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Preisdatenbank abonnierenA Rozenburg tea caddy Samuel Schellink for Rozenburg, a Dutch Art Nouveau egg-shell porcelain tea caddy with violet chrysanthemum decoration, numbered 869 and with the date code for 1902, factory mark, and painted artist monogram. 21 cm highUnder UV light one can see that there is no restoration and no damage to the caddy. The tip of the unrestored lid shows glaze cracks when viewed under UV light. (see image)
Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled caddy spoon, Birmingham 1901, the pear shaped bowl cast with Coronation cypher and initials for Edward VII, knotted tendrils and blue green enamel panels, on a bisected and Celtic knot hilted Grecian blade handle, 12.5cm long, 1.56ozt
A George III novelty tea caddy, circa 1810, in the form of a double-fronted house, pitched roof with chimney and ivory simulated tiles and gables, eight sash windows and front door, realistically painted brickwork and foliage, the hinged roof opening to a lidded single compartment to the interior, 20.5cm high, 11.5cm wide, 12cm deep. Provenance: with Rogers de Rin Antiques. Note: Ivory Exemption Certificate No.BKFF42WY
A nineteenth-century mother-of-pearl casket containing tea equipage, the hinged cover opens to reveal a fitted interior housing twelve Dutch hallmarked silver teaspoons, a caddy spoon, casket length 21.7cm, silver weight 140g/4.50ozt approxIvory Declaration Submission Reference Number: DBUP5VED
Nine carded Mattel Hot Wheels diecast models to include redline Rodger Dodger in purple, HiRakers No 1131 40s Woodie in main body orange, Flying Colours Greyhound MC-8, No 3920 Classic Packard (bubble re-glued), No 3252 '35 Classic Caddy, No 3924 Thunder Roller in yellow (discoloured bubble), Flying Customs 57 T-Bird in orange, Flintstones Flintmobile and 30 Years Oldies But Goodies Auburn 852, diecast all excellent, cards vg unless where stated
* LADY LUCINDA MACKAY (SCOTTISH b. 1941), BATMAN IN DIRLETON ink on paper, monogrammed, titled label versomounted, framed and under glassimage size 20cm x 27cm, overall size 36cm x 44cm Exhibition label verso: 1 - 15 September (2018), The Torrance Gallery, EdinburghNote: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
* LADY LUCINDA MACKAY (SCOTTISH b. 1941), MADRID CITY CENTRE oil on canvas, signed, titled and dated '17 versoframedimage size 41cm x 51cm, overall size 49cm x 59cm Exhibition label verso: 1 - 15 September 2018, The Torrance Gallery, EdinburghNote: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
A collection of decorative Arts and Crafts metalware, comprising a large pewter lidded jug, inset with cabochon enamels, 21 cm high, a copper lidded jug with repousse decoration, 18 cm, a cylindrical hammered copper inkwell on three feet, 7 cm high, and three further items.General wear throughout, commensurate with age and use. No holes visible to the copper, although polish residue is present. Dent to the body of the caddy, and it also has an uneven footrim (see images).
A silver travelling tea-caddy, of oval cylindrical form, with gilt interior to the body and lid, armorial engraved, Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, Birmingham 1904, 8.5cm high, together with a silver cylindrical box and fitted lid, and thimble, total weight 153.9g/4.95toz.
Presentation silver paperweight in the form of a mile stone, Bedford-Lavendon Grange London 1923, presentation cigarette box, Victorian spiral reeded tea caddy, by James Dixon & Sons, Sheffield 1895, half reeded bowl and a small mug with foliate handle, two QE II jubilee dishes and a pair of four division toast racks, weighable silver 14.9ozt 463gm
A late Regency period blonde tortoiseshell tea caddy of bombe form, with white metal stringing and ivory trim and raised to brass ball feet, the pagoda shaped hinged lid with cartouche engraved Alice Sidaway, opening to reveal a twin section interior, height 16cm, width 17cm and depth 12cm, some damage and later repairs. 2018 Ivory Act Submission reference G62L2XFC Subject to CITES regulations, this lot will require a re-export permit if shipped outside the mainland UK.
A 19th Century tortoiseshell serpentine fronted tea caddy, with white metal stringing and ivory trim and with a small vacant cartouche to the hinged lid, opening to reveal a twin section interior, height 13cm, width 20cm and depth 13cm, some damage and later repair. 2018 Ivory Act Submission reference NEJDXC12 Subject to CITES regulations, this lot will require a re-export permit if shipped outside the mainland UK.
A collection of 19th and 20th Century silver plate, including tea caddy and cover, of cylinder form with reeded bands, a Victorian reticulated and floral embossed sweetmeat basket with swing over handle, a cream jug and cover, another boat form example and a christening mug, monogrammed H.R.S. (5)
A parcel lot of 19th and early 20th Century silver flatware, to include a George III sugar sifting spoon, London 1808, Richard Crossley & George Smith, a cased christening fork and spoon, London 1899, Robert Stebbings, a George III shovel shaped caddy spoon with turned bone handle, Birmingham 1811, Wardell & Kempson, some damage, a Victorian fiddle pattern caddy spoon, London 1851, Elizabeth Eaton, together with various other salt spoons, teaspoons and a pair of sugar tongs, total combined weight 7ozt. (qty)
A 19th Century blonde tortoiseshell tea caddy of serpentine outline, with white metal stringing and ivory trim and with a small vacant rectangular cartouche to the hinged lid, opening to reveal a twin section interior, height 12.5cm, width 19cm and depth 12.5cm, some damage and later repair. 2018 Ivory Act Submission reference CBCALD8D Subject to CITES regulations, this lot will require a re-export permit if shipped outside the mainland UK.
JOHN CRAWFORD ADAMS; an Elizabeth II hallmarked silver brutalist style pipe stand with planished decoration on three feet, London 1991, a contemporary hallmarked silver Arts and Crafts style jam spoon by EHR, London 1942, with Arts and Crafts style rat tail caddy spoon by Jonathan Braganza, London 1968, combined approx 2.1ozt/66g (3)
GEORGE ADAMS; a Victorian hallmarked silver fish server in the Fiddle pattern, with engraved initial 'F' to handle, London 1844, a Georgian hallmarked silver caddy spoon by George Unite, a Victorian hallmarked caddy spoon by Reid & Sons, combined approx. 5.2ozt/163g, and a Georgian toddy ladle with turned whalebone handle, marked for West & Sons Dublin 1896 (4)
A group of sterling, hallmarked silver, and silver handled flatware including a Britannia standard caddy spoon by Levi & Salaman, Birmingham 1911, hallmarked silver bottle label, a hallmarked silver bottle collar by John Pinches, London, various spoons, a pair of Tiffany & Co sterling silver lobster spikes, weighable approx 4.5ozt/143g, and a pair of spoons marked 'Romanian Silver'.
JOSEPH WILLMORE; a George III hallmarked silver cheese scoop with mechanical arm, Birmingham 1813, a Georgian hallmarked silver caddy spoon, Victorian hallmarked silver vesta case, hallmarked silver letter opener, combined approx 2.38ozt/74g, and a hallmarked silver teething rattle with mother of pearl grip (5).
WILLIAM BERT & CO (probably); a George V Britannia hallmarked silver twin handled miniature porringer with gadrooned decoration, London 1915, width 8cm, a miniature hallmarked silver quaich, a hallmarked silver candle snuffer, a sterling silver marriage cup, combined approx. 4.8ozt/151g, also an imported Berthold Muller caddy spoon and a French shot glass with engine turned decoration, approx. 1.1ozt/35g (6)
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