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A CHINESE EXPORT BLACK AND GILT LACQUER TEA CADDY, MID 19TH CENTURY. Of octagonal form on three lion feet decorated with figures in courtyard scenes with butterflies and floral scrolls. With original pewter caddies and covers to the interior. With working key.Hinges most likely replaced. Crack to front right foot. Some cracking to lacquer in the interior of cover. Some small areas of lacquer loss to the exterior.
A large late Victorian silver mounted ice water ewer, London 1899 by Barnard Brothers, with removable ice compartments, hinged cover and angular handle, 30 cm high, a pair of weighted silver candlesticks, Continental 800 standard pot and cover, silver salts, modern wine bottle collar, vesta case, two silver wine coasters, a Russian silver and enamel caddy spoon and continental souvenir teaspoons.
An Edwardian silver tea caddy bombe shaped with four raised scroll and rocaille supports, the hinged cover with stylised finial, hallmarked by Lee & Wigfull, Sheffield, 1902, numbered 2, approx. 233.7 grams (7.2ozt), approx 14cm high.Further Details: dent to upper section side, wear commensurate with age and use
A collectors lot to include: A small 20th century wooden rocking chair, a wooden tea caddy with bun feet (no innards), a wooden and fabric lined letter box, a 20th century stylised wooden circular hanging barometer, a small wooden four legged stool, and an English made travel suitcase with remnants of old travel stickers.
A collection of silver spoons to include; a George III silver fiddle and thread pattern condiment ladle, hallmarked London, 1790, George Smith 7 William Fearn, an early 20th century embossed silver caddy spoon by Levi & Salaman, an Art deco style Sheffield silver preserve/jam spoon, a London silver trefid spoon by Wakely & Wheeler, initialled to terminal, five matching Golf related Walker & Hall tea spoons, five matching beaded patterned Joseph Rodgers & Sons tea spoons, a set of six Victorian fiddle pattern tea spoons, hallmarked London, 1868 and 1859, Charles Boyton along with various others. (1 bag). weight approx. 506 grams (16.2ozt)Further Details: Some tarnishing, wear and slight surface scratching etc.
A late Georgian mahogany Pembroke tea table, the rectangular double flap top with fluted edge, above an unusual frieze drawer with tea caddy and mixing bowl fittings, opposed by another drawer, on spiral fluted stem, and four fluted down swept legs, and brass caps and castors, 110 x 54 x 73cm
An early 19th Century inlaid mahogany tea caddy, with harewood and boxwood stringing, decorated throughout with flower and leaf motifs, ivory escutcheon, opening to reveal internal compartments and with underlying 'secret' drawer to the back, raised on brass ball feet, 28 x 16 17cms.Self-declaration ivory reference CC8ME3JN
Y A COLLECTION OF VARIOUS TREEN AND BOXES VARIOUSLY 18TH, 19TH AND 20TH CENTURYComprising; a George III walnut and ivory inlaid door stop, of wedge-form and engraved initials, 21cm long, a Victorian burr yew or oak small, low, stool, possibly South Yorkshire, 28.5cm wide, a George III mahogany tea caddy with Greek key frieze, 28cm wide, a miniature cheval mirror, 21cm high, a miniature dresser (with miniature accoutrements) a burr walnut and ivory inlaid barrel, initialled JC, and a pair of candlesticks, 27cm high(qty) De minimis licence ref: M6YTYLN1 (George III door stop)De minimis licence ref: WWK87JJK (A burr walnut and ivory inlaid barrel)Provenance: The Fulwood Collection
Arts and Crafts Newlyn beaten silver spoon hallmarked for London 1910, maker's mark 'R.T.D.', probably Reginald Thomas Dick, the reverse of the shell shaped finial centre marked 'Newlyn Enamel', all hand hammered. 13cm long approx. Together with another 19th century leaf design foliate caddy spoon, Birmingham hallmarks, makers initial G U, 10cm long approx. (2) (B.P. 21% + VAT) Enamel is missing. Good clear hallmark (impressed marks). No obvious damage to spoon. Other spoons - a little grubby, bu no obvious damage and appears complete.
A pair of George II silver cauldron salts and other silverfirst London, 1743, David Hennell, plain bellied form on stepped hoof fee, gilt interiors fitted with blue glass liners, initialled, together with a George III folding fruit fork with engraved mother of pearl grip handle, duty mark and lion passant only, caddy spoon in the form a shovel with mother of pearl handle, Birmingham, 1816, Joseph Wilmore, a cream ladle, an early Victorian silver plated pierced mustard pot with blue glass liner, a pair of late Victorian mustard pots with blue glass liners, a Dutch embossed caddy spoon with London import marks, two butter knives, a cased set of mother of pearl handled tea knives, a silver plated box etc., (qty)various, weighable silver approx. 8.69ozt Condition: Chip to glass liner of one salts, Dutch caddy spoon has a crack where handle joins bowl
A George V silver butter shell and other silver first Birmingham, 1936, Thomas Latham & Ernest Morton, pierced handle, on ball feet, together with a small armada style pin dish, London, 1974, William Comyns & Sons Ltd, a modern caddy spoon with pierced handle, two decanter labels 'Vodka' and 'Whisky', two pairs of sugar tongs and two engine turned napkin rings, initialled, and a Regency glass cruet bottle with plated mount, (qty) various, weight approx. 10.09oztCondition: Good to fair condition. Napkin rings knocked and misshapen
A late Victorian silver tea caddyLondon, 1897, James Parkesof plain octagonal tapering form with twin handles, reeded girdle and moulded rim. and foot rim, the hinged domed cover with reeded ball finial, lock with key, stamped J. Parkes 12 Vigo Street W. height 8.5 cm., weight approx. 11.28ozt Condition: Good condition commensurate with age. Some corrosion to key.Good gauge
George III and later silver caddy spoons, a folding fruit knife and other silver various dates, makerscomprising a plain George III London, 1801, Edward Mayfield, a George III fiddle pattern caddy spoon, London, 1810, William Eley, William Fearn & William Chawner, a William IV fiddle pattern caddy spoon with shaped bowl, London, 1831, makers mark W.J. and a Victorian Kings pattern caddy spoon, all initialled, together with a George III folding fruit knife with engraved mother of pearl faced grip handle, Sheffield, 1816, no makers mark, a pair of Edwardian novelty sprung wishbone sugar nips and a pair of filigree sugar tongs and a cheroot holder case, (8)First length 8.4cm., weighable silver approx. 2.46oztCondition: Mostly in good condition commensurate with age. Cheroot holder case with dings and knocks
A George V silver tea caddy or tobacco canister and other silvervarious dates makersfirst Birmingham, 1919, Levi & Salaman, of plain compressed form with pull off domed cover together with a Norwegian .830 silver pedestal salt, plain on a domed foot, An Austrian .750 lobed coin dish inset with Marie Therese Thaler, five assorted silver handled shoehorns etc., (qty)First height 9.5cm., weighable silver approx. 6.93oztCondition: Small dings and knocks to canister and handles of shoe horns, otherwise good condition
Group of two Chinese export porcelain tea caddies or poys for the American market, late 18th to early 19th century. Each with a lid and decorated with an armorial crest.Provenance: From the Estate of C. Curtis "Curt" Dunnavan, Long Lake, Minnesota.C. Curtis "Curt" Dunnavan (1926-2022) was a passionate world traveler and avid collector. It was through his travels that he was inspired to begin a lifelong relationship with the Minneapolis Institute of Art (Mia), becoming a major sponsor of the institute and facilitating the growth of their Asian art department, which is now one of the best in the country. His generous donations to Mia allowed them to establish a fund for the Deputy Director and Chief Operating Officer, one of the few endowed positions of this type in the museum field. He additionally served as a trustee of the institute, advocating for its operational growth. In its turn, the museum established a gallery named in his honor in recognition for his endowment fund and numerous contributions to their collection. The selections here showcase his talent and breadth of collecting, ranging from ancient statues to 19th-century woodblock prints. His appreciation for art persisted throughout his life and we are honored to offer items from his collection in this auction.Each; height: 6 in x width: 3 1/4 in x depth: 1 1/2 in.Condition: There is wear throughout both items as expected from age and use. Minute firing flaws throughout. There are minute losses to the gilding and discoloration. The caddy on the left in the listing image shows signs of restoration. There are cracks to the paint along the upper corner; the area shows signs of previous restoration. Along the lower rim of the lid there is a chip. The caddy shown on the right in the listing image, featuring birds, is in overall good condition. The lid shows signs of restoration throughout, particularly along the finial.
Chinese Yixing inscribed stoneware tea caddy. Of tapered form with rounded shoulders and a short neck. With a seal script encircling lid. Stamped along the base with "Chen Dinghe Taoqi Chang Zi" studio mark, Republic period.Height: 5 3/4 in x diameter: 2 3/4 in.Condition: Light wear throughout. No visible chips to the rim, footrim, and edge of the lid. There is a minute dent that is discolored dark along the neck. Along the exterior towards the footrim and along the underside, there is an area with adhesive residue that is fluorescent under UV light. No visible sign of restoration under UV light. Dust collected.
Small Japanese Edo period ceramic chaire or tea caddy for matcha, 18th to 19th century. Darkly glazed Seto Ware, stoneware with a splash of white. Impressed stamp along the unglazed lower edge. With a wooden box.Stoneware; height: 3 in x diameter: 2 1/4 in. Box; height: 4 1/4 in x width: 3 3/4 in x depth: 3 3/4 in.Condition: No visible cracks, chips, losses, or restorations. Light wear throughout consistent with age and use. Some losses to the painted interior of the lid; some wine-colored stains along the top of the lid, possibly original. Some wear, discoloration, and partial tags affixed to the wooden box. Wear to the ties.
Group of three silver caddy spoons, a George III shell and thread example, having a square shaped bowl, engraved below with initials, Birmingham 1817, makers mark for Joseph Willmore, a George IV fiddle pattern caddy spoon with shovel bowl, London 1822, makers mark for George Knight together with a Victorian fiddle pattern caddy spoon with an oval bowl, London 1850, makers mark for Robert Wallis, 41.4gms
Mixed Lot: Georgian base mark tablespoon, a George V long handle caddy spoon with shovel shape bowl, Sheffield 1922, four Victorian silver teaspoons with twist design stems, Birmingham 1899 together with a silver bladed and mother of pearl handle butter knife, a Victorian silver bladed decorative knife (qty)
Japanese Imari vase, flared rim, ovoid body alternately painted panels aiwth landscape scenes and ponds with carp, signed, 34cm, and an Imari tea caddy, lobed form, the stopper with six character mark, 13cm.Qty: 2Condition report:Please see further images.A little wear to gilding on large vase but no signs of damage or restoration.
Chinese famille verte dish, square, printed mark, 21cm, other polychrome ceramics, including an enamelled celadon dish, tea caddy, teabowls, kettles, etc.Qty: QtyCondition report:Vase painted with objects - glaze loss to the baseline, small chip to rim, no hairlines or restoration.Both kettles with damages - one missing the cover and heavily chipped spout, the other with cover but broken in parts and not complete.Tea caddy - lacking a cover.Vase with grotesgque mask handles - good condition, no chips or restoration, some crazing.All bowls and dishes with hairlines, chipping to rims, surface wear.
A silver Scottish provincial caddy spoon, fiddle-pattern with a scoop-type bowl, initialled “S”, maker’s mark “AD” (twice) and another mark (a curious devise within a shaped outline punch), unascribed, but possibly by Andrew Davidson who worked in Arbroath, Dumfries, Dundee and Montrose, C.1850, 9cm long, 0.45oz

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