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An embossed matching four piece brush set in the rococo style by Broadway & Co., Birmingham, 1966 (comb back dated 1979), all in good condition; a George V silver caddy spoon with etched decoration by William Hutton & Sons Ltd., Sheffield, 1923, 66mm; a sporting silver medal and an elliptical brooch with seahorse decoration and mother-of-pearl backing (some missing, see extra photos), 57 x 81mm (4)
Group of ceramics including 4 hand decorated crescents in the manner of Royal Worcester: These each measure 11.5cm wide. Also Continental porcelain tea caddy with lid 13.5cm high & an unusual Swedish cup by Rorstrand, 6.5cm high, made for the Rorstrand London exhibition of 1959, and marked as such to base.
OAK TANTALUS, MAHOGANY TEA CADDY & A..A. MILNE WINNIE THE POOH VOLUME, the tantalus with Staniforth's patent lock and plated mounts, with cut glam decanter and 3 silver decanter labels, 34cms wide; mahogany 2-division tea caddy, 21cms wide; the 1927 third edition volume with green cloth and gilt (some early illustration coloured-in, endpage inscribed) (3)
Full title: A polychrome Dutch Delft black- and gilt-enhanced tea caddy, late 17th C.Description: H.: 13 cmÊ Marked AK on the base for Adrianus Kocx, the 'De Grieksche A' workshop, Delft, 1687-1701.Ê Provenance: The Van Herck collection, Antwerp.Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Full title: A Dutch Delft blue and white tea caddy with screw cap, late 17th C.Description: H.: 14,5 cmÊ Marked AK for Adrianus Kocx, the 'De Grieksche A' workshop, Delft, 1687-1701. The caddy and lid both marked with a numeral '0'.Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Full title: A rare Dutch Delft blue and white warming bowl with the arms of the Austrian von Zinzendorf family, late 17th C.Description: L.: 27 cm - H.: 12,5 cmÊ The arms are those of the Austrian von Zinzendorf family, and date from 1637. The actual command however, was placed much later. A possible reason may have been the anticipated birth of the most famous member of the family, Nikolaus Ludwig von Zinzendorf, in 1700. Nikolaus Ludwig, Reichsgraf von Zinzendorf und Pottendorf (26 May 1700 - 9 May 1760) was a German religious and social reformer, bishop of the Moravian Church, founder of the Herrnhuter Brüdergemeine, Christian mission pioneer and a major figure of 18th century protestantism.Based on other known pieces from the service, we attribute it to Adrianus Kocx, the 'De Grieksche A' workshop, Delft, 1687-1701. Ê Ref.:- Rijksmuseum, Amsterdam, object number BK-1962-54, for a tea caddy from the von Zinzendorf command. (link available on our website)- Christie's, Amsterdam, May 30, 2001, lot 433, for a small chamberpot from the von Zinzendorf command. (link available on our website)- Lempertz, Cologne, Nov. 18, 2016, lot 457, for a small vase from the von Zinzendorf command. (link available on our website)Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Full title: A Dutch Delft cashmere palette tea caddy, 1st half 18th C.Description: H.: 15 cmÊ Marked IVL on the base for Johannes van Lockhorst, the 'De Klaauw' workshop, Delft, 1713-1740.Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Early 19th-century mahogany sarcophagus-shaped tea caddy, rectangular hinged lid, cross-banded, match figured veneers, tear-drop escutcheon, button feet, interior with lid covering lead lined compartments.32cm (13") x 15cm (6"), height 20cm (8")Condition report: All external veneers in good order, interior originally with three sections, two dividers missing.
A large selection of silver and white metal items, to include a pair of silver candlesticks, a pair of crystal and silver knife rests by AB& Co, four fruit knives, a selection of napkin rings, a pair of open salts, a clear glass and silver mustard pot, a vesta case, a silver and frosted glass butter dish, a Sharps Pixley & Co Bullion Brokers one ounce fine silver bar, and a selection of Georgian and later flatware, to include an Arts & Crafts style spoon by Amy Eleanor Stewart, gross weight of hallmarked and solid silver items 13.05ozt.Condition report: Overall condition good to fairKnife rests - some chips to crystal, marks worn but legibleCandlesticks- height 6.7cm, Henry Bushell & Co, Birmingham, 1965 - a couple of light dentsVesta case - William Neale, Chester, 1901, light scratchesButter dish - Stokes & Ireland Ltd, Chester, 1921, some light nibbles to glassSalem spoon - Daniel Low, hallmarks for BirminghamNips, ER, London, 1892 & G E Walton & Co Ltd, Birmingham, 1896Pair of teaspoons - William Johnson, London, 1832 - some dents to bowlsTeaspoon - Thomas Dicks, London, 1808Caddy spoon - Henry Holland, London, 1849Coffee spoon - Amy Eleanor Stewart, Chester, 1908Indian white metal spoons - unmarked
A 19TH PARQUETRY INLAID TEA CADDY, having a circular metal escutcheon, the interior with a central compartment for the glass bowl (missing), flanked to each side by a lidded compartment, and raised on bun feet, with carrying handles to each side, H 18cm x W 35cm x D 15.5cm Condition Report : One of the carrying handles has broken off but is still present Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A 19TH CENTURY WALNUT TEA CADDY having an escutcheon to the centre, the hinged top opening to reveal a central lidded compartment, flanked to two lidded compartments each with a hinged top, H 16cm x W 30cm x D 16.5cm Condition Report : Some damage/losses to the veneer Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Three parts antique, various. Consisting of; Art Nouveau tile coaster with nickel-plated rim, circa 1900, break in. Crystal glass tea caddy with 833/000 silver cap, circa 1880, decorated with pearl rim, size: JM van Kempen Voorschoten. Regina Delft blue plate with 833/000 silver bracket and sawn Biedermeier decor. Dimensions: 16 - 23 cm. In good condition.
A Victorian silver Kings pattern tea caddy spoon by Mary Chawner, London 1839, with a shell design bow, 12.5cm long and a George III silver Old English pattern sauce ladle by Randall Chatterton, London 1800, 18.5cm long, each engraved with a family crest, combined weight 95g. Condition: both worn
A VICTORIAN MAHOGANY HOUR-STRIKING DOMESTIC LONGCASE REGULATORDavis, Shiffnal, circa 1840The four pillar rack and bell striking movement with Harrisons maintaining power and deadbeat escapement incorporating jewelled pallets regulated by brass and steel grid-iron compensated seconds pendulum incorporating stirrup rate adjustment above the large lenticular bob and with fine beat adjustment to crutch, the 12 inch square silvered brass dial with overlaid Roman numeral hour disc incorporating large diameter subsidiary seconds dial over signature Davis, SHIFINAL to centre and with Strike/Silent selection switch at twelve o'clock, with decorative blued steel arrow hands and applied with leafy scroll decorated panels to spandrel areas, in a case with triangular pediment over hinged glazed hood door applied with reeded mouldings to the glazed dial aperture and with rectangular side windows, the trunk with concave throat moulding and flame figured frieze over rectangular glazed door flanked by free-standing reeded columns with brass caps and bases to front angles, the base with stepped ogee top moulding over rectangular caddy moulded raised panel flanked by canted angles, on bracket feet.211cm (83ins) high, 51cm (20ins) wide, 23cm 99ins) deep. John Davis is recorded in Loomes, Brian Watchmakers and Clockmakers of the World as born in Shiffnal, Shropshire in 1799 and working as a clockmaker up until circa 1875. The current lot is noteworthy in that the maker gave the pendulum and escapement a great deal of attention with the latter having jewelled pallets and the former being finely constructed with gridiron compensation, very heavy bob attached by hooks and calibrated rate adjustment within a stirrup type frame above the bob.Condition Report: Movement is in fine clean working condition having been recently serviced and is free from visible alteration or significant replacements. The dial has some moderate rubbing/discolouration to the silvering otherwise is in fine original condition and is nicely detailed. The seatboard is original to the case however there is a more recently made wooden bridge-shaped support applied to the upper surface to raise the movement to allow correct positioning of the dial within the hood aperture. As the original corresponding holes for the lines and for securing the movement via bolts through the bottom movement pillars are present in the seatboard, the current 'bridge' support would appear to be an honest replacement of a block that was previously applied to the seatboard to raise the movement. When considering these details we are of the opinion that the movement and dial are most likely original to the case. The case is in fine condition having been recently cosmetically restored; faults are hence very much limited to bumps, scuffs and other very slight age related blemishes.Clock is complete with pair of brass-cased weights, 'gridiron' pendulum, case keys and a winder. Condition Report Disclaimer
AN IMPRESSIVE INLAID MAHOGANY EIGHT-DAY QUARTER CHIMING LONGCASE CLOCK WITH MOONPHASEThe dial bearing a signature for Robert Roskill, Liverpool, circa 1900 incorporating earlier elementsThe substantial five columnar pillar triple train movement with plates measuring 9 by 11 inches and deadbeat escapement regulated by seconds pendulum, the chiming train incorporating a choice of two sets of notations for the quarters sounding via transverse pinned cylinder on eight tubular gongs suspended from the case backboard and the hour train sounding on an additional larger gong, the 14 inch brass break-arch dial with subsidiary seconds dial and bearing inscription Robert Roskill, Liverpool to the foliate scroll engraved silvered centre within applied Roman numeral chapter ring with scroll and sceptre half hour markers and Arabic five minutes to outer track, with pierced blued steel hands, mask inhabited scroll cast spandrels to angles and strike/silent opposing chime selection levers to margins, the arch with rolling moonphase incorporating terrestrial globe engraved silvered lunettes and age of the moon scale to the upper margin, in a case in the manner of Gillows with cavetto moulded swan neck pediment, gilt pagoda and wheatsheaf floral decorated panel inserts and break-arch frieze over the hinged glazed dial aperture applied with reeded Roman Doric half-columns to stiles and flanked by conforming complete free standing columns, the sides each with lozenge panel inlaid frieze over rectangular brass grille sound fret and conforming pilaster planted next to bargeboards at the rear, the trunk with concave throat and alternating lozenge and shaped diamond panel inlaid frieze over shaped-top caddy-moulded door veneered with an oval flame figured panel within line border and quartered infill, flanked by free-standing columns to angles and with small rectangular panel beneath, the sides each inlaid with an arrangement of oval circular panels within triple line borders and conforming quartered infill, the plinth base with stepped ogee top mouldings over conforming circular panel inlaid front flanked by canted angles, on ogee bracket feet.260cm (102.5ins) high excluding finials, 69cm (27ins) wide, 38cm (15ins) deep. Provenance: The Selwyn Demmy Collection. The case if the current lot is of particularly fine quality and essentially dates to around 1810. The overall attention to detail - in particular the precision of the inlay, crispness of the mouldings and superb column turnings indicates that the case was made by a leading workshop, hence would warrant a possible attribution to Gillows of Lancaster. The movement is also of fine quality but was made around 1900 and, in order to create room for the tubular bells/gongs, required the case to be increased in depth by around 2 inches. This work was executed extremely well with a great deal of effort taken to ensure perfect integration with the earlier elements. Indeed the sides of the trunk would have required r-veneering with the current arrangement of oval and circular panels no doubt being devised at that time to add decorative detail so to lessen the effect of the increased depth.
A WILLIAM III HOODED WALL CLOCK MOVEMENT WITH SEVEN-INCH DIALEtherington, London, late 17th century The two train four finned pillar weight-driven outside countwheel bell striking thirty-hour movement with anchor escapement regulated by seconds pendulum, the 7 inch square brass dial with matted centre within applied Roman numeral chapter ring with sword hilt half hour markers and signed Etherington, London to lower margin, with sculpted steel single hand and winged cherub mask cast spandrels to angles, now mounted on an oak wall bracket incorporating shaped arch to the lower edge of the backboard and matching brackets to take the simple box-like hood with caddy moulded top.The case 37cm (14.5cm) high, 23.5cm (9.25ins) wide, 13.5cm (5.25ins) deep. George Etherington is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as being made a Free Brother of the Clockmakers' Company in 1684 having previously being apprenticed to Robert Rooksby possibly in Newcastle-on-Tyne or York. In 1689 he moved from the 'Dial in Fleet Street' to 'against the New Church in the Strand', London. In 1697 he signed the Oath of Allegiance and became an Assistant of the Clockmakers' Company in 1701, Warden in 1706 and finally Master in 1709. He attended until at least 1720 and is thought to have died in 1729.
A GEORGE I FIGURED WALNUT EIGHT-DAY LONGCASE CLOCKJohn Sebire, London, circa 1720The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the finely matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and S/N strike/silent switch at twelve o'clock, with scroll pierced steel hands and applied mask and scroll cast spandrels to angles beneath arch with silvered boss signed John Sebire, LONDON flanked by dolphin cast mounts, in a case with domed caddy surmount and moulded cornice over break-arch hinged glazed dial aperture applied with three-quarter columns to angles with cast gilt brass caps and bases, the sides with rectangular windows and quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over break-arch door with finely figured veneers edged with crossbanding and complex mouldings, the base with concave top mouldings over slightly reduced crossbanded front and later tall skirt.236cm (93ins) high excluding finials, 53cm (21ins) wide, 26cm (10.25ins) deep. Provenance: The Selwyn Demmy Collection. John Sebire is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in the parish of St. Annes Blackfriars. London, from around 1715 until September 1745.Condition Report: Movement is in relatively clean working condition. The trains appear all-original with the possible exception of the escapement pallets which are probably 19th century service replacements. The fifth movement pillar has been removed (often occurred during the 19th century as a means to acquire brass!). The dial is in good clean condition and appears to retain its original hands. The movement is fitted with an old oak seatboard which rests on slips applied to the upper surfaces of the trunk uprights (cheeks); the presence of these slips would suggest that the movement and dial are probably not original to the case.The case is generally in good presentable condition. The hood would have originally been fitted with blind frets to the quadrants either side of the arch and the left hand window has an old lead repair to the pane. The right hand throat moulding is currently loose however re-attachment should be very straightforward. The trunk is otherwise in very good condition with fine quality veneers to the door and fine colour. The door is a little tight on its closing (due to slight movement/shrinkage) this could probably be remedied through adjustment of the door hinges if deemed a problem. The trunk door lock has been braced with a small iron strap applied over the lock to the inside. The base of the case has lost a small amount (probably around an inch) from the 'box' and is applied with a later taller skirt. Whether the original veneers beneath the skirt are intact is unknown. Faults to the case are otherwise limited to relatively minor age related bumps, scuffs shrinkage, a few small historic localised veneer patch repairs and other blemishes commensurate with age and use.Clock has pendulum, two weights, case key (an ill-fitting replacement) but no winder. Condition Report Disclaimer
A GEORGE III OAK THIRTY-HOUR LONGCASE CLOCKPhilip Avenell, Farnham, circa 1770The four pillar countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 10 inch square brass dial signed in fine copperplate script Phil'p Avenell, Farnham to the foliate scroll engraved centre within Roman applied Roman numeral chapter ring with fleur-de-lys half hour markers, with scroll pierced iron hand and rococo scroll cast spandrels to angles, the case with cavetto conduce over three-quarter columns applied to the hinged glazed dial aperture to hood over trunk with concave throat moulding and rectangular caddy-moulded door over plain plinth base with moulded skirt.198cm (78ins) high, 47cm (18.5ins) wide, 25.5cm (10ins) deep. Philip Avenell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Farnham in 1765 then London 1775.
A FINE GEORGE III MAHOGANY BAYONET-TUBE MERCURY STICK BAROMETER WITH LARGE SCALE THERMOMETERNairne and Blunt, London, circa 1780 The arched-top caddy moulded case inset with glazed hygrometer inscribed DAMP DRY and with beard setting square beneath over concave-topped silvered Vernier scale calibrated in barometric inches to the right hand margin opposing weather observations to the left, the upper margin signed Nairne and, Blunt, London and the lower edge decorated with an engraved leafy scroll flanked cavetto-shaped angles, the trunk applied with full-height silvered-scale mercury thermometer calibrated in Fahrenheit with scale divided in degrees annotated 0-120 opposing markers inscribed Freezing, Temperate, Sum'r Heat, Blood Heat and Fever Heat over spiral pierced brass bulb shield and circular base applied with half sphere cistern cover incorporating sleeved level adjustment screw to underside. 108cm (42.5ins) high. The collaboration between Edward Nairne and his former apprentice Thomas Blunt is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as established in 1774 and lasting until 1793. Edward Nairne was born in 1726 and apprenticed to the celebrated instrument maker, Matthew Loft, in 1741. Latterly he worked from 20 Cornhill and published numerous booklets on navigational, pneumatic and astronomical instruments. In 1776 Nairne devised a marine barometer with a restriction to the bore of the mercury tube which served to dampen the oscillation of the mercury, he was elected Fellow of the Royal Society in 1776 and died 1806. Thomas Blunt was apprenticed to Edward Nairne in 1760 with whom he formed a loose partnership in 1774, perhaps for mutual convenience as his premises were next door to Nairne's at 22 Cornhill. Blunt designed some of the components for the 'New Barometer' devised by the Portuguese Scientist J.H. Magellan for measuring altitude, and latterly became instrument maker to George III. In 1793 he took his son, also named Thomas, into partnership and subsequently relocated to 136 Minories in 1814, he died in 1822. A small group of bayonet-tube stick barometers incorporating a large scale thermometer by Nairne and Blunt are known. These include an example in The Whipple Museum, Cambridge (illustrated in Goodison, Nicholas English Barometers 1680-1860 on page 186, Plate 124); another previously in the collection of Edwin Banfield is illustrated in his publication BAROMETERS, Stick or Cistern tube on page 75 and a third was also sold in these rooms on 15th March 2018 (lot 38) for £3,200 hammer. These three differ from the current lot in that they do not have a hygrometer fitted however an example which also includes a hygrometer, hence is very closely comparable with the current lot, was sold at Lyon and Turnbull, Edinburgh, 19th May 2021 in their sale titled Five Centuries: Furniture, Paintings & Works of Art (lot 123) for £4,000.Condition Report: The tube is filled with mercury with no apparent airlocks. The register plates/scales have overall patchy discolouration and tarnishing to the silvering otherwise are in fine original condition with the delicate engraving showing very little wear suggesting that the plates have not been re-silvered many times in the past. The wheat beard to the hygrometer is currently detached otherwise is in good condition with the adjustment mechanism intact and working. The thermometer is in good condition; the brass fittings are however somewhat discoloured/tarnished. The case is in good original condition showing old but relatively flat surface with some wear mainly to the dome of the cistern cover. There is no key present to the hygrometer or level adjustment squares. Condition Report Disclaimer

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81693 Los(e)/Seite