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Preisdatenbank abonnierenA Victorian Rosewood and Marquetry Work Box, the caddy top with foliate decoration and gadrooned edges over a fitted interior with sewing accoutrements and two panelled doors enclosing a faux drawer and three drawers, one containing a writing slope, on bun feet, 30cm wideReasonable condition. However, the timber is rather dry mainly around the end panels and the verso. The lid also has a shrinkage gap around the moulding (see images).
An Oak Eight Day Longcase Clock, signed J.Whitworth, Lussley, circa 1780, caddied pediment, crossbanded trunk door, brass capped pilasters, 13-1/4-inch square brass dial with a Roman and Arabic silvered chapter ring, dial centre engraved with a bird, sailing boat and scroll decoration, seconds dial, moonphase aperture, four pillar movement with an anchor escapement and rack striking on a bell, 214cm highCase has been cleaning throughout, bottom section of the back board is missing, re-built caddy, later finials, dial is discoloured and needs cleaning, movement is all complete, with pendulum and two weights.
KOKUSAI: A SUPERB STAG ANTLER CHAIRE (TEA CADDY)By Ozaki Kokusai (1835-1892), signed Koku è°·Japan, Shiba, Tokyo, c. 1860-1880Published: Moss, Sydney L. (2016) Kokusai The Genius: and Stag-antler Carving in Japan, vol. II, pp. 168-169, no. 167.Masterfully carved in imitation of a potter chaire (tea caddy) with a beautifully stippled and ink-engraved design of grasses, some of the design using the naturally markings of the antler. The lid is of ivory, again in imitation of the typical pottery chaire lid, which are usually carved from ivory. The underside with a plugged spiral-ridged base, showing a circular seal KOKU, where one might typically expect the potter's mark (typically, Raku), deliberately half obscured as if partially glazed over. One himotoshi to the side, the cord attachment to the underside of the flush-fitting ivory lid, which shows a firing flaw in the form of a simulated crack.HEIGHT 3.7 cmCondition: Excellent condition.Provenance: Ex-collection June Schuerch.Literature comparison:A similar stag antler ojime of a chaire, also with ivory lid and by Ozaki Kokusai, is illustrated next to the present lot in Moss, Sydney L. (2016) Kokusai The Genius: and Stag-antler Carving in Japan, vol. II, pp. 168-169, no. 168. Another smaller stag antler netsuke of a chaire, also with ivory lid and by Ozaki Kokusai, is illustrated in Moss, Sydney L. (1982) Eccentrics in Netsuke, pp. 112-113, no. 71. Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 4-8 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A large collection of Mason's ironstone pottery pieces 'Mandalay' comprising of graduated jugs, lidded ginger jars, fruit bowls, teapot, coffee pot, wall planters, flower vases, tea caddy, trefoil plate, fluted serving dish, dinner plates and other Mason's wares. (5) All pieces in very good condition with little to no signs of wear and no damage or repairs.One lidded ginger jar has crazing to the glaze only
A GEORGE II WALNUT DRESSING MIRRORCIRCA 1740With three drawers to the platform52cm highTogether with another smaller mirror, mid 18th century and later, 44cm high, a George III mahogany tea caddy, circa 1780, 15cm high, and a group of five various 18th century candlesticks, 20cm high and smaller (grp) Condition Report: All items with marks, knocks, scratches, abrasions consistent with age and useMain dressing mirror:The plate with bloom and discolouration, but useable condition and giving a reflection, assumed to be the original mirror plate, the back board appears to be later applied and attached. With a key operating the lock at time of report. Some chips losses and replacements to veneers and inlays Secondary mirror:As catalouged this is partly period and later - the plate is older than the frame, the plate is cleaner and probably laterThe tea caddy:The interior dividers are later fitted, the lining is missing, this has had a baize lining to the lid which is nearly all removed, old splits and cracks, no key, with later baize to the baseThe candlesticks are all in various condition, consistent with their age and use, including splits and cracks, discolouration and signs of polishingPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A FRENCH SMALL LACQUERED BRASS CARRIAGE TIMEPIECE, DROCOURT, PARISLATE 19TH CENTURYThe eight-day single train movement regulated by silvered platform lever escapement incorporating split bimetallic balance, the backplate stamped with oval D C trademark for Drocourt over serial number 32959 to lower left hand corner, the rectangular white enamel Roman numeral dial with blued steel spade hands, in an corniche type case of Mignonette No. 3 size with hinged carrying handle over caddy moulded corner uprights and cavetto moulded skirt; with travelling case now covered in simulated leather and original numbered winding keyThe clock 10.5cm (4.25ins) high with handle down, 7cm (2.75ins) wide, 6cm (2.375ins) deep. Pierre Drocourt is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development with further additions and corrections from research undertaken by Leigh Extence (available online) as born in 1819 and setting up in business as a clockmaker in Paris in 1853. He initially worked from Rue Limoges (later called 28 Rue Debelleyme after the rationalisation and merger of Streets in 1865), Paris and was succeeded by his son, Alfred (born 1847), in 1872. The blancs roulants, rough movements, were made in Saint-Nicolas-d'Aliermont, a town outside Dieppe, where Drocourt had workshops until their sale in 1904, being premises purchased from Holingue frères in 1875 who had previously supplied Drocourt. The firm was awarded numerous international exhibition medals and mentions including Silver in Paris 1878 and Gold in 1889.
A Regency oyster veneered tea caddy, circa 1820, height 22cm, width 33cm, depth 16.5cm.Provenance: Michael Trethewey. A Gentleman of Taste.We are delighted to be selling items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old-school antiques.There is very little loss to the veneers, although (as you can view on the photos) there is some splitting occurring. This seems to be historic and potentially contemporary to the making of the piece. I have now uploaded some photos of the internals and as you will be able see, the original velvet is in good condition as is the crystal bowl and separate boxes.
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