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81699 Los(e)/Seite
Los 863
Five assorted silver caddy spoons, including shovel shape by Cocks & Bettridge, Birmingham, 1808, 71mm, oval bowl, John Blake, London, 1804, square bow, Joseph Wilmore, Birmingham, 1810, shell bowl, Joseph Taylor, Birmingham, 1810 and curved handle, Lias Brothers, London, 1828. Condition - fair
Los 860
Five assorted silver caddy spoons, including fiddle pattern by Hayne & Cater, London, 1843, foliate terminal handled by George Unite, Birmingham, 1845, bone handled by Hilliard & Thomason, Birmingham, 1879, modern shell bowl, Birmingham, 1985 and leaf bowl, by john Lilly, Birmingham, 1833, 57mm. Condition - fair
Los 360
A George III silver tea caddy spoon, having a scallop shaped bowl and bright cut engraved stem, maker possibly John Thropp, Birmingham, 1802, together with a 19th century white metal caddy spoon, having a shell shaped bowl and engraved stem, two other Edwardian / George V caddy spoons, a silver tea strainer and a shoe horn. (6)All caddy spoons appear in good condition.
Los 344
A George III silver tea caddy spoon, having a plain tear-drop shaped bowl and bright cut engraved handle, maker Peter and Ann Bateman, London, 1796, together with a George III silver teaspoon with feathered edge, maker Hester Bateman, London, 1781, two 19th century silver mustard spoons and two silver salt spoons, 1.5oz. (6)
Los 329
A George III silver tea caddy spoon in the form of a coal shovel, the shaped bowl with simulated woven engraving, maker probably John Bettridge, Birmingham, 1819, together with six other George III amd later silver caddy spoons, various dates and makers, 2.7oz. (7)One with a very misshapen handle.Another with small split to bowl.
Los 426
Small Chinese jewellery box with three drawers and lift out pocket watch stand, all in ebonised wood with gilt floral decoration, early to mid 20th century, 11.5 x 15 x 8.5cm, along with a 19th century oval tea caddy with inlaid patera to the lid, shield form escutcheon, 13cm high, 17cm wide (key present but not locking, multiple losses to the veneer). (2)
Los 246
Modern Masons Pottery "Mandalay" Pattern, a collection of tea and coffee wares, including two coffee pots and covers, two teacups and covers, tea caddy, sucriere, etc. (qty)Condition report not available.After a cursory inspection during cataloguing and sale setup the Masons appears to be in good clean condition but not guaranteed free of fault
Los 1303
TORTOISESHELL TEA CADDY, EARLY / MID 19TH CENTURY of shaped rectangular form, with pagoda top, the interior lined with ivory and green velvet, raised on four bunThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 5H75CPPM. 18.5cm wide Condition is fair / poor, with areas of damage asround the exterior and interior, also parts of the interior missing, detailed in additional images.
Los 1557
COLLECTION OF EARLY ENGLISH PORCELAIN, 18TH/19TH CENTURY comprising tea pots, tea caddy, cups, saucers, plates and sucrier with cover, including New Hall, Worcester, Keeling and Miles Mason, decorated in shades of blue on white with willow pattern and Chinese scenery Provenance: The Collection of the late Dr John Corley Richards (1954-2022), Senior Lecturer in History of Art, University of Glasgow.
Los 1438
OAK ECCLESIASTICAL CUPBOARD, CIRCA 1939 with fluted caddy top over a moulded frieze inscribed Blackfriers Church gifted by Miss A Anderson in loving memory of her brother Robert Thomas Ross Anderson April 1939, above twin panelled doors carved with The Tree of Life, block base183cm high x 116cm wide
Los 67
A mid 18th century ebonised quarter repeating table clockStephen Rimbault, LondonInverted caddy top with four urn finials and moulded edges over circular and shaped glazed side panels to a moulded base and brass ogee bracket feet. 7 inch arched brass dial with strike/silent subsidiary over the Roman and Arabic chapter ring, C-scroll spandrels, finely matted centre, applied signature plaque and date aperture. The movement with five knopped pillars, verge escapement rack striking the hours on a bell and repeating the quarters on a run of six bells and hammers, the backplate fully engraved with foliate scrolls within a single line border. Ticking, striking and repeating, together with two door keys. 52cms (1ft 8ins) highFor further information on this lot please visit Bonhams.com
Los 82
A fine and rare late 17th century gilt metal mounted ebony veneered, quarter repeating table clock.Thomas Tompion, London. Number 181.The caddy top surmounted by a tied-bud handle over fine mouldings to the caddy base framed by a well moulded cornice, the front door with a silk-backed foliate scroll sound fret over harebell escutcheons, the sides with rectangular glazed panels and pierced wood frets, the rear door with lock and plain moulded edge, all on a moulded base and block feet. The gilt brass rectangular dial measuring 8 inches by 7 inches and decorated to the upper centre with symmetrical foliate scroll engraving emanating from a central bud, framed by a pair of subsidiary dials for rise-and-fall regulation and strike/not strike (the latter hand with twin brass nibs), over double-screwed scroll spandrels to the top and winged cherubs heads to the bottom; the silvered Roman and Arabic chapter ring with outer line border, minute track and inner quarter-hour track divided by 'meeting arrow head' half-hour markers. Very finely matted centre with a crisply chamfered mock pendulum aperture and blued steel hands (the hour with hexagonal centre). Signed along the lower edge Tho: Tompion Londini Fecit. Secured to the movement via three latched dial feet. The eight-day twin gut fusee movement united by seven knopped and ringed latched pillars, the slightly smaller frontplate with typical cut-outto accommodate the quarter repeating work; the going train with pivoted verge escapement set in an engraved tear-drop shaped cock, the brass-rod pendulum mounted on a separate tear-drop shaped cock and terminating in a double-faced brass lenticular bob, the heavy brass rise and fall suspension bar mounted above; the rack strike train announcing the hours on a large bell (secured via a facetted brass nut), and repeating the quarters on a smaller bell, the quarter repeat system activated from either side of the case via one of two pull cords to engage with interlinked blued steel levers, one cocked, the other pivoted. Signed in a low rectangular cartouche Thomas Tompion Londini Fecit, framed by a cross-hatched pair of scrolls set within a symmetrical pattern of foliate scrolls and hanging bell flowers, attributed to Graver 155. Ticking, striking and repeating, sold together with a later winding key and two door keys. 39cms (15.5ins) high. Footnotes:This textbook example of the Tompion workshop was made circa 1691. When it originally left the Tompion workshop it was given the number 181. We will never know the full details of the collections it has graced over the last 230+ years, but in June 1957 it featured in an advertisement in Antiquarian Horology, offered for sale by the well-respected antique dealers Biggs of Maidenhead. In December 1973 the great R.A. Lee advertised it in The Connoisseur magazine. At some stage thereafter, it made its way into a private collection in Wiltshire, England. Unfortunately, exactly three centuries after the clock was made, the then owner was the subject of a burglary. The theft was reported in Trace magazine as well as Antiquarian Horology (Spring 1992). To help recovery, two black and white photographs were supplied by the family showing the clock at a three-quarter angle from the front and rear. The UK police investigated the event, and Interpol were alerted, although nothing was heard. Fast forward 31 years to the winter of 2022 when Bonhams were invited to assess the collection of the great Dutch connoisseur and collector, the late Cornelis Paulus van Pauwvliet. Mr Paulus van Pauwvliet had spent a lifetime collecting the finest furniture, silver, rugs and works of art from dealers all over Europe, all housed in his penthouse apartment a stone's throw from the Rijksmuseum. The majority of the collection was sold in our New Bond Street headquarters in November 2023. But one lot was held back - for the time being at least – from the main auction. As per Bonhams standard practice, everything in the collection was checked prior to it being entered for sale against the Art Loss Register. There was a potential match with a registration on its database - the Thomas Tompion bracket clock offered here today. The only notable difference between the 'lost number 181' and the Paulus van Pauwvliet example was the lack of number. In all other respects, the two were a perfect match. Through careful comparison of the current clock and the black and white images, particularly the medullary rays showing in the oak carcass of the open back door, the conclusion was reached that this clock is indeed Tompion number 181, its number having been expertly removed. A 31-year-old mystery had been solved. Both parties were keen to work together to find an equitable solution. Under the guidance of legal teams and the Art Loss Register, an agreement has been reached whereby the clock is offered today on behalf of the theft victims and the Estate of Cornelis Paulus van Pauwvliet.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 105
A most interesting late 17th century ebonised single-handed alarm timepiecePeter WalkerThe case with shallow caddy top surmounted by a tied-bud handle framed by four urn finials on the simple moulded cornice, the sides with glazed panels to a moulded base and later block feet. The 5.75inch square brass dial with single line border enclosing the winged cherubs head spandrels, the silvered chapter ring with Roman hours, meeting-arrowhead half-hour markers and an inner quarter hour track, the finely matted centre with curved mock pendulum aperture, ringed winding squares and a silvered alarm-setting disc centred on a blued steel hand. The single gut fusee movement with small plates measuring 13cms x 9.5cms (5.25ins x 3.75ins) united by four vase shaped pillars, the going train with gut fusee to a pivoted verge escapement and short pendulum with pear-shaped bob, the alarm train with spring barrel and typical double-headed hammer acting on the bell above. The backplate with single line border and full foliate engraving of seven flowerheads, mainly anenomes and cross-hatched flower buds emanating from a central primrose around the barrel arbor. Ticking and with operational alarm. Together with a door key. 31cms (12ins) high. Footnotes:A superb insight into the world of floral engraving on table clock backplates is given in Dzik, S. (2019) Engraving on English Table Clocks. Oxford. Wild Boar Publications, pp61-97.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 92
An interesting late 17th century, and later, twin-train quarter-striking ebony table clockJoseph Knibb, LondonThe later transitional-phase-one style case with low caddy top with applied concave stepped upper section over an elaborately moulded cornice set on spirally twisted gently tapering columns with finely turned capitals and bases to a moulded base on squat ball feet, the sides and rear door glazed, and the movement secured onto the seatboard via a pair of hinged brass latches. The 8.25 inch square gilt dial with winged cherubs head spandrels framing a narrow silvered Roman and Arabic chapter ring, finely matted centre and chamfered date aperture, with blued steel hands, and latched dial feet. The twin gut fusee movement with split plates united by ten knopped and ringed latched pillars, the large barrels driving narrow fusees with open clicks, the going train terminating in a knife-edge verge escapement to a short bob pendulum secured by a hinged latch; the striking train with large (4inch) pierced and numbered outside countwheel with blued backplate striking the hours on a large square-edged bell and repeating the quarters on a smaller bell. Signed Joseph Knibb Londini fecit in a curve, within an asymmetric pattern of engraved flowers including a large sunflower, anenomes, iris and tulip, all framed by a single line border. Ticking, striking, together with two case keys. 44cm (17ins) highFor further information on this lot please visit Bonhams.com
Los 113
A late 17th century table quarter repeating alarm timepiece movement and dial with passing strike in a later caseJohannes Parker, Londini fecitThe (later) bespoke case of good colour and surmounted by a foliate tied handle on a shallow caddy over a moulded cornice and rectangular glazed side panels to a moulded base (at some time further set with ball feet). 5.5inch square dial with winged cherubs head spandrels enclosing the Roman and Arabic chapter ring around a matted centre with alarm-setting disc. The single gut fusee movement with knife-edge verge escapement now with passing strike on the hour, repeating the hours and quarters on a pair of bells and hammers, the alarm sounding via a double headed internal hammer on a smaller bell (verge, alarm, and repeat all professionally replaced). The backplate with single line border framing the symmetrical pattern of four running flowerheads framing the flowing signature within a scroll cartouche. Ticking, repeating and with operational alarm. 32cms (12.5ins) high. This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 87
A very fine late 20th century mahogany eight-day wall-mounted regulator with gravity escapementT. Brameld, Edinburgh. The case by Peter Cuthbertson, EdinburghThe concave caddy top over arched glazed side panels rounded front corners and a long arched glazed door with twin locks to a canted base, the mahogany backboard mounted with two substantial brass open L-shaped brackets, (the left hand one with a rolling pulley to guide the fall of the weight) and a heavy brass pendulum suspension block. Signed 12 inch one-piece silvered circular dial with outer Arabic minute ring enclosing subsidiary dials for Roman hours above running seconds with Observatory Marks, with original blued steel counterbalanced hands. The eight-day, weight driven movement with tapering, footed plates united by six substantial pillars screwed front and back with large blued steel screws, maintaining power and wheels of six crossings throughout, the jewelled gravity escapement set below the plates on a pair of sub-plates secured by a further four pillars and blued steel screws, driving a heavy pendulum with T-bar suspension mounted on the backplate and terminating in a cylindrical bob reading against an engraved silvered brass beatscale, the weight suspended by a six-spoke pulley of substantial construction. Ticking, together with pendulum, weight, case key, crank winder, movement securing bolts and beatscale. 1.65m (5ft 5ins) high. This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 111
A mid 18th century table clock in a re-vennered olivewood caseAsselin, LondonThe inverted caddy top case veneered in olivewood over arched glazed side panels and repousse quadrants to the front door, on a moulded base and block feet. The 6.75inch arched brass dial with silvered strike/silent subsidiary over the Roman and Arabic chapter ring with lozenge half-quarter marks and fleur de lyse floating half-hour marks framing the finely matted centre with decorated mock pendulum aperture (the 'pendulum bob' picked out in red wax), and date aperture, signed beside VI Assellin, London. The twin gut fusee movement united by five knopped pillars, knife-edge verge escapement striking on a bell, the backplate decorated with a bird alighting on a basket of fruit within foliate scrolls framed by a wide wheatear border. Ticking and striking. 49cms (19.25ins) high. This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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81699 Los(e)/Seite