A late 17c month going longcase with 30cms arched brass dial signed John Miller Londini fecit and having cherubs and orb spandrels with wheat ear engraving to the dial edges. The movement has five pillars and employs outside counterwheel striking and is of month duration. John Miller was apprenticed to Samuel Knibb in 1666 and later to Joseph Knibb. The movement is lacking its pendulum. the clock is now housed in a later black lacquer base which has a flat caddy top to the hood and plain columns attached to the hood door. The long arched trunk door and the base have chinoiserie lacquer work and the base has a plain plinth. 221cms h.
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A Victoian silver Caddy Spoon, by Hilliard & Thomason, hallmarked Birmingham, 1854, with flared scalloped shaped bowl, the reverse of handle with initials, not split or repaired but creased where bowl meats handle, together with a George III silver sifter spoon, London, 1810, a George III silver sauce ladle, London, 1813, a pair of Victorian silver salt spoons, by Elizabeth Eaton, hallmarked London, 1852, and a pair of 19thC silver sugar nips, approx total weight 5.1ozt (6)
A William IV silver long handled Caddy Spoon, by Samuel Hayne & Dudley Cater, hallmarked London, 1837, 5¼in (23.3cm) long, together with a George III silver sifter spoon, hallmarked Birmingham, 1827, a Victorian silver sifter spoon, London, 1874, a pair of Exeter silver salt spoons, 1857, two pairs of sugar nips etc., approx total weight 8.6ozt (a lot)
A 19th century German walnut quarter striking bracket clock, by Lenzkirch, the 5 1/2" brass arched dial with silvered chapter ring enclosing a matted centre, with subsidiary slow/fast dial to the arch, the movement back plate bearing the maker's name and stamped One Million, 47924 (c. 1890), striking on two gongs, within an attractive canted stepped gilt metal mounted case, surmounted by four flame finials and a carved caddy top, key, pendulum, 39 cm.
Small collection of silver to include Victorian silver dessert spoon, waisted form, cast shell and scroll decoration, initials to cartouche, makers Goldsmiths & Silversmiths Co, London 1889, length approx 16.5cm together with a Continental early 20th century caddy spoon, repousse windmill scene to bowl, the terminal modelled as two figures, London import marks for Berthold Hermann Muller, 1913; a silver sauce ladle etc
Pair of early George III silver tea caddies, of bombe form on four scroll feet with domed covers, sponsors mark of John Langford & John Sebille, London 1763, 13cm high, 650g approx Condition: Some slight loss to the definition of the decoration possibly from polishing, there is possible signs of removal of a crest or monogram to each caddy. **General condition consistent with age.
A George III mahogany eight-day longcase clock, Thomas Field, Bath, circa 1770, the four pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and signed Thomas Field, BATH to the foliate engraved silvered centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, with pierced blued steel hands and gilt rococo scroll cast spandrels to angles beneath arch flanked with a silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by dolphin case mounts, the case with swan neck pediment over dentil moulded break-arch frieze and fluted Corinthian columns flanking the dial aperture to hood, the trunk with shaped-top caddy moulded door flanked by reeded canted angles and the base with rectangular raised panel to fascia over moulded skirt incorporating bracket feet, 239cm (94ins) high Thomas Field is recorded in Moore, A.J. 'The Clockmakers of Bristol 1650-1900 as working in Bath at 2 Broad Street 1766-1812. He is also recorded by Ian White as working firstly from Broad Street then High Street from 1791/2 and Bond Street 1795-99. He also served as juror at Bath Quarter Sessions on fifteen occasions between 1786-95. Condition Report: Movement is in sound original albeit dirty condition with replacements limited to the escapewheel and pallets which appear to be 19th century (probably 'service' replacements due to wear). Dial is also dirty, discoloured and tarnished. The plate is a little bent (bows backwards at the top) and there are some light casting cracks to the surface. The seconds hand is missing and the minute hand has been repaired. The movement and dial sits on an old replacement seatboard but at the correct level in the case. The case is a perfect match for the movement and dial hence we are inclined to think that the movement, dial and case are most likely original to each other. The case is in sound original condition. The trunk door in missing its lock and there are some minor bumps, scuffs, veneer chips, light shrinkage and other faults commensurate with age. The surface is 'flat'/neglected in appearance but the colour is fairly good hence the appearance will no doubt with a good polish.Clock has pendulum, two weights and a winder but no case key. Condition Report Disclaimer
A George II figured walnut and crossbanded kneehole desk, circa 1740, the caddy moulded rectangular top, above a frieze draw, the central recessed cupboard door flanked by two banks of three drawers to each side, on shaped bracket feet, 75cm high, 84cm wide, 54cm deep For a remarkably closely related example of desk see, Christie's, London, Important English Furniture, 7th June 2007, Lot 72 (£18,000).
A George I/II green japanned eight-day longcase clock, Charles Clay, London, circa 1725-30, the five finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with chevron bordered calendar aperture and subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels within a herringbone engraved border, the arch applied with silvered boss inscribed Charles Clay, Inventor of the, Machine Watches, London within conforming border flanked by cast dolphin mounts, in a case with domed caddy superstructure and integral three-quarter columns to hood over rectangular trunk door and plinth base with stepped skirt, decorated with raised figural chinoiserie scenes within gilt trellis borders to front and floral trail panels to sides, 234cm (94ins) high Charles Clay was a fine and inventive clockmaker who originated from near Huddersfield and gained his freedom of the Clockmakers' Company prior to 1716. In 1723 he was appointed Clockmaker in His Majesty's Board of Works and in 1731 supplied the turret clock for the gateway at St. James's Palace. He specialised and experimented with musical mechanisms and is perhaps now best known for his organ clocks. One of which now resides at Windsor Castle which was acquired from his widow three years after Clay's death in 1743. Another incomplete organ clock was also acquired around this time for Augusta wife of Frederick, Prince of Wales, this clock was subsequently completed by George Pyke and now resides at Kensington Palace. A highly unusual ormolu timepiece (with unusual enamelled astronomical year calendar dial) made for Louis Frederick, Prince of Wales sold in these rooms 28th August 2014 (lot 118) and now resides in Victoria and albert Museum, London.Condition Report: Movement is in working condition with no visible evidence of alteration or significant repairs/replacements however as the mechanism is a little dirty/dusty a precautionary clean and overhaul is advised. The dial is in discoloured/patinated dirty condition but appears free from alteration or any other significant faults. The movement rests on a replacement seatboard which has slim packing slips applied to the lower edges where it rests on the case uprights. The uprights also may well have been reduced slightly in height which suggests that either the movement and dial are not original to the case or seatboards of varying thickness have been fitted at various times in the past. The case is generally in sound condition; the decoration is old but most likely re-done in the early 20th century but finely executed with nice detailing. The dial mask covers the upper engraved border of the dial which would add credence to the opinion that the movement and dial may not be original to the case. The hood no longer has rear quarter columns otherwise faults very much limited to minor bump, scuffs, wear and degradation to the finish most notably to the right hand side skirting to the base which appears to have been slightly affected by damp.Clock is complete with pendulum, weights, case key and winder. Condition Report Disclaimer
A George II walnut, crossbanded and pine chest of drawers, circa 1730, the rectangular caddy top and moulded edge, above two short and three long graduated drawers, on shaped bracket feet, 89cm high, 92cm wide, 47cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Various later supporting blocks and runners to interior of carcase. Later elements to feet. Evidence of old worm resulting in some losses. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A modern silver fiddle, thread and shell caddy spoon; a pair of Victorian silver sugar tongs in the Georgian style; a pair of Georgian silver sugar tongs; a silver copy of a Roman spoon; other silver flatware; 360 g (11.6 troy ozs) gross; a silver pickle fork to an ivory handle; a folding fruit knife with silver blade; a metal wine bottle drip collar; some continental spoons and two plated condiment spoons
Selection of silver flatware, mainly spoons, to include a Dutch composite set of four silver-gilt spoons, some marks rubbed for Amsterdam, in fitted case, together with a set of six coffee-bean spoons, a seal-top caddy spoon, various teaspoons, a cigarette case and a cased nail file, weighable silver 14.9 oz. (463 gr.)
A late eighteenth century blue and white transfer-printed silver-shape tea caddy, c.1795. It is decorated with floral sprays and a geometric border. 11 cm tall. (1)Condition: There is a metal repair band around the opening that secures several hairlines and an associated loss. Provenance: From the Trevor Kentish Collection.
Y A late George III walnut, rosewood, sycamore strung and bone and metal mounted tea caddy, circa 1810, the bombe sarcophagus form body with twin loop handles and raised on ball feet; the interior with two subsidiary covers, 18cm high, 22cm wideCondition Report: Please note a condition report is not currently available for this lot.Condition Report Disclaimer

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