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Preisdatenbank abonnierenA collection of silver including: A Victorian caddy spoon with sprig of shamrock terminal, by Michael Flack, Chester, 1897; a Celtic Revival style capstan inkwell, hinged cover by HM, Birmingham, 1929 (filled); George V sugar bowl, Birmingham, 1928 and a plain circular dish, Birmingham, circa 1936 (date letter rubbed) 5.79 ozt (179.9 grams)
A Newlyn copper tea caddy, decorated fish, a large Newlyn tray with hammered decoration, a Newlyn copper pin dish, decorated boats, and two other copper traysCondition: Larger tray is warped and has deep surface scratch, minor dings throughout peices, rims are slightly mis-shapen and damages commensurate with age.
FAMILLE ROSE TEA CADDY LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY 清末民初 粉彩帶蓋罐（兩件） the cylindrical shaped body painted with four panels depicting birds and figures among flowering branches on a lime-green, yellow and pink ground with a design of lotus amongst scrolling branches in sinuous leaves, the cover decorated with a panel, sides with chrysanthemum blossoms among scrolling leaves on a white ground; together with a smaller FAMILLE ROSE TEA CADDY, the base stamped with a four-character Tongzhi mark in iron red (Dimensions: largest: 15cm high) (Qty: 2)(largest: 15cm high)
A George IV or William IV birds eye maple veneered tea caddy, circa 1830, of sarcophagus form, the domed and hinged cover with lobed finial, descending to a waisted body, on bun feet; the interior with two subsidiary caddies and circular vessel compartment, 24cm high, 37cm wide, 22cm deep This lot is to be sold without reserve
ϒAn amboyna and marquetry veneered eight-day longcase clock, Batty Storr, York, circa 1760 and later, the four pillar two train rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial, ringed winding holes and calendar aperture to the foliate scroll engraved matted centre within applied silvered Roman numeral chapter ring with lozenge half hour markers and signed Batty Storr, York to lower margin, with pierced steel hands and foliate cast spandrels beneath rolling moonphase to arch, in a case now veneered in Amboyna incorporating marquetry floral spray to the generous domed caddy superstructure over ogee cornice and conforming decoration to the upper quadrants of the hood door flanked by Corinthian columns and with rectangular scroll-pierced sound frets to sides, the trunk with caddy-moulded break-arch door decorated with central marquetry landscape panels within linked stylised cornucopiae and scroll motifs to upper and lower margins, the plinth fronted with a further marquetry landscape scene of a watermill at sunset over generous bracket feet, (marquetry and veneers probably early 20th century, 269cm (106ins) high, 59cm (24ins) wide, 30cm (12ins) deep Batty Storr is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, volume 2 as born in York circa 1710 and died in 1793. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
ϒ A large George IV amboyna and ebonised tea caddy, circa 1825, of sarcophagus form, the domed and hinged cover with gadrooned banding, on bun feet; the conforming interior with two subsidiary caddies and glass vessel, 20cm high, 32cm wide, 16cm deep This lot is to be sold without reserve ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
ϒAn Anglo-Indian, probably Vizagapatam, antler covered tea caddy, mid 19th century, of large proportions, the sarcophagus form body with rectangular sections of antler overall, the domed and hinged cover mounted with a circular hobnail finial, with horn banding and on conforming bun feet; the ebony banded and fitted interior with two subsidiary caddies inlaid with bone and shellac, 26cm high, 37cm wide, 17cm deep ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George I walnut and cross and feather banded caddy top chest:, of small size with a quarter veneered top, fitted with a brushing slide and containing four long graduated drawers with contemporary brass drop handles, engraved cartouche back plates and escutcheons, on bracket feet, 76.5cm (2ft 6in) wide.* Note . An almost identical chest with the label of Giles Grendy is illustrated in Bowett - Early Georgian Furniture p104.
An unusual 19th Century agate mounted rectangular tea caddy: the Dendritic agate panels within a brass line-inlaid frame, the hinged lid with gilt-brass handle, 24cm wide [interior fittings lacking).*Note Dendritic agate is a greyish [usually] chalcedony with tree or fern-like inclusions caused by traces of iron or manganese. It was a favourite of Carl Faberge and other jewellers in Russia where it was considered to be a stone of prosperity and longevity.
A Victorian punch ladle M&GS, Edinburgh 1844, of traditional form, the bowl with embossed thistle and floral decoration, the turned wooden stem with knopped finial; together with another with spout, apparently unmarked; a set of six dessert spoons, William Pope, Exeter 1836, of Fiddle pattern, crest to terminal and a caddy spoon John Maitland Talbot, Edinburgh 1904, depicting St. Giles cathedral (qty) (Dimensions: Length: 40cm, weighable silver: 10.2oz)(Length: 40cm, weighable silver: 10.2oz)Condition report: Please refer to images Personal viewing recommended
A collection of silver to include; a three piece bachelor's tea service, EH, London 1898, of small size, demi ribbed and cast border, a small tea caddy; three other cream jugs; a George III cream jug, bright cut engraving; a pair of Georgian sugar tongs of scissor action; card case and a mustard pot (Dimensions: Weighable silver 36oz) (Qty: qty)(Weighable silver 36oz)
PAINTINGS AND PRINTS ETC, to include three continental landscape paintings by I.Cafieri, largest approximate size 60cm x 90cm, Fred Miller landscape watercolour, a mezzo tint of a golfer and his caddy inscribed, 'To the Society of Golfers at Blackheath', original painting dated 1790's, William Hogarth engraving, unsigned watercolour landscape etc (one box and loose)
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