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Preisdatenbank abonnierenA collection of continental silver/metalwares, comprising: an oblong snuffer`s tray, unmarked, possibly 19th century, a Norwegian caddy spoon, a mote spoon, a souvenir spoon, and a collection of Swedish items comprising three tablespoons, two 1805, three dishes, 1963?, a half fluted circular bowl on stand, possibly 1836, probably by Anders Lundqvist, and a candlestick, 1965 Visit www.sworder.co.uk for larger image and condition reports.
An early Victorian rosewood Tunbridge ware tea caddy, the rectangular top with sloping sides with a tesserae mosaic castellated building, opening to an inalid fitted interior with two caddies, flanking a central aperture, 30.5cm wide 17cm high 15cm deep Visit www.sworder.co.uk for larger image and condition reports.
Attributed to Henry Clay, a George III oval papier mache tea caddy, having a ground mother of pearl and lacquered finish on a green ground within painted anthemion borders, the cover with a double C-scroll ornate white metal handle over an oval escutcheon. 11.5cm. Henry Clay was the pre-eminent manufacturer of papier mache of his time with premises in Covent Garden and Birmingham. George III was one of his patrons and, by 1792, Clay was claiming the title `Japanner to His Majesty`. in 1793, he presented his `New Material for Painting a Pot` to Buckingham Palace, and presented to the Queen a sedan chair painted after Guido Reni. By 1803, Clay`s bill head read `Japanner In Ordinary to His Majesty and to Her Royal Highness The Princess of Wales`. The paper Clay used was made of cotton rags and had a greenish-grey colour. Some of his early objects are marked `Clay patent` under a crown, but much 18th century work was personally commissioned and therefore not every piece was marked. Visit www.sworder.co.uk for larger image and condition reports.
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