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81693 Los(e)/Seite
A good late Regency period tortoiseshell veneered and ivory mounted two division Tea Caddy, the hinged lid centred with a un-engraved gilt metal cartouche upon a raised rectangular tablet, the two interior lids with turned mother of pearl handles, raised on four spherical brass feet, 19cm diameter CONDITION REPORT: Very good original condition overall
Walnut three train bracket clock, the Empire movement playing on four gongs and striking on another, the 7.25" square brass dial with silvered chapter ring enclosing a matted centre, within a stepped case surmounted by a caddy top and ornate brass carrying handle, 16.5" high (pendulum and keys)
Contemporary walnut two train bracket clock, the movement striking on two bells, the 6" brass arched dial signed Thomas Smith, London on a silvered plaque to the engraved centre, below a moon phase aperture to the arch, the stepped case with applied gilt metal mounts surmounted by a caddy top and brass carrying handle, 16" high (pendulum)
Good mahogany eight day longcase clock with quality five pillar movement, the 12" brass arched dial signed Francis Perigal, Bond Street, London to the silvered dial plate with subsidiary seconds dial, also with strike/silent dial to the arch, the case with long moulded rounded arched door and the hood surmounted by a caddy top with glazed window, 93" high (two brass case weights and pendulum)
Light oak thirty hour longcase clock, the 11" square brass dial signed George Brownleys, Staindrop to the chapter ring enclosing a matted centre with calendar aperture, the case with long moulded door, the hood surmounted by a stepped moulded cornice and caddy top with three giltwood finials, 93" high (weight)
Ebonised triple fusee bracket clock, the substantial movement playing on a nest of nine bells and striking on a large gong, the 8" brass arched dial signed J.W. Carr, Leeds to the chapter ring, with subsidiary chime/silent and chime on eight bells/Westminster chime dials to the arch, within a rounded arched pillared stepped case surmounted by a caddy top, 21.5" high (a.f)
Oak eight day longcase clock, the 12" brass arched dial signed Richard Northen, on a silver disc to the arch over a silvered chapter ring enclosing an engraved silvered centre with subsidiary seconds and calendar dials, the case with long rounded arched door and the hood surmounted by a caddy top, 85" (pendulum)
Oak eight day longcase clock with five pillar movement, the 12" brass arched dial signed George Blagdon, Chichester on the silvered chapter ring enclosing a matted centre with recessed subsidiary seconds dial, with strike/silent dial to the arch, the case with long rounded arched door and the hood surmounted by a moulded rounded arched pediment, two brass ball and spike finials and a pierced caddy top, 92" high (pendulum, two weights and winding key)
Oak eight day longcase clock, the 11" square brass dial signed Sam Bradley, Worcester to the chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded rounded arched door, the hood surmounted by a stepped caddy top, 86" high (at fault)
Flame mahogany eight day longcase clock, the 12" arched brass dial signed Thomas Nevill, Bristol to the silvered chapter ring enclosing subsidiary seconds and calendar dials to the engraved centre, rocking ship aperture to the arch, the case with long rounded arched doors flanked by canted Corinthian column pilasters, the pillared hood surmounted by a pierced caddy top flanked by brass ball and spike finials, 91" high (pendulum, two weights)
Good small English walnut double fusee verge bracket clock, the movement back plate signed and inscribed Henry Jones in the Temple and with foliate engraved decoration, the movement with six knopped ringed pillars and knife edge suspension, the 6.25" square brass dial with silvered chapter ring enclosing a matted centre with calendar aperture, within a later stepped case (made by J.J. Elliott of London in the 1970s), surmounted by a caddy top with pierced foliate ormolu mounts and a brass carrying handle, 14" high (pendulum and winding key) *This clock has an interesting provenance. Full details of the known provenance chronicled by the vendor are available on request. There is also a report on the clock from Beresford Hutchinson at The British Museum, which is attached with the images of the clock SEE IMAGES OF THE MOVEMENT
Mid 20th century English mahogany double fusee bracket clock made by Lewis Springfield, Grantham, the movement with pull wind alarm and locking pendulum, the silvered chapter ring enclosing a matted centre with two ringed winding holes and central alarm dial, within a caddy top stepped case surmounted by an ornate mermaid pierced brass handle, 18.5" high (pendulum and key)
English triple fusee striking ebonised bracket clock of month duration, the movement back plate finely and profusely engraved with scrolling foliage, playing on six bells and striking on another, the 7" brass arched dial signed Stephen Asselin, London on a silvered arched plate to the matted centre with false bob pendulum and calendar aperture, enclosed by a silvered chapter ring and with a strike/silent dial to the arch, within an associated ebonised stepped case surmounted by a caddy top, four gilt metal finials and brass carrying handle, 20" high (alterations) (later pendulum) Francis and Stephen Asselin of London worked from 1687-1717 as recorded in Loomes 'The Early Clockmakers of Great Britain'.
Bulle two train mantel clock in need of restoration, the S. Marti movement with outside countwheel striking on a bell, the 3.75" repousse dial with Roman cartouche enamel numerals above a pendulum window within an ornate inlaid case surmounted by a caddy top and flaming finial, 15.5" high (at fault)
English ebonised double fusee verge bracket clock, the movement with pull repeat and advance/retard dial, the 7.5" painted arched dial with strike/silent dial to the arch over the principal dial fitted with a calendar aperture, within a stepped case with pierced brass panels, surmounted by a caddy top, four turned finials and brass carrying handle, 21.5" high (pendulum)
Small boulle balloon shaped two train bracket clock, the movement with outside countwheel striking on a bell, the 3" repousse dial with Roman cartouche enamel numerals above a pendulum window within an ornate waisted case surmounted by a caddy top and foliate finial, 11.75" high; together with a matching bracket (a.f)
A George III satinwood and marquetry tea caddy, circa 1780, of oval section A George III satinwood and marquetry tea caddy, circa 1780, of oval section, the hinged cover decorated with a basket of fruit within a central reserve and rosewood crossbanding, the front and back with swags, the interior with subsidiary cover,12cm, 15cm wide; and a George III walnut and marquetry tea caddy, late 18th century, of square section, the hinged cover and front decorated with a basket of fruit and a vase of flowers respectively, the interior with later inset mirror plate above a subsidiary cover, 13cm high, 12cm square
A George III mahogany eight-day longcase clock, John Agar, York A George III mahogany eight-day longcase clock, John Agar, York, late 18th century, the four pillar rack and bell striking movement with trip repeat and 12 inch brass break-arch dial with subsidiary seconds to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and signed JN'O AGAR, York to lower margin, the angles with rococo scroll pierced spandrels beneath arch with subsidiary calendar dial flanked by conforming mounts, in a case with moulded cornice over blind fret upper quadrants and columns flanking dial, the trunk with rectangular caddy moulded door over plain plinth base, 199cm high.
A Victorian silver Fiddle pattern caddy spoon, probably Robert Williams & Sons, Exeter, 1846, initialled, 20.4g; a silver cruet set, Birmingham, 1940, comprising: a pepper pot and a mustard pot, 76.4g in total; a sterling silver dresser set, comprising: a hand mirror, a hair brush and a comb; a 1976 John Pinches Christmas spoon, 28.5g; etc
A large quantity of silver plated wares to include a tray of oval form with pierced gallery sides, a further tray of oval form, four wine coolers with turned timber bases, a kettle on stand, hip flask, ewer, caddy with chased detail, cased cutlery to include fish knives and forks, etc, an extending reticulated stainless steel toast rack, etc
A Victorian silver tea caddy, marks rubbed but probably Birmingham 1893, maker's mark rubbed Of oval section with part gadrooned body and reeded edge. 9 cm high. CONDITION REPORTS: Generally in good condition, expected wear, marks rubbed, some small dints and bruises, approximately 3.7 troy ounces.
A 19th century American coin silver tea caddy, maker's mark of Eoff & Phyfe, New York, first half of the 19th century Finely engraved with chinoiserie scenes amongst floral scrollwork, the underside also stamped H.M. Ritterband. CONDITION REPORTS: Overall good, some surface scratching/wear, general wear, approximately 19.5 troy ounces.
A Doulton Lambeth Arts and Crafts silver mounted tea caddy, 1902, of square section baluster form, decorated in the Art Nouveau style with floral and foliate motifs and motto 'honest tea is the best policy', the cap and collar in silver marked for Chester, impressed marks and monograms, 16.5cm high

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81693 Los(e)/Seite