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Preisdatenbank abonnierenJunghans walnut three train bracket clock, the 6.25" brass arched dial with subsidiary chime/silent and slow/fast dials, the movement playing on five rods, within an architectural stepped case with gilt metal mounts, surmounted by a square caddy top with three turned vase finials, 24" high (pendulum)
COLLECTION OF SILVER SPOONSincluding various souvenir spoons, some with enamel decoration, many 800 silver, destinations including Norwich Cathedral, Hanover, Koln, San Francisco, and Zurich; a Continental silver caddy spoon with pierced floral and heart decorated handle, marked 830; a pair of coffee spoons with maple leaf decorated handles and engraved 'Regina' to interior bowl; a Hans Hanson Danish silver spoon with 'Kobenhavn Bys Segl' finial; and three mustard/salt spoons
Rare early English ebonised triple fusee table clock, the 11" square brass dial with skeleton chapter ring signed Tho Speakman, Londini Fecit under six o'clock, the silvered chapter ring enclosing a recessed matted centre with calendar aperture over three ringed winding holes, the six pillar movement playing on a nest of six bells (missing), with finely engraved foliate back plate also signed Tho Speakman, Fecit, within an ebonised pillared breakfront case surmounted by a caddy top, 19.75" high (in need of restoration)
Rare early English blue lacquer and floral gilded double fusee verge bracket clock, the 7" brass arched dial signed Ralph Tolson, London on a silvered arched plate to the matted centre with false pendulum bob and calendar apertures, also with strike/silent dial to the arch, the movement with pull repeat playing on a nest of six bells and striking on another, with fine scrolling foliate engraved back plate, within a stepped case surmounted by a caddy top with four turned brass finials and carrying handle, 21" high (pendulum and door keys)
Good green lacquer and painted eight day longcase clock with five pillar movement, the 12" brass arched dial signed Isaac Rogers, London on an arched silver plate to the matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long rounded moulded arched door finely painted with biblical scenes, with another painted to the base, all enclosed with stylised floral gilded and diaper borders, the hood surmounted by a rounded moulded arched cornice, caddy top and three pear shaped spire finials, 98" high (pendulum, two weights and keys)
Oak eight day longcase clock, the 12" square brass dial signed France, Warrington on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long wavy arched crossbanded door and the hood surmounted by a caddy top with three turned finials (in need of re-building), over a reverse painted foliate glass panel, 86" high (pendulum and two weights)
Good English ebonised double fusee bracket clock, the 6" brass arched dial signed Samuel Cochran, London on three divided silvered plates to the matted centre, with calendar aperture, enclosed by a silvered chapter ring and surmounted by a strike/silent subsidiary dial, the movement with foliate engraved back plate, within a stepped case surmounted by a caddy top and bronze carrying handle, 18" high (pendulum and keys) (alterations)
Fine early English ebonised basket top single fusee verge bracket clock with alarm, the 6" square brass dial signed James Cuff, London on the silvered chapter ring enclosing a matted centre with central alarm dial, the six pillar movement with pull alarm and pull repeat mechanisms, the fine foliate engraved back plate also signed James Cuff, London, within a stepped case surmounted by four turned foliate brass finials, basket caddy top pierced with cherubs, masks and foliage, with carrying handle, 15" high (pendulum)
Good mahogany triple fusee boardroom clock, the 9" rounded arched dial with silvered chapter ring enclosing a matted centre under subsidiary slow/fast and gongs/bells dials, the movement playing on a nest of eight bells and four gongs, also chiming the hours and quarters on a larger gong, within a stepped case applied with caryatid and foliate gilt metal mounts, surmounted by a carved stepped caddy pediment and three urn finials, 31" high (pendulum and winding key)
Good mahogany double fusee bracket clock, the foliate engraved silvered dial signed Goldsmiths Company, 112 Regent St, London with strike/silent dial to the arch, the movement striking on a gong, within a foliate carved case surmounted by a flat caddy top, 13.5" high (pendulum and winding key)
Oak thirty hour longcase clock with birdcage movement, the 10.75" square brass dial signed John Peck, Milton to the foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long moulded shaped arched door and the hood surmounted by a caddy stepped top, 55" high (pendulum and weight)
French Boulle two train mantel clock, the movement back plate stamped Maple & Co, Paris striking on a gong, the 6.25" brass chapter ring enclosing a plain centre over an embellishment modelled with two cherubs seated upon pedestals and holding a trough, the case inlaid with pewter and brass, surmounted by a galleried caddy top, 19" high (pendulum and keys) (the case in need of restoration)
Fine English ebonised triple fusee bracket clock, the 8" rounded brass arched dial signed Handley & Moore, Clerkenwell Close to the white enamel dial centre, surmounted by chime/not chime and days of the week subsidiary dials, all inset into a foliate engraved dial plate, the substantial movement with deadbeat escapement playing on a nest of ten bells and striking on another, the engraved back plate also signed Handley & Moore, Clerkenwell Close London, with locking pendulum, within a rounded arched brass mounted stepped case surmounted by a caddy top with four ball finials, 25" high (pendulum and keys) *On the front plate of this clock is a large HM and the number 931, indicating that the clock is circa 1810, this number also appears on the barrels
English fruitwood double fusee verge bracket clock, the 7" brass arched dial signed Martin, Royal Exchange, London on a silver plaque to the matted centre with subsidiary calendar dial, with strike/silent dial to the arch, the movement with a dragon and foliate engraved back plate, within a stepped case surmounted by a caddy top and brass carrying handle, 21" high
Early 19th century mahogany and boxwood inlaid sarcophagus tea caddy, the hinged lid enclosing a part fitted interior with two lidded sides (mixing cup missing) 30cm wide; together with a faience wear twin bottle cruet with polychrome decoration of a country gent and partner amidst foliage (2)
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