Clarke are recorded in Loomes, Brian Clockmakers of Britian 1286-1700 as working in London at the end of the 17th century. The first was apprenticed to Peter Southworth from 1675-83; the second to Humphrey Clarke 1681-89 (but not freed), and the third to James Graves 1682-90. The latter took an apprentice, John Hawksbee, in 1695 and paid quarterage until 1696; Loomes further notes that he may well have been an engraver. Condition Report: Movement is in fine original working condition with the only noticeable repair being to the lower pivot of the escape wheel involving as small brass slip being soldered to the bottom potance. The pallet arbor appears to be a service replacement, and the backcock is also made from two parts (rather than a single casting) hence may also be a replacement. The movement is in working condition. The dial is in fine clean condition with only minor discolouration and a few slight surface bruises; the matting is finely executed. The movement and dial rests on the original oak seatboard which is directly attached to undisturbed cheek uprights of the case with clout nails. This indicates that the movement and dial are most likely original to the case.The case generally appears to be a fine rare survivor which has received some mostly cosmetic restoration. The caddy superstructure to the hood is a fairly recent addition but is not attached to the case so can simply be lifted off. The top board of the hood has been replaced and the frieze frets appear fairly recent, otherwise the hood appears to be in very good original condition with the only notable fault being a crack across the left-hand side glass. The trunk is in fine condition with backboard continuing down to the lower edge of the box of the plinth base. The trunk door has some thinning/cutting back to the interior towards the bottom edge (to allow the weight to pass freely close to door). The structure of the base appears all-original, hence is a very rare survivor. The moulded skirt is a relatively recent addition. The ebonised finish has been renewed at some point in the relatively recent past, it is very well executed and is now starting to fade a little and take-on patination.Clock has pendulum and weight but no case key (does not require a winding key). Condition Report Disclaimer
Los 154
A LATE VICTORIAN MAHOGANY FUSEE DIAL WALL TIMEPIECE WITH FIFTEEN-INCH DIALJUMP, LONDON, LATE 19th CENTURYThe rectangular four columnar pillar single chain fusee movement with anchor escapement regulated by half-seconds lenticular bob pendulum, the backplate stamped with serial number 5710 to centre, the 15 inch circular cream painted Roman numeral dial signed JUMP, LONDON to centre with steel spade hands set behind hinged bevel-glazed caddy-moulded cast brass bezel incorporating canted silvered insert to interior, with caddy-turned dial surround secured with pegs to the rear box case incorporating door to right hand side over pendulum access flap to the curved underside.52cm (20.5ins) diameter, 16cm (6.25ins) deep. Joseph and Henry Joseph Jump who are recorded in Loomes, Brian Watchmakers and Clockmakers of the World, Complete 21st Century Edition as working in Old Bond Street, London 1872-80, then Pall Mall 1880-99. The Jump family were fine makers who succeeded the Vulliamy family; they are perhaps best known for their complex shagreen mounted 'hump-back' carriage clocks.
Los 208
A GEORGE II FIGURED WALNUT VENEERED EIGHT-DAY LONGCASE CLOCKTHOMAS CHAPPELL, LONDON, CIRCA 1755The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and arched signature plate engraved Tho's Chappell, London to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll pierced steel hands and twin-bird-and-urn cast spandrels to angles, the arch with subsidiary STRIKE/SILENT selection dial flanked by dolphin cast mounts, the case with domed caddy superstructure above architectural cornice, and break-arch mouldings over the hinged glazed dial aperture applied with three-quarter columns to front angles, the sides with break-arch glazed windows and quarter columns set against bargeboards at the rear, the trunk with fine quarter-veneered break-arch door applied with half-round cross grain edge mouldings, the plinth base with cavetto top moulding over crossbanded figured walnut panel veneered fascia, on moulded double skirt base incorporating shaped apron to lower margin.226cm (89ins) high, 53.5cm (21ins) wide, 26.5cm (10.5ins) deep. Thomas Chappell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Great Tower Street, London 1754-63 Condition Report: Movement is in dirty/neglected condition however appears to be all-original with no visible evidence of alteration or noticeable replacements. A clean/service is probably all that it requires. The dial again is dirty/tarnished but appears all original retaining gilding to the spandrel castings with only minor rubbing. The movement retains its original seatboard which rests directly onto the cheek uprights of the case which other than having numerous holes for screws/fixings appears undisturbed hence movement and dial are probably original to the case. The case is in sound original condition. The back-panel to the hood superstructure is a historic replacement (caddy etc appears original) and there is evidence to the front corners above the cornice to indicate that finials on blocks were once fitted. The rear quarter columns are missing both base turnings and one capital turning is a crude replacement. The chin moulding has a small loss to right hand corner; otherwise hood is in good condition although the upper front door hinge is a little loose. The trunk and base are generally very good with faults limited to s slender strip of moulding bordering the upper margin of the plinth top moulding missing from the left-hand side. Otherwise faults to the case as a whole are generally limited to minor bumps, scuffs, shrinkage, veneer chips and wear commensurate with age and use.Clock is complete with pendulum, winder and a case key. Condition Report Disclaimer
Los 158
AN UNUSUAL WILLIAM IV BRASS INLAID MAHOGANY HOUR-STRIKING WALL CLOCKTHE DIAL INSCRIBED FOR LITHERLAND, DAVIES AND COMPANY, LIVERPOOL, CIRCA 1830The five pillar twin fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum and cavetto-shouldered plates, the 12 inch convex cream painted Roman numeral dial inscribed LITHERLAND, DAVIES & Co., Church Street, LIVERPOOL to centre and with blued steel spade hands, set behind hinged convex-glazed caddy-moulded cast brass bezel applied to a mahogany surround continuing down to form a balloon-shaped panel incorporating concave-sided glazed lenticle beneath the dial and secured to the drop-trunk type case with pegs, the sides with lozenge-pierced doors and the base with frieze inlaid with brass scroll motif flanked by rosettes over canted underside incorporating down-hinged pendulum access flap to front.58.5cm (23ins) high, 35.5cm (14ins) wide, 18cm (7ins) deep. The firm of Litherland, Davies and Company is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as 'Inventors, patentees and Manufacturers of the lever Watch' also suppliers of chronometers and imported clocks trading in Liverpool 1814-51. Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements. The dial retains old surface however the black numerals and signature have been 'strengthened'. There is also some slight touching-in around the winding holes and to a few small chips towards the edge of the dial. The bezel is in good condition and retains its lock. The case is in very good condition with faults limited to a small veneer chip to the rear left hand edge of the 'chin' and a similar historic repaired chip to the right-hand side. The canted front panel has a well-executed veneer patch replacement towards the front left hand corner. Faults are otherwise very much limited to minor bumps, scuffs and other blemishes commensurate with age.Clock is complete with pendulum, winder and two case keys. Condition Report Disclaimer
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81693 Los(e)/Seite