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A late 18th century Satinwood 'balloon' clock with original wall bracketWm. Pybus, Royal Exchange, London The shaped caddy surmounted by a wooden urn finial over a waisted case with Sheraton style marquetry depicting an urn, on a moulded plinth base with acanthus leaf border on raised ball and claw feet, the signed 8 inch white enamel Roman and Arabic dial with egg and dart brass bezel and Rococo style hands, the two train fusee movement with anchor escapement, the signed and highly engraved backplate with a basket of flowers surrounded by flowers and sprays of foliage, striking the hours on a bell. Sold with a winding crank, case key and a hand setting key. 64cms (25ins) high. Height with bracket 92cms (36ins) high. (5)Footnotes:A similar satinwood shaped case with wooden inlay is illustrated in Barder, R. (1993) 'The Georgian Bracket clock 1714 – 1830' The Antique Collectors' Club, p.139.William Pybus was an active maker circa 1788-94.For further information on this lot please visit Bonhams.com

An interesting late 17th century ebonised table clockJames Clowes, Londini fecitThe (probably later) case with caddy top surmounted by a substantial knopped handle over rectangular glazed side apertures on a moulded base and block feet, the 8 inch dial with winged cherub's head spandrels framing the silvered Roman chapter ring with Arabic minute band, the matted centre with blued-steel hands ringed winding squares decorated and chamfered date aperture, signed along the lower edge in a flowing script, secured to the movement via three latched dial feet, the six knopped and finned pillars similarly latched, the twin train gut fusee movement with early-style pinned barrels, knife-edge verge escapement, and numbered outside countwheel strike on a vertically-mounted bell, the backplate signed in a horizontal line amid a series of symmetrical foliate scrolls, within a shaded wheatear border. Ticking and striking, together with a case key and an associated winding key. 43cm (16 1/2ins) high (3)Footnotes:James Clowes was admitted to the Clockmakers Company as a free Brother in April 1671, describing himself as a 'Great Clockmaker' i.e. turret clockmaker. He was working in St Giles in the Fields in 1673, and at St. Ann's Blackfriars two years later. He took on five apprentices between 1672 and 1701, and married twice, in 1675 and 1680. A small table clock by him was sold in these rooms on 13th June 2006, lot 110. His younger brother by 8 years, John Clowes, is another notable clock maker; see lot 56 in this sale.For further information on this lot please visit Bonhams.com

A marquetry longcase clock, late 17th century and laterBrounker Watts, London The case with low caddy top and three gilt wood finials over a sound fret and spiral columns, the long door with four panels of marquetry over an inlaid base (the case restored and partially rebuilt, including some re-veneering), the associated 11 inch square brass dial with winged cherubs head spandrels interspersed with engraved foliage, the silvered Roman and Arabic dial surrounding the finely matted centre with subsidiary seconds dial and decorated chamfered date aperture, the movement with four knopped and finned pillars, anchor escapement and inside countwheel strike on a bell, the backplate with evidence of a former securing bracket. 2.19m (7ft 2ins) high.Footnotes:Brounker Watts served his seven year apprenticeship under Joseph Knibb from January 1684 to February 1691. He was made Free of the Clockmakers Company in 1693 and worked in Fleet Street. In 1711 he avoided Stewardship of the Company because he was 'out of town' and died in 1719.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A FINE AND RARE EARLY 18TH CENTURY FAUX TORTOISESHELL JAPANNED LONGCASE CLOCKBenjamin Broadhead, LondonThe caddy top with turned finials over a pierced fretwork cornice raised on brass-mounted Doric columns (the hood door opening to reveal a gilt-decorated mask) and a long trunk door with central lenticle, decorated in raised gesso and flat gilt work with chinoiserie figures, birds in flight and floral groups, to a conforming base, the 12 inch brass dial with early form of shallow arch centred by a strike/silent subsidiary dial and an engraved 'Green Man' mask flanked by foliate scrolls and Indian mask spandrels, the Roman and Arabic chapter ring with half-quarter marks and good blued steel hands, the matted centre with subsidiary seconds and chamfered date aperture, signed 'B. Broadhead, Londini Fecit' to the centre within a shaped foliate cartouche, the weight driven movement with five knopped pillars (the central one latched), with anchor escapement and internal rack strike on the bell. 250cms (8ft 2.5ins) high.Footnotes:Benjamin Broadhead was apprenticed to William Speakman in 1702, Speakman having just completed his 12 month duty as Master of the Worshipful Company of Clockmakers. Benjamin gained his Freedom after the standard 7 year apprenticeship, in 1709. There is much merit in this clock, the case is particularly high quality, with the sides measuring 1 and 3/16ths of an inch thick and the faux-tortoiseshell and gilt japanned decoration would have looked alive in the flickering light of a fireplace or Queen Anne candlestick. The dial of the clock is also rare for London work of the period - the Green Man mask in the arch is notable, as is the waisted signature cartouche to the centre - a closely related signature can be seen on a quarter chiming longcase clock of circa 1700/05 by Jonathan Puller in the Wetherfield Collection, item number 123, another by Puller is included in this sale, lot 72.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A late 17th/early 18th century ebonised table timepieceThomas Taylor, LondonThe caddy top with foliate-cast handle raised on matching pommels over a moulded cornice and glazed rectangular side panels to a moulded base and (later) bun feet, the 7 inch square brass dial with winged cherub's head spandrels framing the silvered Roman and Arabic dial with half-quarter markers to the edge, the matted centre with ringed winding square and decorated chamfered date aperture, the single gut fusee movement united by six knopped pillars pinned to the frontplate, with knife-edge verge escapement (the quarter repeat train, bells, hammers and pendulum holdfast now lacking), signed Thomas Taylor, London within a symmetrical pattern of foliate scrolls. 40cms (16ins) high. Footnotes:Thomas Taylor (III) was baptised on 8 February 1662 in Holborn, the son and grandson of Thomas Taylor (I) & (II). He was apprenticed in September 1678 to his father until 1685. In 1697 he signed the Clockmaker's Company oath of allegiance. He became an Assistant in 1701, Warden in 1707 and Master in 1710.For further information on this lot please visit Bonhams.com

A fine late 17th century arabesque walnut marquetry inlaid longcase clock with interesting provenanceLangley Bradley, London The hood with original caddy and pair of carved urn finials over two blind frets and inlaid Doric columns framing the inlaid door, the long door with three shaped panels of Berain-esque marquetry featuring birds amid symmetrical strapwork and scrolls, set to the inside with a typed biography of Bradley on Ireton Wood Hall headed paper, on the matching base with double plinth, the 11 inch square brass dial with winged cherubs head spandrels framing the silvered Roman and Arabic chapter ring with meeting-arrowhead half-quarter marks and fancy half-hour markers, the finely matted centre with ringed winding squares, decorated chamfered date aperture and a subsidiary seconds dial, with original blued steel hands, the movement with five knopped and finned pillars, anchor escapement and outside countwheel strike on a bell. With pendulum and the pair of brass weights. 2.39m (7ft 10ins) high.Footnotes:Langley Bradley was apprenticed to Joseph Wise in 1687 and was admitted to The Worshipful Company of Clockmakers in 1695, rising to become Master in 1726. Sir Christopher Wren was a key supporter of his and may have been involved in Bradley being awarded the contract for the new clocks at St Pauls, Hampton Court and another in the Admiralty Building. King William III presented a Bradley watch to Wren on completion of St Pauls Cathedral. This lot may well have been supplied to Ireton Wood Hall from new. It was purchased more recently when the house, parts of which date back to the 17th century, was sold along with its 540 acres, in 2019.Literature: Cescinsky and Webster 'English Domestic Clocks', 1913, plate 147.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A good and rare early 18th century provincial Walnut quarter repeating table timepieceW. Glover, WorcesterThe inverted caddy top surmounted by a knopped brass handle over a bold cornice, narrow glazed side apertures herring-bone inlaid door frame and a moulded base on block feet, the 7 inch square brass dial with engraved wheatear border framing the Indian mask spandrels and silvered Roman and Arabic chapter ring with lozenge half-quarter marks, the finely matted centre with decorated date aperture and ringed winding square, with blued steel hands, the single wire fusee movement united by five knopped and pinned pillars screwed into the backplate, with knife edge verge escapement repeating the quarters on two bells and hammers on the pull of a cord from below the case. Ticking and repeating. Sold with a 19th century winding key and three case keys. 40cms (15 1/2ins) high (5)For further information on this lot please visit Bonhams.com

A fine and rare early 18th century gilt-metal mounted, ebony-veneered quarter-repeating and striking table clock of small sizeThomas Tompion, London, number 345The case:the tied bud handle over a caddy top and finely moulded cornice, the side panels with pierced sound frets backed in green silk, over glazed rectangular panels, on a moulded base and block feet, the rear door with rectangular glazed panel, the front with silk-backed sound fret over a pair of gilt escutcheons, numbered on the front sill '345'. The dial:the gilt rectangular dial measuring 5.5inches by 6.25 inches (14cms x 16cms), signed top centre in a flowing script 'Tho: Tompion, Londini fecit' within an engraved foliate cartouche to the top corners with a sprig of foliage over the twin subsidiary dials for rise-and-fall regulation (marked in Arabic 5s inside the engraved track) and Strike/Not Strike, both with engraved centres and blued steel hands, the latter with twin brass nibs, the silvered Roman and Arabic chapter ring with cross half-quarter marks, outer minute band and inner quarter hour track with 'sword hilt' half-hour marks, the finely matted centre with D-ended chamfered mock pendulum aperture, and blued steel hands, with three latched dial feet, the lower corners set with double-screwed ornate cherubs head spandrels, and a pair of upper half-spandrels secured with single screws.The movement:of eight day duration and with substantial plates united by seven knopped and ringed pillars latched to the frontplate with shaped brass riveted latches, both fusees with gut line, the going train terminating in a pivoted verge escapement with long steel crutch to a short pendulum with brass bob and rod mounted on a facetted brass rise and fall arm pivotted on the backplate, the mock pendulum screwed to the verge arbor in typical fashion; the strike train with rack strike on a bell mounted on a steel stand with shaped foot; the quarter repeat train sounding the quarters on a smaller, single bell, activated from either side via Tompion's double engaging cocked chamfered steel levers on the backplate. Running, striking and repeating.The backplate:fully engraved within a single line border and punch numbered along the lower edge, signed in an oval cartouche flanked by a pair of cornucopia issuing fruit and flowers within a symmetrical pattern of foliate scrolls, a stylised Green Man mask engraved above the centre, all cocks similarly engraved. 33cms (13ins) high to the top of the raised handle. (30cms (11.75ins) to the pommel of the handle) Footnotes:Provenance:This clock has been in single Dutch family ownership since at least the late 19th century. It is mentioned in the 1912 inventory of the estate of Mr J.J. van der Willigen, Rotterdam as a '..oud klokje (Engelsch), waarde 30 gulden..' 'Old English Clock'Thence by descent.This clock is one of a rare group of mid-size Phase Two table clocks by Thomas Tompion. This size of clock, measuring between 11.5 and 11.75 inches to the pommels, with dials of about 5.25 inches by 6.25 inches, was produced from circa 1691 to 1711. This example was produced at almost exactly the mid-point in production and in many respects is a text book example. It carries the special spandrel reserved for this model, the so called 'Ornate Cherubs Head' - see Evans, Carter & Wright, 'Thomas Tompion' 300 Years, Water Lane Publishing, 2013, p155.For further information on this lot please visit Bonhams.com

A fine and rare late 17th century ebony quarter repeating table clock with alarmJoseph Knibb, LondonThe shallow caddy top with tied bud handle over foliate mounts to the front and sides, framed by four squat urn finials, the front door with pierced sound fret and two applied escutcheon mounts (the left hand pinned to allow access to the keyhole), with a pair or rectangular glazed side panels, on a plinth base, the 6.25inch square dial signed along the lower edge Joseph Knibb, London, with two slots flanking the XII 'N-S' and 'R-N' (Not strike- Strike and Ring - Not ring), the winged cherubs head spandrels framing the silvered chapter ring with outer minute track (marked in Arabic 5s), Roman hours with fleur-de-lyse half-hour markers and an inner quarter hour track, the centre finely matted and carrying the silvered Arabic alarm-setting dial, with finely fettled blued steel hands (the hour restored, but retaining the original hexagonal centre), the twin gut fusee movement united by six baluster shaped pillars, all latched to the frontplate, the going train terminating in a knife edge verge escapement, the strike train with rack system acting on a single bell above (the alarm sounding on the same bell), probably with a quarter repeat originally taken from the strike train (part of train and bell lacking, but with original pivotted hammer intact), the backplate with single line border framing a symmetrical design of four pairs of flowers (tulips, anenomes and irises), the lowermost pair of irises on cut stalks below the curved copperplate signature Joseph Knibb Londini fecit. 34cms (13ins) highFootnotes:Literature: Illustrated and described in R.A.Lee; The Knibb Family Clockmakers, The Manor House Press, 1964, Plate 81 and page 181 'Joseph Knibb, London. Table clock with ebony veneered case with repousse gilt metal mounts on the caddy top. The lifting handle, finials and escutcheons are of a design which now becomes standard. The eight day striking movement is fitted with alarm mechanism with setting dial under the hands. Stopwork for striking and alarm above chapter ring. Circa 1680-82. In the possession of Mrs Oakes.'For a similar repeat system operated from the strike train, see Dawson, Drover & Parkes, Early English Clocks, Antiques Collectors Club, 1982, pp392. Illustrated is an example by Edward Burgis, but others are known by Richard Colston, William Herbert and Fromanteel, see plates 557 to 563.See Sunny Dzik, Engraving on English Table Clocks, 'Art on a Canvas of Brass, 1660-1800' 2019, figure 8.6 for a related cut-stalk backplate with curving signature on a Joseph Knibb table clock. Other Knibb cut stalk patterns can be seen in plates 8.7 and 8.8, and in the digital library.For further information on this lot please visit Bonhams.com

A 19th century French Boulle bracket clock with an associated wall bracketBaltazar ParisThe architectural case surmounted by a caddy top with flaming urn finials over an arcaded fret and Corinthian columns on raised pediments and toupie feet. The 9 inch velvet covered dial centred by the 7.5 inch brass Roman and Arabic chapter ring held aloft by Chronos astride the rectangular signature plaque, with fine silvered and fettled hands, the twin train movement striking the hours and half hours on a blued-steel coiled gong. Ticking and striking. Sold with a later mahogany wall bracket, brass pendulum and winding key. 61cms (24ins) high (88cms high with bracket) (4)For further information on this lot please visit Bonhams.com

A 19th Century mantel clock by Brockbanks of London, the twin fusee movement with plain brass back plate and white enamelled dial with Roman numerals enclosing inscription "Brockbanks London" housed in an ebonised and gilt decorated caddy top case with pineapple finial flanked by foliate decorated brass ring handles on a plinth base to brass ball feet 48 cm high x 29 cm wide x 18 cm deep CONDITION REPORTS Pineapple finial basically sound. The stepped top in need of a good clean. The face with craquelure throughout though basically sound. The front woodwork with nine horizontal cracks. Movement appears to be sound though difficult to view interior so not known whether all pieces/parts are original, restored, cleaned etc - see images for further detail. Base has what looks like an amateur cut hole for the pendulum - again see images for further detail. The piece comes with key for the movement and key for the rear door. N.B. Clock not sold as in working order though see no reason why not

A VERY LARGE COLLECTION OF BAKELITE / CHERRY AMBER ITEMS, consisting of bead necklaces, cylindrical lidded pots, animal formed napkin ring holders, ink well, desk calendars, thermometer, bangles, caddy, pipes, candlesticks, handled tray, shaving brush and box, book formed lidded box, salt & pepper shakers.

An Arts & Crafts Newlyn copper string caddy decorated with embossed seabirds, height 14cm.

A TRAY OF SUNDRIES TO INCLUDE A TEA CADDY, CARRIAGE CLOCK ETC.

A Victorian silver fiddle patter caddy spoon, London 1850, and another earlier example, marks indistinct, ¾oz overall.

A George III mahogany and boxwood strung tea caddy, of elongated hexagonal form, the hinged lid with a marquetry oval enclosing two lidded divisions, the front with an oval marquetry fleur de lys, (AF) 13cm high, 24cm wide.

Regency period tortoiseshell tea caddy, of shaped octagonal form with ivory stringing and four metallic ball feet, the hinged lid enclosing a single lidded compartments, 12cm wide, 9cm deep, 11cm high

Victorian rosewood tea caddy, the gadrooned tapering lid opening to reveal two interior lidded compartments, 20cm wide

George III mahogany and inlaid tea caddy, with a shell inlaid to the top and front with boxwood edging, the lid opening to reveal a lined interior, 19cm wide, 12cm high

A collection of boxes, to include a 19th Century mahogany sarcophagus tea caddy, a Victorian rectangular tea caddy, a 19th Century rosewood vanity box, (3)

George III mahogany and inlaid tea caddy, the oval caddy with a shell inlaid hinged lid above inlaid bands to the front and back, 14.5cm diameter

A pair of Victorian open salts, embossed with foliate scrolls, ball feet, London 1876; a pair of silver pepper pots and salts, Birmingham marks rubbed; a Continental silver caddy spoon, embossed with horse and cart; a Sheffield plated caster; etc

ARTS & CRAFTS TUDRIC PEWTER 0194 CUBED TEA CADDY AND A TUDRIC PEWTER 01460 SUCRIER/SHALLOW DISH

A group of 18th century and later creamware including a bullet teapot, painted in iron red and green with floral sprays, height 12cm, a jug with printed panels depicting landscape scenes, blue and white tea caddy with floral sprays, possibly Liverpool, height 9cm (7).Additional InformationThe large jug with large cracks terminating from the rim with numerous chips. The bullet teapot, the cover has been broken in to three pieces and repaired, the body with numerous chips to the glaze and old repairs to handle joints, crack running through the body. Tea caddy with tight hairline cracks to the rim and a large star crack to the body and numerous small chips. The bowl with extensive wear to the interior, the large example with chip to the foot rim, and chips to the glaze. The black bowl with staining and numerous cracks/crazing, and the bowl with the exotic birds has a large piece which has been broken out and re-glued, chips to the foot rim.

An 18th century Chinese porcelain tea caddy with arched top, painted in Willow pattern with associated cover, height 12cm, and a 19th century English teapot and cover decorated in Willow pattern, length 26cm (part af) (2).Additional InformationThe caddy with minimal wear, the odd light chip to glaze. The teapot is in poor condition, the cover has a large chip to the finial, numerous cracks and staining to the cover, also a large crack and heavy staining to the body.

WORCESTER; an 18th century mug of baluster form with transfer detail depicting George II and Liberty, height 12cm, mug with transfer detail decorated in the 'King of Prussia' pattern, dated 1757, height 9cm, tea caddy decorated with farmhands and animals in landscape, height 14cm (3).Additional InformationThe Prussia mug is missing the handle. The Liberty mug with large cracks running through the body, old repair to the rim and body, hairline cracks throughout. The tea caddy with chipping and cracks to the body, general wear, scratches, chipping to the foot rim and firing fault.

A 19th century mahogany rectangular tea caddy with fitted interior on four carved feet, 27.8 x 30cm, and a Black Forest-style comport with carved detail featuring a stag (af) (2).Additional InformationChips and losses to the detail on the Black Forest-type comport, no liner to the tea caddy interior, further scuffs, scraped and abrasions commensurate with age and use.

A Victorian brass bound coromandel stationery box, with domed top, height 16.5cm, length 23.5cm.Additional InformationThere is a horizontal crack/split to the top rim, the interior is a replacement and modern, further cracks/splits to the back corner of the caddy and side panels, feet are possible replacements.

An early 19th century burr yew wood two division tea caddy raised on embossed brass feet, width 22cm (af), a 1930s American cedar wood box, a Morocco leather travelling writing slope and a small quantity of mid/late 20th century treen.Additional InformationThe tea caddy is in very poor condition, the feet are very badly damaged, splits to veneers, losses to veneers, losses to the ebony stringing. The other pieces have various wear throughout.

A Victorian sarcophagus shaped oak tea caddy, the hinged cover enclosing a single lid with two compartments, a Georgian mahogany tea caddy, and a Victorian mahogany case, length 33.5cm.Additional InformationThe case with losses to the veneer and the cover is also smiling, numerous losses and wear throughout, chips and wear, each in heavily used condition.

A Royal Doulton figurine 'Melanie'; a Royal Worcester figurine 'Fiona Les Petites', modelled by Jack Glyn; a Royal Crown Derby Imari pattern plate; two Royal Doulton 'Poppies in a cornfield' plates D6312; Wedgwood Peter Rabbit bowl, two plates and a saucer; a Shelley child's saucer with Mable Lucie Atwell design; Minton 'Haddon Hall' items; and a Ringtons Malingware blue and white tea caddy.

Gordon Russell - A mid-century teak open books shelf, with caddy top above three open shelves, raised on a plinth base, 92 x 53 x 24.5cms.

A George III mahogany bachelor's chest, the caddy top above a brushing slide and arrangement of two short over three long graduated drawers, raised on shaped bracket feet, 84 x 88 x 47cms.

A Wedgwood Jasperware coronation teapot, 1953, together with two milk jugs, sugar bowl and pin dishes etc. Black laquer and gilt oriental tea caddy and a Doulton Lambeth small vase (af)

A small collection of assorted silver items comprising a silver caddy spoon in the form of a right hand by Francis Howard Ltd, Sheffield, 1972, 7.2cm, a small pierced bon-bon dish and a hinged bangle, together with a small picture frame and a silver-backed brush etc. Gross weight approximately 5.36ozt excluding picture frame and brush

A miniature tortoiseshell tea caddy, with hinged top enclosing storage space, raised on turned feet (one foot missing) together with a silver cased, open-face pocket watch, an ebony puzzle ball and a small circular silver pill box with enamelled top

SILVER PLATED TEA CADDY

Teedose, London, um 1820 Silber; quadratische Form, glatte Wandung, Perlrand, frontseitig ein Wappen, Scharnierdeckel mit Knauf; gemarkt: Londoner Beschauzeichen, Jahresbuchstabe "h", verschlagene Meistermarke, Silberfeingehaltsstempel; Schlüssel; Schloss nicht funktionsfähig, H. 12,5 cm; 548 g Tea caddy, London, c. 1820 silver; marked: London hallmark, year "h", maker's mark, silver fineness stamp; key; lock does not work, h. 12.5 cm; 548 g

A mahogany tea caddy with hinged lid and lion mask handles, 27cm wide and another inlaid tea caddy, 23cm wide (2) Condition Report: Available upon request

Amy Sandheim (20th Century) An Arts & Crafts caddy spoon, 1939 silver, with hammered finish and embossed handle hallmarked for London 9.5cm long, together with a silver letter opener by Leslie Gordon Durbin, 21.5cm long (2).

An early 19th Century silver caddy spoon, initialled to handle G.R.B, London 1815, makers mark worn, 0.53toz, a small gold coloured locket , initialled 'MEG from M.W Oct 1901', another silver caddy spoon, Sheffield (date mark worn), makers Hammond, Creake & Co, 0.54toz, a Victorian silver spoon, engraved decoration with twist handle, Sheffield 1899, 0.89toz, other assorted silver teaspoons, plated items and two Victorian miniature photographs 

George III silver and mother-of-pearl handled caddy spoon with broad circular flat bowl and lip, Birmingham 1811, maker John Lawrence

Dutch silver tea caddy with date letter for 1927 of oval form decorated with panels of rural life including a milkmaid and cows and with hinged cover, 10cm high, approx. 4oz (hinge broken)

Chinese Canton porcelain tea caddy and cover, cylindrical and painted with figures in a garden, in famille rose colours, 12cm high (cover with repair) Condition ReportThe lid is chipped and is cracked and/or repaired. The caddy has a chip to the rim. See added photo's

William IV silver caddy spoon with scallop decoration to handle, London 1830, maker's mark worn, 0.7ozt and a George IV silver sifter, initialled 'O' to handle, London 1800, maker William Eley and William Fearn, 1.8ozt (2) 

A George III oak caddy top chest ofm two short over three long graduated drawers, with brass swan-neck fittings, raised on shaped bracket feet, 82 cm w x 48 cm x 77 cm h

A Derby caddy spoon c.1770-80, the large egg-shaped well painted with polychrome flower sprays within a puce line rim, with flat shell handle, 10cm.

A Bow blue and white dish c.1755-60, painted with the Golfer and Caddy pattern of a young boy carrying clubs behind a taller figure, and a Bow scallop shell pickle dish painted with the Koto Player pattern of a musician seated beneath a tree, some damages, 12cm max. (2) Provenance: a private collection in London.

A Georgian fiddle pattern caddy spoon with oval bowl - London 1826

A Victorian OE pattern plain caddy spoon - London 1868 by GA

A Chainmail Purse, Combination Shoe Horn/Button Hook, Tea Caddy Spoon etc

Victorian rosewood tea caddy, sarcophagus shape with bun feet, fitted interior, 36cm.

Victorian mahogany tea caddy, 31cm, rosewood glove box, roswood work box and other boxes.

Regency painted tea caddy, sarcophagus shape, the lid decorated with figures, the case with urne snad scrolling foliage, metal feet, 21cm.

Regency rosewood and brass inlaid tea caddy, sarcophagus form, bun feet, fitted interior, 34cm.

George III satinwood tea caddy, rectangular form with canted corners, rosewood crossbanding, boxwood and ebony stringing, the interior with one division, 19cm.

Regency painted mahogany tea caddy, sarcophagis form, the lid decorated with figures, the case with scrolls, metal ring handles and feet, well fitted interior with two boxes and replacement mixing bowl, 35cm.

A group of silver and other items including caddy spoon, strainer, salt, grape scissors etc

A Georgian silver caddy spoon and a Victorian example by George White (2)

A tray of two Ringtons Maling caddies - Bridges and Castles together with a Ringtons Willow pattern teapot and tea caddy