81699 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
81699 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
81699 Los(e)/Seite
Los 367A
A Victorian rosewood dressing case the hinged rectangular top enclosing a fitted interior with various silver-plated topped glass containers,31cm widetogether with a 19th century yew wood tea caddy of sarcophagus form, fitted mixing bowl and twin canisters,30cm wide (2)Condition Reportsmall split to edge of rosewood box surface scratches and nibbles to both
Los 25
A matched pair of silver caddy spoons, engraved 'Earl Grey' and 'Ceylon Tea' with handles formed as vine leaves, 10.1cm high 1.46ozt (2) Condition ReportTarnished with surface scratches. Please see additional images. Ceylon - Bert Gordon, Birmingham 1978Earl Grey - Warwickshire Reproduction Silver, Birmingham 1980
Los 59
A George IV silver sugar shovel/caddy spoon with mother of pearl handle, John Bettridge, Birmingham 1820, to/w an elliptical ring-box with tortoiseshell and piqué-work top, Birmingham 1910, two penknives with silver blades and mother of pearl handles, a pair of novelty 'wishbone' sugar tongs, an 'owl' bookmark and two small photograph frames
Los 368
A GROUP OF FOURTEEN LILLIPUT LANE SCULPTURES comprising two boxed Collector's Club Specials to include 'The Spinney' (rub to roof) and 'Petticoat Cottage,' both to include deeds and certificates of authenticity, a boxed 'Heaven Lea Cottage' with deeds, a boxed 'Ostler's Keep' (rubs near the base), a boxed 'Derwent-le-Dale' with deeds and certificate of authenticity, a boxed 'Runswick House' with deeds and certificate, a boxed 'Village School' to include deeds, a boxed 'Oak Cottage' with deeds, 'Bramble Cottage' (rub to roof), 'Puffin Row' (rub to roof), 'Old Mother Hubbard's' (rub to roof), 'Birdlip Bottom' (rub to the base and tree), 'The Caddy Cottage' (rub to the tree and chimney), 'Foxglove Fields' (rub to bushes), and a quantity of Collector magazines (14 + boxes + documents) (Condition Report: itemised condition above,
Los 438
A mahogany tea caddy, 19th century, of sarcophagus form, lacking interior, width 28cm, together with a rosewood and mother of pearl inlaid glove box, 19th century, having an ivory escutcheon, width 25cm (2). Note: a non-transferable ivory exemption certificate has been granted for this item, ref W2K181ZR
Los 2507
A late Victorian mahogany and gilt metal mounted bracket clock, of impressive proportions and in the early Georgian style, having a caddy top above an 8½" unsigned arched brass dial, with silvered chapter ring, matted centre, twin subsidiary chime/silent and chime on eight bells/Cambridge chimes dials to the arch, triple winding holes for an eight-day chain driven fusee movement striking on eight bells and one gong, the case with gilt metal glazed sound panels and further mounts (all metal tarnished), h.79cm
Los 2090
A collection of continental porcelain, 19th century, to include a tea caddy, enamel decorated with flowers, h.13cm, together with a circular trinket box, the lid enamel decorated with a courting couple, dia.7cm, a jar and cover, of ovoid form, enamel decorated with flowers, h.14cm, and a gilt metal mounted bowl, enamel decorated with flowers, dia.12.5cm (4)
Los 171
Eight small pieces of mostly 20th century silver: 1. two caddy spoons - Thomas Wallis II, London 1804 and Francis Howard 1989 (30 g combined); 2. three butter knives - Daniel Arter 1923, Francis Howard 1951 and Broadway & Co 1992 (75 g combined) 3. a pair of sugar tongs - Walker & Hall 1926 (20 g) 4. a nail buffer - CD, London 1922 5. a button hook - Crisford & Norris, Birmingham 1905
Los 100
Art Nouveau Tea caddy / teacaddy, J.M. van Kempen & Sons, Voorschoten 1913, silver. Beautiful heavy Art Nouveau tea caddy with rich decorations and standing on 4 legs. Netherlands, Voorschoten, J.M. van Kempen, 1913, hallmarks: standing lion 1, Minerva, maker's mark, D. 348 grams, 934/1000. Dimensions H 17.5 cm.
Los 6127
George III satinwood tea caddy with hinged domed cover, with boxwood bandings and checkered stringing, the cover and front inlaid with shell paterae and bone escutcheon, L18.5cm x H13.5cm, together with a George III mahogany tea caddy, of rectangular canted form with shell paterae inlay and later simulated ivory escutcheon, L18.5cm x H12cm (2)
Los 2810
A DECORATIVE LIPSTICK COMPACT made in 18k (stamped 750,) gold with all over engine turned linear engraving and a diamond set clasp. The compact will take a lipstick in its caddy and has a mirror in the lid with a sprung clasp. Dimensions 5.4cm x 1.7cm, weight 44.4gms Condition Report:Has some light scratches and dents throughout.
Los 859
Y A SMALL COLLECTION OF TREEN TO INCLUDE: A 19th century yew or Arbutus tea caddy, ivory escutcheon, 19.5cm wide; and assorted mostly 19th century small barrels, string barrels, capstan shaped boxes, life preserver etcProvenance: The Estate of a deceased Gentleman Please note: Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: AEEAUM5X) Condition Report: Please note the below condition report is the only one available. Marks, knocks, scratches, abrasions commensurate with age and use. Some old chips, splits and losses. Some lifting on tea caddy lid and crack to ivory, no key present but unlocked at time of report.The above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly. Condition Report Disclaimer
Los 1891
A SMALL WALNUT AND MARQUETRY QUARTER-CHIMING LONGCASE CLOCKBy Charles Frodsham, London, Circa 1950The case with a caddy top, moulded cornice and pierced fret, with a three-quarter column to each side of the glazed door and quarter columns to the back edge, above a slender trunk inset with a panel door, inlaid with three marquetry panels of foliage, above the base with stepped plinth, the 7in square gilt brass dial, with cherub spandrels, within a ‘wheatsheaf’ engraved border, enclosing silvered chapter ring, blued steel hands and a matted centre, signed on the dial plate Chas. Frodsham, Londini Fecit, the twin train chain fusée movement striking and chiming the quarters on eight graduated bells, with anchor escapement167cm highSALEROOM NOTICEPlease note this clock is circa 1950.CONDITION REPORTWith pendulum. The clock is in good condition, although the movement will require a full service as it’s very dirty and not running. The case would benefit from a wax. The glass panel is loose and temporarily removed for safety.30.11. There are two brass corner mounts missing from the back of the hood part of the quarter mouldings - top right and bottom left.
Los 1913
A GEORGE III BRASS-MOUNTED STRIKING AND REPEATING VERGE BRACKET CLOCKThomas Pace, London, Circa 1780The inverted bell top pediment surmounted by a brass carrying handle, with four brass ball finials, above the cornice, above a panel door inset with a glazed arch and two spandrels, the sides each with an inset brass fish-scale grille panel, on brass bracket feet, the 6 3/4in arched brass dial plate with foliate engraving and with strike/silent subsidiary and slightly convex dial below with Roman chapter, detailed Thomas Pace, London, with pierced brass hands, the twin train gut fusée with foliate engraved backplate and strike on a bell48cm high CONDITION REPORTWith steel key. The clock is ticking and strikes. It would benefit from a service. It appears to have been restored some while ago. The case has some veneer loss around the edges of both the brass side panels. There is a crack to the lefthand top of the door. A small loss to the veneer on the front edge of the lower edge of the caddy.
Los 1635
A group of Aynsley Orchard Gold pattern and still life decorated wares, with designs after Jones and Brunt, including six teacups and saucers, six tea plates, cake plate with integral gilt metal handle, plate with moulded gilt rim, diameter 26.3cm, footed stand, small teapot and cover, caddy with hinged lid, jug, three small dishes, lampbase, two-handled vase and cover and a mixed group of mostly boxed flatware.
Los 1633
Three small Meissen floral encrusted pots and covers, circa 1900, with yellow enamelled basketweave moulded details and gilt rims, two of oval shape, length 7cm, and one circular, diameter 9cm, together with two similar Meissen circular pots and covers with floral finials, a Meissen floral painted jug, 18th century, height 12.5cm, a Meissen puce painted caddy, height 10cm, a Meissen potpourri vase and cover, the base with a dog and fowl, height 20cm, and a French faience plate painted with fruit and flowers, diameter 25cm (faults and restoration).
Los 117
Edward VII five-piece silver tea and coffee set, consisting of a teapot, coffeepot, tea caddy, sugar bowl, and milk jug, sponsor's marks of John Round & Son Ltd, Sheffield 1902, London 1903, and 1904, 22.5cm high and smaller, 2060g gross approx, together with two Anglo-Indian white-metal circular stands, marks for Hamilton & Comapny, Calcutta, 390g approx
Los 204
* LADY LUCINDA MACKAY (SCOTTISH b. 1941), BATMAN IN DIRLETON ink on paper, monogrammed, titled label versomounted, framed and under glassimage size 20cm x 27cm, overall size 36cm x 44cm Exhibition label verso: 1 - 15 September (2018), The Torrance Gallery, EdinburghNote: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
Los 205
* LADY LUCINDA MACKAY (SCOTTISH b. 1941), MADRID CITY CENTRE oil on canvas, signed, titled and dated '17 versoframedimage size 41cm x 51cm, overall size 49cm x 59cm Exhibition label verso: 1 - 15 September 2018, The Torrance Gallery, EdinburghNote: Artist and teacher, notably a draughtsman and painter of portraits, born in Sunninghill, Berkshire, brought up in the family home, Glenapp Castle, Ayrshire. Lady Mackay was the daughter of the 3rd Earl of Inchcape, chairman of the shipping line P&O who also ran Inchape PLC and was director of many other companies. Lucy Mackay was educated in Switzerland, Cambridge and at Edinburgh University and Edinburgh College of Art, 1960–5, under David Talbot Rice and William Gillies, graduating with a master’s honours degree in fine art. In 1973–4 she completed a postgraduate illustration studies year at the Central School of Art and Design. She settled in Edinburgh where she studied advanced botanic illustration at the Royal Botanic Garden, and where as a member of the Scottish Arts Club from 1983 she regularly attended life studies. Mackay began her extensive teaching career in 1966 as art assistant at Edinburgh Academy for Boys; from 1968–76 taught art, design and pottery at schools in the London area; then again in Edinburgh at the Salisbury Centre, 1981–2. In 1999 she joined the register of Angus County’s artists-in-residence for primary schools, serving at several schools. After winning first prize in a portrait painting competition run by the magazine Nursery World, 1953, and exhibiting a prize painting in the Daily Mail competition to celebrate the opening of the Forth Road Bridge, 1964, Mackay took part in many group shows, including the RSA. Among later solo exhibitions were The Italian Institute, Edinburgh, 1991; Torrance Gallery, Edinburgh, 1995, 1998 and 2005; and The Forum, Ocean Terminal, Leith, in aid of the Bethany Trust, 2004. She travelled extensively in several continents with paints and sketch-book. As well as a series of self-portraits Mackay completed many portraits, including Ronald Fletcher, broadcaster, 1968; the Queen’s Counsel Lionel Daiches, 1979–80; singer Ian Caddy, 1980–1; Professor David Daiches with his brother Lionel, 1988–9; the composer and conductor Emre Araci, 1997; and cellist Harriet Johnson, 2000. Her work was held by collections including the Scottish National Portrait Gallery; London College of Music; Royal Over-Seas League; Scottish Arts Club; Barlinnie Prison; and Geffrye Museum.
Loading...-
81699 Los(e)/Seite