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Preisdatenbank abonnierenTwo pieces: 1. a silver-mounted earthenware tea caddy in the Delft style - hallmarked IS, Birmingham 1995, of canted rectangular form, painted in green and white with follies in parkland landscapes, signed and inscribed to base, 'Hand Painted Hand Crafted EGT.11.95 Oxford England', 15.8cm high; 2. a modern Chinese porcelain blue-and-white covered box, of quatrefoil form, 18.25cm high.
Winterhalder & Hofmeier, Schwarzenbach - A German ebonised bracket clock, circa 1900, the rectangular lacquered brass dial plate with 5.5-inch silvered chapter ring having Roman hours, Arabic minutes and cruciform half hour divisions framing a matted centre, within cast foliate scroll spandrels, the arch with silvered subsidary Slow / Fast ring, the chain-driven three-train fusee movement chiming the quarters on four gongs and hour-striking on a fifth, the backplate stamped W&H, Sch, the ebonised ogee caddy-top case with flambeau finial over swags and urns, cast terms to the canted corners, raised on paw feet, dedication plaque from Cardiff Cricket Club dated 1900, 54cm high, sold with pendulum, key and winder
A 19th century satinwood writing slope together with a Victorian brass bound walnut tea caddy, a mother of pearl inlaid workbox, an oak stationery box and other assorted boxes (qty)Satinwood writing slope: fall front lid does not sit entirely flush - the leather has been replaced and likely this sits further into the fold than previously, or possibly one of the screws of the hinge is not entirely flush. Loose piece of rosewood crossbanding back right (but complete, and present). Inkstaining to the interior. PM&Co Patent hinges to the rear section. Pen insert has some chips and losses. Knocks and surface scratches to the edges. Baize glued to the base.Burr walnut brass mounte tea caddy: splits to the domed lid, chips to the corners of the caddy tops, polish residue, some undulation to the veneer but seems stable. Old amethyst velvet to the base.flat inlaid tunbridge box - old worm, knocks and losses to extremities, water damage some lifing and misssing veneer, hinges slightly loose tunbridge box very scratched and knocked, small patch of veneer lifting, currently locked with no key, inlaid with parts missing. missing veneer to both flanksinlaid workbox: interior well used and slightly tatty with fabric fraying in places, outside a few splits and lifting to the the line inlay, light scratching but stable. minin chest of drawers: scratches, replaced handles, no great age, back panel slightly loose, drawers slide well enoughstationery box: escutcheon missing, general knocks, missing finials either side, doors chpped around the lower edge, drawer handle replaced, base edge moulding knocked with losses to the lower left side
A collection of silver flatware to include; a set of six George III fiddle patterned silver dessert spoons, each initialled, hallmarked by Edward Thomason, Birmingham, 1819; three pairs of silver sugar tongs, two George III one by William Bateman, the other Victorian, London hallmarked; a novelty Elizabeth II silver spoon with cooper modelled terminal, hallmarked by Albion Craft Co, London, 1977, approx. 15cm long (bent / misshapen handle); a Victorian silver caddy spoon, Queens pattern with oval bowl, hallmarked London, 1869, approx. 10.5cm long; a George III silver condiment spoon and a cased 925 Maltese silver presentation spoon, a cased set of six Sheffield silver handled spreading knives, together with an Edwardian small silver pierced pin dish, having curved vine like handle and ribbed edging, hallmarked by Marks & Cohen, Birmingham, 1907, approx. 7.8cm high x 8.9cm diameter. (1 bag) Weight approx. 414.3 grams (13.3ozt) Further details: all tarnished; few spoons have wear to bowl edges; 1977 spoon misshapen and bent as mentioned; wear to all commensurate with age.
A collection of silver to include: a pair of Elizabeth II silver and mahogany coasters, hallmarked by PH Vogel & Co, Birmingham, 1990; a late Victorian silver cream jug, hallmarked Birmingham, 1901; an Edwardian silver small capstan inkwell, Birmingham, 1909; a set of six George VI silver coffee bean spoons, hallmarked by Adie Bros, Birmingham, 1947; a Birmingham silver small trumpet shaped vase; a Modern silver drip ring by Broadway & Co; an Edwardian silver topped cranberry glass perfume bottle, with stopper, hallmarked Birmingham, 1908; a set of six George III silver teaspoons, initialled MS by Hester Bateman; a George III Birmingham silver caddy shovel spoon (repaired handle) and a late Victorian Birmingham silver sifter spoon. (1 bag) Weight approx. 108.59 grams (3.49ozt) Further details: all tarnished, with wear, some rubbing and marks to spoons; dents to inkwell; small nibbles to glass perfume bottle; wear etc.
An early 20th century leather cigar / trinket box, of miniature form of a 18th/19th century cutlery box shape, with division inside, approx. 12.4cm high x 11.3cm wide, together with an early 20th century cylindrical tobacco cannister or tea caddy, with hinged demi-lune shaped cover with zinc lining, approx. 11.7cm high x 11.2cm diameter, and a 20th century curved oak two piece cigarette or card case. (3)
A George III applewood tea caddy, of apple shape with hinged cover opening to reveal zinc lining to single central compartment, carved key hole to front and wooden stalk to top, circa 1800, approx. 11.5cm high x 11.5cm diameter. Further details: some nibbles to stalk; metal key hole surround missing; scratches, marks and wear to all exterior; loss to zinc lining and material base; hinge slightly loose but intact; general wear commensurate with age.
A George III bright cut leaf shaped silver caddy spoon, hallmarked by William Pugh, Birmingham, 1810 together with a King's pattern caddy spoon with ornately engraved bowl, hallmarked by John Bettridge, Birmingham, 1819 and a Georgian style shell shaped silver caddy spoon, hallmarked Birmingham, 1965, approx weight 1.14 ozt (35.6 grams) [3]
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