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A George III oak eight day longcase clock, the caddy top over 12" dial with subsidiary seconds and day of the month aperture, the chapter ring signed 'Martin White' and 'James Parson' surround by gilt corner spandrels, the trunk with split column decoration raised on bracket feet, 225 cm high.
A George III silver old English and bright-cut pattern caddy spoon, makers mark unclear, London 1793, with scallop shell bowl, monogrammed, another silver old English pattern example, by Elizabeth Morley, London 1804, with bright-cut handle and plain circular bowl, and a fiddle pattern example, probably by William Eley, London 1823, with oval bowl, monogrammed (3). Visit www.sworder.co.uk for larger image and condition reports.
A Tunbridgeware tea caddy, late 19th century, the centre with a panel of Windsor Castle with decorative bands, the interior with two lidded compartments flanking a bowl, the lid with a panel of a gatehouse with vermicule type inlay on bun feet, 30.5cm wide x 17.5cm high x 15cm deep. Visit www.sworder.co.uk for larger image and condition reports.
An Edwardian cased tea caddy and caddy spoon, by D Jackson & D Fullerton London 1908, the caddy of baluster form with reeded girdle and everted moulded scroll and shell rim, with domed hinged cover, together with a shell bowl caddy spoon with scroll detailed handle, in original fitted case, caddy 12cm high
A small collection of caddy spoons, to include, a double struck Queen's pattern example with shell and scroll bowl; a George III short handled Old English example London 1791, with bright cut detail to handle and small oval bowl; an unusual George III Fiddle and Thread example, Birmingham; and a George II point Old English pattern example Birmingham 1810, with engraved handle and flower head details to engraved circular bowl (4)
A fine and rare George I oak eight-day musical longcase clock, Benjamin Rodgers, Chesterfield, circa 1730. The substantial five-pillar triple train inside countwheel bell-striking movement playing a choice of two tunes via eight bells with fifteen hammers every four hours, with original anchor escapement and outside fly with adjustable vanes for the music train, the 12 inch square brass dial with subsidiary seconds and foliate engraved calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and foliate half-hour markers, the lower edge signed Benjamin Rodgers, the angles with female mask and scroll cast spandrels, with tune selection switch at 9 o'clock, the case with elaborate moulded caddy and ball finials above integral columns to hood above shaped-top long door with lenticle to trunk, on plinth base with moulded skirt, 242cm high. Benjamin Rodgers is recorded in Hughes, Roy G. and Craven, Maxwell Clockmakers & Watchmakers of DERBEYSHIRE as working in Chesterfield circa 1729-40. Provenance: The Workshop of John Hooper. Visit www.dnfa.com for condition reports.
A George III mahogany bulb cistern tube stick barometer, unsigned, circa 1800. The concave-sided pediment with three turned finials above worn paper scale flanked by turned pilasters, the caddy moulded and angled-grain veneered trunk with exposed tube above square hinged-front cistern cover, 96cm high. Visit www.dnfa.com for condition reports.
A Victorian rosewood mercury cistern tube stick barometer, Brooks, London, circa 1855. With swollen gadroon moulded pediment above glazed rectangular canted ivory double vernier scale calibrated in inches and signed BROOKS, Ludgate Street, London to upper margin, above caddy moulded trunk with vernier adjustment discs and applied Fahrenheit and Reaumur scale mercury thermometer with vase shaped cistern cover and adjustment screw to the shaped base, 103cm high. Alfred Brooks is recorded in Banfield, Edwin Barometer Makers and Retailers as working from 41 Ludgate Street, London 1853-61 and then 48 Holborn Hill from 1862. Visit www.dnfa.com for condition reports.
A fine Victorian mahogany marine barometer, S. Bithray, London circa 1840. With gadroon carved caddy above bowfronted two-piece canted ivory vernier register signed S. BITHRAY, ROYAL EXCHANGE, LONDON, with ivory vernier adjustment disc and brass gimbal mount to collar above spiral twist turned trunk applied with a mercury tube Fahrenheit scale thermometer, terminating in a moulded brass cylindrical cistern canister to base, lacking mercury and glazing, 94cm high. Stephen Bithray is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working from 29 Royal Exchange, London 1827-43. Visit www.dnfa.com for condition reports.
A French gilt brass carriage clock with push button repeat and alarm in a one-piece case, Grohe, Paris, late 19th century. The eight-day bell-striking and repeating movement with alarm and frosted gilt platform lever escapement signed Grohe PARIS to backplate, the rectangular white enamel Roman numeral dial with subsidiary calendar setting dial and indistinct retailers signature, in a one-piece bevel glazed case with caddy moulded angles and hinged carrying handle, 12.5cm high excluding handle, with original leather covered outer travelling case (worn). The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.
A fine French gilt brass and Belge noir marble four glass table regulator with perpetual calendar and moonphase, unsigned, late 19th century. The eight-day bell-striking movement with compensated pendulum and visible brocot escapement to the two piece white enamel Roman numeral dial, set into a foliate engraved rectangular gilt brass mask with further enamel two-piece dial annotated with months of the year to circumference enclosing subsidiaries for date of the month, day of week and moonphase, the whole in a substantial bevel glazed case with moulded marble top and conforming base with caddy moulded uprights between, 48cm high. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.
A fine Queen Anne small ebonised hooded wall clock with alarm, Thomas Wightman, London, early 18th century. The four-finned pillar single train two-handed movement with verge escapement and separately wound alarm mechanism transversely mounted on to the right of the movement and sounding on a bell mounted above the plates, the 6 inch square brass dial with alarm disc to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, diamond half-hour markers and signed Thomas Wightman, London to lower edge, with pierced blued-steel hands and foliate scroll cast spandrels to angles, the ebonised and gilt-line decorated case with domed caddy above moulded cornice, blind fret frieze and very rare horizontally sliding glazed front door to hood, with shaped apron and brackets applied to the backboard beneath, 58cm high. Provenance: The property of a private collector. Thomas Wightman is recorded in Baillie G.H Watchmakers & Clockmakers of the World as working (Lombard Street) 1701-45, becoming master of the Clockmakers Company in 1737. His brother William went into partnership with Thomas Windmills in the 1730's. The current lot appears to have survived in very original condition and the finely proportioned case has the very rare feature of a horizontally sliding front door. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.
A George II inlaid oak eight-day longcase clock, Travis Thorne, mid 18th century. The four pillar inside- countwheel bell-striking movement with 12 inch square brass dial with ringed winding holes, recessed subsidiary seconds dial and star engraved arched calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers, Arabic five minutes and signedTRAVIS THORNE to lower edge, the angles with foliate cast spandrels, the case with ogee-shaped caddy above integral pilasters to hood, rectangular trunk door inlaid with an ebony and boxwood triple-line break-arch panel centred by a parquetry star, on plinth base with moulded skirt, 210cm high. Travis Thorne appears to be unrecorded, however features such as the arched calendar aperture, ogee caddy, integral pilasters to the hood, and parquetry star inlay to the trunk door suggest that the current lot was made in the West Country. From this it is probably safe to suggest that Travis Thorne was possibly related to the Thorne clockmaking family who were active in the Weymouth area throughout the 18th century. The above description should be read in conjunction with IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS printed in the sale catalogue. Visit www.dnfa.com for condition reports.

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