A PARCEL OF LATE 18TH, 19TH AND 20TH CENTURY SILVER, to include a pair of George III scissor action sugar tongs, engraved initials, shell shaped bowls, an Edwardian silver topped square glass inkwell, engraved monogram to the hinged cover, a cased set of six Elizabeth II Rat-tail pattern 'City Sets British Hall Marks' teaspoons, makers Roberts & Belk, 1952, a George V silver tea strainer, makers G W Lewis & Co, Birmingham 1932, nine hallmarked silver thimbles, a Russian silver caddy spoon, stamped 84, gross weight of weighable silver 8.58ozt, 266.7 grams (Parcel) Condition report: all pieces are in usable condition, some thimbles have worn through)
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81693 Los(e)/Seite
A PARCEL OF ASSORTED DRESSING TABLE SILVER, DECANTER LABELS, OLD SHEFFIELD PLATE WINE FUNNEL, WHITE METAL ITEMS,ETC, including a George IV caddy spoon of shovel form, bright cut engraved, makers mark W?, Birmingham 1811, a Victorian Fiddle pattern caddy spoon with shell shaped bowl, maker William Knight II, London 1844, a pair of George III sugar tongs of scissor form, a pair of Elizabeth II cherub mask cartouche decanter labels for 'PORT' and ' SHERRY', makers Turner & Simpson Ltd, Birmingham 1982-83, two other Elizabeth II decanter labels, a pique work powder bowl, a damaged atomiser with pique work mount, a 19th Century Continental white metal and niello oval snuff box, decorated all over with a foliate design, worn gilt interior, indistinct mark to inner rim of lid, oval length 9cm, s.d., 73.1 grams, a Dutch silver cartouche shaped plaque cast with classical figures and lion masks, bears .833 mark, height 10.1cm, 73.3 grams, etc, gross weight of hallmarked weighable silver 5.07ozt, 157.6 grams (17) (Condition report: in mixed condition overall, some pieces have rubbing to hallmarks, the shovel caddy spoon has a slight crease in the back of the handle, the niello snuff box has some losses, the photograph frame is lifting in the bottom right hand corner, the powder bowl lid is dented, etc)
A CASED SET OF SIX GEORGE V SILVER GILT AND HARLEQUIN ENAMEL COFFEE SPOONS, engine turned decoration with rounded ends to the handles, makers Barker Brothers Silver Ltd, Birmingham 1930, 2.1ozt, 65.3 grams, together with a Norwegian Norne silver gilt and enamel caddy spoon, stamped 925, 0.85ozt, 26.5 grams and a cased set of Elizabeth II six silver gilt and enamel teaspoons of anointing spoon form, makers Turner & Simpson Ltd, Birmingham 1978, 2.43ozt, 76 grams, gross weight 5.38ozt, 167.8 grams (13) (Condition report: the harlequin coffee spoons have four with damaged enamel at the back of the bowls, the caddy spoon is quite tarnished, the anointing spoons have one where gilding is extremely worn, the bright red and black spoon has chipped / repaired enamel)
A Chinoiserie decorated mantel clock, early 20th century, the circular gilt metal dial, with a caddy top on gilt metal feet, 21cm high together with a chinoiserie box 24cm wide 18cm deep 21dm high and a patinated brass trinket box (3)Condition ReportFinial and glass face missing. Crack to finial aperture. Minor blemishes. The box missing areas of laquear and minor blemishes and scratches
A leather cased picnic set,designed by Christopher Dresser, by Leuchars & Son, 38 & 39 Piccadilly, London and 2 Rue de la Paix, Paris, comprising a teapot and caddy, a smaller teapot containing a glass jar and cup, all manufactured by Hukin & Heath, a stand, a leather box, two Royal Worcester blue and white teacups and saucers, two teaspoons and a pair of sugar tongs,case 29cm wide x 19cm high,a brass tobacco box,10cm long and a small French notebook,dated 1818, card with white metal mounts,8cm high (3)Condition ReportCase - scuffed, handle missing. Small leather case inside stuck in and not inspected.Box - no obvious major faults.Book - worn, pencil missing, pages detached from spine.Splits to the corks. Engraving to the silver plate. Silver plate in good order overall. Screwed components all function. One saucer is cracked and glued. Please see the additional images.
Large collection of Lilliput lane cottages, boxed, approx 48 Village School, Helmere Cottage, The Great Equatorial, Apothecary, Haberdashery, Lapworth Lock, Bo-Peep Tea Rooms, Nursery Cottage, Syon Park Conservatory, Jones The Butcher, Puffin Row, St Govan's Chapel, The Right Note, Tea Caddy Cottage, Marigold Cottage, Kenmore Cottage, Penny Sweets, The China Shop, The Thornery, Honeypot Cottage, The Bakers Shop, Tailor, Queen Alexandra's Nest, Duckdown Cottage, Fry Days, Edinburgh Castle x 2, Nelson's Column In Winter, Big Ben In Winter, Gossip Gate, The George Inn, plus various others.Unfortunately due to staff shortages I can't name the rest
A silver cigarette case, William Hutton & Sons Ltd, Birmingham 1907, plain polished finish, 9cm x 8cm; a christening mug, 8.5cm; a Harrod's silver armada dish, 9.5cm diameter; a silver bonbon dish; a silver napkin ring; silver, white metal and plated caddy and teaspoons and souvenir spoons, in presentation case; and a cut glass and silver mounted scent bottle; total weighable approx. 13oz.Qty: 6
A Continental white metal tea caddy and cover, embossed a pianist to one side and violinists to the other, 13cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A collector's cabinet of six graduated drawers, 38cm wide and a Regency mahogany tea caddy of sarcophagus shape CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
An early Georgian walnut longcase clock with caddy top hood surmounted by turned ball finials, moulded cornice above a blind fretwork carved frieze fitted with an arched glazed door between turned gilt metal mounted pillars and enclosing a brass dial with silvered chapter ring with strike/silent dial to the arched, subsidiary seconds dial and date aperture, inscribed Henry Wade, London, the boxwood and ebony lined case fitted with an arched rectangular trunk door and crossbanded panelled base and moulded stepped plinth, 264cm high CONDITION REPORT: Hood with one loose finial, side sound frets with damage and faded fabric beneath, trunk door with lifting veneer in places, base of door veneer split, the trunk base right hand corner parting company with the main body otherwise condition throughout good and currently working in our sale room.
An unusual Sheraton period inlaid mahogany tea caddy of flattened octagonal form, 11 cm h x 12.5 cm w x 6.5 cm d, to/w a copper cylindrical casket, the cover inset with blue cameo seal, a 19th century papier mache snuff box with vestigial gilded decoration, stamped within 'D.L.' and an oval gilt metal and agate pill-box (4)
A Japanese Earthenware Natsume (Tea Caddy) and Cover, late 19th century, of pear shape, finely enamelled with rings and strapwork on a diaper ground, signed Getsuzan in black, 11cm high; A Similar Tea Pot and Cover, of compressed bun form, painted with panels of chidori over waves, 14cm long; and A Satsuma Type Vase, of pear form, painted with wisteria, three-character mark in red, 12cm high (3)The tea caddy is crazed, teapot crazed, slight chips to rim of cover and spout, crack to the body, satsuma vase is heavily crazed
A late 18th century ebonised quarter chiming table clock with enamel dialsEardley Norton, London, Number 2202The arched top surmounted by a caddy and five ball finials, with moulded cornice, the sides with twin foliate-cast handles over lattice-work sound frets backed in red silk, on a plinth base and ogee bracket feet. The 7.5 inch arched brass dial with strike/silent subsidiary flanked by scroll spandrels and a steel square to operate the rise-and-fall regulation mechanism, the main enamel dial with black Roman and Arabic numerals framing the concentric date ring 1-31, with blued steel and lacquered brass hands. The substantial triple chain fusee movement with pivoted verge escapement, rack striking the hours on a single bell and sounding the quarters on a run of eight graduated bells, signed within a large foliate cartouche below fruit and flowers, numbered to the top right hand side and again on the edge of the plate, secured to the case via engraved L-shaped brackets, with engraved pendulum bob and holdfast. Ticking, striking the hours and quarters. Together with two case keys, and two winding keys. 56cms (22ins) highFor further information on this lot please visit Bonhams.com
A fine and very rare early 18th century Sicilian ormolu-mounted tortoiseshell table clock with unusual double-six hour and quarter strikeNicolaus Magri, Fecit, Panormi (Palermo)The stepped caddy top with facetted handle over eight turned baluster finials, the lower section of the caddy set with three pressed gilt brass panels over large ebony-framed glazed sides and a moulded front door, on a concave moulded base supported by the figures of four recumbent gilt lions, each with a furrowed brow, flowing mane and intricately detailed claws and fur, the two beasts to the front with their tongues out.The dial:8.75 inches square gilt brass with scroll spandrels framing the wide Roman and Arabic chapter ring, strike/silent (SON/SILENZIO) lever above XII, signed between VIII and IIII 'Nicolaus Magri, Fecit, Panormi', the repousse centre with foliate scrolls, off-set winding squares, alarm winding square, mock pendulum aperture and the alarm-setting disc, with pierced steel handsThe movement:the rectangular plates united by short knopped tapering pillars, the twin spring barrels with outside ratchets and clicks, the going train with pivotted verge to a short pendulum with small bob mounted on a plain hemispherical apron, the striking train with reversed barrel, sounding the quarters and hours on two bells but by one hammer - the rear of the hammer arbor in a traditional pivot, the front of the arbor mounted in a slot so as to allow for the front of the arbor to be lifted in order to strike the larger of the two bells for the hours (see footnote) 58cms (23ins) high.Footnotes:Nicolò Magri was active in Palermo (Kingdom of Sicily) in the first half of the 18th century. The lion feet hark back to the German clocks of the previous century. The striking system of this clock is worthy of closer inspection.There is a single hammer for striking double six hours with quarters on two bells. The front pivot of the hammer arbor is extended and runs in a slot to permit vertical movement within the slot allowing the hammer arbor to rock between the two bells. There are two racks, the quarter rack striking on two bells by an extended arm from the base of the rack which engages the hammer pivot, the final wide gap in the quarter rack allowing this double striking action. It is the quarter rack which finally locks the striking train after both quarter and hour striking.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
An extremely fine and rare third quarter of the 18th century mahogany longcase clock with perpetual calendarEdmund Prideaux, LondonThe arched hood surmounted by a concave moulded caddy running from front to back, the sides of the hood set with a silk-back sound fret over a glazed panel on each side, the long break arch trunk door with flame figuring framed by a well moulded edge, the base with applied shaped panel on a double stepped apron. The 12 inch arched brass dial set to the arch with a calendar arc engraved with four scales for each month (the first 'February' scale is marked to 29, the other three marked to 28) over a circular subsidiary marked 'Leap Year; First after Leap Year; Second after Leap Year'; and 'Third after Leap Year' with single blued steel tapering hand. The silvered circular clock dial with Roman and Arabic numerals framing the large subsidiary seconds dial and rare shaped moonphase aperture at VI with painted moon on a starry ground, with blued steel hands. The weight driven movement with specially cast bottle shaped shouldered plates united by six knopped pillars.The going train with Harrisons maintaining power to a deadbeat escapement, all wheels of six crossings and set in endstops screwed to the backplate, the wooden rod pendulum with twin suspension spring block and terminating in a heavy brass-clad lenticular bob with engraved rating nut, with rack striking on a bell. 2.4m (7ft. 10ins) high.Footnotes:Edmund Prideaux started working in London around 1743. He was originally from Camelford in Cornwall, where his grandfather had been the Mayor between 1689-1695. His family had been living in the county since at least the 1500's. In 1745, he married Elizabeth Dinham and they had two children; a son Edmund, who married and returned to Cornwall and a daughter, Elizabeth, who sadly died in 1753. He died on 1st October 1796 and his will describes him as watch maker working from premises at 31 Hatton Garden, where he had been since 1780, and living at that time in St. Andrew, Holborn. One of his executors is listed simply as 'Elliot', there were several clock and watchmakers of this name in London around this time, and it is quite possible that one of his executors was a fellow horologist. In the will he instructed his executor to sell off the Hatton Garden premises in order to pay for his bequests and any outstanding debts. His bequests included funds for his wife to be kept for the rest of her life; £20 to his nephew John and John's two daughters, as well as bequeathing John his full wardrobe; £20 to his servant, Anne, and £20 to his executor. Beyond these bequests, he wanted the remaining funds to be divided equally between his grandchildren when each reached 21 years of age; and his son Edmund's wife, should she be a widow at that time The current clock is very similar to another Perpetual calendar longcase by Prideaux, illustrated on pg. 416, Figure 11/55, in The Longcase Clock by Tom Robinson. It has been suggested that, because the calendar mechanism is so complicated, yet practically identical to that of an Eardley Norton perpetual calendar longcase, both makers were using the same supplier. Lake, W. (1870) A Complete Parochial History of the County of Cornwall, Compiled From the Best Authorities & Corrected and Improved from Actual Survey. Truro: William Lake. Vol. III.; Maclean, J. (1876) The Parochial and Family History of the Deanery of Trigg Minor in the County of Cornwall. London: Nichols & Sons. Vol. II.Will of Edmund Prideaux of Saint Andrew Holborn, Middlesex (1789). The National Archives: Public Record Office. Catalogue reference: PROB 11/1283/141.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A fine late 18th century ebonised bracket clock with deadbeat escapement and associated bracketVulliamy, London, no. 311 The ribbed handle set on a shallow caddy over a well moulded cornice and tall arched side frets backed in red silk, on a moulded base and brass block feet. The 6.75 inch dial with shallow arch and silvered signature plaque flanked by dials for strike/silent and rise-and-fall regulation, heightened by engraved single flowers, the silvered Roman and Arabic chapter ring enclosing the finely matted centre with chamfered date aperture and good original blued steel hands, all framed by foliate scroll spandrels. The very substantial twin gut fusee movement with five knopped and finned pillars, deadbeat escapement and rack striking on the bell, (a cord to the right hand side will allow the last hour to be re-struck on demand), the pendulum suspended from a pair of tear-drop shaped cocks, the backplate signed and numbered within a floral swag cartouche on an otherwise plain ground, with substantial L-shaped securing brackets. Ticking and striking. Together with a bespoke handmade ebonised wall bracket with integral drawer base. The clock 41cms (16ins) high. The bracket a further 21cms (8.25ins) high (2)Footnotes:We are grateful to Mr Roger Smith who confirms that the Vulliamy records state that this clock was sold in 1799 to a Mr Seivers. For further information on this lot please visit Bonhams.com
A GOOD MID-LATE 18TH CENTURY EBONISED TABLE CLOCK, WITH ASSOCIATED WALL BRACKETJustin Vulliamy, London The case surmounted by a typical handle on a shallow caddy with moulded edges over arched glazed side panels to a moulded base raised on block feet, both door panels with pierced quadrant frets backed by red silk. The 6 inch arched brass dial signed on a shaped plaque between the twin subsidiaries for strike/silent and rise-and-fall regulation, the pierced scroll spandrels framing the silvered Roman and Arabic chapter ring, matted centre, shaped mock pendulum and chamfered date apertures, with blued steel hands. The twin gut (now wire) fusee movement with thick plates united by five knopped pillars, half-deadbeat escapement with split back-cock, to a pendulum with thick steel rod pinned into the central sliding section of the heavy lenticular brass bob. The backplate engraved with a symmetrical pattern of interlaced foliage between shaded columns, secured into the case via a pair of engraved L-shaped brackets. Running and striking. Together with a 20th century crank winder. 38cms (15ins) high. Footnotes:Justin Vulliamy was born in Switzerland around 1712 and was working in London in the late 1730's. He married the daughter of clockmaker Benjamin Gray in 1741 and worked with him as a partner till 1764, when he succeeded him. His son Benjamin Vulliamy was his partner around 1780. He died in 1797.Provenance:Single family ownership for three generations, purchased by the vendor's grandfather, a timber merchant.For further information on this lot please visit Bonhams.com
A fine and very rare mid 18th century grande sonnerie striking ebony table clock with alarm and trip repeatConyers Dunlop, LondonThe stepped caddy top framed by four facetted finials over a deep cornice set with brass panels over freestanding reeded Doric columns, side handles and pierced wooden sound frets backed in green silk, on a stepped brass-bound plinth on brass block feet. The 7.5inch arched brass dial signed on a silvered plaque flanked by subsidiaries for rise-and-fall regulation and Strike/Silent over a silvered Roman and Arabic chapter ring with floating fleur de lys half-hour markers, the very finely matted centre with large mock pendulum aperture, chamfered date aperture and alarm-setting disc (the alarm wound via a small arbor between XII and I). The substantial movement with triple gut fusees to a pivotted verge escapement, striking the hours on a large bell and each quarter on a run of six bells, the alarm sounded on the larger bell via a double-headed hammer, the engraved backplate centred by the standing figure of Diana the Huntress, bare-breasted holding a spear, bow, and arrows over a female mask, with original pendulum sprung holdfast. Together with a bespoke wall bracket. Ticking, striking and trip repeating. 56cms (22ins) highFor further information on this lot please visit Bonhams.com
A brass-mounted walnut table clock of excellent colour, mid 18th century with 19th century adaptationsHenry Thornton, LondonThe inverted bell top case with substantial handle over brass banding between the caddy levels and four cone finials to a well moulded cornice, fish scale side frets, moulded base on brass block feet, the front door, sides and rear door all framed in cast brass borders. The 6.75 inch arched brass dial signed in a shaped silvered plaque above a pair of subsidiaries for strike/silent and rise-and-fall regulation with decorative engraving between, the silvered Roman and Arabic chapter ring framed by Indian-mask spandrels, with finely matted centre, large mock pendulum aperture and chamfered date aperture (both apertures now blocked), with blued steel hands. The movement now converted to quarter chiming, with three 19th century fusees and barrels, the latter extending beyond the base of the movement and contained within brass plates, the going train with anchor escapement, the striking train wheel-work largely 18th century, the quarter train chiming on eight bells and hammers. The backplate centred by an engraved basket of fruit amid a series of interlaced foliate scrolls. 49cms (1ft 7ins) high.Footnotes:Henry Thornton was an apprentice in 1692 to Samuel Stevens before being admitted to the Clockmakers Company in 1699. He was recorded as working at 'ye Dial in Basing Lane' in 1723 and by 1730 he was working at the Royal Exchange. His last entry with the Clockmakers Company dates from 1732. His work has had a global distribution; one longcase made by him is known in Boston, USA, and a longcase, two table clocks and two pocket watches made by him are in Russia; one of the chiming clocks is in the State Hermitage Museum collection and both watches formed part of the Tsar's personal collection.For further information on this lot please visit Bonhams.com

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81693 Los(e)/Seite