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Los 370
An early 19th Century rosewood and brass inlaid large sarcophagus tea caddy, fitted interior, brass handles, on four bun feet, 32cm wide x 20cm high overall x 16cm deep together with another 19th Century rosewood and mother-of-pearl inlaid large sarcophagus tea caddy, dome cover with egg-and-dart borders on bun feet, fitted interior, with later moulded mixing bowl side ring handles, 35cm long x 20cm high overall x 19cm deep (some losses to MOP veneering at lock plate ) (2)
Los 257
A George I figured walnut caddy topped bachelor's chest of four long drawers. With quartered top and brushing slide below. On shaped bracket feet. 86.5 cm wide x 52.5 cm deep x 82 cm high.Private collectionCondition report: the unusual drawer configuration could be due to a conversion from a base of a chest on chestVeneer damage and some missing veneers
Los 269
A George II walnut caddy topped lady's kneehole desk, with crossbanded and quarter veneered top above one long frieze drawer and a central arched cupboard door flanked by six further short drawers, supported on four shaped bracket feet. 81.5 cm wide x 46 cm deep x 82 cm overall heightCondition report: Old sympathetic restorationSome components of the handles such as posts and bales may have been replaced but a long time ago
Los 253
A GEORGE II MAHOGANY AND BRASS INLAID BUREAUIN THE MANNER OF JOHN CHANNON, CIRCA 174599.5cm high, 94cm wide, 53cm deepSee Christopher Gilbert and Tessa Murdoch, John Channon and brass-inlaid furniture 1730-1760: a characteristic associated with John Channon and his circle is the use of simple stringing arranged as rectangular frames and the use of plain brass mouldings. See plate 13 for a mahogany and brass strung tea caddy of similar design stamped T. Landall. Plate 12, the trade card of Landall & Gordon, states they are 'Joyners, Cabinet & Chair-Makers At ye Griffin & Chair in Little Argyle Street by Swallow Street. Makes...all sorts of Cabinet Work'. See also colour plates IV and V for more elaborate bureau bookcases by John Channon with the similar use of plain brass mouldings around the sloping bureau front and around the base above the bracket feet.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOverall with a fairly uniform dark colour to the timberThe metal areas with some discolouration, the handles and escutcheons appear to be original, no significant popping or lifting to the inlays The lock appears to be orignal to the fall, there is a (presumably) later metal bracket fitted to secure this and lock firmly, there is a key present to open this element, the remaining locks also appear original but the keys do not operate these - all are unlocked at time of reportThe interior baize is laterThe bracket feet have possibly been reduced in height The rear boards have been covered with an old paper chart pasted to themPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Los 417
A RARE AMERICAN SPECIMEN WOOD BOX BY ADOLPH SINNING MID 19TH CENTURYWith single drawer containing a handwritten note, signed by Sinning detailing the various Yosemite woods used to make the box,12.5cm wide, 4.5cm high, 10cm deepThe very little we know about Adolph Sinning (1813-1889) is derived from the early history of The Sierra Club- the American environmental and conservation club established in 1892 under the presidency of the American-Scottish John Muir. The club's earliest headquarters was established in "Sinning's Cottage" in Yosemite Park with the former owner described in the literature of the time as a German woodworker who sold "beautiful and dainty souvenirs in California woods". Very few examples of work by him seem to have survived with this being seemingly the second only example to be offered at auction- the other being offered at Dreweatts Tunbridge Wells, lot 101, 24th February 2001 "American specimen wood tea caddy, the octagonal body with concealed drawer with letter of Provenance signed Adolph Sinning, Yosemite, California, 5.75in".The handwritten note that accompanies this box details the woods used in its construction and are testament not only to the broad arboreal diversity within the park- but also to his skill at utilizing their timbers for elegant effect;No 1. Description of a cabinet inlaid with different woods from Yosemite, the inside of the draw are the wood of the big tree and the bottom of the box are of laurel.Front Top border; Splicewood, Manzanila, Mt Mahogany, Buckeye- panel LeilakFront Border; Manzanila, Mt Mahogany, Buckeye, drawer Curly ManzanilaRight side border; Manzanila, Arrow Panels Indian Arrow, Manzanila, BuckeyeRear end panel; Juniper, Ceanothus, BuckthornLeft side panels; laurel, Alpus Viridus, Blak OakA Sinning, Yosemite Cal."Condition Report: Generally good condition- later baize roundels to the base, which shows some polish or oil marks, small loss to knot of timber below drawer handle.Condition Report Disclaimer
Los 70
Y A GEORGE II ROSEWOOD AND BRASS MOUNTED TEA CADDYIN THE MANNER OF ABRAHAM ROENTGEN, CIRCA 1750 Of bombe form, the hinged top opening to three lidded compartments16cm high, 24cm wide, 13cm deep After briefly working with various cabinet makers in Holland, in 1731 Abraham Roentgen began work in London, possibly working under William Gomm. He found his niche creating elegant, small furniture, often with brass inlay and mounts which could be bought from the metalwork pattern books and sales catalogues or Birmingham foundries. A related example of tea caddy attributed to Abraham Roentgen is currently held at the Met Museum, New York (Accession Number: 1999.147). For a further related example, see Christie's, Amsterdam, Furniture, Clocks, Sculpture and Works of Art, 27th September 2001, Lot 687 (€9,988). A related tea caddy of bombe form (but with additional engraved brass plaques) attributed to the firm Landall & Gordon exists in the collection of the Victoria & Albert museum, London (accession number W.11:1 to 2-1965). The firm published a trade card that illustrates a very similar tea chest to the example held in the collection.Literature:Helena Hayward and Sarah Medlam, The Continental Context: Germany, in John Channon and Brass-Inlaid Furniture 1730-1760, by Christopher Gilbert and Tessa Murdoch, pp. 24-36. Exh. cat. Temple Newsam House, Leeds; 1993. New Haven, 1993, pp. 122-25, pls. 161-69. Wolfram Koeppe, Extravagant Inventions: The Princely Furniture of the Roentgens, Metropolitan Museum of Art, Yale University Press, pages 52-53.Condition Report: Caddy with marks, knocks, scratches and abrasions consistent with age and use. Old splits, chips and some losses to veneers - see images for extent. It is possible that some sections of veneer to the cavetto moulded element of the lid have been re-glued. Metal elements with the expected wear, knocks and some misshapen elements. Later baize applied to the underside of the lid. This has wear and some losses. The hasp and lock plate are old replacements. Small section of replacement timber has been inset around the hasp. A key is present and fits the lock. However, it spins in place and does not operate the lock. The lead lining to the interior compartments with the expected wear, losses, tears, creases and discolourations. Some dark filler used in places, including to the joins between the sides of the caddy and the joins between the base and the sides - see images. The lid does not sit completely flush to the main body of the caddy when closed. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 135
AN EARLY GEORGE III MAHOGANY BACHELOR'S CHEST C.1760-70 the crossbanded top with a caddy moulded edge, above a brushing slide, with three long drawers, with original brass bat's wing handles and escutcheons (one missing), on ogee bracket feet and brass roller castors 74cm high, 69.2cm wide, 39.6cm deep
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81699 Los(e)/Seite