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81699 Los(e)/Seite
Los 137
Very rare early Meissen tea set with gilt decoration of landscapes and hunting scenes, probably from the Augsburg workshop of Abraham Seuter, the decoration contemporaneous with the Bottger porcelain circa 1725. The service comprises a pear shaped tea pot with silver gilt mounts, the curved spout with gilt mask terminal, a coffee pot with silver gilt mounts with makers mark for Elias Adam, Augsburg, an oval sugar box and cover, a hexagonal tea caddy and cover and four tea bowls and saucers, all pieces except the tea caddy marked with the decorators initials LS to base. Note: a tea bowl and saucer marked SL was in the Pauls Eisenbass collection - see German Porcelain of the 18th century by Erica Pauls-Eisenbass, Barry & Jenkins (1972 p392), a similar hunting themed service was sold at Sotheby's 2003 Lot 9 the so-called Schimmerlmann service, and it is rare to find an almost complete service all with the same decorator's marks.
Los 149
A 19th century rosewood sarcophagus tea caddy with original covers and lead lining (lacking tea bowls), red lined interior with original label, gilded floral display above a crown and 'Select Quality', four vintage gavel blocks, a small mahogany cigarette box, a fruitwood ladies' powder box with painted shell decoration to the top, a 19th century mahogany jewellery/sewing box with original purple silk quilted lining to the top and a small oval Victorian mourning box with embossed floral decoration to the interior, containing a small quantity of copper pennies, mainly Elizabeth II and a yellow metal costume brooch.
Los 314
A group of five late Victorian wood boxes, including an inlaid walnut sewing box, 30cm wide; a Tonbridge Ware tea caddy of casket form, 20cm wide, a Tonbridge Ware walnut sewing box, 30cm wide; a marquetry mahogany novelty box modelled as books, 15cm wide; and a small Mauchlin ware box printed with Baumaris castle, 8.5cm wide. (5)
Los 18
the silvered brass 12in. square dial with a Roman numeral chapter with five-second markers, twin winding holes, date aperture, and subsidiary seconds dial, with cherub and crown pierced finials in caddy top hood with ebony columns, above a long trunk door with a brass banded lenticle and boxwood lined marquetry panels, on a base with a central marquetry panel and raised on bun feet; the month-going five pillar movement with five trains, anchor escapement, and outside countwheel hour strike on a bell228cm highFootnote: Note: Edinburgh made clocks that predate 1700 are exceedlingly rare. Andrew Brown [or Broun] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus "The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker." Ten years later he offically ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen's Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen's Incorporation in 1689.In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen's Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father's death.John Smith, author of Old Scottish Clockmakers from 1453 to1850, states "In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow"
Los 345
Two trays of oriental porcelain and pottery items to include; a Japanese part teaset including tea caddy or flask, together with mixed oriental china; bullet shaped teapots, tea bowls, 18th Century Delft plates, Japanese Satsuma charger etc. (2) (B.P. 21% + VAT) Both teapots - badly broken on spout, handle etc. Tea caddy ok but not original top.Japanese teaware - teapot lid badly broken. Tea bowl has chips. Minor frits to bowls. Delft plates - badly cracked and frits and chips.Large Mandarin design bowl - chips and cracksB+W cups x 2 are cracked. Tea bowls have frits and small chips. Saucers are of, a few minor frits.
Los 2285
A late Victorian black lacquer tea caddy inlaid with mother of pearl. ****Condition report**** Mother of pearl inlay in good condition, painted decoration around the box has dulled/worn with age. Some old chipping to feet corners and chip in front above lock escutcheon. Silver lining used in good condition, inner lid present. No Key. Size;127mm x 100mm x 100mm, footed base 147mm x 123mm
Los 325
A collection of 8 silver tea caddy spoons, including a Victorian floral example, mark of Joseph Willmore, a George III shovel shaped example with green stained handle, 2 examples, mark of Josiah Snatt with pear shaped bowls, one with bright cut decoration, a George III example, mark of John Lawrence with simple oval bowl, a George III example, mark of Cocks & Bettridge with reeded handle and round bowl, a Victorian example, mark of Robert Williams & Sons and with Exeter marks and a decorative Dutch example dated 1850 (8)
Los 373
A late 19th century Austro-Hungarian Empire metalwares silver tea caddy, mark of Josef Carl von Klinlosch, Vienna, 900/1000 standard silver, circa 1880, of oval form with reed and tie borders, fully marked side hinged and slightly domed cover with ribbon finial and gilt washed interior, raised on a squat pedestal foot 14 x 12cm, 11.5oztFootnote: Josef Carl von Klinkosch was one of the finest Viennese silversmiths of the late 19th century. He was apprenticed to his father and became a certified silversmith in 1844. Because of Carl's superb craftsmanship, the firm quickly flourished. It became particularly famous for their objets de vertu, which attracted the attention of the Royal family and the Imperial Court and in 1837 the firm became the official Imperial Court silversmiths. In 1851 Josef took over the running of his father’s business and further improved the style and quality of their creations. Their customers were now drawn from the upper middle classes and the elite nobility of Europe. In 1855 he was awarded the Imperial Warrant to the Court of Emperor Franz Josef of Austria and in 1869 he became the Purveyor to the Imperial Household. Josef was knighted in 1879 and in 1884 he retired, passing the company on to his sons, Arthur and Isidor. During his retirement he built up an extensive private art collection with his fortune, which was auctioned off after his death in 1889. In 1918 the firm was sold to Arthur Krupp, who renamed it 'J.C.Klinkosch AG'. The company closed in 1972. Today, Klinkosch items are much sought after by collectors.
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81699 Los(e)/Seite