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81699 Los(e)/Seite
Los 1
A George III lacquered and japanned longcase clock, the restored brass dial with silvered chapter ring, seconds dial and calendar aperture, signed James Nesmyth Staines, moon boss to the arch with foliate spandrels, of eight day movement, striking on a bell, the caddy top hood with cavetto moulded arch, faux bamboo pilasters, the slender trunk with arched door, reduced plinth, 77½" high.
Los 1
Four George III and later silver caddy spoons, comprising; a George III silver shell-bowl caddy spoon by John Parsons & Co., Sheffield 1786, with a flat-oval handle engraved with a script monogram, a silver caddy spoon or shovel by Joseph Taylor, probably Birmingham 1809 (date letter rubbed), with an engraved bowl and a hollow handle with initials 'D' over 'AM', a George IV Old English feather-edge caddy spoon, by Richard Poulden, London 1823, with a shell bowl, and a William IV silver King's pattern caddy spoon by George Unite, Birmingham 1833, with a round bowl
Los 1
Four George III and later caddy spoons, comprising; a silver leaf-bowl caddy spoon by Matthew Linwood, Birmingham 1790, with a coiled tendril handle, a George III silver fiddle and thread pattern caddy spoon by Joseph Willmore, Birmingham 1817, with a round bowl and initial 'P', A modern silver jockey cap caddy spoon by Franci Howard Ltd, Sheffield 1972, and a brass fiddle pattern caddy spoon engraved with leaves
Los 1
Three George III and later silver caddy spoons, comprising; an Old English pattern spoon by John Lambe, London 1794, with a round bowl and a monogram, another by John Bettridge, Birmingham 1817, the oval bowl with a pierced border and bright-cut with scrolls and with an S-scroll handle, and another by Joseph Taylor, Birmingham 1821, the shield shaped bowl with bright-cut decoration
Los 1
Four George III and later silver caddy spoons, comprising; a 'dust-pan' shaped caddy scoop, the marks rubbed, Birmingham 1810, with a mother of pearl handle, the bowl engraved with quatrefoils on a matt ground and a script initial 'H' verso, a silver shovel with a spiral carved mother of pearl handle by George Unite, probably Birmingham possibly 1839 (date rubbed), and two fiddle pattern caddy spoons or scoops, one with a floral engraved and initialled handle by George Unite, Birmingham 1841; the other by Taylor & Perry, Birmingham1847
Los 1
Three George III silver Old English pattern caddy spoons, comprising; a George III silver caddy spoon or scoop by Cocks & Bettridge, Birmingham 1805, the bowl engraved with a navette reserve, and with a script initial 'B', another by Joseph Willmore, Birmingham 1811, with a fluted round bowl and an engraved handle, and another caddy spoon or shovel, maker's mark JH not traced, London 1815, the handle engraved with initials 'E.G.'
Los 1
A George III silver and spiral-carved ivory handled 'dust-pan' caddy spoon or scoop by John Turner, Birmingham 1813, the bowl with a shaped front, a pricked foliate band and script initials 'CP', a silver and carved mother of pearl caddy spoon or scoop by George Unite, Birmingham perhaps 1836 (date rubbed), a George III silver caddy spoon or scoop by Lawrence & Allen, Birmingham 1802, with a turned green-stained ivory handle
Los 1
Four George III and later silver caddy spoons, comprising; an Old English pattern caddy spoon, the makers mark rubbed, London 1823, with a fan shaped fluted bowl and an engraved handle, another Old English pattern caddy spoon or shovel by Cocks & Bettridge, Birmingham 1807, with pricked decoration; a fiddle pattern caddy spoon, London 1818, with a canted-oblong bowl, and another fiddle pattern caddy spoon or shovel, possibly by Samuel Pemberton (mark rubbed), Birmingham 1810, with initials
Los 1
Three Victorian caddy spoons, comprising; one with a lobed bowl embossed with shells and with an openwork handle in the form of trailing lily pads, Birmingham 1852, another with a bell-shaped bowl embossed with fruiting vines and with a handle in the form of trailing vine leaves, Birmingham 1853, and a similar longer example by Hilliard and Thomason, Birmingham 1862
Los 1
A George III silver drum-shaped tea caddy by John Lawford and William Vincent, London 1763, simulating the design of a tea chest engraved with pseudo Chinese characters within four panels with foliate scroll borders, the flush-hinged cover with a finial in the form of a sprig of a tea plant, 13.5cm (5.25in) high overall, 467g (15 oz)
Los 1
Ebonised two train bracket clock, the back plate inscribed HB with a windmill, no. 14303, striking on a bell, the 7" arched brass dial with silvered chapter ring, cherub spandrels and moon phase to the arch within an ebonised case mounted with caryatid and surmounted by a caddy top and brass handle, 20" high
Los 1
GOOD TRIPLE FUSEE CHIMING BRACKET CLOCK, the movement stamped Thwaites & Reed, London, no. 14090, chiming on eight bells and striking on another bell, with pull repeat, the 8" arched dial signed Thwaites & Reed, London with strike/silent dial to the arch, within an ebonised ormolu mounted case surmounted by a caddy top and brass handle, 24" high
Los 1
GOOD MAHOGANY DOUBLE FUSEE VERGE BRACKET CLOCK BY GEORGE GOULD, the engraved back plate signed George Gould, South Molton, the five pillar movement with pull repeat and striking on a bell, the 8" arched brass dial signed George Gould South Molton with silvered chapter ring, calendar aperture, matted centre and strike/silent subsidiary dial to the arch, within a flamed mahogany case with glazed side doors, caddy top, acorn finials and carrying handle, 22.5" high
Los 1
Mahogany three train bracket clock on eight bells and four gongs, the back plate stamped with the makers trademark L.F.S. striking on a gong, with 7" silvered chapter ring and subsidiary slow/fast and chiming bells/Westminster gongs subsidiary dials, within a stepped case with fluted canted pilasters surmounted by four brass urn finials, caddy top and brass carrying handle, 21" high
Los 1
MARQUETRY EIGHT DAY LONGCASE CLOCK the substantial five pillar movement with inside countwheel and pull repeat, the 12" square brass dial signed Windmills, London, the matted centre with subsidiary seconds dial, calendar aperture and ringed winding holes, the walnut case inlaid with flowers, birds and baskets, the long door inset with a lenticle the hood surmounted by a caddy top, replaced fretwork and plinth,(repairs), 98" high
Los 1
WALNUT EIGHT DAY LONGCASE CLOCK BY JOHN BILBIE, AXBRIDGE, the 12" brass dial with moon phase and High Water at Bristol Key to the arch over subsidiary seconds dial and calendar aperture to the engraved centre, the case with quarter veneered door inlaid with a boxwood and ebony chequered line, the hood with caddy top (repairs and alterations to hood and base), paper label to interior "John Kidson, Cabinet Marker, living in Lamb Street, at the Sign of the Clock-Cafe and Star near the White Hart, without Oawford's-Gate, Bristol... printed 1759", 97" high. This clock was made between 1760 and 1767 and only a small number of John Bilbie's clocks have survived, this particular clock is fully illustrated in the Clockmakers of Somerset by A.J. Moore, pages 475 and 476
Los 1
A carved oak eight-day longcase clock. The four-pillar rack and bell striking movement with associated 12 inch square brass dial with arched calendar and penny moon to the foliate engraved matted centre within Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and bearing signature Major Schofield ROCHDALE, the angles with female mask and scroll pattern spandrels, now in a caddy-top case with spiral twist pilasters to hood above shaped-top trunk door and plinth base now with later foliate carved decoration throughout, 219cm high.
Los 1
a Meissen monkey playing the guitar blue crossed sword mark, 15cm high; a Meissen cup and saucer, both decorated with a painted panel of two figures with a horse (damages and lacking handle), underglaze blue crossed sword mark; and a Meissen tea caddy, puce painted with scrolling flowers (lacking cover), 9.5cm high (3)
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81699 Los(e)/Seite