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81693 Los(e)/Seite
TWO SIMILAR CHINESE PORCELAIN BLUE & WHITE ARCH TOPPED TEA CADDIES one with lid, both depicting pagodas, boats & figures within landscapes, unglazed to base, bases unmarked, 14cms high - the tallest (2) Condition Report: caddy without lid appears okay overall but is missing lid, surface wear as expected, the other has a chip to shoulder of caddy & lid also has chips to rim, both unmarked.
Mid 18th Century oak-cased eight day brass dial longcase clock, John Fordham, Dunmow, No.389, the 12" square dial with silvered chapter ring, Roman hours and Arabic minutes, matted centre with silvered subsidiary seconds ring, and calendar window, the case with caddy top, ball and spire finials, long trunk door and stepped base Condition:
A Brett Guthrie Leach Pottery tenmoku glazed stoneware tea caddy and cover.From the Bret Guthrie CollectionOriginally born in Barrow-in-Furness in 1916, to a Russian mother and English father, Bret Guthrie moved to Cornwall in 1926 when his father's work took the family to Falmouth, where he enjoyed his school years before the family moved again to East London. He later returned to Cornwall to await his army call-up for WWII. Whilst living in Nancledra, a cycling accident in St Ives threw him quite literally, at the feet of David Leach, son of the renowned potter. This led to a life-long friendship with both father and son, as well as a job dealing with the pottery's accounts. During his time at the Leach Pottery he also learnt about glazes, clay preparation and fired a few of his own pots. When the original kiln hearth, built by Tsurunosuke Matsubayashi in 1922 came to the end of its useful life, Guthrie and David Leach constricted a new one. At this time, Bernard Leach was away teaching at Dartington and as he and his son were so busy, Bret was tasked with experimenting with clay mixes and glazes and recording the results for the use of the pottery. Through Leach, Bret met and befriended many of the St Ives artists, Peter Lanyon, Naum Gabo, Adrian Stokes, Barbara Hepworth and Ben Nicholson etc. He married, and despite his role as a pilot in the RAF, he survived the war unscathed and took up teaching in 1946. Bret and Wendy became close friends with Francis Horne and her daughter Marjorie. It was Francis a local wealthy philanthropist who lived at Tremorna in Carbis Bay who offered Bernard Leach a capital loan of £2500 to set up his pottery with Hamada and also an assured income of £250 for 3 years and it was from Marjorie that Wendy inherited a cottage and collection of Leach pottery. It is a tantalising thought that some of the lots offered in this sale may have been personal gifts from Leach to his benefactor.Bret followed a productive and satisfying career, teaching in various Cornish schools and enjoying the exciting social life of post-war St Ives. He took an active interest in archaeology and joined many important digs and his work in Cornish pre-history led to his induction as a Bard in the Cornish Gorseth in 1959. In later life, he travelled extensively and involved himself in many local community projects including the creation of the Tate St Ives. It was here at the Tate in 2001, where Bret passed away whilst invigilating.
A collection of wooden boxes to include a Georgian tea caddy with twin caddys to the inside with ivory ball handles, a Chinese lacquer music / jewellery box with a mountain scene to the top with inlaid mother of pearl, and a desk tidy box with a drawer and a brass swing handle. Tallest 22cm high 27cm wide 16cm deep.
A 20th Century Japanese metal tea caddy / tea pot combination of hexagonal form having decorative pictorial panels to each side featuring women in traditional dress with enalled colouration, filigree butterflies to the top, arched swing handles with the lid having a finial in the form of a rat.
A Victorian walnut and marquetry rectangular lady's work box, hinged cover enclosing a lift-out try and a fitted interior, veneered with geometric bands and inlaid mother-of-pearl lozenge, 30cm wide, c. 1860; a Victorian domed rectangular walnut tea caddy, applied with cut-card work, 20cm wide, c. 1860, (2)
A pair of table candlesticks Elkington, Sheffield 1908, of oval form, threaded borders, tapering stem, together with; a silver low comport, Brook and Sons, Sheffield 1934, of octagonal form, moulded rims, vine leaf and pierced border, all on low circular foot; a small tea caddy of oval form, demi ribbed Height: 23cm, weight comport: 18oz
Extensive Chinese 12 place setting canteen of white metal cutlery with bamboo effect handles, bamboo leaf engraving to blades and spoon bowls and bamboo leaves to some handles, all with maker's mark for Gem Wo, in fitted handwood boxes marked Sun Chong, silver and gold smith Hoong Sue Lee Canton, comprising twelve knives, twelve forks, twelve fish knives, twelve fish forks, pair of fish servers, eleven apostle stle teaspoon with Chinese figures to tops, eleven further teaspoons, sifter spoon, four various serving spoons, two pickle forks, buttler knife, caddy spoon, two peppers and two salts and spoons, one further salt spoon, weight excluding glass liners in salts, 2608g

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81693 Los(e)/Seite