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Preisdatenbank abonnierenRegency Period Marquerty Inlaid Sarcophagus Shaped Mahogany and Yew Wood Fronted Tea Caddy ( Good Shape and Size ) Mother of Pearl Escutcheon The Interior with Twin Lidded Compartments and Ribbed Velvet to Interior of Cover, Raised on Bun Feet, Gilt Brass Handles. 6.75 Inches High, 7.75 Inches wide & 4.75 Inches Deep. Nice Quality Tea Caddy In Good Condition.
An unusual mahogany tea caddy, early 19th century, rectangular, with crossbanded top and central carrying handle above two cupboard doors opening to reveal a fitted interior with two caddies flanking a central plush lined aperture, with sliding action and supported upon four bun feet. Width 32 cm, height 18.5 cm, depth 16 cm (see illustration). CONDITION REPORT: The woodwork is in generally good condition. There is a very small loss to the crossbanded veneer at the right hand top rear corner. This is an old loss and in our opinion not significant. The doors are not warped. They close as they should. There are minor old stress fractures to the veneers on the doors but these are not problematic. The plinth moulding and feet are original. Both interior caddies are present and in good order. The glass jar is an incorrect later replacement. The baize lined interior is a little worn and discoloured. The handle and plate are original. We have the key.
An assortment of silverware, to include a Norwegian silver pepperette by Magnus Aase of cornucopia form, silver and cut glass scent bottle with embossed Reynolds Angels to lid, child's Hey-Diddle-Diddle nursery rhyme christening spoon, caddy spoon, Mexican silver two handled bowl, miniature trophy engraved "Anne Adams Cup" and a silver candle snuffer, various dates and makers (7).
A Victorian silver tea caddy, with half fluted body and lion mask handles. Length 11.2 cm, 243 grams, Sheffield 1897. (see illustration). CONDITION REPORT: There is a light 1.5 cm crease running from the centre of the shoulder (same side as the hallmarks). Marks are clear, lion masks are crisp. There is a small dent to the right hand rim of the lid but otherwise all appears to be in good order. The silver is a good thick gauge.
A Chinese Changsha pewter octagonal bodied tea caddy and cover with six en-suite goblet styled cups, the tea caddy with raised panels engraved with stylised dragons and supporting two semi circular loose looped handles, the short neck sitting upon plain shoulders with a domed cover, with another plain cover on the interior, the wine glass shaped goblets supported upon short stems and a splayed foot, the caddy and goblets each with impressed factory and makers marks, late 19th century, caddy height 21cm, goblets height 7cm. Condition report: Small dents to body of tea caddy, large dent underneath.Goblets - No condition issues.
A Caughley blue and white tea caddy and cover, circa 1775, the barrel shaped body painted with floral sprays, the flat cover with flower finial, 'S' mark to base, 11.5cm (4.5in) high; a Caughley blue and white asparagus server, the fan shape body painted with scattered chantilly sprigs, 7.5cm (3in) long; a Caughley blue and white toy coffee cup, painted with a Chinese scene with a house in a fenced garden, 3.5cm (1.5in) high (4)
An imposing walnut seaweed marquetry longcase clock, Delander and adapted, the caddy top hood with fretwork mouldings, 12.25inch dial with silvered calendar ring to the arch, dolphin spandrels below, silvered chapter ring and seconds dial, marked to a recessed oval 'D.Delander, London, No.9', strike silent lever to the right side, mask spandrels, later associated 4 pillar 8 day movement with replacement seatboard, rectangular trunk door and plinth with replaced skirting, restorations. Literature: For a similar design case for a Daniel Quare clock, see the Iden Collection catalogue, by P. Dawson, p. 116.
Thomas Lister, an imposing 18th century musical longcase clock, the oak and banded case with caddy top hood having 13 inch brass dial, moonphase disc to the arch, with seasonal figural spandrels, signed 'Thos Lister' to the chapter ring below, cut away calendar dial below the centre, the movement with substantial pillars and large barrel train playing on 10 bells, striking on a further bell, four winding squares to the dial centre (one possibly for tune selection or adjustment), the pendulum swinging between the plates, the trunk with star inlaid door, 262cm (102in) Other Notes: Thomas Lister of Halifax, born in 1745 in Luddenden, Yorkshire, trained with his father (also Thomas) and others in this well-known family of clockmakers. He left his father's studio in 1765, setting up his own workshop in Halifax where he worked until his death in 1814. In his own workshop he concentrated on quality eight-day clocks in mahogany cases. His work and output increased after the death of his only serious local competitor, Thomas Ogden, in 1769. He made a number of very complicated clocks including world-time and musical clocks. Thomas Lister senior, of the well known family of Halifax clockmakers, started out producing 30hour cottage type longcase clocks, his son Thomas junior then began making more complicated clocks, this surely being one of those examples....
A George III oak longcase clock, with caddy top hood, ball and spike finials, and brass 30cm square arched dial having Royal crest to arch, and applied spandrels, the silvered chapter ring signed Geoff Devis London, with Roman and Arabic numerals, subsidiary second ring and date aperture, revealing an eight day movement striking on a bell, with full length trunk door and moulded base, 240cm overall.
A GEORGE III DIE STAMPED SILVER CADDY SPOON of flower basket and shell design, 8cm l, by Joseph Taylor, Birmingham 1818, a Victorian naturalistic die stamped silver caddy spoon by Hilliard & Thomason, Birmingham 1879 and four others, comprising two bright cut fluted bowl caddy spoons, one by Duncan Urquhart & Naphtali Hart, London 1794, the other by James Collins, Birmingham 1826, one other of Fiddle and Thread pattern with oval shell bowl, by Josiah Snatt, London 1813 and a mother of pearl handled caddy shovel by Cocks & Bettridge, Birmingham 1806, 2ozs (6) ++All in good condition
A GEORGE III SILVER TEA CADDY of beaded oval shape with integral hinge and engraved with armorials, associated flower finial, 10cm h, by Daniel Smith and Robert Sharp, London 1780, 13ozs 15dwts ++One or two minor dents and slight polish wear, a very good example, no play in hinge, no key for the lock, marks good
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