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81693 Los(e)/Seite
Los 367
An early 18th century ebonised longcase clock by Isaac Goddard, London, the moulded and glazed hood with caddy top above a blind fretwork frieze and straight columns, 12" square brass dial with engraved wheatear border, applied silvered chapter ring, cast brass cherub & crown spandrels, Roman numerals with Arabic minute band, the finely matted centre with ringed winding squares and ringed, decorated date aperture and subsidiary seconds dial, the 8-day twin-train five-pillar movement with internal countwheel striking on bell, anchor escapement, the movement united by knopped and ring-turned pillars; above an ebonised trunk with lenticle glass, on a rectangular plinth base, case with restorations, complete with two brass cased weights and pendulum, 87"/ 221cm tall. (Loomes lists Isaac Goddard in London 1684 - 1699) Est £800 - £1000
Los 323
Good 19th Century mahogany satinwood and coromandel veneered tea caddy, the cover, front, back and side panels each with oval penwork reserves, the hinged cover opening to reveal floral penwork decoration to the underside, the two partitions each having a cover with conforming decoration and script 'Green' and 'Bohea', 19.75cm wide Condition: There is split running along the back of the top, some replacement sections most noticeable to the corners, no key - **General condition consistent with age
Los 293
19th Century tortoiseshell tea caddy of rectangular form, the hinged cover opening to reveal a secondary cover, standing on four stained ivory bun feet, 12.25cm wide Condition: Back panel has fracture around one hinge, some minor nibbles to edges with a larger nibble to the back near the base, feet show signs of being glued on, some nibbles to corner of interior lid, no key - **General condition consistent with age
Los 542
A 19th century French brass fretted mantle clock and garnitures. The brass caddy-top case and garnitures are cast in a Rococo style with acanthus leaves framing the faces of cherubs and a winged crowned diety. The top of the clock is mounted with an eagle finial. The round enamel face has Arabic numerals and central starburst motif with blue-underpainting. Eight-day, two-train movement striking on a single gong. Clock - 47 x 22.5cm. Garnitures - 29 x 10 cm. For a condition report please visit our website www. peterwilson.co.uk
Los 476
A GERMAN SILVER TEA CADDY AND COVER, PROBABLY HANAU, CIRCA 1895 the waisted body of square outline with Chinoiserie scenes within scrolls, with slide-in base, the shaped cover with lion finial, pseudo marks and import marked for William Moehring, London, 1896 15.5cm high, 295gr (9oz)Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
Los 543
A VICTORIAN SILVER TEA CADDY, JOHN EDWARD TERREY, LONDON, 1846 of shouldered oblong form, the sides and hinged lid richly embossed and chased with flowers, foliage, scrolls and matting above four cast supports, engraved on one side with a crest, the interior with detachable divider, the underside engraved 'FLOWER / Silversmith / LIVERPOOL' 16.7cm wide, 887gr (28oz 10dwt) Edward Flower of 77 and 79 Renshaw Street, Liverpool, is recorded at this address with his family in the 1851 Census as a 'Silversmith & Jeweller Master employing 5 persons.' He subsequently moved his business to Bold Street, Liverpool, before retiring to Cheltenham, where he died at the age of seventy-three on 9 June 1873.Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
Los 564
A GEORGE III SILVER TEA TUB (CADDY), THOMAS HEMING, LONDON, 1766 square, imitating a wooden Chinese tea chest, engraved to the sides in the workshop of Robert Clee with simulated planks and twice repeated Chinese pictograms for 'Yi' (righteous, patriotic and justice) and 'Chang' (prosperous, glorious and good) within borders of scroll foliage on a linear ground, the flush-hinged lid with cast flower sprig finial and similarly bordered 9.4cm wide, 410gr (13oz) For an another caddy with the same engraving (including the border details), but with a differing finial, marked Aaron Lestourgeon, 1768, see the Ashmolean Museum, Oxford, No.WA1955.46 and another similar sold Sotheby's, New York, 16 April 2005, lot 274, marked Parker & Wakelin four times, circa 1770. Examples of this model of caddy or canister (called a 'tea tub' at the time) appear between about 1765 and 1773, many with Lestourgeon's maker's mark. Helen Clifford, in her book Silver in London: The Parker and Wakelin Partnership 1760-1776, (Yale University Press, 2004) reconstructs the fascinating system of outworkers who produced these caddies for Parker & Wakelin. The bodies were formed from sheet by Ansill and Gilbert or by Aldridge and Woodnorth for £1 8s. each, the former also supplying three sizes of sprig finial. Aaron and William Lestourgeon then fitted the locks and lined the interiors in lead for 5s. each. The borders and characters were subsequently engraved in Robert Clee's workshop, opposite Parker & Wakelin's shop in Panton Street, before delivery to the retailer. It would seem the process, from start to finish, took under three weeks. Apparently they were retailed by Parker & Wakelin for about £9. The same procedure would have been followed for the supply of these caddies to another leading goldsmiths of the day, Thomas Heming, who had been appointed Principal Goldsmith to the King in 1760. 'The career of one specialist silver engraver, Robert Clee (c.1710-1773), has been studied in depth by Robert Barker. In addition to silver, Clee engraved a number of signed trade cards, including those of the chemist Richard Sidall and the goldsmith Thomas Heming. Barker has demonstrated that Clee's establishment, which included both apprentices and outworkers, provided extensive engraving services for the prominent London retailers Parker and Wakelin as well as for Thomas Heming. Although it is impossible to distinguish among the various engravers he employed, it seems likely that much of the best silver engraving carried out during this period passed through Clee's workshop.' (Beth Carver Wees, English, Irish & Scottish Silver and the Sterling and Francine Clark Art Institute, New York, 1997, pp. 338-340) Interestingly Robert Clee's will (National Archives, PROB 11/987) stipulates: 'I give and bequeath to Mr Parker Mr Wakelin and Thomas Heming Esquire a Diamond Ring Each of the value of Ten pounds to be made by themselves'.Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
Los 437
ËœA TORTOISESHELL TEA CADDY, ENGLISH, EARLY 19TH CENTURY rectangular, the shaped and slightly domed lid with vacant retangular cartouche, slightly bowed sides, silver stringing throughout and on ball feet, interior with ivory border to base and lid and ivory finials to the two compartment covers 18cm longDescriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
Los 497
ASSORTED ENGLISH TABLE SILVER, ALL LONDON comprising: a set of eleven Victorian fern bright-cut coffee spoons, London, 1889, a George III Old English pattern caddy spoon, initialled, Eley, Fearn & Chawner, London, 1809, a cased Christening set of an initialled spoon and fork, Sheffield, 1931, a butter knife with spiral twist stem, London, 1891, and a beaded edge salt spoon; together with two Georgian bright-cut teaspoons, a small sifter spoon, a Continental butter knife with seahorse stem, a Dutch souvenir spoon with the Golden Coach and an Oklahoma souvenir spoon 348gr (11oz) (22)Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
Los 164
A fine Regency penwork tea caddy of ogee rectangular form, the stepped sides with twin bands of flowering branches and leaves below a rectangular lid panel of a camel with tented canopy, amid attendants, one on horseback, within floral spandrels and a tulipwood crossbanded border, the interior with ruched velvet lid lining over a pair of canisters decorated with oriental figures divided by a cut glass mixing bowl, on bun feet, with key, 34.5 x 19 x 19cm
Los 2
A large Tunbridge ware rectangular tea caddy, the lid, front and sides in cube work within line and crossbanded borders, mother-of-pearl escutcheon, the lid interior in burr maple over a pair of removable rectangular canisters with crossbanded lids divided by a conforming bowl mount, 34 x 17.5 x 18cm
Los 372
A George III silver bright cut engraved shell bowl caddy spoon, George Wintle, London 1809, initialled 'M', silver fiddle and thread pattern caddy spoon, London 1815, initialled, the bowl of a Victorian silver caddy spoon, George Unite, Birmingham 1848, and a Victorian silver pickle fork (4).
Los 1183
A William IV rosewood pewter strung and mother of pearl sewing box, of sarcophagus shape, with gadroon borders, on turned bun feet, the hinged cover enclosing a fitted lift-out tray, 30 x 23cm and a George III mahogany boxwood and ebony banded sarcophagus shape tea caddy, the hinged cover enclosing three divisions, 31cm wide (2).
Los 239
A pair of Chinese blue and white baluster vases and covers, late 19th century, painted with birds amongst flowers, four character kangxi marks, 34cm high, a Chinese turquoise ground bottle vase, 17.5cm high, a pair of Canton celadon ground famille rose small plates, 18cm diameter, and a silvered metal rectangular tea caddy decorated with dragons, 12cm wide (6).
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81693 Los(e)/Seite